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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECB058 it is the complementary color #134FA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECB058. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECB058 shade: #F1B053, #FFC266, #FFD479, #FFE68C and #FFF89F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECB058. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECB058 shade: #ECB058, #DB9E45, #CA8C32, #B97A1F and #A8680C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECB058 shade: #ECB159, #EC8959, #EC6159 and #EC5959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECB058 shade: #ECB159, #ECD859, #D8EC59, #B1EC59 and #89EC59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECB058 shade matches the following richer shades: #ECB159 and #FBB34A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECB058 shade: #ECB159, #DDAE68, #CEAB77, #C0A886 and #B1A595

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECB058 shade: #EC6159, #EC8859, #ECAF59, #ECD659 and #DBEC59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECB058 shade: #DB8C18, #E89F34, #ECB159, #F0C27E and #F4D4A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECB058 shade: #ECB058, #79EC59 and #7459EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECB058 shade: #ECB058, #59ECAF and #AF59EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECB058 shade: #ECB058, #79EC59, #5996EC and #CC59EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECB058 shade: #ECB058, #59EC66, #5996EC and #EC59E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 63 / 7

HEX #ECB058

RGB 236 176 88

HSL 35.68, 0.8%, 0.64%

LAB 75.82, 12.86, 52.61

 

Complementary color

CMYK 89 / 53 / 0 / 35

HEX #134FA7

RGB 19 79 167

HSL 215.68, 0.8%, 0.36%

LAB 35.04, 16.34, -52.4

 

CMYK 0 / 27 / 66 / 5

HEX #F1B053

RGB 241 176 83

HSL 35.32, 0.85%, 0.64%

LAB 76.3, 14.64, 55.63

 

CMYK 0 / 24 / 60 / 0

HEX #FFC266

RGB 255 194 102

HSL 36.08, 1%, 0.7%

LAB 82.27, 12.2, 53.9

 

CMYK 0 / 17 / 53 / 0

HEX #FFD479

RGB 255 212 121

HSL 40.75, 1%, 0.74%

LAB 86.86, 4.33, 50.24

 

CMYK 0 / 10 / 45 / 0

HEX #FFE68C

RGB 255 230 140

HSL 46.96, 1%, 0.77%

LAB 91.57, -3.13, 46.8

 

CMYK 0 / 3 / 38 / 0

HEX #FFF89F

RGB 255 248 159

HSL 55.63, 1%, 0.81%

LAB 96.37, -10.17, 43.59

 

CMYK 0 / 25 / 63 / 7

HEX #ECB058

RGB 236 176 88

HSL 35.68, 0.8%, 0.64%

LAB 75.82, 12.86, 52.61

 

CMYK 0 / 28 / 68 / 14

HEX #DB9E45

RGB 219 158 69

HSL 35.6, 0.68%, 0.56%

LAB 69.43, 14.16, 53.86

 

CMYK 0 / 31 / 75 / 21

HEX #CA8C32

RGB 202 140 50

HSL 35.53, 0.6%, 0.49%

LAB 62.96, 15.66, 54.9

 

CMYK 0 / 34 / 83 / 27

HEX #B97A1F

RGB 185 122 31

HSL 35.45, 0.71%, 0.42%

LAB 56.42, 17.4, 55.41

 

CMYK 0 / 38 / 93 / 34

HEX #A8680C

RGB 168 104 12

HSL 35.38, 0.87%, 0.35%

LAB 49.8, 19.44, 54.73

 

CMYK 0 / 25 / 62 / 7

HEX #ECB159

RGB 236 177 89

HSL 35.92, 0.79%, 0.64%

LAB 76.07, 12.4, 52.42

 

CMYK 0 / 42 / 62 / 7

HEX #EC8959

RGB 236 137 89

HSL 19.59, 0.79%, 0.64%

LAB 66.86, 33.53, 41.68

 

CMYK 0 / 59 / 62 / 7

HEX #EC6159

RGB 236 97 89

HSL 3.27, 0.79%, 0.64%

LAB 59.07, 53.2, 32.13

 

CMYK 0 / 62 / 62 / 7

HEX #EC5959

RGB 236 89 89

HSL 0, 0.79%, 0.64%

LAB 57.75, 56.7, 30.46

 

CMYK 0 / 25 / 62 / 7

HEX #ECB159

RGB 236 177 89

HSL 35.92, 0.79%, 0.64%

LAB 76.07, 12.4, 52.42

 

CMYK 0 / 8 / 62 / 7

HEX #ECD859

RGB 236 216 89

HSL 51.84, 0.79%, 0.64%

LAB 85.84, -7.79, 63.24

 

CMYK 8 / 0 / 62 / 7

HEX #D8EC59

RGB 216 236 89

HSL 68.16, 0.79%, 0.64%

LAB 89.54, -25.71, 66.74

 

CMYK 25 / 0 / 62 / 7

HEX #B1EC59

RGB 177 236 89

HSL 84.08, 0.79%, 0.64%

LAB 87.03, -40.64, 63.3

 

CMYK 42 / 0 / 62 / 7

HEX #89EC59

RGB 137 236 89

HSL 100.41, 0.79%, 0.64%

LAB 85.01, -54.21, 60.51

 

CMYK 0 / 25 / 62 / 7

HEX #ECB159

RGB 236 177 89

HSL 35.92, 0.79%, 0.64%

LAB 76.07, 12.4, 52.42

 

CMYK 0 / 29 / 71 / 2

HEX #FBB34A

RGB 251 179 74

HSL 35.59, 0.96%, 0.64%

LAB 78.02, 16.74, 61.77

 

CMYK 0 / 25 / 62 / 7

HEX #ECB159

RGB 236 177 89

HSL 35.92, 0.79%, 0.64%

LAB 76.07, 12.4, 52.42

 

