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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECCC5A it is the complementary color #1333A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECCC5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECCC5A shade: #F1CC55, #FFDE68, #FFF07B, #FFFF8E and #FFFFA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECCC5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECCC5A shade: #ECCC5A, #DBBA47, #CAA834, #B99621 and #A8840E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECCC5A shade: #ECCC5B, #ECA55B, #EC7E5B and #EC5B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECCC5A shade: #ECCC5B, #E4EC5B, #BDEC5B, #96EC5B and #6FEC5B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECCC5A shade matches the following richer shades: #ECCC5B and #FBD44C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECCC5A shade: #ECCC5B, #DDC46A, #CEBB78, #BFB387 and #B0AB96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECCC5A shade: #EC7D5B, #ECA35B, #ECCA5B, #E7EC5B and #C0EC5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECCC5A shade: #DAB01A, #E7C036, #ECCC5B, #F0D780 and #F4E3A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECCC5A shade: #ECCC5A, #60EC5B and #905BEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECCC5A shade: #ECCC5A, #5BECCA and #CA5BEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECCC5A shade: #ECCC5A, #60EC5B, #5B7DEC and #E75BEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECCC5A shade: #ECCC5A, #5BEC81, #5B7DEC and #EC5BC5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 62 / 7

HEX #ECCC5A

RGB 236 204 90

HSL 46.85, 0.79%, 0.64%

LAB 82.78, -1.62, 59.48

 

Complementary color

CMYK 88 / 69 / 0 / 35

HEX #1333A5

RGB 19 51 165

HSL 226.85, 0.79%, 0.36%

LAB 27.36, 34.43, -63.76

 

CMYK 0 / 15 / 65 / 5

HEX #F1CC55

RGB 241 204 85

HSL 45.77, 0.85%, 0.64%

LAB 83.2, 0.15, 62.23

 

CMYK 0 / 13 / 59 / 0

HEX #FFDE68

RGB 255 222 104

HSL 46.89, 1%, 0.7%

LAB 89.16, -2.04, 60.84

 

CMYK 0 / 6 / 52 / 0

HEX #FFF07B

RGB 255 240 123

HSL 53.18, 1%, 0.74%

LAB 93.89, -9.62, 57.69

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8E

RGB 255 255 142

HSL 60, 1%, 0.78%

LAB 97.93, -15.3, 53.71

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA1

RGB 255 255 161

HSL 60, 1%, 0.82%

LAB 98.17, -13.39, 44.93

 

CMYK 0 / 14 / 62 / 7

HEX #ECCC5A

RGB 236 204 90

HSL 46.85, 0.79%, 0.64%

LAB 82.78, -1.62, 59.48

 

CMYK 0 / 15 / 68 / 14

HEX #DBBA47

RGB 219 186 71

HSL 46.62, 0.67%, 0.57%

LAB 76.46, -0.6, 60.4

 

CMYK 0 / 17 / 74 / 21

HEX #CAA834

RGB 202 168 52

HSL 46.4, 0.59%, 0.5%

LAB 70.04, 0.61, 61

 

CMYK 0 / 19 / 82 / 27

HEX #B99621

RGB 185 150 33

HSL 46.18, 0.7%, 0.43%

LAB 63.54, 2.03, 60.95

 

CMYK 0 / 21 / 92 / 34

HEX #A8840E

RGB 168 132 14

HSL 45.97, 0.85%, 0.36%

LAB 56.94, 3.73, 59.7

 

CMYK 0 / 14 / 61 / 7

HEX #ECCC5B

RGB 236 204 91

HSL 46.76, 0.79%, 0.64%

LAB 82.79, -1.56, 59.04

 

CMYK 0 / 30 / 61 / 7

HEX #ECA55B

RGB 236 165 91

HSL 30.62, 0.79%, 0.64%

LAB 73.22, 18.89, 48.18

 

CMYK 0 / 47 / 61 / 7

HEX #EC7E5B

RGB 236 126 91

HSL 14.48, 0.79%, 0.64%

LAB 64.57, 39.33, 37.85

 

CMYK 0 / 61 / 61 / 7

HEX #EC5B5B

RGB 236 91 91

HSL 0, 0.79%, 0.64%

LAB 58.1, 55.97, 29.77

 

CMYK 0 / 14 / 61 / 7

HEX #ECCC5B

RGB 236 204 91

HSL 46.76, 0.79%, 0.64%

LAB 82.79, -1.56, 59.04

 

CMYK 3 / 0 / 61 / 7

HEX #E4EC5B

RGB 228 236 91

HSL 63.31, 0.79%, 0.64%

LAB 90.43, -20.79, 67.15

 

CMYK 20 / 0 / 61 / 7

HEX #BDEC5B

RGB 189 236 91

HSL 79.45, 0.79%, 0.64%

LAB 87.76, -36.03, 63.48

 

CMYK 36 / 0 / 61 / 7

HEX #96EC5B

RGB 150 236 91

HSL 95.59, 0.79%, 0.64%

LAB 85.62, -49.88, 60.52

 

CMYK 53 / 0 / 61 / 7

HEX #6FEC5B

RGB 111 236 91

HSL 111.72, 0.79%, 0.64%

LAB 84.03, -61.41, 58.31

 

CMYK 0 / 14 / 61 / 7

HEX #ECCC5B

RGB 236 204 91

HSL 46.76, 0.79%, 0.64%

LAB 82.79, -1.56, 59.04

 

CMYK 0 / 16 / 70 / 2

HEX #FBD44C

RGB 251 212 76

HSL 46.63, 0.96%, 0.64%

LAB 86.07, -0.25, 69.18

 

CMYK 0 / 14 / 61 / 7

HEX #ECCC5B

RGB 236 204 91

HSL 46.76, 0.79%, 0.64%

LAB 82.79, -1.56, 59.04

 

