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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECB8FDCE it is the complementary color #134702CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECB8FDCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECB8FDCE shade: #F1B8F8CE, #FFCAFFCE, #FFDCFFCE, #FFEEFFCE and #FFFFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECB8FDCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECB8FDCE shade: #ECB8FDCE, #DBA6EACE, #CA94D7CE, #B982C4CE and #A870B1CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECB8FDCE shade: #EDB9FD, #FDB9FC, #FDB9E9, #FDB9D7 and #FDB9C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECB8FDCE shade: #EDB9FD, #DAB9FD, #C8B9FD and #B9B9FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECB8FDCE shade matches the following richer shades: #EDB9FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECB8FDCE shade: #EDB9FD, #EABFF7, #E7C5F2, #E4CBEC and #E1D0E6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECB8FDCE shade: #C8B9FD, #DAB9FD, #ECB9FD, #FDB9FC and #FDB9EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECB8FDCE shade: #D769FB, #E291FC, #EDB9FD, #F7E2FE and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECB8FDCE shade: #ECB8FD, #FDB9BD and #B9FDD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECB8FDCE shade: #ECB8FD, #FDECB9 and #B9FDEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECB8FDCE shade: #ECB8FD, #FDB9BD, #CAFDB9 and #B9FDFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECB8FDCE shade: #ECB8FD, #FDCAB9, #CAFDB9 and #B9ECFD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 22 / 0 / 1

HEX #ECB8FDCE

RGBA 236 184 253 0.81

HSLA 285.22, 0.95%, 0.86%, 0.81

LABA 81.4, 30.53, -26.92, 0.81

 

Complementary color

CMYK 59 / 0 / 79 / 58

HEX #134702CE

RGBA 19 71 2 0.81

HSLA 105.22, 0.95%, 0.14%, 0.81

LABA 25.71, -30.45, 32.58, 0.81

 

CMYK 2 / 21 / 0 / 2

HEX #F1B8F8CE

RGBA 241 184 248 0.81

HSLA 293.44, 0.82%, 0.85%, 0.81

LABA 81.71, 31.15, -23.74, 0.81

 

CMYK 0 / 17 / 0 / 0

HEX #FFCAFFCE

RGBA 255 202 255 0.81

HSLA 300, 1%, 0.9%, 0.81

LABA 87.35, 27.42, -18.79, 0.81

 

CMYK 0 / 11 / 0 / 0

HEX #FFDCFFCE

RGBA 255 220 255 0.81

HSLA 300, 1%, 0.93%, 0.81

LABA 91.53, 17.99, -12.51, 0.81

 

CMYK 0 / 5 / 0 / 0

HEX #FFEEFFCE

RGBA 255 238 255 0.81

HSLA 300, 1%, 0.97%, 0.81

LABA 95.84, 8.66, -6.11, 0.81

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFFCE

RGBA 255 255 255 0.81

HSLA 0, 0%, 1%, 0.81

LABA 100, 0.01, -0.01, 0.81

 

CMYK 5 / 22 / 0 / 1

HEX #ECB8FDCE

RGBA 236 184 253 0.81

HSLA 285.22, 0.95%, 0.86%, 0.81

LABA 81.4, 30.53, -26.92, 0.81

 

CMYK 5 / 24 / 0 / 7

HEX #DBA6EACE

RGBA 219 166 234 0.81

HSLA 286.76, 0.62%, 0.78%, 0.81

LABA 75, 31.14, -26.62, 0.81

 

CMYK 5 / 25 / 0 / 13

HEX #CA94D7CE

RGBA 202 148 215 0.81

HSLA 288.36, 0.46%, 0.71%, 0.81

LABA 68.49, 31.8, -26.33, 0.81

 

CMYK 5 / 27 / 0 / 19

HEX #B982C4CE

RGBA 185 130 196 0.81

HSLA 290, 0.36%, 0.64%, 0.81

LABA 61.88, 32.49, -26.02, 0.81

 

