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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECD552 it is the complementary color #132AAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECD552. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECD552 shade: #F1D54D, #FFE760, #FFF973, #FFFF86 and #FFFF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECD552. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECD552 shade: #ECD552, #DBC33F, #CAB12C, #B99F19 and #A88D06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECD552 shade: #ECD451, #ECAB51, #EC8151, #EC5751 and #EC5151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECD552 shade: #ECD451, #D9EC51, #AFEC51, #85EC51 and #5CEC51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECD552 shade matches the following richer shades: #ECD451 and #FBDF41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECD552 shade: #ECD451, #DCC960, #CCBE70, #BDB380 and #ADA88F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECD552 shade: #EC8251, #ECAB51, #ECD451, #DAEC51 and #B0EC51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECD552 shade: #D2B617, #E7CB2B, #ECD451, #F0DE76 and #F4E79B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECD552 shade: #ECD552, #51EC58 and #9651EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECD552 shade: #ECD552, #51ECD4 and #D451EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECD552 shade: #ECD552, #51EC58, #5168EC and #EC51E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECD552 shade: #ECD552, #51EC87, #5168EC and #EC51B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 65 / 7

HEX #ECD552

RGB 236 213 82

HSL 51.04, 0.8%, 0.62%

LAB 85.01, -6.69, 65.27

 

Complementary color

CMYK 89 / 76 / 0 / 32

HEX #132AAD

RGB 19 42 173

HSL 231.04, 0.8%, 0.38%

LAB 26.19, 42.95, -70.51

 

CMYK 0 / 12 / 68 / 5

HEX #F1D54D

RGB 241 213 77

HSL 49.76, 0.85%, 0.62%

LAB 85.42, -4.89, 67.83

 

CMYK 0 / 9 / 62 / 0

HEX #FFE760

RGB 255 231 96

HSL 50.94, 1%, 0.69%

LAB 91.35, -7.08, 66.72

 

CMYK 0 / 2 / 55 / 0

HEX #FFF973

RGB 255 249 115

HSL 57.43, 1%, 0.73%

LAB 96.1, -14.65, 63.84

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF86

RGB 255 255 134

HSL 60, 1%, 0.76%

LAB 97.83, -16.03, 57.32

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF99

RGB 255 255 153

HSL 60, 1%, 0.8%

LAB 98.07, -14.23, 48.66

 

CMYK 0 / 10 / 65 / 7

HEX #ECD552

RGB 236 213 82

HSL 51.04, 0.8%, 0.62%

LAB 85.01, -6.69, 65.27

 

CMYK 0 / 11 / 71 / 14

HEX #DBC33F

RGB 219 195 63

HSL 50.77, 0.68%, 0.55%

LAB 78.72, -5.67, 65.86

 

CMYK 0 / 12 / 78 / 21

HEX #CAB12C

RGB 202 177 44

HSL 50.51, 0.64%, 0.48%

LAB 72.35, -4.47, 65.94

 

CMYK 0 / 14 / 86 / 27

HEX #B99F19

RGB 185 159 25

HSL 50.25, 0.76%, 0.41%

LAB 65.89, -3.04, 65.11

 

CMYK 0 / 16 / 96 / 34

HEX #A88D06

RGB 168 141 6

HSL 50, 0.93%, 0.34%

LAB 59.33, -1.36, 62.83

 

CMYK 0 / 10 / 66 / 7

HEX #ECD451

RGB 236 212 81

HSL 50.71, 0.8%, 0.62%

LAB 84.75, -6.25, 65.4

 

CMYK 0 / 28 / 66 / 7

HEX #ECAB51

RGB 236 171 81

HSL 34.84, 0.8%, 0.62%

LAB 74.54, 15.08, 54.46

 

CMYK 0 / 45 / 66 / 7

HEX #EC8151

RGB 236 129 81

HSL 18.58, 0.8%, 0.62%

LAB 65.06, 37.16, 43.72

 

CMYK 0 / 63 / 66 / 7

HEX #EC5751

RGB 236 87 81

HSL 2.32, 0.8%, 0.62%

LAB 57.31, 57.08, 34.46

 

CMYK 0 / 66 / 66 / 7

HEX #EC5151

RGB 236 81 81

HSL 0, 0.8%, 0.62%

LAB 56.4, 59.55, 33.34

 

CMYK 0 / 10 / 66 / 7

HEX #ECD451

RGB 236 212 81

HSL 50.71, 0.8%, 0.62%

LAB 84.75, -6.25, 65.4

 

CMYK 8 / 0 / 66 / 7

HEX #D9EC51

RGB 217 236 81

HSL 67.35, 0.8%, 0.62%

LAB 89.55, -25.81, 69.91

 

CMYK 26 / 0 / 66 / 7

HEX #AFEC51

RGB 175 236 81

HSL 83.61, 0.8%, 0.62%

LAB 86.85, -41.96, 66.26

 

CMYK 44 / 0 / 66 / 7

HEX #85EC51

RGB 133 236 81

HSL 99.87, 0.8%, 0.62%

LAB 84.78, -56.12, 63.44

 

CMYK 61 / 0 / 66 / 7

HEX #5CEC51

RGB 92 236 81

HSL 115.74, 0.8%, 0.62%

LAB 83.37, -66.9, 61.51

 

CMYK 0 / 10 / 66 / 7

HEX #ECD451

RGB 236 212 81

HSL 50.71, 0.8%, 0.62%

LAB 84.75, -6.25, 65.4

 

CMYK 0 / 11 / 74 / 2

HEX #FBDF41

RGB 251 223 65

HSL 50.97, 0.96%, 0.62%

LAB 88.76, -6.31, 75.79

 

