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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECACF4 it is the complementary color #13530B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECACF4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECACF4 shade: #F1ACEF, #FFBEFF, #FFD0FF, #FFE2FF and #FFF4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECACF4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECACF4 shade: #ECACF4, #DB9AE1, #CA88CE, #B976BB and #A864A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECACF4 shade: #EDAEF4, #F4AEE9, #F4AED6, #F4AEC3 and #F4AEB0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECACF4 shade: #EDAEF4, #DAAEF4, #C6AEF4, #B3AEF4 and #AEAEF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECACF4 shade matches the following richer shades: #EDAEF4 and #F2A6FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECACF4 shade: #EDAEF4, #E7B5ED, #E1BDE6, #DBC4DE and #D5CBD7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECACF4 shade: #C6AEF4, #D9AEF4, #ECAEF4, #F4AEEA and #F4AED7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECACF4 shade: #DC65EB, #E489F0, #EDAEF4, #F5D2F9 and #FDF7FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECACF4 shade: #ECACF4, #F4B4AE and #AEF4D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECACF4 shade: #ECACF4, #F4ECAE and #AEF4EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECACF4 shade: #ECACF4, #F4B4AE, #B6F4AE and #AEEFF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECACF4 shade: #ECACF4, #F4C9AE, #B6F4AE and #AED9F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 30 / 0 / 4

HEX #ECACF4

RGB 236 172 244

HSL 293.33, 0.77%, 0.82%

LAB 78.39, 35.2, -26.7

 

Complementary color

CMYK 77 / 0 / 87 / 67

HEX #13530B

RGB 19 83 11

HSL 113.33, 0.77%, 0.18%

LAB 30.28, -34.36, 33.36

 

CMYK 0 / 29 / 1 / 5

HEX #F1ACEF

RGB 241 172 239

HSL 301.74, 0.71%, 0.81%

LAB 78.72, 35.86, -23.46

 

CMYK 0 / 25 / 0 / 0

HEX #FFBEFF

RGB 255 190 255

HSL 300, 1%, 0.87%

LAB 84.64, 33.72, -22.89

 

CMYK 0 / 18 / 0 / 0

HEX #FFD0FF

RGB 255 208 255

HSL 300, 1%, 0.91%

LAB 88.73, 24.27, -16.71

 

CMYK 0 / 11 / 0 / 0

HEX #FFE2FF

RGB 255 226 255

HSL 300, 1%, 0.94%

LAB 92.96, 14.86, -10.39

 

CMYK 0 / 4 / 0 / 0

HEX #FFF4FF

RGB 255 244 255

HSL 300, 1%, 0.98%

LAB 97.3, 5.59, -3.97

 

CMYK 3 / 30 / 0 / 4

HEX #ECACF4

RGB 236 172 244

HSL 293.33, 0.77%, 0.82%

LAB 78.39, 35.2, -26.7

 

CMYK 3 / 32 / 0 / 12

HEX #DB9AE1

RGB 219 154 225

HSL 294.93, 0.54%, 0.74%

LAB 71.97, 35.87, -26.36

 

CMYK 2 / 34 / 0 / 19

HEX #CA88CE

RGB 202 136 206

HSL 296.57, 0.42%, 0.67%

LAB 65.45, 36.58, -25.99

 

CMYK 1 / 37 / 0 / 27

HEX #B976BB

RGB 185 118 187

HSL 298.26, 0.34%, 0.6%

LAB 58.84, 37.33, -25.6

 

CMYK 0 / 40 / 0 / 34

HEX #A864A8

RGB 168 100 168

HSL 300, 0.28%, 0.53%

LAB 52.14, 38.1, -25.16

 

CMYK 3 / 29 / 0 / 4

HEX #EDAEF4

RGB 237 174 244

HSL 294, 0.76%, 0.82%

LAB 78.93, 34.45, -25.86

 

CMYK 0 / 29 / 5 / 4

HEX #F4AEE9

RGB 244 174 233

HSL 309.43, 0.76%, 0.82%

LAB 79.26, 34.7, -19.36

 

