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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC94AACE it is the complementary color #136B55CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC94AACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC94AACE shade: #F194A5CE, #FFA6B8CE, #FFB8CBCE, #FFCADECE and #FFDCF1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC94AACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC94AACE shade: #EC94AACE, #DB8297CE, #CA7084CE, #B95E71CE and #A84C5ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC94AACE shade: #EC93A9 and #EC9393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC94AACE shade: #EC93A9, #EC93C1, #EC93D9, #E793EC and #CF93EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC94AACE shade matches the following richer shades: #EC93A9 and #F688A4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC94AACE shade: #EC93A9, #E29DAE, #D7A7B3, #CDB2B8 and #C3BCBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC94AACE shade: #EC93D9, #EC93C1, #EC93A9, #EC9493 and #ECAC93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC94AACE shade: #DF4C71, #E6708D, #EC93A9, #F2B6C5 and #F8D9E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC94AACE shade: #EC94AA, #ECE793 and #93CDEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC94AACE shade: #EC94AA, #A9EC93 and #93A9EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC94AACE shade: #EC94AA, #ECE793, #93ECD6 and #9397EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC94AACE shade: #EC94AA, #D6EC93, #93ECD6 and #A993EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 23 / 6

HEX #EC94AACE

RGBA 236 148 170 0.81

HSLA 345, 0.7%, 0.75%, 0.81

LABA 70.81, 35.89, 2.54, 0.81

 

Complementary color

CMYK 67 / 0 / 17 / 47

HEX #136B55CE

RGBA 19 107 85 0.81

HSLA 165, 0.7%, 0.25%, 0.81

LABA 40.1, -30.57, 5.3, 0.81

 

CMYK 0 / 31 / 26 / 4

HEX #F194A5CE

RGBA 241 148 165 0.81

HSLA 349.03, 0.77%, 0.76%, 0.81

LABA 71.28, 37.03, 6.07, 0.81

 

CMYK 0 / 28 / 23 / 0

HEX #FFA6B8CE

RGBA 255 166 184 0.81

HSLA 347.87, 1%, 0.83%, 0.81

LABA 77.28, 35.11, 4.46, 0.81

 

CMYK 0 / 23 / 17 / 0

HEX #FFB8CBCE

RGBA 255 184 203 0.81

HSLA 343.94, 1%, 0.86%, 0.81

LABA 81.76, 28.35, 0.66, 0.81

 

CMYK 0 / 17 / 10 / 0

HEX #FFCADECE

RGBA 255 202 222 0.81

HSLA 337.36, 1%, 0.9%, 0.81

LABA 86.39, 21.81, -2.72, 0.81

 

CMYK 0 / 11 / 4 / 0

HEX #FFDCF1CE

RGBA 255 220 241 0.81

HSLA 324, 1%, 0.93%, 0.81

LABA 91.14, 15.54, -5.76, 0.81

 

CMYK 0 / 30 / 23 / 6

HEX #EC94AACE

RGBA 236 148 170 0.81

HSLA 345, 0.7%, 0.75%, 0.81

LABA 70.81, 35.89, 2.54, 0.81

 

CMYK 0 / 33 / 25 / 11

HEX #DB8297CE

RGBA 219 130 151 0.81

HSLA 345.84, 0.55%, 0.68%, 0.81

LABA 64.37, 36.76, 3.63, 0.81

 

CMYK 0 / 36 / 28 / 17

HEX #CA7084CE

RGBA 202 112 132 0.81

HSLA 346.67, 0.46%, 0.62%, 0.81

LABA 57.86, 37.68, 4.87, 0.81

 

CMYK 0 / 40 / 32 / 22

HEX #B95E71CE

RGBA 185 94 113 0.81

HSLA 347.47, 0.39%, 0.55%, 0.81

LABA 51.28, 38.64, 6.3, 0.81

 

