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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC957D it is the complementary color #136A82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC957D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC957D shade: #F19578, #FFA78B, #FFB99E, #FFCBB1 and #FFDDC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC957D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC957D shade: #EC957D, #DB836A, #CA7157, #B95F44 and #A84D31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC957D shade: #EB957E and #EB7E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC957D shade: #EB957E, #EBB37E, #EBD17E, #E9EB7E and #CBEB7E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC957D shade matches the following richer shades: #EB957E and #F78F72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC957D shade: #EB957E, #DF9C8A, #D3A396, #C7AAA2 and #BBB1AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC957D shade: #EB7EA2, #EB7E85, #EB947E, #EBB17E and #EBCE7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC957D shade: #E15B36, #E6785A, #EB957E, #F1B3A2 and #F6D0C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC957D shade: #EC957D, #BFEB7E and #7E94EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC957D shade: #EC957D, #7EEB94 and #947EEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC957D shade: #EC957D, #BFEB7E, #7ED5EB and #AA7EEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC957D shade: #EC957D, #9FEB7E, #7ED5EB and #CA7EEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 47 / 7

HEX #EC957D

RGB 236 149 125

HSL 12.97, 0.74%, 0.71%

LAB 70.04, 30.16, 26.38

 

Complementary color

CMYK 85 / 18 / 0 / 49

HEX #136A82

RGB 19 106 130

HSL 192.97, 0.74%, 0.29%

LAB 41.31, -15.37, -20.21

 

CMYK 0 / 38 / 50 / 5

HEX #F19578

RGB 241 149 120

HSL 14.38, 0.81%, 0.71%

LAB 70.56, 31.63, 29.9

 

CMYK 0 / 35 / 45 / 0

HEX #FFA78B

RGB 255 167 139

HSL 14.48, 1%, 0.77%

LAB 76.53, 29.39, 27.86

 

CMYK 0 / 27 / 38 / 0

HEX #FFB99E

RGB 255 185 158

HSL 16.7, 1%, 0.81%

LAB 80.98, 21.98, 23.71

 

CMYK 0 / 20 / 31 / 0

HEX #FFCBB1

RGB 255 203 177

HSL 20, 1%, 0.85%

LAB 85.58, 14.84, 19.98

 

CMYK 0 / 13 / 23 / 0

HEX #FFDDC4

RGB 255 221 196

HSL 25.42, 1%, 0.88%

LAB 90.3, 8.03, 16.61

 

CMYK 0 / 37 / 47 / 7

HEX #EC957D

RGB 236 149 125

HSL 12.97, 0.74%, 0.71%

LAB 70.04, 30.16, 26.38

 

CMYK 0 / 40 / 52 / 14

HEX #DB836A

RGB 219 131 106

HSL 13.27, 0.61%, 0.64%

LAB 63.62, 31.3, 27.97

 

CMYK 0 / 44 / 57 / 21

HEX #CA7157

RGB 202 113 87

HSL 13.57, 0.52%, 0.57%

LAB 57.13, 32.56, 29.75

 

CMYK 0 / 49 / 63 / 27

HEX #B95F44

RGB 185 95 68

HSL 13.85, 0.46%, 0.5%

LAB 50.59, 33.95, 31.76

 

CMYK 0 / 54 / 71 / 34

HEX #A84D31

RGB 168 77 49

HSL 14.12, 0.55%, 0.43%

LAB 44.02, 35.45, 34.04

 

CMYK 0 / 37 / 46 / 8

HEX #EB957E

RGB 235 149 126

HSL 12.66, 0.73%, 0.71%

LAB 69.94, 29.87, 25.68

 

CMYK 0 / 46 / 46 / 8

HEX #EB7E7E

RGB 235 126 126

HSL 0, 0.73%, 0.71%

LAB 65.03, 41.82, 19.03

 

CMYK 0 / 37 / 46 / 8

HEX #EB957E

RGB 235 149 126

HSL 12.66, 0.73%, 0.71%

LAB 69.94, 29.87, 25.68

 

CMYK 0 / 24 / 46 / 8

HEX #EBB37E

RGB 235 179 126

HSL 29.17, 0.73%, 0.71%

LAB 76.93, 13.95, 34.87

 

CMYK 0 / 11 / 46 / 8

HEX #EBD17E

RGB 235 209 126

HSL 45.69, 0.73%, 0.71%

LAB 84.36, -1.73, 44.31

 

CMYK 1 / 0 / 46 / 8

HEX #E9EB7E

RGB 233 235 126

HSL 61.1, 0.73%, 0.71%

LAB 90.89, -15.58, 52.29

 

CMYK 14 / 0 / 46 / 8

HEX #CBEB7E

RGB 203 235 126

HSL 77.61, 0.73%, 0.71%

LAB 88.74, -27.13, 49.18

 

CMYK 0 / 37 / 46 / 8

HEX #EB957E

RGB 235 149 126

HSL 12.66, 0.73%, 0.71%

LAB 69.94, 29.87, 25.68

 

CMYK 0 / 42 / 54 / 3

HEX #F78F72

RGB 247 143 114

HSL 13.08, 0.89%, 0.71%

LAB 69.92, 36.54, 32.47

 

CMYK 0 / 37 / 46 / 8

HEX #EB957E

RGB 235 149 126

HSL 12.66, 0.73%, 0.71%

LAB 69.94, 29.87, 25.68

 

CMYK 0 / 30 / 38 / 13

HEX #DF9C8A

RGB 223 156 138

HSL 12.71, 0.57%, 0.71%

LAB 70.39, 22.78, 19.46

 

