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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECB214 it is the complementary color #134DEB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECB214. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECB214 shade: #F1B20F, #FFC422, #FFD635, #FFE848 and #FFFA5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECB214. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECB214 shade: #ECB214, #DBA001, #CA8E00, #B97C00 and #A86A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECB214 shade: #ECB213, #EC7713, #EC3D13 and #EC1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECB214 shade: #ECB213, #ECEC13, #B1EC13, #77EC13 and #3CEC13

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECB214 shade matches the following richer shades: #ECB213

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECB214 shade: #ECB213, #D7A828, #C39F3C, #AE9551 and #998B66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECB214 shade: #EC3B13, #EC7513, #ECAE13, #ECE813 and #B6EC13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECB214 shade: #A0780D, #C69510, #ECB213, #EFBE39 and #F2CB5F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECB214 shade: #ECB214, #25EC13 and #5813EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECB214 shade: #ECB214, #13ECAE and #AE13EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECB214 shade: #ECB214, #25EC13, #1351EC and #DA13EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECB214 shade: #ECB214, #13EC42, #1351EC and #EC13BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 92 / 7

HEX #ECB214

RGB 236 178 20

HSL 43.89, 0.85%, 0.5%

LAB 75.9, 9.22, 76.13

 

Complementary color

CMYK 92 / 67 / 0 / 8

HEX #134DEB

RGB 19 77 235

HSL 223.89, 0.85%, 0.5%

LAB 40.32, 43.94, -83.26

 

CMYK 0 / 26 / 94 / 5

HEX #F1B20F

RGB 241 178 15

HSL 43.27, 0.89%, 0.5%

LAB 76.42, 11.31, 77.51

 

CMYK 0 / 23 / 87 / 0

HEX #FFC422

RGB 255 196 34

HSL 43.98, 1%, 0.57%

LAB 82.3, 8.21, 79.16

 

CMYK 0 / 16 / 79 / 0

HEX #FFD635

RGB 255 214 53

HSL 47.82, 1%, 0.6%

LAB 86.81, -0.52, 77.94

 

CMYK 0 / 9 / 72 / 0

HEX #FFE848

RGB 255 232 72

HSL 52.46, 1%, 0.64%

LAB 91.43, -8.84, 76.06

 

CMYK 0 / 2 / 64 / 0

HEX #FFFA5B

RGB 255 250 91

HSL 58.17, 1%, 0.68%

LAB 96.16, -16.69, 73.8

 

CMYK 0 / 25 / 92 / 7

HEX #ECB214

RGB 236 178 20

HSL 43.89, 0.85%, 0.5%

LAB 75.9, 9.22, 76.13

 

CMYK 0 / 27 / 100 / 14

HEX #DBA001

RGB 219 160 1

HSL 43.76, 0.99%, 0.43%

LAB 69.61, 11.17, 73.29

 

CMYK 0 / 30 / 100 / 21

HEX #CA8E00

RGB 202 142 0

HSL 42.18, 1%, 0.4%

LAB 63.26, 13.39, 68.21

 

CMYK 0 / 33 / 100 / 27

HEX #B97C00

RGB 185 124 0

HSL 40.22, 1%, 0.36%

LAB 56.81, 15.71, 62.94

 

CMYK 0 / 37 / 100 / 34

HEX #A86A00

RGB 168 106 0

HSL 37.86, 1%, 0.33%

LAB 50.25, 18.13, 57.59

 

CMYK 0 / 25 / 92 / 7

HEX #ECB213

RGB 236 178 19

HSL 43.96, 0.85%, 0.5%

LAB 75.9, 9.21, 76.3

 

CMYK 0 / 50 / 92 / 7

HEX #EC7713

RGB 236 119 19

HSL 27.65, 0.85%, 0.5%

LAB 62.57, 40.07, 66.64

 

CMYK 0 / 74 / 92 / 7

HEX #EC3D13

RGB 236 61 19

HSL 11.61, 0.85%, 0.5%

LAB 53.19, 64.81, 60.3

 

CMYK 0 / 92 / 92 / 7

HEX #EC1313

RGB 236 19 19

HSL 0, 0.85%, 0.5%

LAB 49.91, 74.08, 58.23

 

CMYK 0 / 25 / 92 / 7

HEX #ECB213

RGB 236 178 19

HSL 43.96, 0.85%, 0.5%

LAB 75.9, 9.21, 76.3

 

CMYK 0 / 0 / 92 / 7

HEX #ECEC13

RGB 236 236 19

HSL 60, 0.85%, 0.5%

LAB 90.72, -20.16, 87.49

 

CMYK 25 / 0 / 92 / 7

HEX #B1EC13

RGB 177 236 19

HSL 76.31, 0.85%, 0.5%

LAB 86.69, -43.8, 82.61

 

CMYK 50 / 0 / 92 / 7

HEX #77EC13

RGB 119 236 19

HSL 92.35, 0.85%, 0.5%

LAB 83.94, -63.36, 79.25

 

CMYK 75 / 0 / 92 / 7

HEX #3CEC13

RGB 60 236 19

HSL 108.66, 0.85%, 0.5%

LAB 82.38, -76.29, 77.31

 

CMYK 0 / 25 / 92 / 7

HEX #ECB213

RGB 236 178 19

HSL 43.96, 0.85%, 0.5%

LAB 75.9, 9.21, 76.3

 

CMYK 0 / 25 / 92 / 7

HEX #ECB213

RGB 236 178 19

HSL 43.96, 0.85%, 0.5%

LAB 75.9, 9.21, 76.3

 

