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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECB459CE it is the complementary color #134BA6CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECB459CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECB459CE shade: #F1B454CE, #FFC667CE, #FFD87ACE, #FFEA8DCE and #FFFCA0CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECB459CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECB459CE shade: #ECB459CE, #DBA246CE, #CA9033CE, #B97E20CE and #A86C0DCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECB459CE shade: #ECB45B, #EC8D5B, #EC665B and #EC5B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECB459CE shade: #ECB45B, #ECDC5B, #D5EC5B, #AEEC5B and #87EC5B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECB459CE shade matches the following richer shades: #ECB45B and #FBB84C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECB459CE shade: #ECB45B, #DDB16A, #CEAD78, #BFAA87 and #B0A696

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECB459CE shade: #EC675B, #EC8D5B, #ECB45B, #ECDB5B and #D6EC5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECB459CE shade: #DA911A, #E7A436, #ECB45B, #F0C580 and #F4D6A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECB459CE shade: #ECB459, #75EC5B and #7A5BEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECB459CE shade: #ECB459, #5BECB4 and #B45BEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECB459CE shade: #ECB459, #75EC5B, #5B92EC and #D15BEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECB459CE shade: #ECB459, #5BEC6C, #5B92EC and #EC5BDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 50 / 6

HEX #ECB459CE

RGBA 236 180 89 0.81

HSLA 37.14, 0.79%, 0.64%, 0.81

LABA 76.8, 10.82, 53.25, 0.81

 

Complementary color

CMYK 72 / 44 / 0 / 28

HEX #134BA6CE

RGBA 19 75 166 0.81

HSLA 217.14, 0.79%, 0.36%, 0.81

LABA 33.82, 18.64, -53.78, 0.81

 

CMYK 0 / 21 / 53 / 4

HEX #F1B454CE

RGBA 241 180 84 0.81

HSLA 36.69, 0.85%, 0.64%, 0.81

LABA 77.27, 12.59, 56.24, 0.81

 

CMYK 0 / 18 / 48 / 0

HEX #FFC667CE

RGBA 255 198 103 0.81

HSLA 37.5, 1%, 0.7%, 0.81

LABA 83.25, 10.19, 54.55, 0.81

 

CMYK 0 / 12 / 42 / 0

HEX #FFD87ACE

RGBA 255 216 122 0.81

HSLA 42.41, 1%, 0.74%, 0.81

LABA 87.86, 2.37, 50.97, 0.81

 

CMYK 0 / 7 / 36 / 0

HEX #FFEA8DCE

RGBA 255 234 141 0.81

HSLA 48.95, 1%, 0.78%, 0.81

LABA 92.59, -5.05, 47.59, 0.81

 

CMYK 0 / 1 / 30 / 0

HEX #FFFCA0CE

RGBA 255 252 160 0.81

HSLA 58.11, 1%, 0.81%, 0.81

LABA 97.4, -12.03, 44.42, 0.81

 

CMYK 0 / 19 / 50 / 6

HEX #ECB459CE

RGBA 236 180 89 0.81

HSLA 37.14, 0.79%, 0.64%, 0.81

LABA 76.8, 10.82, 53.25, 0.81

 

CMYK 0 / 21 / 55 / 11

HEX #DBA246CE

RGBA 219 162 70 0.81

HSLA 37.05, 0.67%, 0.57%, 0.81

LABA 70.42, 12.07, 54.47, 0.81

 

CMYK 0 / 23 / 61 / 17

HEX #CA9033CE

RGBA 202 144 51 0.81

HSLA 36.95, 0.6%, 0.5%, 0.81

LABA 63.95, 13.52, 55.46, 0.81

 

CMYK 0 / 26 / 67 / 22

HEX #B97E20CE

RGBA 185 126 32 0.81

HSLA 36.86, 0.71%, 0.43%, 0.81

LABA 57.41, 15.21, 55.93, 0.81

 

CMYK 0 / 29 / 75 / 28

HEX #A86C0DCE

RGBA 168 108 13 0.81

HSLA 36.77, 0.86%, 0.35%, 0.81

LABA 50.78, 17.2, 55.23, 0.81

 

