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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECA121 it is the complementary color #135EDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECA121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECA121 shade: #F1A11C, #FFB32F, #FFC542, #FFD755 and #FFE968

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECA121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECA121 shade: #ECA121, #DB8F0E, #CA7D00, #B96B00 and #A85900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECA121 shade: #ECA122, #EC6B22, #EC3522 and #EC2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECA121 shade: #ECA122, #ECD822, #CAEC22, #93EC22 and #5DEC22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECA121 shade matches the following richer shades: #ECA122

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECA121 shade: #ECA122, #D89C36, #C59749, #B2925D and #9E8D70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECA121 shade: #EC3322, #EC6922, #EC9F22, #ECD422 and #CEEC22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECA121 shade: #AD720F, #D38C12, #ECA122, #EFB248 and #F2C26E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECA121 shade: #ECA121, #47EC22 and #4E22EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECA121 shade: #ECA121, #22EC9F and #9F22EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECA121 shade: #ECA121, #47EC22, #2270EC and #C722EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECA121 shade: #ECA121, #22EC3A, #2270EC and #EC22D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 86 / 7

HEX #ECA121

RGB 236 161 33

HSL 37.83, 0.84%, 0.53%

LAB 71.85, 18.44, 70.17

 

Complementary color

CMYK 91 / 58 / 0 / 13

HEX #135EDE

RGB 19 94 222

HSL 217.83, 0.84%, 0.47%

LAB 43.39, 28.24, -70.86

 

CMYK 0 / 33 / 88 / 5

HEX #F1A11C

RGB 241 161 28

HSL 37.46, 0.88%, 0.53%

LAB 72.41, 20.46, 72.12

 

CMYK 0 / 30 / 82 / 0

HEX #FFB32F

RGB 255 179 47

HSL 38.08, 1%, 0.59%

LAB 78.29, 17.37, 72.32

 

CMYK 0 / 23 / 74 / 0

HEX #FFC542

RGB 255 197 66

HSL 41.59, 1%, 0.63%

LAB 82.69, 8.67, 69.79

 

CMYK 0 / 16 / 67 / 0

HEX #FFD755

RGB 255 215 85

HSL 45.88, 1%, 0.67%

LAB 87.25, 0.35, 66.92

 

CMYK 0 / 9 / 59 / 0

HEX #FFE968

RGB 255 233 104

HSL 51.26, 1%, 0.7%

LAB 91.93, -7.56, 63.94

 

CMYK 0 / 32 / 86 / 7

HEX #ECA121

RGB 236 161 33

HSL 37.83, 0.84%, 0.53%

LAB 71.85, 18.44, 70.17

 

CMYK 0 / 35 / 94 / 14

HEX #DB8F0E

RGB 219 143 14

HSL 37.76, 0.88%, 0.46%

LAB 65.54, 20.43, 68.69

 

CMYK 0 / 38 / 100 / 21

HEX #CA7D00

RGB 202 125 0

HSL 37.13, 1%, 0.4%

LAB 59.18, 22.66, 65.52

 

CMYK 0 / 42 / 100 / 27

HEX #B96B00

RGB 185 107 0

HSL 34.7, 1%, 0.36%

LAB 52.76, 25.1, 60.31

 

CMYK 0 / 47 / 100 / 34

HEX #A85900

RGB 168 89 0

HSL 31.79, 1%, 0.33%

LAB 46.27, 27.6, 55.07

 

CMYK 0 / 32 / 86 / 7

HEX #ECA122

RGB 236 161 34

HSL 37.72, 0.84%, 0.53%

LAB 71.85, 18.47, 69.9

 

CMYK 0 / 55 / 86 / 7

HEX #EC6B22

RGB 236 107 34

HSL 21.68, 0.84%, 0.53%

LAB 60.31, 46.22, 60.46

HEX #EC6B22

CMYK 0 / 78 / 86 / 7

HEX #EC3522

RGB 236 53 34

HSL 5.64, 0.84%, 0.53%

LAB 52.39, 67.49, 53.94

HEX #EC3522

CMYK 0 / 86 / 86 / 7

HEX #EC2222

RGB 236 34 34

HSL 0, 0.84%, 0.53%

LAB 50.8, 72.01, 52.62

HEX #EC2222

CMYK 0 / 32 / 86 / 7

HEX #ECA122

RGB 236 161 34

HSL 37.72, 0.84%, 0.53%

LAB 71.85, 18.47, 69.9

 

CMYK 0 / 8 / 86 / 7

HEX #ECD822

RGB 236 216 34

HSL 54.06, 0.84%, 0.53%

LAB 85.53, -10.08, 81

 

CMYK 14 / 0 / 86 / 7

HEX #CAEC22

RGB 202 236 34

HSL 70.1, 0.84%, 0.53%

LAB 88.29, -33.76, 82.19

 

CMYK 38 / 0 / 86 / 7

HEX #93EC22

RGB 147 236 34

HSL 86.44, 0.84%, 0.53%

LAB 85.15, -54.22, 78.3

 

CMYK 61 / 0 / 86 / 7

HEX #5DEC22

RGB 93 236 34

HSL 102.48, 0.84%, 0.53%

LAB 83.14, -69.65, 75.77

 

CMYK 0 / 32 / 86 / 7

HEX #ECA122

RGB 236 161 34

HSL 37.72, 0.84%, 0.53%

LAB 71.85, 18.47, 69.9

 

CMYK 0 / 32 / 86 / 7

HEX #ECA122

RGB 236 161 34

HSL 37.72, 0.84%, 0.53%

LAB 71.85, 18.47, 69.9

 

