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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECA8C0 it is the complementary color #13573F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECA8C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECA8C0 shade: #F1A8BB, #FFBACE, #FFCCE1, #FFDEF4 and #FFF0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECA8C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECA8C0 shade: #ECA8C0, #DB96AD, #CA849A, #B97287 and #A86074

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECA8C0 shade: #ECA7BF, #ECA7AD and #ECA7A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECA8C0 shade: #ECA7BF, #ECA7D2, #ECA7E4, #E1A7EC and #CEA7EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECA8C0 shade matches the following richer shades: #ECA7BF, #F49FBD and #FD96BA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECA8C0 shade: #ECA7BF, #E3B0C2, #DAB9C4, #D2C1C7 and #C9CACA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECA8C0 shade: #ECA7E5, #ECA7D3, #ECA7C0, #ECA7AE and #ECB3A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECA8C0 shade: #DD648E, #E485A7, #ECA7BF, #F3C9D8 and #FBEBF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECA8C0 shade: #ECA8C0, #ECE0A7 and #A7DCEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECA8C0 shade: #ECA8C0, #C0ECA7 and #A7C0EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECA8C0 shade: #ECA8C0, #ECE0A7, #A7ECD3 and #A7B3EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECA8C0 shade: #ECA8C0, #E3ECA7, #A7ECD3 and #B0A7EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 19 / 7

HEX #ECA8C0

RGB 236 168 192

HSL 338.82, 0.64%, 0.79%

LAB 75.85, 28.46, -2.25

 

Complementary color

CMYK 78 / 0 / 28 / 66

HEX #13573F

RGB 19 87 63

HSL 158.82, 0.64%, 0.21%

LAB 32.51, -27.23, 8.07

 

CMYK 0 / 30 / 22 / 5

HEX #F1A8BB

RGB 241 168 187

HSL 344.38, 0.72%, 0.8%

LAB 76.25, 29.49, 1.13

 

CMYK 0 / 27 / 19 / 0

HEX #FFBACE

RGB 255 186 206

HSL 342.61, 1%, 0.86%

LAB 82.29, 27.74, -0.18

 

CMYK 0 / 20 / 12 / 0

HEX #FFCCE1

RGB 255 204 225

HSL 335.29, 1%, 0.9%

LAB 86.94, 21.24, -3.51

 

CMYK 0 / 13 / 4 / 0

HEX #FFDEF4

RGB 255 222 244

HSL 320, 1%, 0.94%

LAB 91.7, 15.01, -6.5

 

CMYK 0 / 6 / 0 / 0

HEX #FFF0FF

RGB 255 240 255

HSL 300, 1%, 0.97%

LAB 96.33, 7.63, -5.4

 

CMYK 0 / 29 / 19 / 7

HEX #ECA8C0

RGB 236 168 192

HSL 338.82, 0.64%, 0.79%

LAB 75.85, 28.46, -2.25

 

CMYK 0 / 32 / 21 / 14

HEX #DB96AD

RGB 219 150 173

HSL 340, 0.49%, 0.72%

LAB 69.39, 29.17, -1.44

 

CMYK 0 / 35 / 24 / 21

HEX #CA849A

RGB 202 132 154

HSL 341.14, 0.4%, 0.65%

LAB 62.84, 29.95, -0.56

 

CMYK 0 / 38 / 27 / 27

HEX #B97287

RGB 185 114 135

HSL 342.25, 0.34%, 0.59%

LAB 56.19, 30.79, 0.43

 

CMYK 0 / 43 / 31 / 34

HEX #A86074

RGB 168 96 116

HSL 343.33, 0.29%, 0.52%

LAB 49.44, 31.69, 1.55

 

CMYK 0 / 29 / 19 / 7

HEX #ECA7BF

RGB 236 167 191

HSL 339.13, 0.64%, 0.79%

LAB 75.6, 28.84, -2.07

 

