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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECCCA0 it is the complementary color #13335F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECCCA0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECCCA0 shade: #F1CC9B, #FFDEAE, #FFF0C1, #FFFFD4 and #FFFFE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECCCA0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECCCA0 shade: #ECCCA0, #DBBA8D, #CAA87A, #B99667 and #A88454

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECCCA0 shade: #ECCCA1, #ECB8A1, #ECA4A1 and #ECA1A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECCCA0 shade: #ECCCA1, #ECE1A1, #E3ECA1, #CFECA1 and #BBECA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECCCA0 shade matches the following richer shades: #ECCCA1, #F5CE98 and #FECF8F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECCCA0 shade: #ECCCA1, #E3CBAA, #DAC9B3, #D1C8BC and #C8C7C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECCCA0 shade: #ECA3A1, #ECB7A1, #ECCBA1, #ECDFA1 and #E4ECA1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECCCA0 shade: #DEA75C, #E5BA7E, #ECCCA1, #F3DFC3 and #FAF1E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECCCA0 shade: #ECCCA0, #B2ECA1 and #ADA1EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECCCA0 shade: #ECCCA0, #A1ECCB and #CBA1EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECCCA0 shade: #ECCCA0, #B2ECA1, #A1C1EC and #DAA1EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECCCA0 shade: #ECCCA0, #A1ECA6, #A1C1EC and #ECA1E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 32 / 7

HEX #ECCCA0

RGB 236 204 160

HSL 34.74, 0.67%, 0.78%

LAB 83.73, 4.97, 26.1

 

Complementary color

CMYK 80 / 46 / 0 / 63

HEX #13335F

RGB 19 51 95

HSL 214.74, 0.67%, 0.22%

LAB 21.33, 5.73, -29.58

 

CMYK 0 / 15 / 36 / 5

HEX #F1CC9B

RGB 241 204 155

HSL 34.19, 0.75%, 0.78%

LAB 84.1, 6.3, 29.28

 

CMYK 0 / 13 / 32 / 0

HEX #FFDEAE

RGB 255 222 174

HSL 35.56, 1%, 0.84%

LAB 90.12, 4.64, 27.77

 

CMYK 0 / 6 / 24 / 0

HEX #FFF0C1

RGB 255 240 193

HSL 45.48, 1%, 0.88%

LAB 94.92, -2.07, 24.58

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD4

RGB 255 255 212

HSL 60, 1%, 0.92%

LAB 99.04, -6.9, 20.6

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE7

RGB 255 255 231

HSL 60, 1%, 0.95%

LAB 99.44, -4.01, 11.47

 

CMYK 0 / 14 / 32 / 7

HEX #ECCCA0

RGB 236 204 160

HSL 34.74, 0.67%, 0.78%

LAB 83.73, 4.97, 26.1

 

CMYK 0 / 15 / 36 / 14

HEX #DBBA8D

RGB 219 186 141

HSL 34.62, 0.52%, 0.71%

LAB 77.34, 5.5, 27.22

 

CMYK 0 / 17 / 40 / 21

HEX #CAA87A

RGB 202 168 122

HSL 34.5, 0.43%, 0.64%

LAB 70.85, 6.11, 28.41

 

CMYK 0 / 19 / 44 / 27

HEX #B99667

RGB 185 150 103

HSL 34.39, 0.37%, 0.56%

LAB 64.25, 6.81, 29.69

 

CMYK 0 / 21 / 50 / 34

HEX #A88454

RGB 168 132 84

HSL 34.29, 0.33%, 0.49%

LAB 57.53, 7.64, 31.06

 

CMYK 0 / 14 / 32 / 7

HEX #ECCCA1

RGB 236 204 161

HSL 34.4, 0.66%, 0.78%

LAB 83.75, 5.1, 25.6

 

CMYK 0 / 22 / 32 / 7

HEX #ECB8A1

RGB 236 184 161

HSL 18.4, 0.66%, 0.78%

LAB 78.86, 15.62, 18.89

 