CMYK 0 / 10 / 66 / 7

HEX #ECD451

RGB 236 212 81

HSL 50.71, 0.8%, 0.62%

LAB 84.75, -6.25, 65.4

 

CMYK 0 / 9 / 56 / 14

HEX #DCC960

RGB 220 201 96

HSL 50.81, 0.64%, 0.62%

LAB 80.65, -6.3, 53.97

 

CMYK 0 / 7 / 45 / 20

HEX #CCBE70

RGB 204 190 112

HSL 50.87, 0.47%, 0.62%

LAB 76.58, -5.8, 41.02

 

CMYK 0 / 5 / 32 / 26

HEX #BDB380

RGB 189 179 128

HSL 50.16, 0.32%, 0.62%

LAB 72.64, -4.27, 27.37

 

CMYK 0 / 3 / 17 / 32

HEX #ADA88F

RGB 173 168 143

HSL 50, 0.15%, 0.62%

LAB 68.66, -2.5, 13.57

 

CMYK 0 / 45 / 66 / 7

HEX #EC8251

RGB 236 130 81

HSL 18.97, 0.8%, 0.62%

LAB 65.27, 36.65, 43.97

 

CMYK 0 / 28 / 66 / 7

HEX #ECAB51

RGB 236 171 81

HSL 34.84, 0.8%, 0.62%

LAB 74.54, 15.08, 54.46

 

CMYK 0 / 10 / 66 / 7

HEX #ECD451

RGB 236 212 81

HSL 50.71, 0.8%, 0.62%

LAB 84.75, -6.25, 65.4

 

CMYK 8 / 0 / 66 / 7

HEX #DAEC51

RGB 218 236 81

HSL 66.97, 0.8%, 0.62%

LAB 89.62, -25.41, 70.01

 

CMYK 25 / 0 / 66 / 7

HEX #B0EC51

RGB 176 236 81

HSL 83.23, 0.8%, 0.62%

LAB 86.91, -41.59, 66.34

 

CMYK 0 / 13 / 89 / 18

HEX #D2B617

RGB 210 182 23

HSL 51.02, 0.8%, 0.46%

LAB 74.33, -4.15, 73.27

 

CMYK 0 / 12 / 81 / 9

HEX #E7CB2B

RGB 231 203 43

HSL 51.06, 0.8%, 0.54%

LAB 81.77, -5.41, 75.54

 

CMYK 0 / 10 / 66 / 7

HEX #ECD451

RGB 236 212 81

HSL 50.71, 0.8%, 0.62%

LAB 84.75, -6.25, 65.4

 

CMYK 0 / 8 / 51 / 6

HEX #F0DE76

RGB 240 222 118

HSL 51.15, 0.8%, 0.7%

LAB 88.01, -7.05, 52.73

 

CMYK 0 / 5 / 36 / 4

HEX #F4E79B

RGB 244 231 155

HSL 51.24, 0.8%, 0.78%

LAB 91.12, -6.36, 38.61

 

CMYK 0 / 10 / 65 / 7

HEX #ECD552

RGB 236 213 82

HSL 51.04, 0.8%, 0.62%

LAB 85.01, -6.69, 65.27

 

CMYK 66 / 0 / 63 / 7

HEX #51EC58

RGB 81 236 88

HSL 122.71, 0.8%, 0.62%

LAB 83.15, -68.47, 58.34

 

CMYK 36 / 66 / 0 / 7

HEX #9651EC

RGB 150 81 236

HSL 266.71, 0.8%, 0.62%

LAB 50.01, 58.4, -67.63

 

CMYK 0 / 10 / 65 / 7

HEX #ECD552

RGB 236 213 82

HSL 51.04, 0.8%, 0.62%

LAB 85.01, -6.69, 65.27

 

CMYK 66 / 0 / 10 / 7

HEX #51ECD4

RGB 81 236 212

HSL 170.71, 0.8%, 0.62%

LAB 85.25, -45.93, -0.27

 

CMYK 10 / 66 / 0 / 7

HEX #D451EC

RGB 212 81 236

HSL 290.71, 0.8%, 0.62%

LAB 57.98, 71.5, -54.4

 

CMYK 0 / 10 / 65 / 7

HEX #ECD552

RGB 236 213 82

HSL 51.04, 0.8%, 0.62%

LAB 85.01, -6.69, 65.27

 

CMYK 66 / 0 / 63 / 7

HEX #51EC58

RGB 81 236 88

HSL 122.71, 0.8%, 0.62%

LAB 83.15, -68.47, 58.34

 

CMYK 66 / 56 / 0 / 7

HEX #5168EC

RGB 81 104 236

HSL 231.1, 0.8%, 0.62%

LAB 49.14, 32.98, -69.31

 

CMYK 0 / 66 / 3 / 7

HEX #EC51E4

RGB 236 81 228

HSL 303.1, 0.8%, 0.62%

LAB 61.06, 75.56, -44.81

 

CMYK 0 / 10 / 65 / 7

HEX #ECD552

RGB 236 213 82

HSL 51.04, 0.8%, 0.62%

LAB 85.01, -6.69, 65.27

 

CMYK 66 / 0 / 43 / 7

HEX #51EC87

RGB 81 236 135

HSL 140.9, 0.8%, 0.62%

LAB 83.7, -62.17, 37.3

 

CMYK 66 / 56 / 0 / 7

HEX #5168EC

RGB 81 104 236

HSL 231.1, 0.8%, 0.62%

LAB 49.14, 32.98, -69.31

 

CMYK 0 / 66 / 23 / 7

HEX #EC51B5

RGB 236 81 181

HSL 321.29, 0.8%, 0.62%

LAB 59.02, 68.83, -21.28

 

Description

Color code: HEX #ECD552 | qconv.com Color code: HEX #ECD552 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 213 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 213 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 65 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 65% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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