CMYK 4 / 30 / 0 / 25

HEX #A870B1CE

RGBA 168 112 177 0.81

HSLA 291.69, 0.29%, 0.57%, 0.81

LABA 55.16, 33.24, -25.7, 0.81

 

CMYK 6 / 27 / 0 / 1

HEX #EDB9FD

RGB 237 185 253

HSL 285.88, 0.94%, 0.86%

LAB 81.73, 30.31, -26.42

 

CMYK 0 / 27 / 0 / 1

HEX #FDB9FC

RGB 253 185 252

HSL 300.88, 0.94%, 0.86%

LAB 83.24, 35.17, -23.44

 

CMYK 0 / 27 / 8 / 1

HEX #FDB9E9

RGB 253 185 233

HSL 317.65, 0.94%, 0.86%

LAB 82.63, 31.86, -14.2

 

CMYK 0 / 27 / 15 / 1

HEX #FDB9D7

RGB 253 185 215

HSL 333.53, 0.94%, 0.86%

LAB 82.1, 28.94, -5.32

 

CMYK 0 / 27 / 22 / 1

HEX #FDB9C5

RGB 253 185 197

HSL 349.41, 0.94%, 0.86%

LAB 81.63, 26.24, 3.67

 

CMYK 6 / 27 / 0 / 1

HEX #EDB9FD

RGB 237 185 253

HSL 285.88, 0.94%, 0.86%

LAB 81.73, 30.31, -26.42

 

CMYK 14 / 27 / 0 / 1

HEX #DAB9FD

RGB 218 185 253

HSL 269.12, 0.94%, 0.86%

LAB 80.01, 24.4, -29.2

 

CMYK 21 / 27 / 0 / 1

HEX #C8B9FD

RGB 200 185 253

HSL 253.24, 0.94%, 0.86%

LAB 78.5, 18.94, -31.64

 

CMYK 27 / 27 / 0 / 1

HEX #B9B9FD

RGB 185 185 253

HSL 240, 0.94%, 0.86%

LAB 77.34, 14.53, -33.52

 

CMYK 6 / 27 / 0 / 1

HEX #EDB9FD

RGB 237 185 253

HSL 285.88, 0.94%, 0.86%

LAB 81.73, 30.31, -26.42

 

CMYK 6 / 27 / 0 / 1

HEX #EDB9FD

RGB 237 185 253

HSL 285.88, 0.94%, 0.86%

LAB 81.73, 30.31, -26.42

 

CMYK 5 / 23 / 0 / 3

HEX #EABFF7

RGB 234 191 247

HSL 286.07, 0.78%, 0.86%

LAB 82.63, 25, -21.86

 

CMYK 5 / 19 / 0 / 5

HEX #E7C5F2

RGB 231 197 242

HSL 285.33, 0.63%, 0.86%

LAB 83.62, 19.88, -17.73

 

CMYK 3 / 14 / 0 / 7

HEX #E4CBEC

RGB 228 203 236

HSL 285.45, 0.46%, 0.86%

LAB 84.62, 14.56, -13.06

 

CMYK 2 / 10 / 0 / 10

HEX #E1D0E6

RGB 225 208 230

HSL 286.36, 0.31%, 0.86%

LAB 85.42, 9.8, -8.7

 

CMYK 21 / 27 / 0 / 1

HEX #C8B9FD

RGB 200 185 253

HSL 253.24, 0.94%, 0.86%

LAB 78.5, 18.94, -31.64

 

CMYK 14 / 27 / 0 / 1

HEX #DAB9FD

RGB 218 185 253

HSL 269.12, 0.94%, 0.86%

LAB 80.01, 24.4, -29.2

 

CMYK 7 / 27 / 0 / 1

HEX #ECB9FD

RGB 236 185 253

HSL 285, 0.94%, 0.86%

LAB 81.63, 29.99, -26.57

 

CMYK 0 / 27 / 0 / 1

HEX #FDB9FC

RGB 253 185 252

HSL 300.88, 0.94%, 0.86%

LAB 83.24, 35.17, -23.44

 