CMYK 0 / 31 / 32 / 7

HEX #ECA4A1

RGB 236 164 161

HSL 2.4, 0.66%, 0.78%

LAB 74.16, 26.25, 12.31

 

CMYK 0 / 32 / 32 / 7

HEX #ECA1A1

RGB 236 161 161

HSL 0, 0.66%, 0.78%

LAB 73.48, 27.85, 11.34

 

CMYK 0 / 14 / 32 / 7

HEX #ECCCA1

RGB 236 204 161

HSL 34.4, 0.66%, 0.78%

LAB 83.75, 5.1, 25.6

 

CMYK 0 / 5 / 32 / 7

HEX #ECE1A1

RGB 236 225 161

HSL 51.2, 0.66%, 0.78%

LAB 89.04, -5.69, 32.72

 

CMYK 4 / 0 / 32 / 7

HEX #E3ECA1

RGB 227 236 161

HSL 67.2, 0.66%, 0.78%

LAB 91.19, -14.59, 35.44

 

CMYK 12 / 0 / 32 / 7

HEX #CFECA1

RGB 207 236 161

HSL 83.2, 0.66%, 0.78%

LAB 89.78, -21.94, 33.32

 

CMYK 21 / 0 / 32 / 7

HEX #BBECA1

RGB 187 236 161

HSL 99.2, 0.66%, 0.78%

LAB 88.51, -29.02, 31.4

 

CMYK 0 / 14 / 32 / 7

HEX #ECCCA1

RGB 236 204 161

HSL 34.4, 0.66%, 0.78%

LAB 83.75, 5.1, 25.6

 

CMYK 0 / 16 / 38 / 4

HEX #F5CE98

RGB 245 206 152

HSL 34.84, 0.82%, 0.78%

LAB 84.91, 6.47, 31.98

 

CMYK 0 / 19 / 44 / 0

HEX #FECF8F

RGB 254 207 143

HSL 34.59, 0.98%, 0.78%

LAB 85.85, 8.52, 38

 

CMYK 0 / 14 / 32 / 7

HEX #ECCCA1

RGB 236 204 161

HSL 34.4, 0.66%, 0.78%

LAB 83.75, 5.1, 25.6

 

CMYK 0 / 11 / 25 / 11

HEX #E3CBAA

RGB 227 203 170

HSL 34.74, 0.5%, 0.78%

LAB 82.88, 3.38, 19.54

 

CMYK 0 / 8 / 18 / 15

HEX #DAC9B3

RGB 218 201 179

HSL 33.85, 0.35%, 0.78%

LAB 81.8, 2.38, 13.14

 

CMYK 0 / 4 / 10 / 18

HEX #D1C8BC

RGB 209 200 188

HSL 34.29, 0.19%, 0.78%

LAB 81.01, 1.07, 7.1

 

CMYK 0 / 0 / 1 / 22

HEX #C8C7C5

RGB 200 199 197

HSL 40, 0.03%, 0.78%

LAB 80.27, -0.01, 1.11

 

CMYK 0 / 31 / 32 / 7

HEX #ECA3A1

RGB 236 163 161

HSL 1.6, 0.66%, 0.78%

LAB 73.93, 26.78, 11.98

 

CMYK 0 / 22 / 32 / 7

HEX #ECB7A1

RGB 236 183 161

HSL 17.6, 0.66%, 0.78%

LAB 78.62, 16.15, 18.55

 

CMYK 0 / 14 / 32 / 7

HEX #ECCBA1

RGB 236 203 161

HSL 33.6, 0.66%, 0.78%

LAB 83.5, 5.62, 25.27

 

CMYK 0 / 6 / 32 / 7

HEX #ECDFA1

RGB 236 223 161

HSL 49.6, 0.66%, 0.78%

LAB 88.53, -4.68, 32.04

 

CMYK 3 / 0 / 32 / 7

HEX #E4ECA1

RGB 228 236 161

HSL 66.4, 0.66%, 0.78%

LAB 91.26, -14.21, 35.55

 

