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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC8C2B it is the complementary color #1373D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC8C2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC8C2B shade: #F18C26, #FF9E39, #FFB04C, #FFC25F and #FFD472

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC8C2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC8C2B shade: #EC8C2B, #DB7A18, #CA6805, #B95600 and #A84400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC8C2B shade: #ED8D2C, #ED592C and #ED2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC8C2B shade: #ED8D2C, #EDC12C, #E5ED2C, #B1ED2C and #7DED2C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC8C2B shade matches the following richer shades: #ED8D2C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC8C2B shade: #ED8D2C, #DA8D3E, #C88D51, #B58C64 and #A28C76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC8C2B shade: #ED2C32, #ED592C, #ED8C2C, #EDC02C and #E6ED2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC8C2B shade: #B66310, #DC7813, #ED8D2C, #F0A152 and #F3B678

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC8C2B shade: #EC8C2B, #66ED2C and #3F2CED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC8C2B shade: #EC8C2B, #2CED8C and #8C2CED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC8C2B shade: #EC8C2B, #66ED2C, #2C8CED and #B32CED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC8C2B shade: #EC8C2B, #2CED2C, #2C8CED and #ED2CED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 82 / 7

HEX #EC8C2B

RGB 236 140 43

HSL 30.16, 0.84%, 0.55%

LAB 67.1, 29.79, 63

 

Complementary color

CMYK 91 / 46 / 0 / 17

HEX #1373D4

RGB 19 115 212

HSL 210.16, 0.84%, 0.45%

LAB 48.45, 10.82, -56.96

 

CMYK 0 / 42 / 84 / 5

HEX #F18C26

RGB 241 140 38

HSL 30.15, 0.88%, 0.55%

LAB 67.72, 31.7, 65.52

 

CMYK 0 / 38 / 78 / 0

HEX #FF9E39

RGB 255 158 57

HSL 30.61, 1%, 0.61%

LAB 73.55, 28.64, 64.48

 

CMYK 0 / 31 / 70 / 0

HEX #FFB04C

RGB 255 176 76

HSL 33.52, 1%, 0.65%

LAB 77.78, 20.06, 60.8

 

CMYK 0 / 24 / 63 / 0

HEX #FFC25F

RGB 255 194 95

HSL 37.13, 1%, 0.69%

LAB 82.2, 11.74, 57.09

 

CMYK 0 / 17 / 55 / 0

HEX #FFD472

RGB 255 212 114

HSL 41.7, 1%, 0.72%

LAB 86.78, 3.77, 53.49

 

CMYK 0 / 41 / 82 / 7

HEX #EC8C2B

RGB 236 140 43

HSL 30.16, 0.84%, 0.55%

LAB 67.1, 29.79, 63

 

CMYK 0 / 44 / 89 / 14

HEX #DB7A18

RGB 219 122 24

HSL 30.15, 0.8%, 0.48%

LAB 60.82, 31.76, 63.02

 

CMYK 0 / 49 / 98 / 21

HEX #CA6805

RGB 202 104 5

HSL 30.15, 0.95%, 0.41%

LAB 54.52, 33.93, 61.62

 

CMYK 0 / 54 / 100 / 27

HEX #B95600

RGB 185 86 0

HSL 27.89, 1%, 0.36%

LAB 48.22, 36.27, 57.56

 

CMYK 0 / 60 / 100 / 34

HEX #A84400

RGB 168 68 0

HSL 24.29, 1%, 0.33%

LAB 41.94, 38.55, 52.54

 

CMYK 0 / 41 / 81 / 7

HEX #ED8D2C

RGB 237 141 44

HSL 30.16, 0.84%, 0.55%

LAB 67.45, 29.71, 63

 

CMYK 0 / 62 / 81 / 7

HEX #ED592C

RGB 237 89 44

HSL 13.99, 0.84%, 0.55%

LAB 57.4, 55.03, 53.89

 

CMYK 0 / 81 / 81 / 7

HEX #ED2C2C

RGB 237 44 44

HSL 0, 0.84%, 0.55%

LAB 51.82, 70.36, 48.68

 

CMYK 0 / 41 / 81 / 7

HEX #ED8D2C

RGB 237 141 44

HSL 30.16, 0.84%, 0.55%

LAB 67.45, 29.71, 63

 

CMYK 0 / 19 / 81 / 7

HEX #EDC12C

RGB 237 193 44

HSL 46.32, 0.84%, 0.55%

LAB 79.8, 2.33, 73.79

 

CMYK 3 / 0 / 81 / 7

HEX #E5ED2C

RGB 229 237 44

HSL 62.49, 0.84%, 0.55%

LAB 90.51, -23.02, 82.69

 

CMYK 25 / 0 / 81 / 7

HEX #B1ED2C

RGB 177 237 44

HSL 78.65, 0.84%, 0.55%

LAB 87.04, -43.59, 78.34

 

CMYK 47 / 0 / 81 / 7

HEX #7DED2C

RGB 125 237 44

HSL 94.82, 0.84%, 0.55%

LAB 84.54, -61.2, 75.16

 

CMYK 0 / 41 / 81 / 7

HEX #ED8D2C

RGB 237 141 44

HSL 30.16, 0.84%, 0.55%

LAB 67.45, 29.71, 63

 

CMYK 0 / 41 / 81 / 7

HEX #ED8D2C

RGB 237 141 44

HSL 30.16, 0.84%, 0.55%

LAB 67.45, 29.71, 63

 

