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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECD2F93F it is the complementary color #132D063F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECD2F93F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECD2F93F shade: #F1D2F43F, #FFE4FF3F, #FFF6FF3F and #FFFFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECD2F93F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECD2F93F shade: #ECD2F93F, #DBC0E63F, #CAAED33F, #B99CC03F and #A88AAD3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECD2F93F shade: #ECD2F9, #F6D2F9, #F9D2F1, #F9D2E6 and #F9D2DC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECD2F93F shade: #ECD2F9, #E2D2F9, #D7D2F9 and #D2D2F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECD2F93F shade matches the following richer shades: #ECD2F9 and #EDCEFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECD2F93F shade: #ECD2F9, #EBD6F5, #E9DAF1, #E8DEED and #E6E3E8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECD2F93F shade: #D7D2F9, #E2D2F9, #ECD2F9, #F6D2F9 and #F9D2F1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECD2F93F shade: #CD8AEF, #DDAEF4, #ECD2F9, #FBF6FE and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECD2F93F shade: #ECD2F9, #F9D2D7 and #D2F9DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECD2F93F shade: #ECD2F9, #F9ECD2 and #D2F9EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECD2F93F shade: #ECD2F9, #F9D2D7, #DFF9D2 and #D2F9F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECD2F93F shade: #ECD2F9, #F9D9D2, #DFF9D2 and #D2F2F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 4 / 0 / 1

HEX #ECD2F93F

RGBA 236 210 249 0.25

HSLA 280, 0.76%, 0.9%, 0.25

LABA 87.37, 15.93, -15.75, 0.25

 

Complementary color

CMYK 14 / 0 / 22 / 21

HEX #132D063F

RGBA 19 45 6 0.25

HSLA 100, 0.76%, 0.1%, 0.25

LABA 15.64, -18.66, 19.83, 0.25

 

CMYK 0 / 3 / 0 / 1

HEX #F1D2F43F

RGBA 241 210 244 0.25

HSLA 294.71, 0.61%, 0.89%, 0.25

LABA 87.64, 16.63, -12.66, 0.25

 

CMYK 0 / 3 / 0 / 0

HEX #FFE4FF3F

RGBA 255 228 255 0.25

HSLA 300, 1%, 0.95%, 0.25

LABA 93.44, 13.83, -9.68, 0.25

 

CMYK 0 / 1 / 0 / 0

HEX #FFF6FF3F

RGBA 255 246 255 0.25

HSLA 300, 1%, 0.98%, 0.25

LABA 97.79, 4.57, -3.25, 0.25

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF3F

RGBA 255 255 255 0.25

HSLA 0, 0%, 1%, 0.25

LABA 100, 0.01, -0.01, 0.25

 

CMYK 1 / 4 / 0 / 1

HEX #ECD2F93F

RGBA 236 210 249 0.25

HSLA 280, 0.76%, 0.9%, 0.25

LABA 87.37, 15.93, -15.75, 0.25

 

CMYK 1 / 4 / 0 / 2

HEX #DBC0E63F

RGBA 219 192 230 0.25

HSLA 282.63, 0.43%, 0.83%, 0.25

LABA 81, 16.33, -15.36, 0.25

 

CMYK 1 / 4 / 0 / 4

HEX #CAAED33F

RGBA 202 174 211 0.25

HSLA 285.41, 0.3%, 0.75%, 0.25

LABA 74.53, 16.76, -14.96, 0.25

 

CMYK 1 / 5 / 0 / 6

HEX #B99CC03F

RGBA 185 156 192 0.25

HSLA 288.33, 0.22%, 0.68%, 0.25

LABA 67.94, 17.22, -14.55, 0.25

 

CMYK 1 / 5 / 0 / 8

HEX #A88AAD3F

RGBA 168 138 173 0.25

HSLA 291.43, 0.18%, 0.61%, 0.25

LABA 61.24, 17.72, -14.14, 0.25

 

