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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECADE3 it is the complementary color #13521C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECADE3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECADE3 shade: #F1ADDE, #FFBFF1, #FFD1FF, #FFE3FF and #FFF5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECADE3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECADE3 shade: #ECADE3, #DB9BD0, #CA89BD, #B977AA and #A86597

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECADE3 shade: #ECACE3, #ECACD2, #ECACC0, #ECACAF and #ECACAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECADE3 shade: #ECACE3, #E4ACEC, #D3ACEC, #C1ACEC and #B0ACEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECADE3 shade matches the following richer shades: #ECACE3, #F4A4E8 and #FC9CEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECADE3 shade: #ECACE3, #E3B5DD, #DBBDD7, #D3C5D1 and #CBCDCB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECADE3 shade: #D2ACEC, #E3ACEC, #ECACE3, #ECACD2 and #ECACC1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECADE3 shade: #DC6ACC, #E48BD7, #ECACE3, #F3CEEE and #FBEFFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECADE3 shade: #ECADE3, #ECC1AC and #ACECDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECADE3 shade: #ECADE3, #E3ECAC and #ACE3EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECADE3 shade: #ECADE3, #ECC1AC, #ACECB5 and #ACD7EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECADE3 shade: #ECADE3, #ECD4AC, #ACECB5 and #ACC4EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 4 / 7

HEX #ECADE3

RGB 236 173 227

HSL 308.57, 0.62%, 0.8%

LAB 78.03, 31.56, -18.06

 

Complementary color

CMYK 77 / 0 / 66 / 68

HEX #13521C

RGB 19 82 28

HSL 128.57, 0.62%, 0.2%

LAB 30.05, -32.22, 25.58

 

CMYK 0 / 28 / 8 / 5

HEX #F1ADDE

RGB 241 173 222

HSL 316.76, 0.71%, 0.81%

LAB 78.38, 32.35, -14.77

 

CMYK 0 / 25 / 5 / 0

HEX #FFBFF1

RGB 255 191 241

HSL 313.13, 1%, 0.87%

LAB 84.42, 30.73, -15.77

 

CMYK 0 / 18 / 0 / 0

HEX #FFD1FF

RGB 255 209 255

HSL 300, 1%, 0.91%

LAB 88.96, 23.75, -16.36

 

CMYK 0 / 11 / 0 / 0

HEX #FFE3FF

RGB 255 227 255

HSL 300, 1%, 0.95%

LAB 93.2, 14.35, -10.03

 

CMYK 0 / 4 / 0 / 0

HEX #FFF5FF

RGB 255 245 255

HSL 300, 1%, 0.98%

LAB 97.55, 5.08, -3.61

 

CMYK 0 / 27 / 4 / 7

HEX #ECADE3

RGB 236 173 227

HSL 308.57, 0.62%, 0.8%

LAB 78.03, 31.56, -18.06

 

CMYK 0 / 29 / 5 / 14

HEX #DB9BD0

RGB 219 155 208

HSL 310.31, 0.47%, 0.73%

LAB 71.59, 32.22, -17.58

 

CMYK 0 / 32 / 6 / 21

HEX #CA89BD

RGB 202 137 189

HSL 312, 0.38%, 0.66%

LAB 65.06, 32.91, -17.06

 

CMYK 0 / 36 / 8 / 27

HEX #B977AA

RGB 185 119 170

HSL 313.64, 0.32%, 0.6%

LAB 58.42, 33.65, -16.51

 

CMYK 0 / 40 / 10 / 34

HEX #A86597

RGB 168 101 151

HSL 315.22, 0.28%, 0.53%

LAB 51.69, 34.43, -15.89

 

CMYK 0 / 27 / 4 / 7

HEX #ECACE3

RGB 236 172 227

HSL 308.44, 0.63%, 0.8%

LAB 77.81, 32.1, -18.4

 

CMYK 0 / 27 / 11 / 7

HEX #ECACD2

RGB 236 172 210

HSL 324.38, 0.63%, 0.8%

LAB 77.28, 29.19, -9.96

 