CMYK 0 / 22 / 81 / 16

HEX #D7A828

RGB 215 168 40

HSL 43.89, 0.69%, 0.5%

LAB 71.29, 5.84, 66.74

 

CMYK 0 / 18 / 69 / 24

HEX #C39F3C

RGB 195 159 60

HSL 44, 0.53%, 0.5%

LAB 67.07, 2.76, 54.58

 

CMYK 0 / 14 / 53 / 32

HEX #AE9551

RGB 174 149 81

HSL 43.87, 0.36%, 0.5%

LAB 62.58, 0.54, 39.01

 

CMYK 0 / 9 / 33 / 40

HEX #998B66

RGB 153 139 102

HSL 43.53, 0.2%, 0.5%

LAB 58.22, -0.56, 21.73

 

CMYK 0 / 75 / 92 / 7

HEX #EC3B13

RGB 236 59 19

HSL 11.06, 0.85%, 0.5%

LAB 52.96, 65.44, 60.15

 

CMYK 0 / 50 / 92 / 7

HEX #EC7513

RGB 236 117 19

HSL 27.1, 0.85%, 0.5%

LAB 62.17, 41.07, 66.36

 

CMYK 0 / 26 / 92 / 7

HEX #ECAE13

RGB 236 174 19

HSL 42.86, 0.85%, 0.5%

LAB 74.92, 11.31, 75.57

 

CMYK 0 / 2 / 92 / 7

HEX #ECE813

RGB 236 232 19

HSL 58.89, 0.85%, 0.5%

LAB 89.67, -18.22, 86.68

 

CMYK 23 / 0 / 92 / 7

HEX #B6EC13

RGB 182 236 19

HSL 74.93, 0.85%, 0.5%

LAB 86.99, -41.9, 82.97

 

CMYK 0 / 25 / 92 / 37

HEX #A0780D

RGB 160 120 13

HSL 43.67, 0.85%, 0.34%

LAB 52.88, 6.75, 56.4

 

CMYK 0 / 25 / 92 / 22

HEX #C69510

RGB 198 149 16

HSL 43.85, 0.85%, 0.42%

LAB 64.59, 8, 66.56

 

CMYK 0 / 25 / 92 / 7

HEX #ECB213

RGB 236 178 19

HSL 43.96, 0.85%, 0.5%

LAB 75.9, 9.21, 76.3

 

CMYK 0 / 21 / 76 / 6

HEX #EFBE39

RGB 239 190 57

HSL 43.85, 0.85%, 0.58%

LAB 79.31, 5.19, 69.27

 

CMYK 0 / 16 / 61 / 5

HEX #F2CB5F

RGB 242 203 95

HSL 44.08, 0.85%, 0.66%

LAB 83.13, 1.71, 57.78

 

CMYK 0 / 25 / 92 / 7

HEX #ECB214

RGB 236 178 20

HSL 43.89, 0.85%, 0.5%

LAB 75.9, 9.22, 76.13

 

CMYK 84 / 0 / 92 / 7

HEX #25EC13

RGB 37 236 19

HSL 115.02, 0.85%, 0.5%

LAB 82.07, -79.01, 76.93

 

CMYK 63 / 92 / 0 / 7

HEX #5813EC

RGB 88 19 236

HSL 259.08, 0.85%, 0.5%

LAB 35.2, 73.71, -92.2

 

CMYK 0 / 25 / 92 / 7

HEX #ECB214

RGB 236 178 20

HSL 43.89, 0.85%, 0.5%

LAB 75.9, 9.22, 76.13

 

CMYK 92 / 0 / 26 / 7

HEX #13ECAE

RGB 19 236 174

HSL 162.86, 0.85%, 0.5%

LAB 83.54, -61.02, 17.07

 

CMYK 26 / 92 / 0 / 7

HEX #AE13EC

RGB 174 19 236

HSL 282.86, 0.85%, 0.5%

LAB 46.34, 82.11, -73.46

 

CMYK 0 / 25 / 92 / 7

HEX #ECB214

RGB 236 178 20

HSL 43.89, 0.85%, 0.5%

LAB 75.9, 9.22, 76.13

 

CMYK 84 / 0 / 92 / 7

HEX #25EC13

RGB 37 236 19

HSL 115.02, 0.85%, 0.5%

LAB 82.07, -79.01, 76.93

 

CMYK 92 / 66 / 0 / 7

HEX #1351EC

RGB 19 81 236

HSL 222.86, 0.85%, 0.5%

LAB 41.34, 41.82, -82.15

 

CMYK 8 / 92 / 0 / 7

HEX #DA13EC

RGB 218 19 236

HSL 295.02, 0.85%, 0.5%

LAB 53.41, 88.43, -61.66

 

CMYK 0 / 25 / 92 / 7

HEX #ECB214

RGB 236 178 20

HSL 43.89, 0.85%, 0.5%

LAB 75.9, 9.22, 76.13

 

CMYK 92 / 0 / 72 / 7

HEX #13EC42

RGB 19 236 66

HSL 133, 0.85%, 0.5%

LAB 82.12, -77.85, 65.45

 

CMYK 92 / 66 / 0 / 7

HEX #1351EC

RGB 19 81 236

HSL 222.86, 0.85%, 0.5%

LAB 41.34, 41.82, -82.15

 

CMYK 0 / 92 / 20 / 7

HEX #EC13BD

RGB 236 19 189

HSL 313, 0.85%, 0.5%

LAB 54, 85.1, -33.68

 

Description

Color code: HEX #ECB214 | qconv.com Color code: HEX #ECB214 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 178 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 178 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 92 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 92% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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