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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC8C7A it is the complementary color #137385. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC8C7A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC8C7A shade: #F18C75, #FF9E88, #FFB09B, #FFC2AE and #FFD4C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC8C7A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC8C7A shade: #EC8C7A, #DB7A67, #CA6854, #B95641 and #A8442E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC8C7A shade: #EC8B79 and #EC7979

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC8C7A shade: #EC8B79, #ECAA79, #ECC979, #ECE879 and #D1EC79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC8C7A shade matches the following richer shades: #EC8B79 and #F8836D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC8C7A shade: #EC8B79, #DF9486, #D39C92, #C7A59E and #BAADAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC8C7A shade: #EC79A5, #EC7987, #EC8A79, #ECA979 and #ECC879

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC8C7A shade: #E24D31, #E76C55, #EC8B79, #F1AA9D and #F6CAC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC8C7A shade: #EC8C7A, #C4EC79 and #7996EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC8C7A shade: #EC8C7A, #79EC8A and #8A79EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC8C7A shade: #EC8C7A, #C4EC79, #79DBEC and #A179EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC8C7A shade: #EC8C7A, #A1EC79, #79DBEC and #C479EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 48 / 7

HEX #EC8C7A

RGB 236 140 122

HSL 9.47, 0.75%, 0.7%

LAB 68.02, 34.6, 25.33

 

Complementary color

CMYK 86 / 14 / 0 / 48

HEX #137385

RGB 19 115 133

HSL 189.47, 0.75%, 0.3%

LAB 44.37, -19.28, -17.32

 

CMYK 0 / 42 / 51 / 5

HEX #F18C75

RGB 241 140 117

HSL 11.13, 0.82%, 0.7%

LAB 68.56, 36.05, 28.92

 

CMYK 0 / 38 / 47 / 0

HEX #FF9E88

RGB 255 158 136

HSL 11.09, 1%, 0.77%

LAB 74.5, 33.78, 26.76

 

CMYK 0 / 31 / 39 / 0

HEX #FFB09B

RGB 255 176 155

HSL 12.6, 1%, 0.8%

LAB 78.85, 26.36, 22.41

 

CMYK 0 / 24 / 32 / 0

HEX #FFC2AE

RGB 255 194 174

HSL 14.81, 1%, 0.84%

LAB 83.39, 19.16, 18.52

 

CMYK 0 / 17 / 24 / 0

HEX #FFD4C1

RGB 255 212 193

HSL 18.39, 1%, 0.88%

LAB 88.06, 12.27, 15.03

 

CMYK 0 / 41 / 48 / 7

HEX #EC8C7A

RGB 236 140 122

HSL 9.47, 0.75%, 0.7%

LAB 68.02, 34.6, 25.33

 

CMYK 0 / 44 / 53 / 14

HEX #DB7A67

RGB 219 122 103

HSL 9.83, 0.62%, 0.63%

LAB 61.62, 35.78, 27.03

 

CMYK 0 / 49 / 58 / 21

HEX #CA6854

RGB 202 104 84

HSL 10.17, 0.53%, 0.56%

LAB 55.17, 37.05, 28.96

 

CMYK 0 / 54 / 65 / 27

HEX #B95641

RGB 185 86 65

HSL 10.5, 0.48%, 0.49%

LAB 48.7, 38.42, 31.17

 

CMYK 0 / 60 / 73 / 34

HEX #A8442E

RGB 168 68 46

HSL 10.82, 0.57%, 0.42%

LAB 42.24, 39.81, 33.7

 

CMYK 0 / 41 / 49 / 7

HEX #EC8B79

RGB 236 139 121

HSL 9.39, 0.75%, 0.7%

LAB 67.78, 35.03, 25.57

 

CMYK 0 / 49 / 49 / 7

HEX #EC7979

RGB 236 121 121

HSL 0, 0.75%, 0.7%

LAB 64.07, 44.22, 20.57

 

CMYK 0 / 41 / 49 / 7

HEX #EC8B79

RGB 236 139 121

HSL 9.39, 0.75%, 0.7%

LAB 67.78, 35.03, 25.57

 

CMYK 0 / 28 / 49 / 7

HEX #ECAA79

RGB 236 170 121

HSL 25.57, 0.75%, 0.7%

LAB 74.8, 18.65, 34.77

 

CMYK 0 / 15 / 49 / 7

HEX #ECC979

RGB 236 201 121

HSL 41.74, 0.75%, 0.7%

LAB 82.37, 2.34, 44.34

 

CMYK 0 / 2 / 49 / 7

HEX #ECE879

RGB 236 232 121

HSL 57.91, 0.75%, 0.7%

LAB 90.29, -13.37, 53.97

 

CMYK 11 / 0 / 49 / 7

HEX #D1EC79

RGB 209 236 121

HSL 74.09, 0.75%, 0.7%

LAB 89.36, -25.83, 52.38

 

CMYK 0 / 41 / 49 / 7

HEX #EC8B79

RGB 236 139 121

HSL 9.39, 0.75%, 0.7%

LAB 67.78, 35.03, 25.57

 

CMYK 0 / 47 / 56 / 3

HEX #F8836D

RGB 248 131 109

HSL 9.5, 0.91%, 0.7%

LAB 67.5, 42.62, 32.09

 

CMYK 0 / 41 / 49 / 7

HEX #EC8B79

RGB 236 139 121

HSL 9.39, 0.75%, 0.7%

LAB 67.78, 35.03, 25.57

 

CMYK 0 / 34 / 40 / 13

HEX #DF9486

RGB 223 148 134

HSL 9.44, 0.58%, 0.7%

LAB 68.45, 26.61, 19.01

 

