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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECBC90 it is the complementary color #13436F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECBC90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECBC90 shade: #F1BC8B, #FFCE9E, #FFE0B1, #FFF2C4 and #FFFFD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECBC90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECBC90 shade: #ECBC90, #DBAA7D, #CA986A, #B98657 and #A87444

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECBC90 shade: #EDBD92, #EDA592 and #ED9292

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECBC90 shade: #EDBD92, #EDD692, #EBED92, #D3ED92 and #BAED92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECBC90 shade matches the following richer shades: #EDBD92 and #F7BD88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECBC90 shade: #EDBD92, #E2BE9C, #D8BEA7, #CEBFB1 and #C3BFBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECBC90 shade: #ED9298, #EDA492, #EDBC92, #EDD492 and #EDED92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECBC90 shade: #E1934B, #E7A86F, #EDBD92, #F2D3B5 and #F8E8D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECBC90 shade: #ECBC90, #B0ED92 and #9892ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECBC90 shade: #ECBC90, #92EDBC and #BC92ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECBC90 shade: #ECBC90, #B0ED92, #92C2ED and #CE92ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECBC90 shade: #ECBC90, #95ED92, #92C2ED and #E992ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 39 / 7

HEX #ECBC90

RGB 236 188 144

HSL 28.7, 0.71%, 0.75%

LAB 79.51, 11.47, 28.82

 

Complementary color

CMYK 83 / 40 / 0 / 56

HEX #13436F

RGB 19 67 111

HSL 208.7, 0.71%, 0.25%

LAB 27.57, 1.32, -29.95

 

CMYK 0 / 22 / 42 / 5

HEX #F1BC8B

RGB 241 188 139

HSL 28.82, 0.78%, 0.75%

LAB 79.92, 12.9, 32.08

 

CMYK 0 / 19 / 38 / 0

HEX #FFCE9E

RGB 255 206 158

HSL 29.69, 1%, 0.81%

LAB 85.94, 11.01, 30.42

 

CMYK 0 / 12 / 31 / 0

HEX #FFE0B1

RGB 255 224 177

HSL 36.15, 1%, 0.85%

LAB 90.66, 3.98, 26.97

 

CMYK 0 / 5 / 23 / 0

HEX #FFF2C4

RGB 255 242 196

HSL 46.78, 1%, 0.88%

LAB 95.48, -2.67, 23.81

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD7

RGB 255 255 215

HSL 60, 1%, 0.92%

LAB 99.1, -6.46, 19.16

 

CMYK 0 / 20 / 39 / 7

HEX #ECBC90

RGB 236 188 144

HSL 28.7, 0.71%, 0.75%

LAB 79.51, 11.47, 28.82

 

CMYK 0 / 22 / 43 / 14

HEX #DBAA7D

RGB 219 170 125

HSL 28.72, 0.57%, 0.67%

LAB 73.08, 12.22, 30.07

 

CMYK 0 / 25 / 48 / 21

HEX #CA986A

RGB 202 152 106

HSL 28.75, 0.48%, 0.6%

LAB 66.56, 13.08, 31.41

 

CMYK 0 / 28 / 53 / 27

HEX #B98657

RGB 185 134 87

HSL 28.78, 0.41%, 0.53%

LAB 59.94, 14.08, 32.86

 

CMYK 0 / 31 / 60 / 34

HEX #A87444

RGB 168 116 68

HSL 28.8, 0.42%, 0.46%

LAB 53.2, 15.25, 34.41

 

CMYK 0 / 20 / 38 / 7

HEX #EDBD92

RGB 237 189 146

HSL 28.35, 0.72%, 0.75%

LAB 79.88, 11.56, 28.28

 

CMYK 0 / 30 / 38 / 7

HEX #EDA592

RGB 237 165 146

HSL 12.53, 0.72%, 0.75%

LAB 74.18, 24.29, 20.55

 

CMYK 0 / 38 / 38 / 7

HEX #ED9292

RGB 237 146 146

HSL 0, 0.72%, 0.75%

LAB 69.92, 34.33, 14.64

 

CMYK 0 / 20 / 38 / 7

HEX #EDBD92

RGB 237 189 146

HSL 28.35, 0.72%, 0.75%

LAB 79.88, 11.56, 28.28

 

CMYK 0 / 10 / 38 / 7

HEX #EDD692

RGB 237 214 146

HSL 44.84, 0.72%, 0.75%

LAB 86.09, -1.45, 36.49

 

CMYK 1 / 0 / 38 / 7

HEX #EBED92

RGB 235 237 146

HSL 61.32, 0.72%, 0.75%

LAB 91.82, -13.79, 43.84

 

CMYK 11 / 0 / 38 / 7

HEX #D3ED92

RGB 211 237 146

HSL 77.14, 0.72%, 0.75%

LAB 90.09, -22.86, 41.27

 

CMYK 22 / 0 / 38 / 7

HEX #BAED92

RGB 186 237 146

HSL 93.63, 0.72%, 0.75%

LAB 88.49, -31.9, 38.89

 

CMYK 0 / 20 / 38 / 7

HEX #EDBD92

RGB 237 189 146

HSL 28.35, 0.72%, 0.75%

LAB 79.88, 11.56, 28.28

 

CMYK 0 / 23 / 45 / 3

HEX #F7BD88

RGB 247 189 136

HSL 28.65, 0.87%, 0.75%

LAB 80.71, 14.44, 34.8

 

CMYK 0 / 20 / 38 / 7

HEX #EDBD92

RGB 237 189 146

HSL 28.35, 0.72%, 0.75%

LAB 79.88, 11.56, 28.28

 

