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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC814ACE it is the complementary color #137EB5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC814ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC814ACE shade: #F18145CE, #FF9358CE, #FFA56BCE, #FFB77ECE and #FFC991CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC814ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC814ACE shade: #EC814ACE, #DB6F37CE, #CA5D24CE, #B94B11CE and #A83900CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC814ACE shade: #EC824B, #EC564B and #EC4B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC814ACE shade: #EC824B, #ECAD4B, #ECD94B, #D4EC4B and #A9EC4B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC814ACE shade matches the following richer shades: #EC824B and #FC7D3B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC814ACE shade: #EC824B, #DC875B, #CC8C6B, #BC917B and #AC968B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC814ACE shade: #EC4B6B, #EC564B, #EC814B, #ECAC4B and #ECD74B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC814ACE shade: #CF5516, #E86826, #EC824B, #F09C70 and #F4B696

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC814ACE shade: #EC814A, #96EC4B and #4B56EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC814ACE shade: #EC814A, #4BEC81 and #814BEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC814ACE shade: #EC814A, #96EC4B, #4BB6EC and #A14BEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC814ACE shade: #EC814A, #66EC4B, #4BB6EC and #D14BEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 56 / 6

HEX #EC814ACE

RGBA 236 129 74 0.81

HSLA 20.37, 0.81%, 0.61%, 0.81

LABA 64.98, 36.77, 47.21, 0.81

 

Complementary color

CMYK 72 / 25 / 0 / 24

HEX #137EB5CE

RGBA 19 126 181 0.81

HSLA 200.37, 0.81%, 0.39%, 0.81

LABA 49.97, -7.89, -36.78, 0.81

 

CMYK 0 / 38 / 58 / 4

HEX #F18145CE

RGBA 241 129 69 0.81

HSLA 20.93, 0.86%, 0.61%, 0.81

LABA 65.62, 38.48, 50.57, 0.81

 

CMYK 0 / 34 / 53 / 0

HEX #FF9358CE

RGBA 255 147 88 0.81

HSLA 21.2, 1%, 0.67%, 0.81

LABA 71.44, 35.77, 48.2, 0.81

 

CMYK 0 / 29 / 47 / 0

HEX #FFA56BCE

RGBA 255 165 107 0.81

HSLA 23.51, 1%, 0.71%, 0.81

LABA 75.6, 27.7, 43.5, 0.81

 

CMYK 0 / 23 / 41 / 0

HEX #FFB77ECE

RGBA 255 183 126 0.81

HSLA 26.51, 1%, 0.75%, 0.81

LABA 79.97, 19.81, 39.19, 0.81

 

CMYK 0 / 17 / 35 / 0

HEX #FFC991CE

RGBA 255 201 145 0.81

HSLA 30.55, 1%, 0.78%, 0.81

LABA 84.52, 12.22, 35.27, 0.81

 

CMYK 0 / 37 / 56 / 6

HEX #EC814ACE

RGBA 236 129 74 0.81

HSLA 20.37, 0.81%, 0.61%, 0.81

LABA 64.98, 36.77, 47.21, 0.81

 

CMYK 0 / 40 / 61 / 11

HEX #DB6F37CE

RGBA 219 111 55 0.81

HSLA 20.49, 0.69%, 0.54%, 0.81

LABA 58.7, 38.39, 49.08, 0.81

 

CMYK 0 / 44 / 67 / 17

HEX #CA5D24CE

RGBA 202 93 36 0.81

HSLA 20.6, 0.7%, 0.47%, 0.81

LABA 52.41, 40.13, 50.8, 0.81

 

CMYK 0 / 48 / 74 / 22

HEX #B94B11CE

RGBA 185 75 17 0.81

HSLA 20.71, 0.83%, 0.4%, 0.81

LABA 46.16, 41.94, 51.82, 0.81

 

CMYK 0 / 54 / 81 / 28

HEX #A83900CE

RGBA 168 57 0 0.81

HSLA 20.36, 1%, 0.33%, 0.81

LABA 40, 43.67, 51.51, 0.81

 

