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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECB968 it is the complementary color #134697. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECB968. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECB968 shade: #F1B963, #FFCB76, #FFDD89, #FFEF9C and #FFFFAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECB968. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECB968 shade: #ECB968, #DBA755, #CA9542, #B9832F and #A8711C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECB968 shade: #ECBA69, #EC9669, #EC7369 and #EC6969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECB968 shade: #ECBA69, #ECDD69, #D8EC69, #B5EC69 and #92EC69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECB968 shade matches the following richer shades: #ECBA69 and #FABD5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECB968 shade: #ECBA69, #DFB777, #D1B484, #C4B092 and #B6ADA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECB968 shade: #EC7269, #EC9569, #ECB869, #ECDB69 and #DBEC69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECB968 shade: #E39820, #E8A944, #ECBA69, #F1CB8E and #F6DCB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECB968 shade: #ECB968, #83EC69 and #8369EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECB968 shade: #ECB968, #69ECB8 and #B869EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECB968 shade: #ECB968, #83EC69, #699EEC and #D269EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECB968 shade: #ECB968, #69EC76, #699EEC and #EC69DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 56 / 7

HEX #ECB968

RGB 236 185 104

HSL 36.82, 0.78%, 0.67%

LAB 78.19, 9.26, 47.65

 

Complementary color

CMYK 87 / 54 / 0 / 41

HEX #134697

RGB 19 70 151

HSL 216.82, 0.78%, 0.33%

LAB 31.24, 15.92, -48.92

 

CMYK 0 / 23 / 59 / 5

HEX #F1B963

RGB 241 185 99

HSL 36.34, 0.84%, 0.67%

LAB 78.64, 10.94, 50.74

 

CMYK 0 / 20 / 54 / 0

HEX #FFCB76

RGB 255 203 118

HSL 37.23, 1%, 0.73%

LAB 84.63, 8.72, 48.99

 

CMYK 0 / 13 / 46 / 0

HEX #FFDD89

RGB 255 221 137

HSL 42.71, 1%, 0.77%

LAB 89.29, 1.14, 45.41

 

CMYK 0 / 6 / 39 / 0

HEX #FFEF9C

RGB 255 239 156

HSL 50.3, 1%, 0.81%

LAB 94.05, -6.03, 42.09

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFAF

RGB 255 255 175

HSL 60, 1%, 0.84%

LAB 98.38, -11.8, 38.32

 

CMYK 0 / 22 / 56 / 7

HEX #ECB968

RGB 236 185 104

HSL 36.82, 0.78%, 0.67%

LAB 78.19, 9.26, 47.65

 

CMYK 0 / 24 / 61 / 14

HEX #DBA755

RGB 219 167 85

HSL 36.72, 0.65%, 0.6%

LAB 71.79, 10.33, 48.98

 

CMYK 0 / 26 / 67 / 21

HEX #CA9542

RGB 202 149 66

HSL 36.62, 0.56%, 0.53%

LAB 65.31, 11.57, 50.26

 

CMYK 0 / 29 / 75 / 27

HEX #B9832F

RGB 185 131 47

HSL 36.52, 0.59%, 0.45%

LAB 58.74, 13.02, 51.34

 

CMYK 0 / 33 / 83 / 34

HEX #A8711C

RGB 168 113 28

HSL 36.43, 0.71%, 0.38%

LAB 52.08, 14.75, 51.87

 

CMYK 0 / 21 / 56 / 7

HEX #ECBA69

RGB 236 186 105

HSL 37.1, 0.78%, 0.67%

LAB 78.44, 8.81, 47.47

 

CMYK 0 / 36 / 56 / 7

HEX #EC9669

RGB 236 150 105

HSL 20.61, 0.78%, 0.67%

LAB 69.94, 27.87, 37.04

 

CMYK 0 / 51 / 56 / 7

HEX #EC7369

RGB 236 115 105

HSL 4.58, 0.78%, 0.67%

LAB 62.6, 45.84, 27.64

 

CMYK 0 / 56 / 56 / 7

HEX #EC6969

RGB 236 105 105

HSL 0, 0.78%, 0.67%

LAB 60.74, 50.63, 25.19

 

CMYK 0 / 21 / 56 / 7

HEX #ECBA69

RGB 236 186 105

HSL 37.1, 0.78%, 0.67%

LAB 78.44, 8.81, 47.47

 

CMYK 0 / 6 / 56 / 7

HEX #ECDD69

RGB 236 221 105

HSL 53.13, 0.78%, 0.67%

LAB 87.27, -9.2, 57.81

 

CMYK 8 / 0 / 56 / 7

HEX #D8EC69

RGB 216 236 105

HSL 69.16, 0.78%, 0.67%

LAB 89.68, -24.54, 60.14

 

CMYK 23 / 0 / 56 / 7

HEX #B5EC69

RGB 181 236 105

HSL 85.19, 0.78%, 0.67%

LAB 87.4, -37.82, 56.94

 

CMYK 38 / 0 / 56 / 7

HEX #92EC69

RGB 146 236 105

HSL 101.22, 0.78%, 0.67%

LAB 85.57, -49.83, 54.33

 

CMYK 0 / 21 / 56 / 7

HEX #ECBA69

RGB 236 186 105

HSL 37.1, 0.78%, 0.67%

LAB 78.44, 8.81, 47.47

 

CMYK 0 / 24 / 63 / 2

HEX #FABD5C

RGB 250 189 92

HSL 36.84, 0.94%, 0.67%

LAB 80.46, 12.1, 56.37

 

CMYK 0 / 21 / 56 / 7

HEX #ECBA69

RGB 236 186 105

HSL 37.1, 0.78%, 0.67%

LAB 78.44, 8.81, 47.47

 