CMYK 0 / 24 / 61 / 7

HEX #ECB45B

RGB 236 180 91

HSL 36.83, 0.79%, 0.64%

LAB 76.82, 10.95, 52.33

 

CMYK 0 / 40 / 61 / 7

HEX #EC8D5B

RGB 236 141 91

HSL 20.69, 0.79%, 0.64%

LAB 67.75, 31.57, 41.71

 

CMYK 0 / 57 / 61 / 7

HEX #EC665B

RGB 236 102 91

HSL 4.55, 0.79%, 0.64%

LAB 59.97, 51.04, 32.13

 

CMYK 0 / 61 / 61 / 7

HEX #EC5B5B

RGB 236 91 91

HSL 0, 0.79%, 0.64%

LAB 58.1, 55.97, 29.77

 

CMYK 0 / 24 / 61 / 7

HEX #ECB45B

RGB 236 180 91

HSL 36.83, 0.79%, 0.64%

LAB 76.82, 10.95, 52.33

 

CMYK 0 / 7 / 61 / 7

HEX #ECDC5B

RGB 236 220 91

HSL 53.38, 0.79%, 0.64%

LAB 86.89, -9.67, 63.52

 

CMYK 10 / 0 / 61 / 7

HEX #D5EC5B

RGB 213 236 91

HSL 69.52, 0.79%, 0.64%

LAB 89.34, -26.76, 65.66

 

CMYK 26 / 0 / 61 / 7

HEX #AEEC5B

RGB 174 236 91

HSL 85.66, 0.79%, 0.64%

LAB 86.87, -41.57, 62.25

 

CMYK 43 / 0 / 61 / 7

HEX #87EC5B

RGB 135 236 91

HSL 101.79, 0.79%, 0.64%

LAB 84.94, -54.64, 59.58

 

CMYK 0 / 24 / 61 / 7

HEX #ECB45B

RGB 236 180 91

HSL 36.83, 0.79%, 0.64%

LAB 76.82, 10.95, 52.33

 

CMYK 0 / 27 / 70 / 2

HEX #FBB84C

RGB 251 184 76

HSL 37.03, 0.96%, 0.64%

LAB 79.22, 14.22, 62.17

 

CMYK 0 / 24 / 61 / 7

HEX #ECB45B

RGB 236 180 91

HSL 36.83, 0.79%, 0.64%

LAB 76.82, 10.95, 52.33

 

CMYK 0 / 20 / 52 / 13

HEX #DDB16A

RGB 221 177 106

HSL 37.04, 0.63%, 0.64%

LAB 74.73, 7.47, 42.12

 

CMYK 0 / 16 / 42 / 19

HEX #CEAD78

RGB 206 173 120

HSL 36.98, 0.47%, 0.64%

LAB 72.47, 4.82, 31.68

 

CMYK 0 / 11 / 29 / 25

HEX #BFAA87

RGB 191 170 135

HSL 37.5, 0.3%, 0.64%

LAB 70.58, 2.25, 20.85

 

CMYK 0 / 6 / 15 / 31

HEX #B0A696

RGB 176 166 150

HSL 36.92, 0.14%, 0.64%

LAB 68.54, 0.85, 9.57

 

CMYK 0 / 56 / 61 / 7

HEX #EC675B

RGB 236 103 91

HSL 4.97, 0.79%, 0.64%

LAB 60.15, 50.58, 32.36

 

CMYK 0 / 40 / 61 / 7

HEX #EC8D5B

RGB 236 141 91

HSL 20.69, 0.79%, 0.64%

LAB 67.75, 31.57, 41.71

 

CMYK 0 / 24 / 61 / 7

HEX #ECB45B

RGB 236 180 91

HSL 36.83, 0.79%, 0.64%

LAB 76.82, 10.95, 52.33

 

CMYK 0 / 7 / 61 / 7

HEX #ECDB5B

RGB 236 219 91

HSL 52.97, 0.79%, 0.64%

LAB 86.63, -9.17, 63.24

 

