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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECD1FD it is the complementary color #132E02. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECD1FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECD1FD shade: #F1D1F8, #FFE3FF, #FFF5FF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECD1FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECD1FD shade: #ECD1FD, #DBBFEA, #CAADD7, #B99BC4 and #A889B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECD1FD shade: #EDD3FD, #F8D3FD, #FDD3F7, #FDD3EB and #FDD3E0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECD1FD shade: #EDD3FD, #E1D3FD, #D6D3FD and #D3D3FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECD1FD shade matches the following richer shades: #EDD3FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECD1FD shade: #EDD3FD, #ECD7F9, #EBDAF6, #EADEF2 and #E9E2EE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECD1FD shade: #D6D3FD, #E1D3FD, #ECD3FD, #F8D3FD and #FDD3F8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECD1FD shade: #CC84FA, #DDABFC, #EDD3FD, #FDFBFF and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECD1FD shade: #ECD1FD, #FDD3DB and #D3FDDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECD1FD shade: #ECD1FD, #FDECD3 and #D3FDEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECD1FD shade: #ECD1FD, #FDD3DB, #E4FDD3 and #D3FDF5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECD1FD shade: #ECD1FD, #FDD7D3, #E4FDD3 and #D3F9FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 17 / 0 / 1

HEX #ECD1FD

RGB 236 209 253

HSL 276.82, 0.92%, 0.91%

LAB 87.25, 17.23, -18.04

 

Complementary color

CMYK 59 / 0 / 96 / 82

HEX #132E02

RGB 19 46 2

HSL 96.82, 0.92%, 0.09%

LAB 15.99, -19.65, 21.9

 

CMYK 3 / 16 / 0 / 3

HEX #F1D1F8

RGB 241 209 248

HSL 289.23, 0.74%, 0.9%

LAB 87.52, 17.9, -14.95

 

CMYK 0 / 11 / 0 / 0

HEX #FFE3FF

RGB 255 227 255

HSL 300, 1%, 0.95%

LAB 93.2, 14.35, -10.03

 

CMYK 0 / 4 / 0 / 0

HEX #FFF5FF

RGB 255 245 255

HSL 300, 1%, 0.98%

LAB 97.55, 5.08, -3.61

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 7 / 17 / 0 / 1

HEX #ECD1FD

RGB 236 209 253

HSL 276.82, 0.92%, 0.91%

LAB 87.25, 17.23, -18.04

 

CMYK 6 / 18 / 0 / 8

HEX #DBBFEA

RGB 219 191 234

HSL 279.07, 0.51%, 0.83%

LAB 80.88, 17.64, -17.68

 

CMYK 6 / 20 / 0 / 16

HEX #CAADD7

RGB 202 173 215

HSL 281.43, 0.34%, 0.76%

LAB 74.41, 18.09, -17.31

 

CMYK 6 / 21 / 0 / 23

HEX #B99BC4

RGB 185 155 196

HSL 283.9, 0.26%, 0.69%

LAB 67.83, 18.57, -16.95

 

CMYK 5 / 23 / 0 / 31

HEX #A889B1

RGB 168 137 177

HSL 286.5, 0.2%, 0.62%

LAB 61.12, 19.09, -16.58

 

CMYK 6 / 17 / 0 / 1

HEX #EDD3FD

RGB 237 211 253

HSL 277.14, 0.91%, 0.91%

LAB 87.82, 16.49, -17.19

 

CMYK 2 / 17 / 0 / 1

HEX #F8D3FD

RGB 248 211 253

HSL 292.86, 0.91%, 0.91%

LAB 88.75, 20.05, -15.69

 

CMYK 0 / 17 / 2 / 1

HEX #FDD3F7

RGB 253 211 247

HSL 308.57, 0.91%, 0.91%

LAB 89.01, 20.61, -12.09

 

CMYK 0 / 17 / 7 / 1

HEX #FDD3EB

RGB 253 211 235

HSL 325.71, 0.91%, 0.91%

LAB 88.67, 18.54, -6.27

 

CMYK 0 / 17 / 11 / 1

HEX #FDD3E0

RGB 253 211 224

HSL 341.43, 0.91%, 0.91%

LAB 88.38, 16.72, -0.89

 

CMYK 6 / 17 / 0 / 1

HEX #EDD3FD

RGB 237 211 253

HSL 277.14, 0.91%, 0.91%

LAB 87.82, 16.49, -17.19

 

CMYK 11 / 17 / 0 / 1

HEX #E1D3FD

RGB 225 211 253

HSL 260, 0.91%, 0.91%

LAB 86.84, 12.66, -18.75

 

CMYK 15 / 17 / 0 / 1

HEX #D6D3FD

RGB 214 211 253

HSL 244.29, 0.91%, 0.91%

LAB 85.99, 9.21, -20.11

 

CMYK 17 / 17 / 0 / 1

HEX #D3D3FD

RGB 211 211 253

HSL 240, 0.91%, 0.91%

LAB 85.77, 8.28, -20.47

 

CMYK 6 / 17 / 0 / 1

HEX #EDD3FD

RGB 237 211 253

HSL 277.14, 0.91%, 0.91%

LAB 87.82, 16.49, -17.19

 

CMYK 6 / 17 / 0 / 1

HEX #EDD3FD

RGB 237 211 253

HSL 277.14, 0.91%, 0.91%

LAB 87.82, 16.49, -17.19

 