CMYK 0 / 16 / 31 / 11

HEX #E2BE9C

RGB 226 190 156

HSL 29.14, 0.55%, 0.75%

LAB 79.27, 7.97, 21.97

 

CMYK 0 / 12 / 23 / 15

HEX #D8BEA7

RGB 216 190 167

HSL 28.16, 0.39%, 0.75%

LAB 78.59, 5.66, 15

 

CMYK 0 / 7 / 14 / 19

HEX #CEBFB1

RGB 206 191 177

HSL 28.97, 0.23%, 0.75%

LAB 78.2, 2.94, 8.96

 

CMYK 0 / 2 / 4 / 24

HEX #C3BFBB

RGB 195 191 187

HSL 30, 0.06%, 0.75%

LAB 77.55, 0.68, 2.5

 

CMYK 0 / 38 / 36 / 7

HEX #ED9298

RGB 237 146 152

HSL 356.04, 0.72%, 0.75%

LAB 70.06, 35.03, 11.49

 

CMYK 0 / 31 / 38 / 7

HEX #EDA492

RGB 237 164 146

HSL 11.87, 0.72%, 0.75%

LAB 73.95, 24.82, 20.23

 

CMYK 0 / 21 / 38 / 7

HEX #EDBC92

RGB 237 188 146

HSL 27.69, 0.72%, 0.75%

LAB 79.64, 12.09, 27.96

 

CMYK 0 / 11 / 38 / 7

HEX #EDD492

RGB 237 212 146

HSL 43.52, 0.72%, 0.75%

LAB 85.59, -0.42, 35.83

 

CMYK 0 / 0 / 38 / 7

HEX #EDED92

RGB 237 237 146

HSL 60, 0.72%, 0.75%

LAB 91.97, -13.02, 44.07

 

CMYK 0 / 35 / 67 / 12

HEX #E1934B

RGB 225 147 75

HSL 28.8, 0.71%, 0.59%

LAB 67.56, 22.92, 49.21

 

CMYK 0 / 27 / 52 / 9

HEX #E7A86F

RGB 231 168 111

HSL 28.5, 0.71%, 0.67%

LAB 73.64, 16.79, 38.41

 

CMYK 0 / 20 / 38 / 7

HEX #EDBD92

RGB 237 189 146

HSL 28.35, 0.72%, 0.75%

LAB 79.88, 11.56, 28.28

 

CMYK 0 / 13 / 25 / 5

HEX #F2D3B5

RGB 242 211 181

HSL 29.51, 0.7%, 0.83%

LAB 86.41, 6.34, 18.84

 

CMYK 0 / 6 / 13 / 3

HEX #F8E8D9

RGB 248 232 217

HSL 29.03, 0.69%, 0.91%

LAB 92.87, 2.98, 9.23

 

CMYK 0 / 20 / 39 / 7

HEX #ECBC90

RGB 236 188 144

HSL 28.7, 0.71%, 0.75%

LAB 79.51, 11.47, 28.82

 

CMYK 26 / 0 / 38 / 7

HEX #B0ED92

RGB 176 237 146

HSL 100.22, 0.72%, 0.75%

LAB 87.91, -35.36, 38.03

 

CMYK 36 / 38 / 0 / 7

HEX #9892ED

RGB 152 146 237

HSL 243.96, 0.72%, 0.75%

LAB 64.44, 23.27, -45.12

 

CMYK 0 / 20 / 39 / 7

HEX #ECBC90

RGB 236 188 144

HSL 28.7, 0.71%, 0.75%

LAB 79.51, 11.47, 28.82

 

CMYK 38 / 0 / 21 / 7

HEX #92EDBC

RGB 146 237 188

HSL 147.69, 0.72%, 0.75%

LAB 87.15, -37.74, 15.3

 

CMYK 21 / 38 / 0 / 7

HEX #BC92ED

RGB 188 146 237

HSL 267.69, 0.72%, 0.75%

LAB 67.55, 33.3, -40.03

 

CMYK 0 / 20 / 39 / 7

HEX #ECBC90

RGB 236 188 144

HSL 28.7, 0.71%, 0.75%

LAB 79.51, 11.47, 28.82

 

CMYK 26 / 0 / 38 / 7

HEX #B0ED92

RGB 176 237 146

HSL 100.22, 0.72%, 0.75%

LAB 87.91, -35.36, 38.03

 

CMYK 38 / 18 / 0 / 7

HEX #92C2ED

RGB 146 194 237

HSL 208.35, 0.72%, 0.75%

LAB 76.56, -5.19, -26.34

 

CMYK 13 / 38 / 0 / 7

HEX #CE92ED

RGB 206 146 237

HSL 279.56, 0.72%, 0.75%

LAB 69.32, 38.58, -37.13

 

CMYK 0 / 20 / 39 / 7

HEX #ECBC90

RGB 236 188 144

HSL 28.7, 0.71%, 0.75%

LAB 79.51, 11.47, 28.82

 

CMYK 37 / 0 / 38 / 7

HEX #95ED92

RGB 149 237 146

HSL 118.02, 0.72%, 0.75%

LAB 86.52, -44.09, 35.95

 

CMYK 38 / 18 / 0 / 7

HEX #92C2ED

RGB 146 194 237

HSL 208.35, 0.72%, 0.75%

LAB 76.56, -5.19, -26.34

 

CMYK 2 / 38 / 0 / 7

HEX #E992ED

RGB 233 146 237

HSL 297.36, 0.72%, 0.75%

LAB 72.23, 46.65, -32.4

 

Description

Color code: HEX #ECBC90 | qconv.com Color code: HEX #ECBC90 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 188 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 188 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 39 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 39% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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