CMYK 0 / 44 / 36 / 28

HEX #A84C5ECE

RGBA 168 76 94 0.81

HSLA 348.26, 0.38%, 0.48%, 0.81

LABA 44.66, 39.61, 8.02, 0.81

 

CMYK 0 / 38 / 28 / 7

HEX #EC93A9

RGB 236 147 169

HSL 345.17, 0.7%, 0.75%

LAB 70.57, 36.28, 2.74

 

CMYK 0 / 38 / 38 / 7

HEX #EC9393

RGB 236 147 147

HSL 0, 0.7%, 0.75%

LAB 70.04, 33.55, 14.23

 

CMYK 0 / 38 / 28 / 7

HEX #EC93A9

RGB 236 147 169

HSL 345.17, 0.7%, 0.75%

LAB 70.57, 36.28, 2.74

 

CMYK 0 / 38 / 18 / 7

HEX #EC93C1

RGB 236 147 193

HSL 328.99, 0.7%, 0.75%

LAB 71.25, 39.7, -9.61

 

CMYK 0 / 38 / 8 / 7

HEX #EC93D9

RGB 236 147 217

HSL 312.81, 0.7%, 0.75%

LAB 72.03, 43.54, -21.69

 

CMYK 2 / 38 / 0 / 7

HEX #E793EC

RGB 231 147 236

HSL 296.63, 0.7%, 0.75%

LAB 72.17, 45.34, -31.96

 

CMYK 12 / 38 / 0 / 7

HEX #CF93EC

RGB 207 147 236

HSL 280.45, 0.7%, 0.75%

LAB 69.6, 38.13, -36.13

 

CMYK 0 / 38 / 28 / 7

HEX #EC93A9

RGB 236 147 169

HSL 345.17, 0.7%, 0.75%

LAB 70.57, 36.28, 2.74

 

CMYK 0 / 45 / 33 / 4

HEX #F688A4

RGB 246 136 164

HSL 344.73, 0.86%, 0.75%

LAB 69.39, 44.82, 3.98

 

CMYK 0 / 38 / 28 / 7

HEX #EC93A9

RGB 236 147 169

HSL 345.17, 0.7%, 0.75%

LAB 70.57, 36.28, 2.74

 

CMYK 0 / 31 / 23 / 11

HEX #E29DAE

RGB 226 157 174

HSL 345.22, 0.54%, 0.75%

LAB 71.78, 28.08, 1.59

 

CMYK 0 / 22 / 17 / 16

HEX #D7A7B3

RGB 215 167 179

HSL 345, 0.38%, 0.75%

LAB 73.11, 19.46, 0.63

 

CMYK 0 / 13 / 10 / 20

HEX #CDB2B8

RGB 205 178 184

HSL 346.67, 0.21%, 0.75%

LAB 75, 10.7, 0.52

 

CMYK 0 / 4 / 3 / 24

HEX #C3BCBE

RGB 195 188 190

HSL 342.86, 0.06%, 0.75%

LAB 76.85, 2.82, -0.14

 

CMYK 0 / 38 / 8 / 7

HEX #EC93D9

RGB 236 147 217

HSL 312.81, 0.7%, 0.75%

LAB 72.03, 43.54, -21.69

 

CMYK 0 / 38 / 18 / 7

HEX #EC93C1

RGB 236 147 193

HSL 328.99, 0.7%, 0.75%

LAB 71.25, 39.7, -9.61

 

CMYK 0 / 38 / 28 / 7

HEX #EC93A9

RGB 236 147 169

HSL 345.17, 0.7%, 0.75%

LAB 70.57, 36.28, 2.74

 

CMYK 0 / 37 / 38 / 7

HEX #EC9493

RGB 236 148 147

HSL 0.67, 0.7%, 0.75%

LAB 70.26, 33.02, 14.54

 

CMYK 0 / 27 / 38 / 7

HEX #ECAC93

RGB 236 172 147

HSL 16.85, 0.7%, 0.75%

LAB 75.73, 20.3, 22.11

 