CMYK 5 / 16 / 0 / 2

HEX #ECD2F9

RGB 236 210 249

HSL 280, 0.76%, 0.9%

LAB 87.37, 15.93, -15.75

 

CMYK 1 / 16 / 0 / 2

HEX #F6D2F9

RGB 246 210 249

HSL 295.38, 0.76%, 0.9%

LAB 88.22, 19.19, -14.39

 

CMYK 0 / 16 / 3 / 2

HEX #F9D2F1

RGB 249 210 241

HSL 312.31, 0.76%, 0.9%

LAB 88.25, 18.75, -10.1

 

CMYK 0 / 16 / 8 / 2

HEX #F9D2E6

RGB 249 210 230

HSL 329.23, 0.76%, 0.9%

LAB 87.94, 16.86, -4.74

 

CMYK 0 / 16 / 12 / 2

HEX #F9D2DC

RGB 249 210 220

HSL 344.62, 0.76%, 0.9%

LAB 87.68, 15.21, 0.16

 

CMYK 5 / 16 / 0 / 2

HEX #ECD2F9

RGB 236 210 249

HSL 280, 0.76%, 0.9%

LAB 87.37, 15.93, -15.75

 

CMYK 9 / 16 / 0 / 2

HEX #E2D2F9

RGB 226 210 249

HSL 264.62, 0.76%, 0.9%

LAB 86.55, 12.71, -17.06

 

CMYK 14 / 16 / 0 / 2

HEX #D7D2F9

RGB 215 210 249

HSL 247.69, 0.76%, 0.9%

LAB 85.7, 9.22, -18.44

 

CMYK 16 / 16 / 0 / 2

HEX #D2D2F9

RGB 210 210 249

HSL 240, 0.76%, 0.9%

LAB 85.32, 7.66, -19.05

 

CMYK 5 / 16 / 0 / 2

HEX #ECD2F9

RGB 236 210 249

HSL 280, 0.76%, 0.9%

LAB 87.37, 15.93, -15.75

 

CMYK 6 / 19 / 0 / 1

HEX #EDCEFD

RGB 237 206 253

HSL 279.57, 0.92%, 0.9%

LAB 86.62, 19.14, -18.99

 

CMYK 5 / 16 / 0 / 2

HEX #ECD2F9

RGB 236 210 249

HSL 280, 0.76%, 0.9%

LAB 87.37, 15.93, -15.75

 

CMYK 4 / 13 / 0 / 4

HEX #EBD6F5

RGB 235 214 245

HSL 280.65, 0.61%, 0.9%

LAB 88.14, 12.74, -12.51

 

CMYK 3 / 10 / 0 / 5

HEX #E9DAF1

RGB 233 218 241

HSL 279.13, 0.45%, 0.9%

LAB 88.84, 9.24, -9.37

 

CMYK 2 / 6 / 0 / 7

HEX #E8DEED

RGB 232 222 237

HSL 280, 0.29%, 0.9%

LAB 89.63, 6.08, -6.1

 

CMYK 1 / 2 / 0 / 9

HEX #E6E3E8

RGB 230 227 232

HSL 276, 0.1%, 0.9%

LAB 90.59, 1.91, -2.08

 

CMYK 14 / 16 / 0 / 2

HEX #D7D2F9

RGB 215 210 249

HSL 247.69, 0.76%, 0.9%

LAB 85.7, 9.22, -18.44

 

CMYK 9 / 16 / 0 / 2

HEX #E2D2F9

RGB 226 210 249

HSL 264.62, 0.76%, 0.9%

LAB 86.55, 12.71, -17.06

 

CMYK 5 / 16 / 0 / 2

HEX #ECD2F9

RGB 236 210 249

HSL 280, 0.76%, 0.9%

LAB 87.37, 15.93, -15.75

 

CMYK 1 / 16 / 0 / 2

HEX #F6D2F9

RGB 246 210 249

HSL 295.38, 0.76%, 0.9%

LAB 88.22, 19.19, -14.39

 