CMYK 0 / 26 / 31 / 17

HEX #D39C92

RGB 211 156 146

HSL 9.23, 0.42%, 0.7%

LAB 69.26, 19.13, 13.28

 

CMYK 0 / 17 / 21 / 22

HEX #C7A59E

RGB 199 165 158

HSL 10.24, 0.27%, 0.7%

LAB 70.54, 11.36, 8.29

 

CMYK 0 / 7 / 8 / 27

HEX #BAADAB

RGB 186 173 171

HSL 8, 0.1%, 0.7%

LAB 71.74, 4.3, 2.69

 

CMYK 0 / 49 / 30 / 7

HEX #EC79A5

RGB 236 121 165

HSL 337.04, 0.75%, 0.7%

LAB 65.14, 49.04, -2.94

 

CMYK 0 / 49 / 43 / 7

HEX #EC7987

RGB 236 121 135

HSL 352.7, 0.75%, 0.7%

LAB 64.37, 45.59, 13.03

 

CMYK 0 / 42 / 49 / 7

HEX #EC8A79

RGB 236 138 121

HSL 8.87, 0.75%, 0.7%

LAB 67.57, 35.55, 25.28

 

CMYK 0 / 28 / 49 / 7

HEX #ECA979

RGB 236 169 121

HSL 25.04, 0.75%, 0.7%

LAB 74.57, 19.18, 34.46

 

CMYK 0 / 15 / 49 / 7

HEX #ECC879

RGB 236 200 121

HSL 41.22, 0.75%, 0.7%

LAB 82.12, 2.86, 44.03

 

CMYK 0 / 66 / 78 / 11

HEX #E24D31

RGB 226 77 49

HSL 9.49, 0.75%, 0.54%

LAB 53.71, 56.46, 47.29

 

CMYK 0 / 53 / 63 / 9

HEX #E76C55

RGB 231 108 85

HSL 9.45, 0.75%, 0.62%

LAB 60.22, 46.02, 35.62

 

CMYK 0 / 41 / 49 / 7

HEX #EC8B79

RGB 236 139 121

HSL 9.39, 0.75%, 0.7%

LAB 67.78, 35.03, 25.57

 

CMYK 0 / 29 / 35 / 5

HEX #F1AA9D

RGB 241 170 157

HSL 9.29, 0.75%, 0.78%

LAB 76, 24.45, 17.15

 

CMYK 0 / 18 / 22 / 4

HEX #F6CAC1

RGB 246 202 193

HSL 10.19, 0.75%, 0.86%

LAB 84.84, 14.2, 10.34

 

CMYK 0 / 41 / 48 / 7

HEX #EC8C7A

RGB 236 140 122

HSL 9.47, 0.75%, 0.7%

LAB 68.02, 34.6, 25.33

 

CMYK 17 / 0 / 49 / 7

HEX #C4EC79

RGB 196 236 121

HSL 80.87, 0.75%, 0.7%

LAB 88.5, -30.73, 51.14

 

CMYK 49 / 36 / 0 / 7

HEX #7996EC

RGB 121 150 236

HSL 224.87, 0.75%, 0.7%

LAB 63.29, 12.94, -46.53

 

CMYK 0 / 41 / 48 / 7

HEX #EC8C7A

RGB 236 140 122

HSL 9.47, 0.75%, 0.7%

LAB 68.02, 34.6, 25.33

 

CMYK 49 / 0 / 42 / 7

HEX #79EC8A

RGB 121 236 138

HSL 128.87, 0.75%, 0.7%

LAB 84.94, -52.84, 37.65

 

CMYK 42 / 49 / 0 / 7

HEX #8A79EC

RGB 138 121 236

HSL 248.87, 0.75%, 0.7%

LAB 57.21, 33.95, -56.11

 

CMYK 0 / 41 / 48 / 7

HEX #EC8C7A

RGB 236 140 122

HSL 9.47, 0.75%, 0.7%

LAB 68.02, 34.6, 25.33

 

CMYK 17 / 0 / 49 / 7

HEX #C4EC79

RGB 196 236 121

HSL 80.87, 0.75%, 0.7%

LAB 88.5, -30.73, 51.14

 

CMYK 49 / 7 / 0 / 7

HEX #79DBEC

RGB 121 219 236

HSL 188.87, 0.75%, 0.7%

LAB 82.26, -24.39, -17.26

 

CMYK 32 / 49 / 0 / 7

HEX #A179EC

RGB 161 121 236

HSL 260.87, 0.75%, 0.7%

LAB 59.26, 39.62, -52.72

 

CMYK 0 / 41 / 48 / 7

HEX #EC8C7A

RGB 236 140 122

HSL 9.47, 0.75%, 0.7%

LAB 68.02, 34.6, 25.33

 

CMYK 32 / 0 / 49 / 7

HEX #A1EC79

RGB 161 236 121

HSL 99.13, 0.75%, 0.7%

LAB 86.48, -43.15, 48.21

 

CMYK 49 / 7 / 0 / 7

HEX #79DBEC

RGB 121 219 236

HSL 188.87, 0.75%, 0.7%

LAB 82.26, -24.39, -17.26

 

CMYK 17 / 49 / 0 / 7

HEX #C479EC

RGB 196 121 236

HSL 279.13, 0.75%, 0.7%

LAB 62.9, 48.87, -46.72

 

Description

Color code: HEX #EC8C7A | qconv.com Color code: HEX #EC8C7A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 140 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 140 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 48 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 48% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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