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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC95FB it is the complementary color #136A04. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC95FB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC95FB shade: #F195F6, #FFA7FF, #FFB9FF, #FFCBFF and #FFDDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC95FB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC95FB shade: #EC95FB, #DB83E8, #CA71D5, #B95FC2 and #A84DAF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC95FB shade: #EC93FB, #FB93EE, #FB93D2, #FB93B6 and #FB939A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC95FB shade: #EC93FB, #D093FB, #B393FB, #9793FB and #9393FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC95FB shade matches the following richer shades: #EC93FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC95FB shade: #EC93FB, #E59CF2, #DFA5E9, #D9AEE0 and #D2B7D7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC95FB shade: #B493FB, #D093FB, #EB93FB, #FB93EF and #FB93D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC95FB shade: #DE43F8, #E56BFA, #EC93FB, #F3BBFD and #FAE2FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC95FB shade: #EC95FB, #FB9893 and #93FBC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC95FB shade: #EC95FB, #FBEB93 and #93FBEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC95FB shade: #EC95FB, #FB9893, #A2FB93 and #93F6FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC95FB shade: #EC95FB, #FBB793, #A2FB93 and #93D7FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 41 / 0 / 2

HEX #EC95FB

RGB 236 149 251

HSL 291.18, 0.93%, 0.78%

LAB 73.74, 48.59, -37.66

 

Complementary color

CMYK 82 / 0 / 96 / 58

HEX #136A04

RGB 19 106 4

HSL 111.18, 0.93%, 0.22%

LAB 38.65, -42.81, 42.84

 

CMYK 2 / 39 / 0 / 4

HEX #F195F6

RGB 241 149 246

HSL 296.91, 0.84%, 0.77%

LAB 74.09, 49.13, -34.34

 

CMYK 0 / 35 / 0 / 0

HEX #FFA7FF

RGB 255 167 255

HSL 300, 1%, 0.83%

LAB 79.68, 45.7, -30.46

 

CMYK 0 / 27 / 0 / 0

HEX #FFB9FF

RGB 255 185 255

HSL 300, 1%, 0.86%

LAB 83.54, 36.35, -24.57

 

CMYK 0 / 20 / 0 / 0

HEX #FFCBFF

RGB 255 203 255

HSL 300, 1%, 0.9%

LAB 87.58, 26.9, -18.44

 

CMYK 0 / 13 / 0 / 0

HEX #FFDDFF

RGB 255 221 255

HSL 300, 1%, 0.93%

LAB 91.77, 17.47, -12.16

 

CMYK 6 / 41 / 0 / 2

HEX #EC95FB

RGB 236 149 251

HSL 291.18, 0.93%, 0.78%

LAB 73.74, 48.59, -37.66

 

CMYK 6 / 44 / 0 / 9

HEX #DB83E8

RGB 219 131 232

HSL 292.28, 0.69%, 0.71%

LAB 67.37, 49.33, -37.32

 

CMYK 5 / 47 / 0 / 16

HEX #CA71D5

RGB 202 113 213

HSL 293.4, 0.54%, 0.64%

LAB 60.93, 50.06, -36.92

 

CMYK 5 / 51 / 0 / 24

HEX #B95FC2

RGB 185 95 194

HSL 294.55, 0.45%, 0.57%

LAB 54.44, 50.74, -36.44

 

CMYK 4 / 56 / 0 / 31

HEX #A84DAF

RGB 168 77 175

HSL 295.71, 0.39%, 0.49%

LAB 47.92, 51.31, -35.84

 

CMYK 6 / 41 / 0 / 2

HEX #EC93FB

RGB 236 147 251

HSL 291.35, 0.93%, 0.78%

LAB 73.33, 49.62, -38.29

 

CMYK 0 / 41 / 5 / 2

HEX #FB93EE

RGB 251 147 238

HSL 307.5, 0.93%, 0.78%

LAB 74.54, 51.72, -29.2

 

CMYK 0 / 41 / 16 / 2

HEX #FB93D2

RGB 251 147 210

HSL 323.65, 0.93%, 0.78%

LAB 73.56, 47.23, -15.35

 

CMYK 0 / 41 / 27 / 2

HEX #FB93B6

RGB 251 147 182

HSL 339.81, 0.93%, 0.78%

LAB 72.73, 43.25, -1.11

 

CMYK 0 / 41 / 39 / 2

HEX #FB939A

RGB 251 147 154

HSL 355.96, 0.93%, 0.78%

LAB 72.03, 39.83, 13.42

 

CMYK 6 / 41 / 0 / 2

HEX #EC93FB

RGB 236 147 251

HSL 291.35, 0.93%, 0.78%

LAB 73.33, 49.62, -38.29

 

CMYK 17 / 41 / 0 / 2

HEX #D093FB

RGB 208 147 251

HSL 275.19, 0.93%, 0.78%

LAB 70.35, 41.58, -43.17

 

CMYK 29 / 41 / 0 / 2

HEX #B393FB

RGB 179 147 251

HSL 258.46, 0.93%, 0.78%

LAB 67.59, 33.51, -47.69

 

CMYK 40 / 41 / 0 / 2

HEX #9793FB

RGB 151 147 251

HSL 242.31, 0.93%, 0.78%

LAB 65.29, 26.21, -51.47

 

CMYK 41 / 41 / 0 / 2

HEX #9393FB

RGB 147 147 251

HSL 240, 0.93%, 0.78%

LAB 64.99, 25.22, -51.96

 

CMYK 6 / 41 / 0 / 2

HEX #EC93FB

RGB 236 147 251

HSL 291.35, 0.93%, 0.78%

LAB 73.33, 49.62, -38.29

 

CMYK 6 / 41 / 0 / 2

HEX #EC93FB

RGB 236 147 251

HSL 291.35, 0.93%, 0.78%

LAB 73.33, 49.62, -38.29

 