CMYK 0 / 27 / 8 / 1

HEX #FDB9EA

RGB 253 185 234

HSL 316.76, 0.94%, 0.86%

LAB 82.66, 32.03, -14.69

 

CMYK 14 / 58 / 0 / 2

HEX #D769FB

RGB 215 105 251

HSL 285.21, 0.95%, 0.7%

LAB 62.94, 64.68, -54.8

 

CMYK 10 / 42 / 0 / 1

HEX #E291FC

RGB 226 145 252

HSL 285.42, 0.95%, 0.78%

LAB 71.86, 47.97, -41.21

 

CMYK 6 / 27 / 0 / 1

HEX #EDB9FD

RGB 237 185 253

HSL 285.88, 0.94%, 0.86%

LAB 81.73, 30.31, -26.42

 

CMYK 3 / 11 / 0 / 0

HEX #F7E2FE

RGB 247 226 254

HSL 285, 0.93%, 0.94%

LAB 92.28, 12.06, -10.95

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 7 / 27 / 0 / 1

HEX #ECB8FD

RGB 236 184 253

HSL 285.22, 0.95%, 0.86%

LAB 81.4, 30.53, -26.92

 

CMYK 0 / 27 / 25 / 1

HEX #FDB9BD

RGB 253 185 189

HSL 356.47, 0.94%, 0.86%

LAB 81.43, 25.12, 7.7

 

CMYK 27 / 0 / 17 / 1

HEX #B9FDD1

RGB 185 253 209

HSL 141.18, 0.94%, 0.86%

LAB 93.96, -29.75, 14.33

 

CMYK 7 / 27 / 0 / 1

HEX #ECB8FD

RGB 236 184 253

HSL 285.22, 0.95%, 0.86%

LAB 81.4, 30.53, -26.92

 

CMYK 0 / 7 / 27 / 1

HEX #FDECB9

RGB 253 236 185

HSL 45, 0.94%, 0.86%

LAB 93.61, -1.85, 26.86

 

CMYK 27 / 0 / 7 / 1

HEX #B9FDEC

RGB 185 253 236

HSL 165, 0.94%, 0.86%

LAB 94.58, -24.51, 1.32

 

CMYK 7 / 27 / 0 / 1

HEX #ECB8FD

RGB 236 184 253

HSL 285.22, 0.95%, 0.86%

LAB 81.4, 30.53, -26.92

 

CMYK 0 / 27 / 25 / 1

HEX #FDB9BD

RGB 253 185 189

HSL 356.47, 0.94%, 0.86%

LAB 81.43, 25.12, 7.7

 

CMYK 20 / 0 / 27 / 1

HEX #CAFDB9

RGB 202 253 185

HSL 105, 0.94%, 0.86%

LAB 94.44, -28.34, 27.4

 

CMYK 27 / 0 / 1 / 1

HEX #B9FDFA

RGB 185 253 250

HSL 177.35, 0.94%, 0.86%

LAB 94.94, -21.56, -5.39

 

CMYK 7 / 27 / 0 / 1

HEX #ECB8FD

RGB 236 184 253

HSL 285.22, 0.95%, 0.86%

LAB 81.4, 30.53, -26.92

 

CMYK 0 / 20 / 27 / 1

HEX #FDCAB9

RGB 253 202 185

HSL 15, 0.94%, 0.86%

LAB 85.31, 15.66, 15.35

 

CMYK 20 / 0 / 27 / 1

HEX #CAFDB9

RGB 202 253 185

HSL 105, 0.94%, 0.86%

LAB 94.44, -28.34, 27.4

 

CMYK 27 / 7 / 0 / 1

HEX #B9ECFD

RGB 185 236 253

HSL 195, 0.94%, 0.86%

LAB 90.5, -12.46, -13.52

 

Description

Color code: HEX #ECB8FDCE | qconv.com Color code: HEX #ECB8FDCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 184 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 184 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 22 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 22% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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