CMYK 0 / 45 / 68 / 7

HEX #EC824B

RGB 236 130 75

HSL 20.5, 0.81%, 0.61%

LAB 65.2, 36.31, 46.95

 

CMYK 0 / 64 / 68 / 7

HEX #EC564B

RGB 236 86 75

HSL 4.1, 0.81%, 0.61%

LAB 57.07, 57.18, 37.54

 

CMYK 0 / 68 / 68 / 7

HEX #EC4B4B

RGB 236 75 75

HSL 0, 0.81%, 0.61%

LAB 55.45, 61.57, 35.61

 

CMYK 0 / 45 / 68 / 7

HEX #EC824B

RGB 236 130 75

HSL 20.5, 0.81%, 0.61%

LAB 65.2, 36.31, 46.95

 

CMYK 0 / 27 / 68 / 7

HEX #ECAD4B

RGB 236 173 75

HSL 36.52, 0.81%, 0.61%

LAB 74.97, 13.68, 57.64

 

CMYK 0 / 8 / 68 / 7

HEX #ECD94B

RGB 236 217 75

HSL 52.92, 0.81%, 0.61%

LAB 85.99, -9.09, 69.05

 

CMYK 10 / 0 / 68 / 7

HEX #D4EC4B

RGB 212 236 75

HSL 68.94, 0.81%, 0.61%

LAB 89.16, -28.15, 71.63

 

CMYK 28 / 0 / 68 / 7

HEX #A9EC4B

RGB 169 236 75

HSL 84.97, 0.81%, 0.61%

LAB 86.47, -44.55, 68.03

 

CMYK 0 / 45 / 68 / 7

HEX #EC824B

RGB 236 130 75

HSL 20.5, 0.81%, 0.61%

LAB 65.2, 36.31, 46.95

 

CMYK 0 / 50 / 77 / 1

HEX #FC7D3B

RGB 252 125 59

HSL 20.52, 0.97%, 0.61%

LAB 66.27, 44.28, 56.44

 

CMYK 0 / 45 / 68 / 7

HEX #EC824B

RGB 236 130 75

HSL 20.5, 0.81%, 0.61%

LAB 65.2, 36.31, 46.95

 

CMYK 0 / 39 / 59 / 14

HEX #DC875B

RGB 220 135 91

HSL 20.47, 0.65%, 0.61%

LAB 64.4, 28.34, 37.17

 

CMYK 0 / 31 / 48 / 20

HEX #CC8C6B

RGB 204 140 107

HSL 20.41, 0.49%, 0.61%

LAB 63.88, 20.55, 27.42

 

CMYK 0 / 23 / 35 / 26

HEX #BC917B

RGB 188 145 123

HSL 20.31, 0.33%, 0.61%

LAB 63.65, 13.14, 17.92

 

CMYK 0 / 13 / 19 / 33

HEX #AC968B

RGB 172 150 139

HSL 20, 0.17%, 0.61%

LAB 63.71, 6.34, 8.79

 

CMYK 0 / 68 / 55 / 7

HEX #EC4B6B

RGB 236 75 107

HSL 348.07, 0.81%, 0.61%

LAB 56.01, 63.54, 17.68

 

CMYK 0 / 64 / 68 / 7

HEX #EC564B

RGB 236 86 75

HSL 4.1, 0.81%, 0.61%

LAB 57.07, 57.18, 37.54

 

CMYK 0 / 45 / 68 / 7

HEX #EC814B

RGB 236 129 75

HSL 20.12, 0.81%, 0.61%

LAB 65, 36.83, 46.72

 

CMYK 0 / 27 / 68 / 7

HEX #ECAC4B

RGB 236 172 75

HSL 36.15, 0.81%, 0.61%

LAB 74.73, 14.21, 57.38

 

CMYK 0 / 9 / 68 / 7

HEX #ECD74B

RGB 236 215 75

HSL 52.17, 0.81%, 0.61%

LAB 85.47, -8.09, 68.53

 