CMYK 0 / 35 / 72 / 15

HEX #DA8D3E

RGB 218 141 62

HSL 30.38, 0.68%, 0.55%

LAB 65.2, 22.51, 52.54

 

CMYK 0 / 30 / 60 / 22

HEX #C88D51

RGB 200 141 81

HSL 30.25, 0.52%, 0.55%

LAB 63.28, 16.08, 40.51

 

CMYK 0 / 23 / 45 / 29

HEX #B58C64

RGB 181 140 100

HSL 29.63, 0.35%, 0.55%

LAB 61.22, 10.34, 27.31

 

CMYK 0 / 14 / 27 / 36

HEX #A28C76

RGB 162 140 118

HSL 30, 0.19%, 0.55%

LAB 59.66, 4.78, 14.81

 

CMYK 0 / 81 / 79 / 7

HEX #ED2C32

RGB 237 44 50

HSL 358.13, 0.84%, 0.55%

LAB 51.88, 70.53, 45.57

 

CMYK 0 / 62 / 81 / 7

HEX #ED592C

RGB 237 89 44

HSL 13.99, 0.84%, 0.55%

LAB 57.4, 55.03, 53.89

 

CMYK 0 / 41 / 81 / 7

HEX #ED8C2C

RGB 237 140 44

HSL 29.84, 0.84%, 0.55%

LAB 67.23, 30.23, 62.8

 

CMYK 0 / 19 / 81 / 7

HEX #EDC02C

RGB 237 192 44

HSL 46.01, 0.84%, 0.55%

LAB 79.55, 2.85, 73.58

 

CMYK 3 / 0 / 81 / 7

HEX #E6ED2C

RGB 230 237 44

HSL 62.18, 0.84%, 0.55%

LAB 90.58, -22.61, 82.78

 

CMYK 0 / 46 / 91 / 29

HEX #B66310

RGB 182 99 16

HSL 30, 0.84%, 0.39%

LAB 50.58, 28.38, 55.18

 

CMYK 0 / 45 / 91 / 14

HEX #DC7813

RGB 220 120 19

HSL 30.15, 0.84%, 0.47%

LAB 60.51, 33.14, 64.13

 

CMYK 0 / 41 / 81 / 7

HEX #ED8D2C

RGB 237 141 44

HSL 30.16, 0.84%, 0.55%

LAB 67.45, 29.71, 63

 

CMYK 0 / 33 / 66 / 6

HEX #F0A152

RGB 240 161 82

HSL 30, 0.84%, 0.63%

LAB 72.64, 22.09, 52.01

 

CMYK 0 / 25 / 51 / 5

HEX #F3B678

RGB 243 182 120

HSL 30.24, 0.84%, 0.71%

LAB 78.38, 15.02, 40

 

CMYK 0 / 41 / 82 / 7

HEX #EC8C2B

RGB 236 140 43

HSL 30.16, 0.84%, 0.55%

LAB 67.1, 29.79, 63

 

CMYK 57 / 0 / 81 / 7

HEX #66ED2C

RGB 102 237 44

HSL 101.97, 0.84%, 0.55%

LAB 83.74, -67.44, 74.14

 

CMYK 73 / 81 / 0 / 7

HEX #3F2CED

RGB 63 44 237

HSL 245.91, 0.84%, 0.55%

LAB 35.93, 64.54, -91.6

 

CMYK 0 / 41 / 82 / 7

HEX #EC8C2B

RGB 236 140 43

HSL 30.16, 0.84%, 0.55%

LAB 67.1, 29.79, 63

 

CMYK 81 / 0 / 41 / 7

HEX #2CED8C

RGB 44 237 140

HSL 149.84, 0.84%, 0.55%

LAB 83.44, -66.67, 34.35

 

CMYK 41 / 81 / 0 / 7

HEX #8C2CED

RGB 140 44 237

HSL 269.84, 0.84%, 0.55%

LAB 43.49, 72.25, -78.87

 

CMYK 0 / 41 / 82 / 7

HEX #EC8C2B

RGB 236 140 43

HSL 30.16, 0.84%, 0.55%

LAB 67.1, 29.79, 63

 

CMYK 57 / 0 / 81 / 7

HEX #66ED2C

RGB 102 237 44

HSL 101.97, 0.84%, 0.55%

LAB 83.74, -67.44, 74.14

 

CMYK 81 / 41 / 0 / 7

HEX #2C8CED

RGB 44 140 237

HSL 210.16, 0.84%, 0.55%

LAB 57.47, 6.66, -56.52

 

CMYK 24 / 81 / 0 / 7

HEX #B32CED

RGB 179 44 237

HSL 281.97, 0.84%, 0.55%

LAB 48.88, 77.95, -69.85

 

CMYK 0 / 41 / 82 / 7

HEX #EC8C2B

RGB 236 140 43

HSL 30.16, 0.84%, 0.55%

LAB 67.1, 29.79, 63

 

CMYK 81 / 0 / 81 / 7

HEX #2CED2C

RGB 44 237 44

HSL 120, 0.84%, 0.55%

LAB 82.53, -77.68, 72.58

 

CMYK 81 / 41 / 0 / 7

HEX #2C8CED

RGB 44 140 237

HSL 210.16, 0.84%, 0.55%

LAB 57.47, 6.66, -56.52

 

CMYK 0 / 81 / 0 / 7

HEX #ED2CED

RGB 237 44 237

HSL 300, 0.84%, 0.55%

LAB 57.96, 87.8, -54.76

 

Description

Color code: HEX #EC8C2B | qconv.com Color code: HEX #EC8C2B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 140 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 140 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 82 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 82% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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