CMYK 0 / 29 / 12 / 4

HEX #F4AED6

RGB 244 174 214

HSL 325.71, 0.76%, 0.82%

LAB 78.67, 31.5, -9.97

 

CMYK 0 / 29 / 20 / 4

HEX #F4AEC3

RGB 244 174 195

HSL 342, 0.76%, 0.82%

LAB 78.14, 28.55, -0.44

 

CMYK 0 / 29 / 28 / 4

HEX #F4AEB0

RGB 244 174 176

HSL 358.29, 0.76%, 0.82%

LAB 77.66, 25.87, 9.21

 

CMYK 3 / 29 / 0 / 4

HEX #EDAEF4

RGB 237 174 244

HSL 294, 0.76%, 0.82%

LAB 78.93, 34.45, -25.86

 

CMYK 11 / 29 / 0 / 4

HEX #DAAEF4

RGB 218 174 244

HSL 277.71, 0.76%, 0.82%

LAB 77.11, 28.5, -28.81

 

CMYK 19 / 29 / 0 / 4

HEX #C6AEF4

RGB 198 174 244

HSL 260.57, 0.76%, 0.82%

LAB 75.33, 22.36, -31.69

 

CMYK 27 / 29 / 0 / 4

HEX #B3AEF4

RGB 179 174 244

HSL 244.29, 0.76%, 0.82%

LAB 73.8, 16.72, -34.19

 

CMYK 29 / 29 / 0 / 4

HEX #AEAEF4

RGB 174 174 244

HSL 240, 0.76%, 0.82%

LAB 73.42, 15.28, -34.81

 

CMYK 3 / 29 / 0 / 4

HEX #EDAEF4

RGB 237 174 244

HSL 294, 0.76%, 0.82%

LAB 78.93, 34.45, -25.86

 

CMYK 4 / 34 / 0 / 1

HEX #F2A6FC

RGB 242 166 252

HSL 293.02, 0.93%, 0.82%

LAB 77.98, 41.72, -31.58

 

CMYK 3 / 29 / 0 / 4

HEX #EDAEF4

RGB 237 174 244

HSL 294, 0.76%, 0.82%

LAB 78.93, 34.45, -25.86

 

CMYK 3 / 24 / 0 / 7

HEX #E7B5ED

RGB 231 181 237

HSL 293.57, 0.61%, 0.82%

LAB 79.7, 27.49, -20.98

 

CMYK 2 / 18 / 0 / 10

HEX #E1BDE6

RGB 225 189 230

HSL 292.68, 0.45%, 0.82%

LAB 80.8, 19.92, -15.6

 

CMYK 1 / 12 / 0 / 13

HEX #DBC4DE

RGB 219 196 222

HSL 293.08, 0.28%, 0.82%

LAB 81.74, 12.67, -9.96

 

CMYK 1 / 6 / 0 / 16

HEX #D5CBD7

RGB 213 203 215

HSL 290, 0.13%, 0.82%

LAB 82.79, 5.62, -4.72

 

CMYK 19 / 29 / 0 / 4

HEX #C6AEF4

RGB 198 174 244

HSL 260.57, 0.76%, 0.82%

LAB 75.33, 22.36, -31.69

 

CMYK 11 / 29 / 0 / 4

HEX #D9AEF4

RGB 217 174 244

HSL 276.86, 0.76%, 0.82%

LAB 77.01, 28.19, -28.96

 

CMYK 3 / 29 / 0 / 4

HEX #ECAEF4

RGB 236 174 244

HSL 293.14, 0.76%, 0.82%

LAB 78.83, 34.14, -26.02

 

CMYK 0 / 29 / 4 / 4

HEX #F4AEEA

RGB 244 174 234

HSL 308.57, 0.76%, 0.82%

LAB 79.3, 34.88, -19.85

 

CMYK 0 / 29 / 12 / 4

HEX #F4AED7

RGB 244 174 215

HSL 324.86, 0.76%, 0.82%

LAB 78.7, 31.67, -10.46

 