CMYK 0 / 18 / 47 / 13

HEX #DFB777

RGB 223 183 119

HSL 36.92, 0.62%, 0.67%

LAB 76.61, 6.31, 37.86

 

CMYK 0 / 14 / 37 / 18

HEX #D1B484

RGB 209 180 132

HSL 37.4, 0.46%, 0.67%

LAB 74.74, 3.66, 28.36

 

CMYK 0 / 10 / 26 / 23

HEX #C4B092

RGB 196 176 146

HSL 36, 0.3%, 0.67%

LAB 72.8, 2.49, 18

 

CMYK 0 / 5 / 12 / 29

HEX #B6ADA0

RGB 182 173 160

HSL 35.45, 0.13%, 0.67%

LAB 71.13, 0.96, 7.82

 

CMYK 0 / 52 / 56 / 7

HEX #EC7269

RGB 236 114 105

HSL 4.12, 0.78%, 0.67%

LAB 62.41, 46.33, 27.39

 

CMYK 0 / 37 / 56 / 7

HEX #EC9569

RGB 236 149 105

HSL 20.15, 0.78%, 0.67%

LAB 69.72, 28.4, 36.76

 

CMYK 0 / 22 / 56 / 7

HEX #ECB869

RGB 236 184 105

HSL 36.18, 0.78%, 0.67%

LAB 77.95, 9.86, 46.88

 

CMYK 0 / 7 / 56 / 7

HEX #ECDB69

RGB 236 219 105

HSL 52.21, 0.78%, 0.67%

LAB 86.76, -8.19, 57.22

 

CMYK 7 / 0 / 56 / 7

HEX #DBEC69

RGB 219 236 105

HSL 67.79, 0.78%, 0.67%

LAB 89.89, -23.36, 60.44

 

CMYK 0 / 33 / 86 / 11

HEX #E39820

RGB 227 152 32

HSL 36.92, 0.78%, 0.51%

LAB 68.67, 19.37, 67.43

 

CMYK 0 / 27 / 71 / 9

HEX #E8A944

RGB 232 169 68

HSL 36.95, 0.78%, 0.59%

LAB 73.51, 13.75, 59.03

 

CMYK 0 / 21 / 56 / 7

HEX #ECBA69

RGB 236 186 105

HSL 37.1, 0.78%, 0.67%

LAB 78.44, 8.81, 47.47

 

CMYK 0 / 16 / 41 / 5

HEX #F1CB8E

RGB 241 203 142

HSL 36.97, 0.78%, 0.75%

LAB 83.63, 5.37, 35.4

 

CMYK 0 / 11 / 27 / 4

HEX #F6DCB3

RGB 246 220 179

HSL 36.72, 0.79%, 0.83%

LAB 88.94, 2.91, 23.45

 

CMYK 0 / 22 / 56 / 7

HEX #ECB968

RGB 236 185 104

HSL 36.82, 0.78%, 0.67%

LAB 78.19, 9.26, 47.65

 

CMYK 44 / 0 / 56 / 7

HEX #83EC69

RGB 131 236 105

HSL 108.09, 0.78%, 0.67%

LAB 84.91, -54.42, 53.4

 

CMYK 44 / 56 / 0 / 7

HEX #8369EC

RGB 131 105 236

HSL 251.91, 0.78%, 0.67%

LAB 52.93, 41.61, -63

 

CMYK 0 / 22 / 56 / 7

HEX #ECB968

RGB 236 185 104

HSL 36.82, 0.78%, 0.67%

LAB 78.19, 9.26, 47.65

 

CMYK 56 / 0 / 22 / 7

HEX #69ECB8

RGB 105 236 184

HSL 156.18, 0.78%, 0.67%

LAB 85.23, -48.16, 14.45

 

CMYK 22 / 56 / 0 / 7

HEX #B869EC

RGB 184 105 236

HSL 276.18, 0.78%, 0.67%

LAB 58.37, 54.02, -53.99

 

CMYK 0 / 22 / 56 / 7

HEX #ECB968

RGB 236 185 104

HSL 36.82, 0.78%, 0.67%

LAB 78.19, 9.26, 47.65

 

CMYK 44 / 0 / 56 / 7

HEX #83EC69

RGB 131 236 105

HSL 108.09, 0.78%, 0.67%

LAB 84.91, -54.42, 53.4

 

CMYK 56 / 33 / 0 / 7

HEX #699EEC

RGB 105 158 236

HSL 215.73, 0.78%, 0.67%

LAB 64.57, 4.8, -44.56

 

CMYK 11 / 56 / 0 / 7

HEX #D269EC

RGB 210 105 236

HSL 288.09, 0.78%, 0.67%

LAB 61.53, 60.54, -48.77

 

CMYK 0 / 22 / 56 / 7

HEX #ECB968

RGB 236 185 104

HSL 36.82, 0.78%, 0.67%

LAB 78.19, 9.26, 47.65

 

CMYK 56 / 0 / 50 / 7

HEX #69EC76

RGB 105 236 118

HSL 125.95, 0.78%, 0.67%

LAB 84.12, -59.73, 46.22

 

CMYK 56 / 33 / 0 / 7

HEX #699EEC

RGB 105 158 236

HSL 215.73, 0.78%, 0.67%

LAB 64.57, 4.8, -44.56

 

CMYK 0 / 56 / 6 / 7

HEX #EC69DF

RGB 236 105 223

HSL 305.95, 0.78%, 0.67%

LAB 64.37, 65.01, -36.82

 

Description

Color code: HEX #ECB968 | qconv.com Color code: HEX #ECB968 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 185 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 185 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 56 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 56% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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