CMYK 0 / 29 / 27 / 7

HEX #ECA7AD

RGB 236 167 173

HSL 354.78, 0.64%, 0.79%

LAB 75.13, 26.24, 7.11

 

CMYK 0 / 29 / 29 / 7

HEX #ECA7A7

RGB 236 167 167

HSL 0, 0.64%, 0.79%

LAB 74.99, 25.44, 10.19

 

CMYK 0 / 29 / 19 / 7

HEX #ECA7BF

RGB 236 167 191

HSL 339.13, 0.64%, 0.79%

LAB 75.6, 28.84, -2.07

 

CMYK 0 / 29 / 11 / 7

HEX #ECA7D2

RGB 236 167 210

HSL 322.61, 0.64%, 0.79%

LAB 76.14, 31.85, -11.65

 

CMYK 0 / 29 / 3 / 7

HEX #ECA7E4

RGB 236 167 228

HSL 306.96, 0.64%, 0.79%

LAB 76.72, 34.93, -20.58

 

CMYK 5 / 29 / 0 / 7

HEX #E1A7EC

RGB 225 167 236

HSL 290.43, 0.64%, 0.79%

LAB 75.89, 32.88, -26.3

 

CMYK 13 / 29 / 0 / 7

HEX #CEA7EC

RGB 206 167 236

HSL 273.91, 0.64%, 0.79%

LAB 74.07, 26.93, -29.24

 

CMYK 0 / 29 / 19 / 7

HEX #ECA7BF

RGB 236 167 191

HSL 339.13, 0.64%, 0.79%

LAB 75.6, 28.84, -2.07

 

CMYK 0 / 35 / 23 / 4

HEX #F49FBD

RGB 244 159 189

HSL 338.82, 0.79%, 0.79%

LAB 74.64, 35.58, -2.28

 

CMYK 0 / 41 / 26 / 1

HEX #FD96BA

RGB 253 150 186

HSL 339.03, 0.96%, 0.79%

LAB 73.7, 42.93, -1.88

 

CMYK 0 / 29 / 19 / 7

HEX #ECA7BF

RGB 236 167 191

HSL 339.13, 0.64%, 0.79%

LAB 75.6, 28.84, -2.07

 

CMYK 0 / 22 / 15 / 11

HEX #E3B0C2

RGB 227 176 194

HSL 338.82, 0.48%, 0.79%

LAB 76.85, 21.3, -1.99

 

CMYK 0 / 15 / 10 / 15

HEX #DAB9C4

RGB 218 185 196

HSL 340, 0.31%, 0.79%

LAB 78.22, 13.6, -1.16

 

CMYK 0 / 8 / 5 / 18

HEX #D2C1C7

RGB 210 193 199

HSL 338.82, 0.16%, 0.79%

LAB 79.59, 7.02, -0.85

 

CMYK 0 / 0 / 0 / 21

HEX #C9CACA

RGB 201 202 202

HSL 180, 0.01%, 0.79%

LAB 81.25, -0.34, -0.13

 

CMYK 0 / 29 / 3 / 7

HEX #ECA7E5

RGB 236 167 229

HSL 306.09, 0.64%, 0.79%

LAB 76.76, 35.11, -21.07

 

CMYK 0 / 29 / 11 / 7

HEX #ECA7D3

RGB 236 167 211

HSL 321.74, 0.64%, 0.79%

LAB 76.18, 32.01, -12.15

 

CMYK 0 / 29 / 19 / 7

HEX #ECA7C0

RGB 236 167 192

HSL 338.26, 0.64%, 0.79%

LAB 75.62, 28.99, -2.58

 

CMYK 0 / 29 / 26 / 7

HEX #ECA7AE

RGB 236 167 174

HSL 353.91, 0.64%, 0.79%

LAB 75.16, 26.38, 6.6

 

CMYK 0 / 24 / 29 / 7

HEX #ECB3A7

RGB 236 179 167

HSL 10.43, 0.64%, 0.79%

LAB 77.79, 19.05, 14.16

 