CMYK 0 / 16 / 3 / 2

HEX #F9D2F1

RGB 249 210 241

HSL 312.31, 0.76%, 0.9%

LAB 88.25, 18.75, -10.1

 

CMYK 14 / 42 / 0 / 6

HEX #CD8AEF

RGB 205 138 239

HSL 279.8, 0.76%, 0.74%

LAB 67.57, 43.01, -40.97

 

CMYK 9 / 29 / 0 / 4

HEX #DDAEF4

RGB 221 174 244

HSL 280.29, 0.76%, 0.82%

LAB 77.39, 29.43, -28.36

 

CMYK 5 / 16 / 0 / 2

HEX #ECD2F9

RGB 236 210 249

HSL 280, 0.76%, 0.9%

LAB 87.37, 15.93, -15.75

 

CMYK 1 / 3 / 0 / 0

HEX #FBF6FE

RGB 251 246 254

HSL 277.5, 0.8%, 0.98%

LAB 97.46, 3.07, -3.25

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 5 / 16 / 0 / 2

HEX #ECD2F9

RGB 236 210 249

HSL 280, 0.76%, 0.9%

LAB 87.37, 15.93, -15.75

 

CMYK 0 / 16 / 14 / 2

HEX #F9D2D7

RGB 249 210 215

HSL 352.31, 0.76%, 0.9%

LAB 87.55, 14.41, 2.62

 

CMYK 16 / 0 / 12 / 2

HEX #D2F9DC

RGB 210 249 220

HSL 135.38, 0.76%, 0.9%

LAB 94.58, -17.95, 9.76

 

CMYK 5 / 16 / 0 / 2

HEX #ECD2F9

RGB 236 210 249

HSL 280, 0.76%, 0.9%

LAB 87.37, 15.93, -15.75

 

CMYK 0 / 5 / 16 / 2

HEX #F9ECD2

RGB 249 236 210

HSL 40, 0.76%, 0.9%

LAB 93.79, 0.22, 14.18

 

CMYK 16 / 0 / 5 / 2

HEX #D2F9EC

RGB 210 249 236

HSL 160, 0.76%, 0.9%

LAB 94.95, -14.99, 2.04

 

CMYK 5 / 16 / 0 / 2

HEX #ECD2F9

RGB 236 210 249

HSL 280, 0.76%, 0.9%

LAB 87.37, 15.93, -15.75

 

CMYK 0 / 16 / 14 / 2

HEX #F9D2D7

RGB 249 210 215

HSL 352.31, 0.76%, 0.9%

LAB 87.55, 14.41, 2.62

 

CMYK 10 / 0 / 16 / 2

HEX #DFF9D2

RGB 223 249 210

HSL 100, 0.76%, 0.9%

LAB 95.2, -15.35, 15.9

 

CMYK 16 / 0 / 2 / 2

HEX #D2F9F4

RGB 210 249 244

HSL 172.31, 0.76%, 0.9%

LAB 95.15, -13.44, -1.8

 

CMYK 5 / 16 / 0 / 2

HEX #ECD2F9

RGB 236 210 249

HSL 280, 0.76%, 0.9%

LAB 87.37, 15.93, -15.75

 

CMYK 0 / 13 / 16 / 2

HEX #F9D9D2

RGB 249 217 210

HSL 10.77, 0.76%, 0.9%

LAB 89.12, 9.99, 7.52

 

CMYK 10 / 0 / 16 / 2

HEX #DFF9D2

RGB 223 249 210

HSL 100, 0.76%, 0.9%

LAB 95.2, -15.35, 15.9

 

CMYK 16 / 3 / 0 / 2

HEX #D2F2F9

RGB 210 242 249

HSL 190.77, 0.76%, 0.9%

LAB 93.47, -8.94, -6.87

 

Description

Color code: HEX #ECD2F93F | qconv.com Color code: HEX #ECD2F93F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 210 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 210 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 4 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 4% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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