CMYK 6 / 57 / 0 / 8

HEX #DC65EB

RGB 220 101 235

HSL 293.28, 0.77%, 0.66%

LAB 62.1, 64.72, -47.23

 

CMYK 5 / 43 / 0 / 6

HEX #E489F0

RGB 228 137 240

HSL 293.01, 0.77%, 0.74%

LAB 69.95, 50.36, -37.62

 

CMYK 3 / 29 / 0 / 4

HEX #EDAEF4

RGB 237 174 244

HSL 294, 0.76%, 0.82%

LAB 78.93, 34.45, -25.86

 

CMYK 2 / 16 / 0 / 2

HEX #F5D2F9

RGB 245 210 249

HSL 293.85, 0.76%, 0.9%

LAB 88.13, 18.87, -14.53

 

CMYK 0 / 3 / 0 / 0

HEX #FDF7FE

RGB 253 247 254

HSL 291.43, 0.78%, 0.98%

LAB 97.86, 3.22, -2.65

 

CMYK 3 / 30 / 0 / 4

HEX #ECACF4

RGB 236 172 244

HSL 293.33, 0.77%, 0.82%

LAB 78.39, 35.2, -26.7

 

CMYK 0 / 26 / 29 / 4

HEX #F4B4AE

RGB 244 180 174

HSL 5.14, 0.76%, 0.82%

LAB 79, 22.43, 12.2

 

CMYK 29 / 0 / 15 / 4

HEX #AEF4D0

RGB 174 244 208

HSL 149.14, 0.76%, 0.82%

LAB 90.9, -29.02, 10.42

 

CMYK 3 / 30 / 0 / 4

HEX #ECACF4

RGB 236 172 244

HSL 293.33, 0.77%, 0.82%

LAB 78.39, 35.2, -26.7

 

CMYK 0 / 3 / 29 / 4

HEX #F4ECAE

RGB 244 236 174

HSL 53.14, 0.76%, 0.82%

LAB 92.7, -6.6, 31.1

 

CMYK 29 / 0 / 3 / 4

HEX #AEF4EC

RGB 174 244 236

HSL 173.14, 0.76%, 0.82%

LAB 91.58, -23.29, -3.14

 

CMYK 3 / 30 / 0 / 4

HEX #ECACF4

RGB 236 172 244

HSL 293.33, 0.77%, 0.82%

LAB 78.39, 35.2, -26.7

 

CMYK 0 / 26 / 29 / 4

HEX #F4B4AE

RGB 244 180 174

HSL 5.14, 0.76%, 0.82%

LAB 79, 22.43, 12.2

 

CMYK 25 / 0 / 29 / 4

HEX #B6F4AE

RGB 182 244 174

HSL 113.14, 0.76%, 0.82%

LAB 90.64, -32.47, 27.62

 

CMYK 29 / 2 / 0 / 4

HEX #AEEFF4

RGB 174 239 244

HSL 184.29, 0.76%, 0.82%

LAB 90.44, -19.08, -8.98

 

CMYK 3 / 30 / 0 / 4

HEX #ECACF4

RGB 236 172 244

HSL 293.33, 0.77%, 0.82%

LAB 78.39, 35.2, -26.7

 

CMYK 0 / 18 / 29 / 4

HEX #F4C9AE

RGB 244 201 174

HSL 23.14, 0.76%, 0.82%

LAB 84, 11.37, 19.21

 

CMYK 25 / 0 / 29 / 4

HEX #B6F4AE

RGB 182 244 174

HSL 113.14, 0.76%, 0.82%

LAB 90.64, -32.47, 27.62

 

CMYK 29 / 11 / 0 / 4

HEX #AED9F4

RGB 174 217 244

HSL 203.14, 0.76%, 0.82%

LAB 84.56, -7.92, -17.78

 

Description

Color code: HEX #ECACF4 | qconv.com Color code: HEX #ECACF4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 172 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 172 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 30 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 30% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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