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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECA320 it is the complementary color #135CDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECA320. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECA320 shade: #F1A31B, #FFB52E, #FFC741, #FFD954 and #FFEB67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECA320. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECA320 shade: #ECA320, #DB910D, #CA7F00, #B96D00 and #A85B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECA320 shade: #ECA422, #EC6D22, #EC3722 and #EC2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECA320 shade: #ECA422, #ECDA22, #C7EC22, #91EC22 and #5BEC22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECA320 shade matches the following richer shades: #ECA422

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECA320 shade: #ECA422, #D89E36, #C59949, #B2935D and #9E8E70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECA320 shade: #EC3722, #EC6C22, #ECA222, #ECD822 and #CAEC22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECA320 shade: #AD740F, #D38E12, #ECA422, #EFB348 and #F2C36E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECA320 shade: #ECA320, #44EC22 and #5122EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECA320 shade: #ECA320, #22ECA2 and #A222EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECA320 shade: #ECA320, #44EC22, #226CEC and #CA22EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECA320 shade: #ECA320, #22EC3D, #226CEC and #EC22D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 86 / 7

HEX #ECA320

RGB 236 163 32

HSL 38.53, 0.84%, 0.53%

LAB 72.32, 17.36, 70.81

 

Complementary color

CMYK 91 / 59 / 0 / 13

HEX #135CDF

RGB 19 92 223

HSL 218.53, 0.84%, 0.47%

LAB 42.94, 29.92, -72.15

 

CMYK 0 / 32 / 89 / 5

HEX #F1A31B

RGB 241 163 27

HSL 38.13, 0.88%, 0.53%

LAB 72.87, 19.39, 72.71

 

CMYK 0 / 29 / 82 / 0

HEX #FFB52E

RGB 255 181 46

HSL 38.76, 1%, 0.59%

LAB 78.76, 16.3, 73.03

 

CMYK 0 / 22 / 75 / 0

HEX #FFC741

RGB 255 199 65

HSL 42.32, 1%, 0.63%

LAB 83.17, 7.6, 70.62

 

CMYK 0 / 15 / 67 / 0

HEX #FFD954

RGB 255 217 84

HSL 46.67, 1%, 0.66%

LAB 87.74, -0.72, 67.83

 

CMYK 0 / 8 / 60 / 0

HEX #FFEB67

RGB 255 235 103

HSL 52.11, 1%, 0.7%

LAB 92.42, -8.62, 64.92

 

CMYK 0 / 31 / 86 / 7

HEX #ECA320

RGB 236 163 32

HSL 38.53, 0.84%, 0.53%

LAB 72.32, 17.36, 70.81

 

CMYK 0 / 34 / 94 / 14

HEX #DB910D

RGB 219 145 13

HSL 38.45, 0.89%, 0.45%

LAB 66.01, 19.35, 69.19

 

CMYK 0 / 37 / 100 / 21

HEX #CA7F00

RGB 202 127 0

HSL 37.72, 1%, 0.4%

LAB 59.65, 21.57, 65.83

 

CMYK 0 / 41 / 100 / 27

HEX #B96D00

RGB 185 109 0

HSL 35.35, 1%, 0.36%

LAB 53.22, 24, 60.61

 

CMYK 0 / 46 / 100 / 34

HEX #A85B00

RGB 168 91 0

HSL 32.5, 1%, 0.33%

LAB 46.72, 26.5, 55.34

 

CMYK 0 / 31 / 86 / 7

HEX #ECA422

RGB 236 164 34

HSL 38.61, 0.84%, 0.53%

LAB 72.56, 16.88, 70.47

 

CMYK 0 / 54 / 86 / 7

HEX #EC6D22

RGB 236 109 34

HSL 22.28, 0.84%, 0.53%

LAB 60.68, 45.26, 60.77

 

CMYK 0 / 77 / 86 / 7

HEX #EC3722

RGB 236 55 34

HSL 6.24, 0.84%, 0.53%

LAB 52.6, 66.91, 54.11

 

CMYK 0 / 86 / 86 / 7

HEX #EC2222

RGB 236 34 34

HSL 0, 0.84%, 0.53%

LAB 50.8, 72.01, 52.62

 

CMYK 0 / 31 / 86 / 7

HEX #ECA422

RGB 236 164 34

HSL 38.61, 0.84%, 0.53%

LAB 72.56, 16.88, 70.47

 

CMYK 0 / 8 / 86 / 7

HEX #ECDA22

RGB 236 218 34

HSL 54.65, 0.84%, 0.53%

LAB 86.05, -11.08, 81.42

 

CMYK 16 / 0 / 86 / 7

HEX #C7EC22

RGB 199 236 34

HSL 70.99, 0.84%, 0.53%

LAB 88.09, -34.96, 81.95

 

CMYK 39 / 0 / 86 / 7

HEX #91EC22

RGB 145 236 34

HSL 87.03, 0.84%, 0.53%

LAB 85.06, -54.89, 78.18

 

CMYK 61 / 0 / 86 / 7

HEX #5BEC22

RGB 91 236 34

HSL 103.07, 0.84%, 0.53%

LAB 83.09, -70.1, 75.7

 

CMYK 0 / 31 / 86 / 7

HEX #ECA422

RGB 236 164 34

HSL 38.61, 0.84%, 0.53%

LAB 72.56, 16.88, 70.47

 

CMYK 0 / 31 / 86 / 7

HEX #ECA422

RGB 236 164 34

HSL 38.61, 0.84%, 0.53%

LAB 72.56, 16.88, 70.47

 