CMYK 0 / 28 / 75 / 15

HEX #D89C36

RGB 216 156 54

HSL 37.78, 0.68%, 0.53%

LAB 68.49, 13.21, 59.22

 

CMYK 0 / 23 / 63 / 23

HEX #C59749

RGB 197 151 73

HSL 37.74, 0.52%, 0.53%

LAB 65.35, 8.76, 46.82

 

CMYK 0 / 18 / 48 / 30

HEX #B2925D

RGB 178 146 93

HSL 37.41, 0.36%, 0.53%

LAB 62.35, 5.03, 32.51

 

CMYK 0 / 11 / 29 / 38

HEX #9E8D70

RGB 158 141 112

HSL 37.83, 0.19%, 0.53%

LAB 59.42, 1.74, 17.82

 

CMYK 0 / 78 / 86 / 7

HEX #EC3322

RGB 236 51 34

HSL 5.05, 0.84%, 0.53%

LAB 52.19, 68.05, 53.78

 

CMYK 0 / 56 / 86 / 7

HEX #EC6922

RGB 236 105 34

HSL 21.09, 0.84%, 0.53%

LAB 59.94, 47.18, 60.16

 

CMYK 0 / 33 / 86 / 7

HEX #EC9F22

RGB 236 159 34

HSL 37.13, 0.84%, 0.53%

LAB 71.38, 19.52, 69.51

 

CMYK 0 / 10 / 86 / 7

HEX #ECD422

RGB 236 212 34

HSL 52.87, 0.84%, 0.53%

LAB 84.5, -8.07, 80.17

 

CMYK 13 / 0 / 86 / 7

HEX #CEEC22

RGB 206 236 34

HSL 68.91, 0.84%, 0.53%

LAB 88.56, -32.16, 82.52

 

CMYK 0 / 34 / 91 / 32

HEX #AD720F

RGB 173 114 15

HSL 37.59, 0.84%, 0.37%

LAB 52.9, 16.12, 56.65

 

CMYK 0 / 34 / 91 / 17

HEX #D38C12

RGB 211 140 18

HSL 37.93, 0.84%, 0.45%

LAB 63.88, 18.65, 66.3

 

CMYK 0 / 32 / 86 / 7

HEX #ECA122

RGB 236 161 34

HSL 37.72, 0.84%, 0.53%

LAB 71.85, 18.47, 69.9

 

CMYK 0 / 26 / 70 / 6

HEX #EFB248

RGB 239 178 72

HSL 38.08, 0.84%, 0.61%

LAB 76.47, 12.14, 60.62

 

CMYK 0 / 20 / 55 / 5

HEX #F2C26E

RGB 242 194 110

HSL 38.18, 0.84%, 0.69%

LAB 81.06, 7.48, 48.3

 

CMYK 0 / 32 / 86 / 7

HEX #ECA121

RGB 236 161 33

HSL 37.83, 0.84%, 0.53%

LAB 71.85, 18.44, 70.17

 

CMYK 70 / 0 / 86 / 7

HEX #47EC22

RGB 71 236 34

HSL 109.01, 0.84%, 0.53%

LAB 82.62, -74.07, 75.11

 

CMYK 67 / 86 / 0 / 7

HEX #4E22EC

RGB 78 34 236

HSL 253.07, 0.84%, 0.53%

LAB 35.64, 69.04, -91.49

 

CMYK 0 / 32 / 86 / 7

HEX #ECA121

RGB 236 161 33

HSL 37.83, 0.84%, 0.53%

LAB 71.85, 18.44, 70.17

 

CMYK 86 / 0 / 33 / 7

HEX #22EC9F

RGB 34 236 159

HSL 157.13, 0.84%, 0.53%

LAB 83.36, -63.46, 24.59

 

CMYK 33 / 86 / 0 / 7

HEX #9F22EC

RGB 159 34 236

HSL 277.13, 0.84%, 0.53%

LAB 45.04, 77.36, -75.67

 

CMYK 0 / 32 / 86 / 7

HEX #ECA121

RGB 236 161 33

HSL 37.83, 0.84%, 0.53%

LAB 71.85, 18.44, 70.17

 

CMYK 70 / 0 / 86 / 7

HEX #47EC22

RGB 71 236 34

HSL 109.01, 0.84%, 0.53%

LAB 82.62, -74.07, 75.11

 

CMYK 86 / 53 / 0 / 7

HEX #2270EC

RGB 34 112 236

HSL 216.83, 0.84%, 0.53%

LAB 49.48, 22.87, -68.84

 

CMYK 16 / 86 / 0 / 7

HEX #C722EC

RGB 199 34 236

HSL 289.01, 0.84%, 0.53%

LAB 51.09, 83.23, -65.57

 

CMYK 0 / 32 / 86 / 7

HEX #ECA121

RGB 236 161 33

HSL 37.83, 0.84%, 0.53%

LAB 71.85, 18.44, 70.17

 

CMYK 86 / 0 / 75 / 7

HEX #22EC3A

RGB 34 236 58

HSL 127.13, 0.84%, 0.53%

LAB 82.18, -77.49, 68.21

 

CMYK 86 / 53 / 0 / 7

HEX #2270EC

RGB 34 112 236

HSL 216.83, 0.84%, 0.53%

LAB 49.48, 22.87, -68.84

 

CMYK 0 / 86 / 10 / 7

HEX #EC22D4

RGB 236 34 212

HSL 307.13, 0.84%, 0.53%

LAB 55.82, 85.97, -44.05

 

Description

Color code: HEX #ECA121 | qconv.com Color code: HEX #ECA121 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 161 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 161 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 86 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 86% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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