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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECA577CE it is the complementary color #135A88CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECA577CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECA577CE shade: #F1A572CE, #FFB785CE, #FFC998CE, #FFDBABCE and #FFEDBECE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECA577CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECA577CE shade: #ECA577CE, #DB9364CE, #CA8151CE, #B96F3ECE and #A85D2BCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECA577CE shade: #ECA679, #EC8779 and #EC7979

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECA577CE shade: #ECA679, #ECC579, #ECE479, #D5EC79 and #B6EC79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECA577CE shade matches the following richer shades: #ECA679 and #F8A46D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECA577CE shade: #ECA679, #DFA986, #D3AC92, #C7AE9E and #BAB1AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECA577CE shade: #EC798A, #EC8779, #ECA579, #ECC479 and #ECE279

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECA577CE shade: #E27631, #E78E55, #ECA679, #F1BE9D and #F6D6C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECA577CE shade: #ECA577, #A9EC79 and #797BEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECA577CE shade: #ECA577, #79ECA5 and #A579EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECA577CE shade: #ECA577, #A9EC79, #79C0EC and #BC79EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECA577CE shade: #ECA577, #87EC79, #79C0EC and #DE79EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 40 / 6

HEX #ECA577CE

RGBA 236 165 119 0.81

HSLA 23.59, 0.75%, 0.7%, 0.81

LABA 73.59, 21.12, 34.27, 0.81

 

Complementary color

CMYK 70 / 27 / 0 / 38

HEX #135A88CE

RGBA 19 90 136 0.81

HSLA 203.59, 0.75%, 0.3%, 0.81

LABA 36.42, -3.51, -31.49, 0.81

 

CMYK 0 / 26 / 43 / 4

HEX #F1A572CE

RGBA 241 165 114 0.81

HSLA 24.09, 0.82%, 0.7%, 0.81

LABA 74.08, 22.67, 37.63, 0.81

 

CMYK 0 / 23 / 39 / 0

HEX #FFB785CE

RGBA 255 183 133 0.81

HSLA 24.59, 1%, 0.76%, 0.81

LABA 80.08, 20.45, 35.7, 0.81

 

CMYK 0 / 17 / 33 / 0

HEX #FFC998CE

RGBA 255 201 152 0.81

HSLA 28.54, 1%, 0.8%, 0.81

LABA 84.64, 12.95, 31.8, 0.81

 

CMYK 0 / 11 / 27 / 0

HEX #FFDBABCE

RGBA 255 219 171 0.81

HSLA 34.29, 1%, 0.84%, 0.81

LABA 89.33, 5.81, 28.25, 0.81

 

CMYK 0 / 6 / 21 / 0

HEX #FFEDBECE

RGBA 255 237 190 0.81

HSLA 43.38, 1%, 0.87%, 0.81

LABA 94.12, -0.96, 25.01, 0.81

 

CMYK 0 / 24 / 40 / 6

HEX #ECA577CE

RGBA 236 165 119 0.81

HSLA 23.59, 0.75%, 0.7%, 0.81

LABA 73.59, 21.12, 34.27, 0.81

 

CMYK 0 / 27 / 44 / 11

HEX #DB9364CE

RGBA 219 147 100 0.81

HSLA 23.7, 0.62%, 0.63%, 0.81

LABA 67.16, 22.22, 35.78, 0.81

 

CMYK 0 / 29 / 49 / 17

HEX #CA8151CE

RGBA 202 129 81 0.81

HSLA 23.8, 0.53%, 0.55%, 0.81

LABA 60.65, 23.48, 37.4, 0.81

 

CMYK 0 / 32 / 54 / 22

HEX #B96F3ECE

RGBA 185 111 62 0.81

HSLA 23.9, 0.5%, 0.48%, 0.81

LABA 54.06, 24.91, 39.14, 0.81

 