CMYK 0 / 27 / 75 / 15

HEX #D89E36

RGB 216 158 54

HSL 38.52, 0.68%, 0.53%

LAB 68.98, 12.14, 59.7

 

CMYK 0 / 22 / 63 / 23

HEX #C59949

RGB 197 153 73

HSL 38.71, 0.52%, 0.53%

LAB 65.85, 7.67, 47.4

 

CMYK 0 / 17 / 48 / 30

HEX #B2935D

RGB 178 147 93

HSL 38.12, 0.36%, 0.53%

LAB 62.61, 4.48, 32.84

 

CMYK 0 / 10 / 29 / 38

HEX #9E8E70

RGB 158 142 112

HSL 39.13, 0.19%, 0.53%

LAB 59.69, 1.19, 18.19

 

CMYK 0 / 77 / 86 / 7

HEX #EC3722

RGB 236 55 34

HSL 6.24, 0.84%, 0.53%

LAB 52.6, 66.91, 54.11

 

CMYK 0 / 54 / 86 / 7

HEX #EC6C22

RGB 236 108 34

HSL 21.98, 0.84%, 0.53%

LAB 60.49, 45.74, 60.61

 

CMYK 0 / 31 / 86 / 7

HEX #ECA222

RGB 236 162 34

HSL 38.02, 0.84%, 0.53%

LAB 72.09, 17.94, 70.09

 

CMYK 0 / 8 / 86 / 7

HEX #ECD822

RGB 236 216 34

HSL 54.06, 0.84%, 0.53%

LAB 85.53, -10.08, 81

 

CMYK 14 / 0 / 86 / 7

HEX #CAEC22

RGB 202 236 34

HSL 70.1, 0.84%, 0.53%

LAB 88.29, -33.76, 82.19

 

CMYK 0 / 33 / 91 / 32

HEX #AD740F

RGB 173 116 15

HSL 38.35, 0.84%, 0.37%

LAB 53.39, 14.99, 57.02

 

CMYK 0 / 33 / 91 / 17

HEX #D38E12

RGB 211 142 18

HSL 38.55, 0.84%, 0.45%

LAB 64.35, 17.56, 66.65

 

CMYK 0 / 31 / 86 / 7

HEX #ECA422

RGB 236 164 34

HSL 38.61, 0.84%, 0.53%

LAB 72.56, 16.88, 70.47

 

CMYK 0 / 25 / 70 / 6

HEX #EFB348

RGB 239 179 72

HSL 38.44, 0.84%, 0.61%

LAB 76.71, 11.62, 60.87

 

CMYK 0 / 19 / 55 / 5

HEX #F2C36E

RGB 242 195 110

HSL 38.64, 0.84%, 0.69%

LAB 81.31, 6.96, 48.6

 

CMYK 0 / 31 / 86 / 7

HEX #ECA320

RGB 236 163 32

HSL 38.53, 0.84%, 0.53%

LAB 72.32, 17.36, 70.81

 

CMYK 71 / 0 / 86 / 7

HEX #44EC22

RGB 68 236 34

HSL 109.9, 0.84%, 0.53%

LAB 82.56, -74.58, 75.03

 

CMYK 66 / 86 / 0 / 7

HEX #5122EC

RGB 81 34 236

HSL 253.96, 0.84%, 0.53%

LAB 35.89, 69.24, -91.07

 

CMYK 0 / 31 / 86 / 7

HEX #ECA320

RGB 236 163 32

HSL 38.53, 0.84%, 0.53%

LAB 72.32, 17.36, 70.81

 

CMYK 86 / 0 / 31 / 7

HEX #22ECA2

RGB 34 236 162

HSL 158.02, 0.84%, 0.53%

LAB 83.41, -62.83, 23.12

 

CMYK 31 / 86 / 0 / 7

HEX #A222EC

RGB 162 34 236

HSL 278.02, 0.84%, 0.53%

LAB 45.47, 77.77, -74.95

 

CMYK 0 / 31 / 86 / 7

HEX #ECA320

RGB 236 163 32

HSL 38.53, 0.84%, 0.53%

LAB 72.32, 17.36, 70.81

 

CMYK 71 / 0 / 86 / 7

HEX #44EC22

RGB 68 236 34

HSL 109.9, 0.84%, 0.53%

LAB 82.56, -74.58, 75.03

 

CMYK 86 / 54 / 0 / 7

HEX #226CEC

RGB 34 108 236

HSL 218.02, 0.84%, 0.53%

LAB 48.41, 25.41, -70.57

 

CMYK 14 / 86 / 0 / 7

HEX #CA22EC

RGB 202 34 236

HSL 289.9, 0.84%, 0.53%

LAB 51.56, 83.7, -64.78

 

CMYK 0 / 31 / 86 / 7

HEX #ECA320

RGB 236 163 32

HSL 38.53, 0.84%, 0.53%

LAB 72.32, 17.36, 70.81

 

CMYK 86 / 0 / 74 / 7

HEX #22EC3D

RGB 34 236 61

HSL 128.02, 0.84%, 0.53%

LAB 82.2, -77.27, 67.26

 

CMYK 86 / 54 / 0 / 7

HEX #226CEC

RGB 34 108 236

HSL 218.02, 0.84%, 0.53%

LAB 48.41, 25.41, -70.57

 

CMYK 0 / 86 / 11 / 7

HEX #EC22D1

RGB 236 34 209

HSL 308.02, 0.84%, 0.53%

LAB 55.67, 85.57, -42.58

 

Description

Color code: HEX #ECA320 | qconv.com Color code: HEX #ECA320 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 163 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 163 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 86 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 86% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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