CMYK 0 / 21 / 53 / 13

HEX #DDAE68

RGB 221 174 104

HSL 35.9, 0.63%, 0.64%

LAB 73.96, 8.89, 42.18

 

CMYK 0 / 17 / 42 / 19

HEX #CEAB77

RGB 206 171 119

HSL 35.86, 0.47%, 0.64%

LAB 71.95, 5.78, 31.53

 

CMYK 0 / 13 / 30 / 25

HEX #C0A886

RGB 192 168 134

HSL 35.17, 0.32%, 0.64%

LAB 70.13, 3.59, 20.8

 

CMYK 0 / 7 / 16 / 31

HEX #B1A595

RGB 177 165 149

HSL 34.29, 0.15%, 0.64%

LAB 68.33, 1.61, 9.85

 

CMYK 0 / 59 / 62 / 7

HEX #EC6159

RGB 236 97 89

HSL 3.27, 0.79%, 0.64%

LAB 59.07, 53.2, 32.13

 

CMYK 0 / 42 / 62 / 7

HEX #EC8859

RGB 236 136 89

HSL 19.18, 0.79%, 0.64%

LAB 66.64, 34.05, 41.43

 

CMYK 0 / 26 / 62 / 7

HEX #ECAF59

RGB 236 175 89

HSL 35.1, 0.79%, 0.64%

LAB 75.58, 13.46, 51.87

 

CMYK 0 / 9 / 62 / 7

HEX #ECD659

RGB 236 214 89

HSL 51.02, 0.79%, 0.64%

LAB 85.33, -6.78, 62.68

 

CMYK 7 / 0 / 62 / 7

HEX #DBEC59

RGB 219 236 89

HSL 66.94, 0.79%, 0.64%

LAB 89.75, -24.52, 67.04

 

CMYK 0 / 36 / 89 / 14

HEX #DB8C18

RGB 219 140 24

HSL 35.69, 0.8%, 0.48%

LAB 64.87, 22.2, 66.12

 

CMYK 0 / 31 / 78 / 9

HEX #E89F34

RGB 232 159 52

HSL 35.67, 0.8%, 0.56%

LAB 71.01, 18.37, 63.04

 

CMYK 0 / 25 / 62 / 7

HEX #ECB159

RGB 236 177 89

HSL 35.92, 0.79%, 0.64%

LAB 76.07, 12.4, 52.42

 

CMYK 0 / 19 / 48 / 6

HEX #F0C27E

RGB 240 194 126

HSL 35.79, 0.79%, 0.72%

LAB 81.08, 8.06, 40.28

 

CMYK 0 / 13 / 33 / 4

HEX #F4D4A4

RGB 244 212 164

HSL 36, 0.78%, 0.8%

LAB 86.5, 4.38, 27.89

 

CMYK 0 / 25 / 63 / 7

HEX #ECB058

RGB 236 176 88

HSL 35.68, 0.8%, 0.64%

LAB 75.82, 12.86, 52.61

 

CMYK 49 / 0 / 62 / 7

HEX #79EC59

RGB 121 236 89

HSL 106.94, 0.79%, 0.64%

LAB 84.37, -58.92, 59.62

 

CMYK 51 / 62 / 0 / 7

HEX #7459EC

RGB 116 89 236

HSL 251.02, 0.79%, 0.64%

LAB 48.15, 47.71, -70.8

 

CMYK 0 / 25 / 63 / 7

HEX #ECB058

RGB 236 176 88

HSL 35.68, 0.8%, 0.64%

LAB 75.82, 12.86, 52.61

 

CMYK 62 / 0 / 26 / 7

HEX #59ECAF

RGB 89 236 175

HSL 155.1, 0.79%, 0.64%

LAB 84.59, -53.19, 18.17

 

CMYK 26 / 62 / 0 / 7

HEX #AF59EC

RGB 175 89 236

HSL 275.1, 0.79%, 0.64%

LAB 54.36, 59.8, -60.46

 

CMYK 0 / 25 / 63 / 7

HEX #ECB058

RGB 236 176 88

HSL 35.68, 0.8%, 0.64%

LAB 75.82, 12.86, 52.61

 

CMYK 49 / 0 / 62 / 7

HEX #79EC59

RGB 121 236 89

HSL 106.94, 0.79%, 0.64%

LAB 84.37, -58.92, 59.62

 

CMYK 62 / 36 / 0 / 7

HEX #5996EC

RGB 89 150 236

HSL 215.1, 0.79%, 0.64%

LAB 61.65, 6.37, -49.23

 

CMYK 14 / 62 / 0 / 7

HEX #CC59EC

RGB 204 89 236

HSL 286.94, 0.79%, 0.64%

LAB 58.07, 66.38, -54.31

 

CMYK 0 / 25 / 63 / 7

HEX #ECB058

RGB 236 176 88

HSL 35.68, 0.8%, 0.64%

LAB 75.82, 12.86, 52.61

 

CMYK 62 / 0 / 57 / 7

HEX #59EC66

RGB 89 236 102

HSL 125.31, 0.79%, 0.64%

LAB 83.48, -65.32, 52.72

 

CMYK 62 / 36 / 0 / 7

HEX #5996EC

RGB 89 150 236

HSL 215.1, 0.79%, 0.64%

LAB 61.65, 6.37, -49.23

 

CMYK 0 / 62 / 5 / 7

HEX #EC59E0

RGB 236 89 224

HSL 304.9, 0.79%, 0.64%

LAB 61.96, 71.89, -41.15

 

Description

Color code: HEX #ECB058 | qconv.com Color code: HEX #ECB058 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 176 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 176 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 63 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 63% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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