CMYK 0 / 27 / 19 / 7

HEX #ECACC0

RGB 236 172 192

HSL 341.25, 0.63%, 0.8%

LAB 76.77, 26.33, -0.91

 

CMYK 0 / 27 / 26 / 7

HEX #ECACAF

RGB 236 172 175

HSL 357.19, 0.63%, 0.8%

LAB 76.33, 23.86, 7.74

 

CMYK 0 / 27 / 27 / 7

HEX #ECACAC

RGB 236 172 172

HSL 0, 0.63%, 0.8%

LAB 76.26, 23.45, 9.28

 

CMYK 0 / 27 / 4 / 7

HEX #ECACE3

RGB 236 172 227

HSL 308.44, 0.63%, 0.8%

LAB 77.81, 32.1, -18.4

 

CMYK 3 / 27 / 0 / 7

HEX #E4ACEC

RGB 228 172 236

HSL 292.5, 0.63%, 0.8%

LAB 77.31, 31.16, -24.09

 

CMYK 11 / 27 / 0 / 7

HEX #D3ACEC

RGB 211 172 236

HSL 276.56, 0.63%, 0.8%

LAB 75.71, 25.76, -26.69

 

CMYK 18 / 27 / 0 / 7

HEX #C1ACEC

RGB 193 172 236

HSL 259.69, 0.63%, 0.8%

LAB 74.12, 20.17, -29.25

 

CMYK 25 / 27 / 0 / 7

HEX #B0ACEC

RGB 176 172 236

HSL 243.75, 0.63%, 0.8%

LAB 72.75, 15.05, -31.48

 

CMYK 0 / 27 / 4 / 7

HEX #ECACE3

RGB 236 172 227

HSL 308.44, 0.63%, 0.8%

LAB 77.81, 32.1, -18.4

 

CMYK 0 / 33 / 5 / 4

HEX #F4A4E8

RGB 244 164 232

HSL 309, 0.78%, 0.8%

LAB 77.05, 39.79, -22.18

 

CMYK 0 / 38 / 6 / 1

HEX #FC9CEE

RGB 252 156 238

HSL 308.75, 0.94%, 0.8%

LAB 76.46, 47.47, -26.24

 

CMYK 0 / 27 / 4 / 7

HEX #ECACE3

RGB 236 172 227

HSL 308.44, 0.63%, 0.8%

LAB 77.81, 32.1, -18.4

 

CMYK 0 / 20 / 3 / 11

HEX #E3B5DD

RGB 227 181 221

HSL 307.83, 0.45%, 0.8%

LAB 78.81, 23.22, -13.73

 

CMYK 0 / 14 / 2 / 14

HEX #DBBDD7

RGB 219 189 215

HSL 308, 0.29%, 0.8%

LAB 79.82, 15.13, -9.06

 

CMYK 0 / 7 / 1 / 17

HEX #D3C5D1

RGB 211 197 209

HSL 308.57, 0.14%, 0.8%

LAB 80.95, 7.02, -4.23

 

CMYK 1 / 0 / 1 / 20

HEX #CBCDCB

RGB 203 205 203

HSL 120, 0.02%, 0.8%

LAB 82.2, -1.05, 0.74

 

CMYK 11 / 27 / 0 / 7

HEX #D2ACEC

RGB 210 172 236

HSL 275.63, 0.63%, 0.8%

LAB 75.61, 25.45, -26.84

 

CMYK 4 / 27 / 0 / 7

HEX #E3ACEC

RGB 227 172 236

HSL 291.56, 0.63%, 0.8%

LAB 77.22, 30.84, -24.25

 

CMYK 0 / 27 / 4 / 7

HEX #ECACE3

RGB 236 172 227

HSL 308.44, 0.63%, 0.8%

LAB 77.81, 32.1, -18.4

 

CMYK 0 / 27 / 11 / 7

HEX #ECACD2

RGB 236 172 210

HSL 324.38, 0.63%, 0.8%

LAB 77.28, 29.19, -9.96

 