CMYK 0 / 66 / 49 / 13

HEX #DF4C71

RGB 223 76 113

HSL 344.9, 0.7%, 0.59%

LAB 54.08, 59.69, 11.1

 

CMYK 0 / 51 / 39 / 10

HEX #E6708D

RGB 230 112 141

HSL 345.25, 0.7%, 0.67%

LAB 61.94, 48.58, 6.04

 

CMYK 0 / 38 / 28 / 7

HEX #EC93A9

RGB 236 147 169

HSL 345.17, 0.7%, 0.75%

LAB 70.57, 36.28, 2.74

 

CMYK 0 / 25 / 19 / 5

HEX #F2B6C5

RGB 242 182 197

HSL 345, 0.7%, 0.83%

LAB 79.82, 23.91, 0.91

 

CMYK 0 / 13 / 9 / 3

HEX #F8D9E1

RGB 248 217 225

HSL 344.52, 0.69%, 0.91%

LAB 89.4, 12.02, 0.02

 

CMYK 0 / 37 / 28 / 7

HEX #EC94AA

RGB 236 148 170

HSL 345, 0.7%, 0.75%

LAB 70.81, 35.89, 2.54

 

CMYK 0 / 2 / 38 / 7

HEX #ECE793

RGB 236 231 147

HSL 56.63, 0.7%, 0.75%

LAB 90.36, -10.32, 41.5

 

CMYK 38 / 13 / 0 / 7

HEX #93CDEC

RGB 147 205 236

HSL 200.9, 0.7%, 0.75%

LAB 79.57, -11.01, -21.22

 

CMYK 0 / 37 / 28 / 7

HEX #EC94AA

RGB 236 148 170

HSL 345, 0.7%, 0.75%

LAB 70.81, 35.89, 2.54

 

CMYK 28 / 0 / 38 / 7

HEX #A9EC93

RGB 169 236 147

HSL 105.17, 0.7%, 0.75%

LAB 87.26, -37.12, 36.61

 

CMYK 38 / 28 / 0 / 7

HEX #93A9EC

RGB 147 169 236

HSL 225.17, 0.7%, 0.75%

LAB 69.92, 8.55, -36.03

 

CMYK 0 / 37 / 28 / 7

HEX #EC94AA

RGB 236 148 170

HSL 345, 0.7%, 0.75%

LAB 70.81, 35.89, 2.54

 

CMYK 0 / 2 / 38 / 7

HEX #ECE793

RGB 236 231 147

HSL 56.63, 0.7%, 0.75%

LAB 90.36, -10.32, 41.5

 

CMYK 38 / 0 / 9 / 7

HEX #93ECD6

RGB 147 236 214

HSL 165.17, 0.7%, 0.75%

LAB 87.51, -31.62, 2.25

 

CMYK 38 / 36 / 0 / 7

HEX #9397EC

RGB 147 151 236

HSL 237.3, 0.7%, 0.75%

LAB 65.27, 18.8, -43.29

 

CMYK 0 / 37 / 28 / 7

HEX #EC94AA

RGB 236 148 170

HSL 345, 0.7%, 0.75%

LAB 70.81, 35.89, 2.54

 

CMYK 9 / 0 / 38 / 7

HEX #D6EC93

RGB 214 236 147

HSL 74.83, 0.7%, 0.75%

LAB 90.04, -21.14, 40.76

 

CMYK 38 / 0 / 9 / 7

HEX #93ECD6

RGB 147 236 214

HSL 165.17, 0.7%, 0.75%

LAB 87.51, -31.62, 2.25

 

CMYK 28 / 38 / 0 / 7

HEX #A993EC

RGB 169 147 236

HSL 254.83, 0.7%, 0.75%

LAB 66.03, 27.08, -41.98

 

Description

Color code: HEX #EC94AACE | qconv.com Color code: HEX #EC94AACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 148 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 148 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 23 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 23% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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