CMYK 0 / 55 / 36 / 13

HEX #DD648E

RGB 221 100 142

HSL 339.17, 0.64%, 0.63%

LAB 58.45, 51.45, 0.24

 

CMYK 0 / 42 / 27 / 11

HEX #E485A7

RGB 228 133 167

HSL 338.53, 0.64%, 0.71%

LAB 66.57, 40.5, -2.1

 

CMYK 0 / 29 / 19 / 7

HEX #ECA7BF

RGB 236 167 191

HSL 339.13, 0.64%, 0.79%

LAB 75.6, 28.84, -2.07

 

CMYK 0 / 17 / 11 / 5

HEX #F3C9D8

RGB 243 201 216

HSL 338.57, 0.64%, 0.87%

LAB 84.89, 17.2, -1.87

 

CMYK 0 / 6 / 4 / 2

HEX #FBEBF0

RGB 251 235 240

HSL 341.25, 0.67%, 0.95%

LAB 94.41, 6.25, -0.48

 

CMYK 0 / 29 / 19 / 7

HEX #ECA8C0

RGB 236 168 192

HSL 338.82, 0.64%, 0.79%

LAB 75.85, 28.46, -2.25

 

CMYK 0 / 5 / 29 / 7

HEX #ECE0A7

RGB 236 224 167

HSL 49.57, 0.64%, 0.79%

LAB 88.89, -4.44, 29.45

 

CMYK 29 / 7 / 0 / 7

HEX #A7DCEC

RGB 167 220 236

HSL 193.91, 0.64%, 0.79%

LAB 84.72, -13.3, -13.35

 

CMYK 0 / 29 / 19 / 7

HEX #ECA8C0

RGB 236 168 192

HSL 338.82, 0.64%, 0.79%

LAB 75.85, 28.46, -2.25

 

CMYK 19 / 0 / 29 / 7

HEX #C0ECA7

RGB 192 236 167

HSL 98.26, 0.64%, 0.79%

LAB 88.92, -26.41, 28.94

 

CMYK 29 / 19 / 0 / 7

HEX #A7C0EC

RGB 167 192 236

HSL 218.26, 0.64%, 0.79%

LAB 77.26, 1.43, -24.62

 

CMYK 0 / 29 / 19 / 7

HEX #ECA8C0

RGB 236 168 192

HSL 338.82, 0.64%, 0.79%

LAB 75.85, 28.46, -2.25

 

CMYK 0 / 5 / 29 / 7

HEX #ECE0A7

RGB 236 224 167

HSL 49.57, 0.64%, 0.79%

LAB 88.89, -4.44, 29.45

 

CMYK 29 / 0 / 11 / 7

HEX #A7ECD3

RGB 167 236 211

HSL 158.26, 0.64%, 0.79%

LAB 88.4, -26.68, 5.23

 

CMYK 29 / 24 / 0 / 7

HEX #A7B3EC

RGB 167 179 236

HSL 229.57, 0.64%, 0.79%

LAB 73.88, 8.54, -29.81

 

CMYK 0 / 29 / 19 / 7

HEX #ECA8C0

RGB 236 168 192

HSL 338.82, 0.64%, 0.79%

LAB 75.85, 28.46, -2.25

 

CMYK 4 / 0 / 29 / 7

HEX #E3ECA7

RGB 227 236 167

HSL 67.83, 0.64%, 0.79%

LAB 91.28, -13.82, 32.54

 

CMYK 29 / 0 / 11 / 7

HEX #A7ECD3

RGB 167 236 211

HSL 158.26, 0.64%, 0.79%

LAB 88.4, -26.68, 5.23

 

CMYK 25 / 29 / 0 / 7

HEX #B0A7EC

RGB 176 167 236

HSL 247.83, 0.64%, 0.79%

LAB 71.5, 17.84, -33.41

 

Description

Color code: HEX #ECA8C0 | qconv.com Color code: HEX #ECA8C0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 168 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 168 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 19 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 19% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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