CMYK 0 / 27 / 18 / 7

HEX #ECACC1

RGB 236 172 193

HSL 340.31, 0.63%, 0.8%

LAB 76.79, 26.48, -1.41

 

CMYK 0 / 52 / 7 / 14

HEX #DC6ACC

RGB 220 106 204

HSL 308.42, 0.62%, 0.64%

LAB 61.55, 57.05, -30.7

 

CMYK 0 / 39 / 6 / 11

HEX #E48BD7

RGB 228 139 215

HSL 308.76, 0.62%, 0.72%

LAB 69.37, 44.83, -24.73

 

CMYK 0 / 27 / 4 / 7

HEX #ECACE3

RGB 236 172 227

HSL 308.44, 0.63%, 0.8%

LAB 77.81, 32.1, -18.4

 

CMYK 0 / 15 / 2 / 5

HEX #F3CEEE

RGB 243 206 238

HSL 308.11, 0.61%, 0.88%

LAB 86.69, 18.32, -10.9

 

CMYK 0 / 5 / 0 / 2

HEX #FBEFFA

RGB 251 239 250

HSL 305, 0.6%, 0.96%

LAB 95.64, 5.94, -3.86

 

CMYK 0 / 27 / 4 / 7

HEX #ECADE3

RGB 236 173 227

HSL 308.57, 0.62%, 0.8%

LAB 78.03, 31.56, -18.06

 

CMYK 0 / 18 / 27 / 7

HEX #ECC1AC

RGB 236 193 172

HSL 19.69, 0.63%, 0.8%

LAB 81.26, 12.3, 16.35

 

CMYK 27 / 0 / 7 / 7

HEX #ACECDB

RGB 172 236 219

HSL 164.06, 0.63%, 0.8%

LAB 88.86, -23.57, 1.75

 

CMYK 0 / 27 / 4 / 7

HEX #ECADE3

RGB 236 173 227

HSL 308.57, 0.62%, 0.8%

LAB 78.03, 31.56, -18.06

 

CMYK 4 / 0 / 27 / 7

HEX #E3ECAC

RGB 227 236 172

HSL 68.44, 0.63%, 0.8%

LAB 91.37, -13.17, 30.11

 

CMYK 27 / 4 / 0 / 7

HEX #ACE3EC

RGB 172 227 236

HSL 188.44, 0.63%, 0.8%

LAB 86.88, -15.44, -10.09

 

CMYK 0 / 27 / 4 / 7

HEX #ECADE3

RGB 236 173 227

HSL 308.57, 0.62%, 0.8%

LAB 78.03, 31.56, -18.06

 

CMYK 0 / 18 / 27 / 7

HEX #ECC1AC

RGB 236 193 172

HSL 19.69, 0.63%, 0.8%

LAB 81.26, 12.3, 16.35

 

CMYK 27 / 0 / 23 / 7

HEX #ACECB5

RGB 172 236 181

HSL 128.44, 0.63%, 0.8%

LAB 88.02, -30.81, 20.33

 

CMYK 27 / 9 / 0 / 7

HEX #ACD7EC

RGB 172 215 236

HSL 199.69, 0.63%, 0.8%

LAB 83.67, -9.3, -14.9

 

CMYK 0 / 27 / 4 / 7

HEX #ECADE3

RGB 236 173 227

HSL 308.57, 0.62%, 0.8%

LAB 78.03, 31.56, -18.06

 

CMYK 0 / 10 / 27 / 7

HEX #ECD4AC

RGB 236 212 172

HSL 37.5, 0.63%, 0.8%

LAB 85.96, 2.36, 22.86

 

CMYK 27 / 0 / 23 / 7

HEX #ACECB5

RGB 172 236 181

HSL 128.44, 0.63%, 0.8%

LAB 88.02, -30.81, 20.33

 

CMYK 27 / 17 / 0 / 7

HEX #ACC4EC

RGB 172 196 236

HSL 217.5, 0.63%, 0.8%

LAB 78.64, 0.73, -22.49

 

Description

Color code: HEX #ECADE3 | qconv.com Color code: HEX #ECADE3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 173 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 173 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 4 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 4% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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