CMYK 9 / 0 / 61 / 7

HEX #D6EC5B

RGB 214 236 91

HSL 69.1, 0.79%, 0.64%

LAB 89.41, -26.37, 65.75

 

CMYK 0 / 33 / 88 / 15

HEX #DA911A

RGB 218 145 26

HSL 37.19, 0.79%, 0.48%

LAB 65.93, 19.12, 66.39

 

CMYK 0 / 29 / 77 / 9

HEX #E7A436

RGB 231 164 54

HSL 37.29, 0.79%, 0.56%

LAB 72.1, 15.36, 63.27

 

CMYK 0 / 24 / 61 / 7

HEX #ECB45B

RGB 236 180 91

HSL 36.83, 0.79%, 0.64%

LAB 76.82, 10.95, 52.33

 

CMYK 0 / 18 / 47 / 6

HEX #F0C580

RGB 240 197 128

HSL 36.96, 0.79%, 0.72%

LAB 81.85, 6.68, 40.24

 

CMYK 0 / 12 / 32 / 4

HEX #F4D6A5

RGB 244 214 165

HSL 37.22, 0.78%, 0.8%

LAB 87.02, 3.47, 28.06

 

CMYK 0 / 24 / 62 / 7

HEX #ECB459

RGB 236 180 89

HSL 37.14, 0.79%, 0.64%

LAB 76.8, 10.82, 53.25

 

CMYK 50 / 0 / 61 / 7

HEX #75EC5B

RGB 117 236 91

HSL 109.24, 0.79%, 0.64%

LAB 84.24, -59.83, 58.6

 

CMYK 48 / 61 / 0 / 7

HEX #7A5BEC

RGB 122 91 236

HSL 252.83, 0.79%, 0.64%

LAB 49.1, 47.7, -69.24

 

CMYK 0 / 24 / 62 / 7

HEX #ECB459

RGB 236 180 89

HSL 37.14, 0.79%, 0.64%

LAB 76.8, 10.82, 53.25

 

CMYK 61 / 0 / 24 / 7

HEX #5BECB4

RGB 91 236 180

HSL 156.83, 0.79%, 0.64%

LAB 84.75, -51.76, 15.8

 

CMYK 24 / 61 / 0 / 7

HEX #B45BEC

RGB 180 91 236

HSL 276.83, 0.79%, 0.64%

LAB 55.32, 59.97, -58.89

 

CMYK 0 / 24 / 62 / 7

HEX #ECB459

RGB 236 180 89

HSL 37.14, 0.79%, 0.64%

LAB 76.8, 10.82, 53.25

 

CMYK 50 / 0 / 61 / 7

HEX #75EC5B

RGB 117 236 91

HSL 109.24, 0.79%, 0.64%

LAB 84.24, -59.83, 58.6

 

CMYK 61 / 38 / 0 / 7

HEX #5B92EC

RGB 91 146 236

HSL 217.24, 0.79%, 0.64%

LAB 60.64, 9.08, -50.82

 

CMYK 11 / 61 / 0 / 7

HEX #D15BEC

RGB 209 91 236

HSL 288.83, 0.79%, 0.64%

LAB 59.06, 66.67, -52.7

 

CMYK 0 / 24 / 62 / 7

HEX #ECB459

RGB 236 180 89

HSL 37.14, 0.79%, 0.64%

LAB 76.8, 10.82, 53.25

 

CMYK 61 / 0 / 54 / 7

HEX #5BEC6C

RGB 91 236 108

HSL 127.03, 0.79%, 0.64%

LAB 83.6, -64.17, 50.15

 

CMYK 61 / 38 / 0 / 7

HEX #5B92EC

RGB 91 146 236

HSL 217.24, 0.79%, 0.64%

LAB 60.64, 9.08, -50.82

 

CMYK 0 / 61 / 7 / 7

HEX #EC5BDB

RGB 236 91 219

HSL 307.03, 0.79%, 0.64%

LAB 62.02, 70.31, -38.25

 

Description

Color code: HEX #ECB459CE | qconv.com Color code: HEX #ECB459CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 180 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 180 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 50 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 50% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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