CMYK 0 / 25 / 59 / 13

HEX #DEA75C

RGB 222 167 92

HSL 34.62, 0.66%, 0.62%

LAB 72.19, 12.09, 46.1

 

CMYK 0 / 19 / 45 / 10

HEX #E5BA7E

RGB 229 186 126

HSL 34.95, 0.66%, 0.7%

LAB 78.04, 7.84, 36.19

 

CMYK 0 / 14 / 32 / 7

HEX #ECCCA1

RGB 236 204 161

HSL 34.4, 0.66%, 0.78%

LAB 83.75, 5.1, 25.6

 

CMYK 0 / 8 / 20 / 5

HEX #F3DFC3

RGB 243 223 195

HSL 35, 0.67%, 0.86%

LAB 89.75, 2.48, 16.21

 

CMYK 0 / 4 / 8 / 2

HEX #FAF1E6

RGB 250 241 230

HSL 33, 0.67%, 0.94%

LAB 95.56, 1.17, 6.37

 

CMYK 0 / 14 / 32 / 7

HEX #ECCCA0

RGB 236 204 160

HSL 34.74, 0.67%, 0.78%

LAB 83.73, 4.97, 26.1

 

CMYK 25 / 0 / 32 / 7

HEX #B2ECA1

RGB 178 236 161

HSL 106.4, 0.66%, 0.78%

LAB 87.98, -32.08, 30.6

 

CMYK 27 / 32 / 0 / 7

HEX #ADA1EC

RGB 173 161 236

HSL 249.6, 0.66%, 0.78%

LAB 69.77, 20.32, -36.11

 

CMYK 0 / 14 / 32 / 7

HEX #ECCCA0

RGB 236 204 160

HSL 34.74, 0.67%, 0.78%

LAB 83.73, 4.97, 26.1

 

CMYK 32 / 0 / 14 / 7

HEX #A1ECCB

RGB 161 236 203

HSL 153.6, 0.66%, 0.78%

LAB 87.91, -30.04, 8.66

 

CMYK 14 / 32 / 0 / 7

HEX #CBA1EC

RGB 203 161 236

HSL 273.6, 0.66%, 0.78%

LAB 72.39, 29.29, -31.85

 

CMYK 0 / 14 / 32 / 7

HEX #ECCCA0

RGB 236 204 160

HSL 34.74, 0.67%, 0.78%

LAB 83.73, 4.97, 26.1

 

CMYK 25 / 0 / 32 / 7

HEX #B2ECA1

RGB 178 236 161

HSL 106.4, 0.66%, 0.78%

LAB 87.98, -32.08, 30.6

 

CMYK 32 / 18 / 0 / 7

HEX #A1C1EC

RGB 161 193 236

HSL 214.4, 0.66%, 0.78%

LAB 77.14, -0.82, -24.83

 

CMYK 8 / 32 / 0 / 7

HEX #DAA1EC

RGB 218 161 236

HSL 285.6, 0.66%, 0.78%

LAB 73.84, 33.92, -29.5

 

CMYK 0 / 14 / 32 / 7

HEX #ECCCA0

RGB 236 204 160

HSL 34.74, 0.67%, 0.78%

LAB 83.73, 4.97, 26.1

 

CMYK 32 / 0 / 30 / 7

HEX #A1ECA6

RGB 161 236 166

HSL 124, 0.66%, 0.78%

LAB 87.15, -36.8, 26.78

 

CMYK 32 / 18 / 0 / 7

HEX #A1C1EC

RGB 161 193 236

HSL 214.4, 0.66%, 0.78%

LAB 77.14, -0.82, -24.83

 

CMYK 0 / 32 / 2 / 7

HEX #ECA1E7

RGB 236 161 231

HSL 304, 0.66%, 0.78%

LAB 75.51, 38.64, -24.06

 

Description

Color code: HEX #ECCCA0 | qconv.com Color code: HEX #ECCCA0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 204 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 204 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 32 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 32% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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