CMYK 5 / 36 / 0 / 5

HEX #E59CF2

RGB 229 156 242

HSL 290.93, 0.77%, 0.78%

LAB 74.09, 41.14, -32.28

 

CMYK 4 / 29 / 0 / 9

HEX #DFA5E9

RGB 223 165 233

HSL 291.18, 0.61%, 0.78%

LAB 75.13, 32.75, -25.85

 

CMYK 3 / 22 / 0 / 12

HEX #D9AEE0

RGB 217 174 224

HSL 291.6, 0.45%, 0.78%

LAB 76.32, 24.23, -19.2

 

CMYK 2 / 15 / 0 / 16

HEX #D2B7D7

RGB 210 183 215

HSL 290.63, 0.29%, 0.78%

LAB 77.56, 15.32, -12.5

 

CMYK 28 / 41 / 0 / 2

HEX #B493FB

RGB 180 147 251

HSL 259.04, 0.93%, 0.78%

LAB 67.68, 33.78, -47.54

 

CMYK 17 / 41 / 0 / 2

HEX #D093FB

RGB 208 147 251

HSL 275.19, 0.93%, 0.78%

LAB 70.35, 41.58, -43.17

 

CMYK 6 / 41 / 0 / 2

HEX #EB93FB

RGB 235 147 251

HSL 290.77, 0.93%, 0.78%

LAB 73.22, 49.33, -38.47

 

CMYK 0 / 41 / 5 / 2

HEX #FB93EF

RGB 251 147 239

HSL 306.92, 0.93%, 0.78%

LAB 74.58, 51.89, -29.69

 

CMYK 0 / 41 / 16 / 2

HEX #FB93D3

RGB 251 147 211

HSL 323.08, 0.93%, 0.78%

LAB 73.6, 47.38, -15.85

 

CMYK 10 / 73 / 0 / 3

HEX #DE43F8

RGB 222 67 248

HSL 291.38, 0.93%, 0.62%

LAB 58.34, 80.69, -60.42

 

CMYK 8 / 57 / 0 / 2

HEX #E56BFA

RGB 229 107 250

HSL 291.19, 0.93%, 0.7%

LAB 65.02, 66.98, -50.83

 

CMYK 6 / 41 / 0 / 2

HEX #EC93FB

RGB 236 147 251

HSL 291.35, 0.93%, 0.78%

LAB 73.33, 49.62, -38.29

 

CMYK 4 / 26 / 0 / 1

HEX #F3BBFD

RGB 243 187 253

HSL 290.91, 0.94%, 0.86%

LAB 82.75, 31.13, -24.81

 

CMYK 2 / 11 / 0 / 0

HEX #FAE2FE

RGB 250 226 254

HSL 291.43, 0.93%, 0.94%

LAB 92.52, 13.04, -10.56

 

CMYK 6 / 41 / 0 / 2

HEX #EC95FB

RGB 236 149 251

HSL 291.18, 0.93%, 0.78%

LAB 73.74, 48.59, -37.66

 

CMYK 0 / 39 / 41 / 2

HEX #FB9893

RGB 251 152 147

HSL 2.88, 0.93%, 0.78%

LAB 72.94, 36.5, 18.54

 

CMYK 41 / 0 / 23 / 2

HEX #93FBC2

RGB 147 251 194

HSL 147.12, 0.93%, 0.78%

LAB 91.28, -42.56, 18

 

CMYK 6 / 41 / 0 / 2

HEX #EC95FB

RGB 236 149 251

HSL 291.18, 0.93%, 0.78%

LAB 73.74, 48.59, -37.66

 

CMYK 0 / 6 / 41 / 2

HEX #FBEB93

RGB 251 235 147

HSL 50.77, 0.93%, 0.78%

LAB 92.59, -6.52, 44.59

 

CMYK 41 / 0 / 6 / 2

HEX #93FBEB

RGB 147 251 235

HSL 170.77, 0.93%, 0.78%

LAB 92.22, -33.94, -1.82

 

CMYK 6 / 41 / 0 / 2

HEX #EC95FB

RGB 236 149 251

HSL 291.18, 0.93%, 0.78%

LAB 73.74, 48.59, -37.66

 

CMYK 0 / 39 / 41 / 2

HEX #FB9893

RGB 251 152 147

HSL 2.88, 0.93%, 0.78%

LAB 72.94, 36.5, 18.54

 

CMYK 35 / 0 / 41 / 2

HEX #A2FB93

RGB 162 251 147

HSL 111.35, 0.93%, 0.78%

LAB 91.14, -45.99, 41.56

 

CMYK 41 / 2 / 0 / 2

HEX #93F6FB

RGB 147 246 251

HSL 182.88, 0.93%, 0.78%

LAB 91.27, -27.81, -11.54

 

CMYK 6 / 41 / 0 / 2

HEX #EC95FB

RGB 236 149 251

HSL 291.18, 0.93%, 0.78%

LAB 73.74, 48.59, -37.66

 

CMYK 0 / 27 / 41 / 2

HEX #FBB793

RGB 251 183 147

HSL 20.77, 0.93%, 0.78%

LAB 79.89, 20.28, 28.01

 

CMYK 35 / 0 / 41 / 2

HEX #A2FB93

RGB 162 251 147

HSL 111.35, 0.93%, 0.78%

LAB 91.14, -45.99, 41.56

 

CMYK 41 / 14 / 0 / 2

HEX #93D7FB

RGB 147 215 251

HSL 200.77, 0.93%, 0.78%

LAB 82.79, -12.36, -24.31

 

Description

Color code: HEX #EC95FB | qconv.com Color code: HEX #EC95FB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 149 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 149 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 41 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 41% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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