CMYK 0 / 11 / 52 / 13

HEX #DDC46A

RGB 221 196 106

HSL 46.96, 0.63%, 0.64%

LAB 79.55, -2.51, 47.97

 

CMYK 0 / 9 / 42 / 19

HEX #CEBB78

RGB 206 187 120

HSL 46.74, 0.47%, 0.64%

LAB 76.08, -2.6, 36.35

 

CMYK 0 / 6 / 29 / 25

HEX #BFB387

RGB 191 179 135

HSL 47.14, 0.3%, 0.64%

LAB 72.94, -2.57, 24.06

 

CMYK 0 / 3 / 15 / 31

HEX #B0AB96

RGB 176 171 150

HSL 48.46, 0.14%, 0.64%

LAB 69.87, -1.85, 11.46

 

CMYK 0 / 47 / 61 / 7

HEX #EC7D5B

RGB 236 125 91

HSL 14.07, 0.79%, 0.64%

LAB 64.37, 39.83, 37.6

 

CMYK 0 / 31 / 61 / 7

HEX #ECA35B

RGB 236 163 91

HSL 29.79, 0.79%, 0.64%

LAB 72.75, 19.95, 47.63

 

CMYK 0 / 14 / 61 / 7

HEX #ECCA5B

RGB 236 202 91

HSL 45.93, 0.79%, 0.64%

LAB 82.29, -0.53, 58.48

 

CMYK 2 / 0 / 61 / 7

HEX #E7EC5B

RGB 231 236 91

HSL 62.07, 0.79%, 0.64%

LAB 90.66, -19.59, 67.46

 

CMYK 19 / 0 / 61 / 7

HEX #C0EC5B

RGB 192 236 91

HSL 78.21, 0.79%, 0.64%

LAB 87.95, -34.9, 63.74

 

CMYK 0 / 19 / 88 / 15

HEX #DAB01A

RGB 218 176 26

HSL 46.88, 0.79%, 0.48%

LAB 73.57, 2.56, 72.4

 

CMYK 0 / 17 / 77 / 9

HEX #E7C036

RGB 231 192 54

HSL 46.78, 0.79%, 0.56%

LAB 79.02, 0.62, 69.74

 

CMYK 0 / 14 / 61 / 7

HEX #ECCC5B

RGB 236 204 91

HSL 46.76, 0.79%, 0.64%

LAB 82.79, -1.56, 59.04

 

CMYK 0 / 10 / 47 / 6

HEX #F0D780

RGB 240 215 128

HSL 46.61, 0.79%, 0.72%

LAB 86.35, -2.61, 45.89

 

CMYK 0 / 7 / 32 / 4

HEX #F4E3A5

RGB 244 227 165

HSL 47.09, 0.78%, 0.8%

LAB 90.27, -3.18, 32.43

 

CMYK 0 / 14 / 62 / 7

HEX #ECCC5A

RGB 236 204 90

HSL 46.85, 0.79%, 0.64%

LAB 82.78, -1.62, 59.48

 

CMYK 59 / 0 / 61 / 7

HEX #60EC5B

RGB 96 236 91

HSL 117.93, 0.79%, 0.64%

LAB 83.56, -65.04, 57.66

 

CMYK 39 / 61 / 0 / 7

HEX #905BEC

RGB 144 91 236

HSL 261.93, 0.79%, 0.64%

LAB 51.23, 52.09, -65.69

 

CMYK 0 / 14 / 62 / 7

HEX #ECCC5A

RGB 236 204 90

HSL 46.85, 0.79%, 0.64%

LAB 82.78, -1.62, 59.48

 

CMYK 61 / 0 / 14 / 7

HEX #5BECCA

RGB 91 236 202

HSL 165.93, 0.79%, 0.64%

LAB 85.24, -46.77, 5

 

CMYK 14 / 61 / 0 / 7

HEX #CA5BEC

RGB 202 91 236

HSL 285.93, 0.79%, 0.64%

LAB 58.13, 65.03, -54.24

 

CMYK 0 / 14 / 62 / 7

HEX #ECCC5A

RGB 236 204 90

HSL 46.85, 0.79%, 0.64%

LAB 82.78, -1.62, 59.48

 

CMYK 59 / 0 / 61 / 7

HEX #60EC5B

RGB 96 236 91

HSL 117.93, 0.79%, 0.64%

LAB 83.56, -65.04, 57.66

 

CMYK 61 / 47 / 0 / 7

HEX #5B7DEC

RGB 91 125 236

HSL 225.93, 0.79%, 0.64%

LAB 55.02, 21.71, -59.79

 

CMYK 2 / 61 / 0 / 7

HEX #E75BEC

RGB 231 91 236

HSL 297.93, 0.79%, 0.64%

LAB 62.11, 71.84, -47.68

 

CMYK 0 / 14 / 62 / 7

HEX #ECCC5A

RGB 236 204 90

HSL 46.85, 0.79%, 0.64%

LAB 82.78, -1.62, 59.48

 

CMYK 61 / 0 / 45 / 7

HEX #5BEC81

RGB 91 236 129

HSL 135.72, 0.79%, 0.64%

LAB 83.86, -61.22, 40.51

 

CMYK 61 / 47 / 0 / 7

HEX #5B7DEC

RGB 91 125 236

HSL 225.93, 0.79%, 0.64%

LAB 55.02, 21.71, -59.79

 

CMYK 0 / 61 / 17 / 7

HEX #EC5BC5

RGB 236 91 197

HSL 316.14, 0.79%, 0.64%

LAB 61.09, 67.04, -27.27

 

Description

Color code: HEX #ECCC5A | qconv.com Color code: HEX #ECCC5A | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 204 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 204 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 62 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 62% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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