CMYK 0 / 36 / 60 / 28

HEX #A85D2BCE

RGBA 168 93 43 0.81

HSLA 24, 0.59%, 0.41%, 0.81

LABA 47.4, 26.56, 40.91, 0.81

 

CMYK 0 / 30 / 49 / 7

HEX #ECA679

RGB 236 166 121

HSL 23.48, 0.75%, 0.7%

LAB 73.86, 20.77, 33.55

 

CMYK 0 / 43 / 49 / 7

HEX #EC8779

RGB 236 135 121

HSL 7.3, 0.75%, 0.7%

LAB 66.93, 37.1, 24.43

 

CMYK 0 / 49 / 49 / 7

HEX #EC7979

RGB 236 121 121

HSL 0, 0.75%, 0.7%

LAB 64.07, 44.22, 20.57

 

CMYK 0 / 30 / 49 / 7

HEX #ECA679

RGB 236 166 121

HSL 23.48, 0.75%, 0.7%

LAB 73.86, 20.77, 33.55

 

CMYK 0 / 17 / 49 / 7

HEX #ECC579

RGB 236 197 121

HSL 39.65, 0.75%, 0.7%

LAB 81.37, 4.42, 43.09

 

CMYK 0 / 3 / 49 / 7

HEX #ECE479

RGB 236 228 121

HSL 55.83, 0.75%, 0.7%

LAB 89.25, -11.39, 52.73

 

CMYK 10 / 0 / 49 / 7

HEX #D5EC79

RGB 213 236 121

HSL 72, 0.75%, 0.7%

LAB 89.63, -24.3, 52.78

 

CMYK 23 / 0 / 49 / 7

HEX #B6EC79

RGB 182 236 121

HSL 88.17, 0.75%, 0.7%

LAB 87.64, -35.85, 49.9

 

CMYK 0 / 30 / 49 / 7

HEX #ECA679

RGB 236 166 121

HSL 23.48, 0.75%, 0.7%

LAB 73.86, 20.77, 33.55

 

CMYK 0 / 34 / 56 / 3

HEX #F8A46D

RGB 248 164 109

HSL 23.74, 0.91%, 0.7%

LAB 74.58, 25.59, 41.04

 

CMYK 0 / 30 / 49 / 7

HEX #ECA679

RGB 236 166 121

HSL 23.48, 0.75%, 0.7%

LAB 73.86, 20.77, 33.55

 

CMYK 0 / 24 / 40 / 13

HEX #DFA986

RGB 223 169 134

HSL 23.6, 0.58%, 0.7%

LAB 73.41, 15.34, 25.75

 

CMYK 0 / 18 / 31 / 17

HEX #D3AC92

RGB 211 172 146

HSL 24, 0.42%, 0.7%

LAB 73.17, 10.47, 18.74

 

CMYK 0 / 13 / 21 / 22

HEX #C7AE9E

RGB 199 174 158

HSL 23.41, 0.27%, 0.7%

LAB 72.81, 6.47, 11.52

 

CMYK 0 / 5 / 8 / 27

HEX #BAB1AB

RGB 186 177 171

HSL 24, 0.1%, 0.7%

LAB 72.78, 2.14, 4.2

 

CMYK 0 / 49 / 42 / 7

HEX #EC798A

RGB 236 121 138

HSL 351.13, 0.75%, 0.7%

LAB 64.44, 45.9, 11.42

 

CMYK 0 / 43 / 49 / 7

HEX #EC8779

RGB 236 135 121

HSL 7.3, 0.75%, 0.7%

LAB 66.93, 37.1, 24.43

 

CMYK 0 / 30 / 49 / 7

HEX #ECA579

RGB 236 165 121

HSL 22.96, 0.75%, 0.7%

LAB 73.63, 21.3, 33.25

 

CMYK 0 / 17 / 49 / 7

HEX #ECC479

RGB 236 196 121

HSL 39.13, 0.75%, 0.7%

LAB 81.12, 4.94, 42.78

 

CMYK 0 / 4 / 49 / 7

HEX #ECE279

RGB 236 226 121

HSL 54.78, 0.75%, 0.7%

LAB 88.74, -10.39, 52.11

 