CMYK 0 / 59 / 89 / 19

HEX #CF5516

RGB 207 85 22

HSL 20.43, 0.81%, 0.45%

LAB 51.63, 45.57, 55.87

 

CMYK 0 / 55 / 84 / 9

HEX #E86826

RGB 232 104 38

HSL 20.41, 0.81%, 0.53%

LAB 59.16, 46.26, 57.72

 

CMYK 0 / 45 / 68 / 7

HEX #EC824B

RGB 236 130 75

HSL 20.5, 0.81%, 0.61%

LAB 65.2, 36.31, 46.95

 

CMYK 0 / 35 / 53 / 6

HEX #F09C70

RGB 240 156 112

HSL 20.63, 0.81%, 0.69%

LAB 71.87, 26.86, 35.87

 

CMYK 0 / 25 / 39 / 4

HEX #F4B696

RGB 244 182 150

HSL 20.43, 0.81%, 0.77%

LAB 78.98, 18.43, 25.06

 

CMYK 0 / 45 / 69 / 7

HEX #EC814A

RGB 236 129 74

HSL 20.37, 0.81%, 0.61%

LAB 64.98, 36.77, 47.21

 

CMYK 36 / 0 / 68 / 7

HEX #96EC4B

RGB 150 236 75

HSL 92.05, 0.81%, 0.61%

LAB 85.5, -51.15, 66.72

 

CMYK 68 / 64 / 0 / 7

HEX #4B56EC

RGB 75 86 236

HSL 235.9, 0.81%, 0.61%

LAB 44.53, 43.13, -76.84

 

CMYK 0 / 45 / 69 / 7

HEX #EC814A

RGB 236 129 74

HSL 20.37, 0.81%, 0.61%

LAB 64.98, 36.77, 47.21

 

CMYK 68 / 0 / 45 / 7

HEX #4BEC81

RGB 75 236 129

HSL 140.12, 0.81%, 0.61%

LAB 83.48, -64.17, 39.94

 

CMYK 45 / 68 / 0 / 7

HEX #814BEC

RGB 129 75 236

HSL 260.12, 0.81%, 0.61%

LAB 46.65, 57.45, -73.19

 

CMYK 0 / 45 / 69 / 7

HEX #EC814A

RGB 236 129 74

HSL 20.37, 0.81%, 0.61%

LAB 64.98, 36.77, 47.21

 

CMYK 36 / 0 / 68 / 7

HEX #96EC4B

RGB 150 236 75

HSL 92.05, 0.81%, 0.61%

LAB 85.5, -51.15, 66.72

 

CMYK 68 / 23 / 0 / 7

HEX #4BB6EC

RGB 75 182 236

HSL 200.12, 0.81%, 0.61%

LAB 70.18, -13.88, -35.88

 

CMYK 32 / 68 / 0 / 7

HEX #A14BEC

RGB 161 75 236

HSL 272.05, 0.81%, 0.61%

LAB 50.29, 63.37, -67.11

 

CMYK 0 / 45 / 69 / 7

HEX #EC814A

RGB 236 129 74

HSL 20.37, 0.81%, 0.61%

LAB 64.98, 36.77, 47.21

 

CMYK 57 / 0 / 68 / 7

HEX #66EC4B

RGB 102 236 75

HSL 109.94, 0.81%, 0.61%

LAB 83.61, -65.12, 64.17

 

CMYK 68 / 23 / 0 / 7

HEX #4BB6EC

RGB 75 182 236

HSL 200.12, 0.81%, 0.61%

LAB 70.18, -13.88, -35.88

 

CMYK 11 / 68 / 0 / 7

HEX #D14BEC

RGB 209 75 236

HSL 289.94, 0.81%, 0.61%

LAB 56.73, 73.17, -56.42

 

Description

Color code: HEX #EC814ACE | qconv.com Color code: HEX #EC814ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 129 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 129 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 56 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 56% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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