CMYK 5 / 14 / 0 / 2

HEX #ECD7F9

RGB 236 215 249

HSL 277.06, 0.74%, 0.91%

LAB 88.58, 13.3, -13.94

 

CMYK 4 / 11 / 0 / 4

HEX #EBDAF6

RGB 235 218 246

HSL 276.43, 0.61%, 0.91%

LAB 89.14, 10.83, -11.54

 

CMYK 3 / 8 / 0 / 5

HEX #EADEF2

RGB 234 222 242

HSL 276, 0.43%, 0.91%

LAB 89.93, 7.66, -8.27

 

CMYK 2 / 5 / 0 / 7

HEX #E9E2EE

RGB 233 226 238

HSL 275, 0.26%, 0.91%

LAB 90.73, 4.52, -5

 

CMYK 15 / 17 / 0 / 1

HEX #D6D3FD

RGB 214 211 253

HSL 244.29, 0.91%, 0.91%

LAB 85.99, 9.21, -20.11

 

CMYK 11 / 17 / 0 / 1

HEX #E1D3FD

RGB 225 211 253

HSL 260, 0.91%, 0.91%

LAB 86.84, 12.66, -18.75

 

CMYK 7 / 17 / 0 / 1

HEX #ECD3FD

RGB 236 211 253

HSL 275.71, 0.91%, 0.91%

LAB 87.73, 16.17, -17.32

 

CMYK 2 / 17 / 0 / 1

HEX #F8D3FD

RGB 248 211 253

HSL 292.86, 0.91%, 0.91%

LAB 88.75, 20.05, -15.69

 

CMYK 0 / 17 / 2 / 1

HEX #FDD3F8

RGB 253 211 248

HSL 307.14, 0.91%, 0.91%

LAB 89.04, 20.79, -12.58

 

CMYK 18 / 47 / 0 / 2

HEX #CC84FA

RGB 204 132 250

HSL 276.61, 0.92%, 0.75%

LAB 66.7, 48.24, -48.37

 

CMYK 12 / 32 / 0 / 1

HEX #DDABFC

RGB 221 171 252

HSL 277.04, 0.93%, 0.83%

LAB 77, 32.67, -33.27

 

CMYK 6 / 17 / 0 / 1

HEX #EDD3FD

RGB 237 211 253

HSL 277.14, 0.91%, 0.91%

LAB 87.82, 16.49, -17.19

 

CMYK 1 / 2 / 0 / 0

HEX #FDFBFF

RGB 253 251 255

HSL 270, 1%, 0.99%

LAB 98.87, 1.37, -1.69

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 7 / 17 / 0 / 1

HEX #ECD1FD

RGB 236 209 253

HSL 276.82, 0.92%, 0.91%

LAB 87.25, 17.23, -18.04

 

CMYK 0 / 17 / 13 / 1

HEX #FDD3DB

RGB 253 211 219

HSL 348.57, 0.91%, 0.91%

LAB 88.25, 15.92, 1.56

 

CMYK 17 / 0 / 13 / 1

HEX #D3FDDB

RGB 211 253 219

HSL 131.43, 0.91%, 0.91%

LAB 95.67, -19.76, 11.84

 

CMYK 7 / 17 / 0 / 1

HEX #ECD1FD

RGB 236 209 253

HSL 276.82, 0.92%, 0.91%

LAB 87.25, 17.23, -18.04

 

CMYK 0 / 7 / 17 / 1

HEX #FDECD3

RGB 253 236 211

HSL 35.71, 0.91%, 0.91%

LAB 94.13, 1.79, 14.19

 

CMYK 17 / 0 / 7 / 1

HEX #D3FDEC

RGB 211 253 236

HSL 155.71, 0.91%, 0.91%

LAB 96.06, -16.65, 3.66

 

CMYK 7 / 17 / 0 / 1

HEX #ECD1FD

RGB 236 209 253

HSL 276.82, 0.92%, 0.91%

LAB 87.25, 17.23, -18.04

 

CMYK 0 / 17 / 13 / 1

HEX #FDD3DB

RGB 253 211 219

HSL 348.57, 0.91%, 0.91%

LAB 88.25, 15.92, 1.56

 

CMYK 10 / 0 / 17 / 1

HEX #E4FDD3

RGB 228 253 211

HSL 95.71, 0.91%, 0.91%

LAB 96.59, -15.45, 17.4

 

CMYK 17 / 0 / 3 / 1

HEX #D3FDF5

RGB 211 253 245

HSL 168.57, 0.91%, 0.91%

LAB 96.28, -14.92, -0.66

 

CMYK 7 / 17 / 0 / 1

HEX #ECD1FD

RGB 236 209 253

HSL 276.82, 0.92%, 0.91%

LAB 87.25, 17.23, -18.04

 

CMYK 0 / 15 / 17 / 1

HEX #FDD7D3

RGB 253 215 211

HSL 5.71, 0.91%, 0.91%

LAB 89.01, 12.6, 6.88

 

CMYK 10 / 0 / 17 / 1

HEX #E4FDD3

RGB 228 253 211

HSL 95.71, 0.91%, 0.91%

LAB 96.59, -15.45, 17.4

 

CMYK 17 / 2 / 0 / 1

HEX #D3F9FD

RGB 211 249 253

HSL 185.71, 0.91%, 0.91%

LAB 95.45, -11.34, -6.01

 

Description

Color code: HEX #ECD1FD | qconv.com Color code: HEX #ECD1FD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 209 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 209 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 17 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 17% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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