CMYK 0 / 48 / 78 / 11

HEX #E27631

RGB 226 118 49

HSL 23.39, 0.75%, 0.54%

LAB 61.09, 37.35, 54.56

 

CMYK 0 / 39 / 63 / 9

HEX #E78E55

RGB 231 142 85

HSL 23.42, 0.75%, 0.62%

LAB 67.27, 28.65, 44.08

 

CMYK 0 / 30 / 49 / 7

HEX #ECA679

RGB 236 166 121

HSL 23.48, 0.75%, 0.7%

LAB 73.86, 20.77, 33.55

 

CMYK 0 / 21 / 35 / 5

HEX #F1BE9D

RGB 241 190 157

HSL 23.57, 0.75%, 0.78%

LAB 80.72, 13.87, 23.65

 

CMYK 0 / 13 / 22 / 4

HEX #F6D6C1

RGB 246 214 193

HSL 23.77, 0.75%, 0.86%

LAB 87.74, 7.94, 14.46

 

CMYK 0 / 30 / 50 / 7

HEX #ECA577

RGB 236 165 119

HSL 23.59, 0.75%, 0.7%

LAB 73.59, 21.12, 34.27

 

CMYK 28 / 0 / 49 / 7

HEX #A9EC79

RGB 169 236 121

HSL 94.96, 0.75%, 0.7%

LAB 86.9, -40.43, 48.83

 

CMYK 49 / 48 / 0 / 7

HEX #797BEC

RGB 121 123 236

HSL 238.96, 0.75%, 0.7%

LAB 56.37, 28.89, -57.52

 

CMYK 0 / 30 / 50 / 7

HEX #ECA577

RGB 236 165 119

HSL 23.59, 0.75%, 0.7%

LAB 73.59, 21.12, 34.27

 

CMYK 49 / 0 / 30 / 7

HEX #79ECA5

RGB 121 236 165

HSL 142.96, 0.75%, 0.7%

LAB 85.39, -48.27, 24.6

 

CMYK 30 / 49 / 0 / 7

HEX #A579EC

RGB 165 121 236

HSL 262.96, 0.75%, 0.7%

LAB 59.64, 40.65, -52.08

 

CMYK 0 / 30 / 50 / 7

HEX #ECA577

RGB 236 165 119

HSL 23.59, 0.75%, 0.7%

LAB 73.59, 21.12, 34.27

 

CMYK 28 / 0 / 49 / 7

HEX #A9EC79

RGB 169 236 121

HSL 94.96, 0.75%, 0.7%

LAB 86.9, -40.43, 48.83

 

CMYK 49 / 19 / 0 / 7

HEX #79C0EC

RGB 121 192 236

HSL 202.96, 0.75%, 0.7%

LAB 74.71, -10.54, -28.75

 

CMYK 20 / 49 / 0 / 7

HEX #BC79EC

RGB 188 121 236

HSL 274.96, 0.75%, 0.7%

LAB 62.02, 46.71, -48.17

 

CMYK 0 / 30 / 50 / 7

HEX #ECA577

RGB 236 165 119

HSL 23.59, 0.75%, 0.7%

LAB 73.59, 21.12, 34.27

 

CMYK 43 / 0 / 49 / 7

HEX #87EC79

RGB 135 236 121

HSL 112.7, 0.75%, 0.7%

LAB 85.26, -51.34, 46.45

 

CMYK 49 / 19 / 0 / 7

HEX #79C0EC

RGB 121 192 236

HSL 202.96, 0.75%, 0.7%

LAB 74.71, -10.54, -28.75

 

CMYK 6 / 49 / 0 / 7

HEX #DE79EC

RGB 222 121 236

HSL 292.7, 0.75%, 0.7%

LAB 65.95, 55.97, -41.71

 

Description

Color code: HEX #ECA577CE | qconv.com Color code: HEX #ECA577CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 165 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 165 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 40 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 40% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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