CMYK 0 / 23 / 29 / 17

HEX #D3A396

RGB 211 163 150

HSL 12.79, 0.41%, 0.71%

LAB 71.04, 15.87, 13.57

 

CMYK 0 / 15 / 19 / 22

HEX #C7AAA2

RGB 199 170 162

HSL 12.97, 0.25%, 0.71%

LAB 71.89, 9.25, 8.02

 

CMYK 0 / 5 / 7 / 27

HEX #BBB1AE

RGB 187 177 174

HSL 13.85, 0.09%, 0.71%

LAB 72.93, 3.03, 2.8

 

CMYK 0 / 46 / 31 / 8

HEX #EB7EA2

RGB 235 126 162

HSL 340.18, 0.73%, 0.71%

LAB 65.9, 45.83, -0.14

 

CMYK 0 / 46 / 43 / 8

HEX #EB7E85

RGB 235 126 133

HSL 356.15, 0.73%, 0.71%

LAB 65.18, 42.51, 15.28

 

CMYK 0 / 37 / 46 / 8

HEX #EB947E

RGB 235 148 126

HSL 12.11, 0.73%, 0.71%

LAB 69.72, 30.4, 25.38

 

CMYK 0 / 25 / 46 / 8

HEX #EBB17E

RGB 235 177 126

HSL 28.07, 0.73%, 0.71%

LAB 76.44, 15.01, 34.24

 

CMYK 0 / 12 / 46 / 8

HEX #EBCE7E

RGB 235 206 126

HSL 44.04, 0.73%, 0.71%

LAB 83.61, -0.18, 43.36

 

CMYK 0 / 60 / 76 / 12

HEX #E15B36

RGB 225 91 54

HSL 12.98, 0.74%, 0.55%

LAB 55.84, 50.27, 46.9

 

CMYK 0 / 48 / 61 / 10

HEX #E6785A

RGB 230 120 90

HSL 12.86, 0.74%, 0.63%

LAB 62.5, 40.02, 35.66

 

CMYK 0 / 37 / 46 / 8

HEX #EB957E

RGB 235 149 126

HSL 12.66, 0.73%, 0.71%

LAB 69.94, 29.87, 25.68

 

CMYK 0 / 26 / 33 / 5

HEX #F1B3A2

RGB 241 179 162

HSL 12.91, 0.74%, 0.79%

LAB 78.2, 20.29, 17.5

 

CMYK 0 / 15 / 20 / 4

HEX #F6D0C6

RGB 246 208 198

HSL 12.5, 0.73%, 0.87%

LAB 86.4, 11.79, 9.91

 

CMYK 0 / 37 / 47 / 7

HEX #EC957D

RGB 236 149 125

HSL 12.97, 0.74%, 0.71%

LAB 70.04, 30.16, 26.38

 

CMYK 19 / 0 / 46 / 8

HEX #BFEB7E

RGB 191 235 126

HSL 84.22, 0.73%, 0.71%

LAB 87.97, -31.58, 48.05

 

CMYK 46 / 37 / 0 / 8

HEX #7E94EB

RGB 126 148 235

HSL 227.89, 0.73%, 0.71%

LAB 63.02, 14.98, -46.38

 

CMYK 0 / 37 / 47 / 7

HEX #EC957D

RGB 236 149 125

HSL 12.97, 0.74%, 0.71%

LAB 70.04, 30.16, 26.38

 

CMYK 46 / 0 / 37 / 8

HEX #7EEB94

RGB 126 235 148

HSL 132.11, 0.73%, 0.71%

LAB 84.99, -49.52, 32.75

 

CMYK 37 / 46 / 0 / 8

HEX #947EEB

RGB 148 126 235

HSL 252.11, 0.73%, 0.71%

LAB 59.17, 33.23, -52.37

 

CMYK 0 / 37 / 47 / 7

HEX #EC957D

RGB 236 149 125

HSL 12.97, 0.74%, 0.71%

LAB 70.04, 30.16, 26.38

 

CMYK 19 / 0 / 46 / 8

HEX #BFEB7E

RGB 191 235 126

HSL 84.22, 0.73%, 0.71%

LAB 87.97, -31.58, 48.05

 

CMYK 46 / 9 / 0 / 8

HEX #7ED5EB

RGB 126 213 235

HSL 192.11, 0.73%, 0.71%

LAB 80.75, -20.54, -18.99

 

CMYK 28 / 46 / 0 / 8

HEX #AA7EEB

RGB 170 126 235

HSL 264.22, 0.73%, 0.71%

LAB 61.19, 38.93, -49.04

 

CMYK 0 / 37 / 47 / 7

HEX #EC957D

RGB 236 149 125

HSL 12.97, 0.74%, 0.71%

LAB 70.04, 30.16, 26.38

 

CMYK 32 / 0 / 46 / 8

HEX #9FEB7E

RGB 159 235 126

HSL 101.83, 0.73%, 0.71%

LAB 86.15, -42.77, 45.4

 

CMYK 46 / 9 / 0 / 8

HEX #7ED5EB

RGB 126 213 235

HSL 192.11, 0.73%, 0.71%

LAB 80.75, -20.54, -18.99

 

CMYK 14 / 46 / 0 / 8

HEX #CA7EEB

RGB 202 126 235

HSL 281.83, 0.73%, 0.71%

LAB 64.54, 47.69, -43.53

 

Description

Color code: HEX #EC957D | qconv.com Color code: HEX #EC957D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 149 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 149 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 47 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 47% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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