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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC7E5ABF it is the complementary color #1381A5BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC7E5ABF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC7E5ABF shade: #F17E55BF, #FF9068BF, #FFA27BBF, #FFB48EBF and #FFC6A1BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC7E5ABF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC7E5ABF shade: #EC7E5ABF, #DB6C47BF, #CA5A34BF, #B94821BF and #A8360EBF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC7E5ABF shade: #EC7E5B and #EC5B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC7E5ABF shade: #EC7E5B, #ECA65B, #ECCD5B, #E4EC5B and #BDEC5B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC7E5ABF shade matches the following richer shades: #EC7E5B and #FB774C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC7E5ABF shade: #EC7E5B, #DD866A, #CE8D78, #BF9587 and #B09D96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC7E5ABF shade: #EC5B86, #EC5B60, #EC7D5B, #ECA35B and #ECCA5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC7E5ABF shade: #DA491A, #E76236, #EC7E5B, #F09B80 and #F4B8A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC7E5ABF shade: #EC7E5A, #ADEC5B and #5B73EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC7E5ABF shade: #EC7E5A, #5BEC7D and #7D5BEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC7E5ABF shade: #EC7E5A, #ADEC5B, #5BCAEC and #9A5BEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC7E5ABF shade: #EC7E5A, #81EC5B, #5BCAEC and #C55BEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 46 / 6

HEX #EC7E5ABF

RGBA 236 126 90 0.75

HSLA 14.79, 0.79%, 0.64%, 0.75

LABA 64.56, 39.26, 38.37, 0.75

 

Complementary color

CMYK 66 / 16 / 0 / 26

HEX #1381A5BF

RGBA 19 129 165 0.75

HSLA 194.79, 0.79%, 0.36%, 0.75

LABA 50.16, -15.52, -27.22, 0.75

 

CMYK 0 / 36 / 49 / 4

HEX #F17E55BF

RGBA 241 126 85 0.75

HSLA 15.77, 0.85%, 0.64%, 0.75

LABA 65.18, 40.85, 41.95, 0.75

 

CMYK 0 / 33 / 44 / 0

HEX #FF9068BF

RGBA 255 144 104 0.75

HSLA 15.89, 1%, 0.7%, 0.75

LABA 71.01, 38.32, 39.42, 0.75

 

CMYK 0 / 27 / 39 / 0

HEX #FFA27BBF

RGBA 255 162 123 0.75

HSLA 17.73, 1%, 0.74%, 0.75

LABA 75.16, 30.53, 34.6, 0.75

 

CMYK 0 / 22 / 33 / 0

HEX #FFB48EBF

RGBA 255 180 142 0.75

HSLA 20.18, 1%, 0.78%, 0.75

LABA 79.53, 22.89, 30.26, 0.75

 

CMYK 0 / 17 / 28 / 0

HEX #FFC6A1BF

RGBA 255 198 161 0.75

HSLA 23.62, 1%, 0.82%, 0.75

LABA 84.08, 15.52, 26.35, 0.75

 

CMYK 0 / 35 / 46 / 6

HEX #EC7E5ABF

RGBA 236 126 90 0.75

HSLA 14.79, 0.79%, 0.64%, 0.75

LABA 64.56, 39.26, 38.37, 0.75

 

CMYK 0 / 38 / 51 / 11

HEX #DB6C47BF

RGBA 219 108 71 0.75

HSLA 15, 0.67%, 0.57%, 0.75

LABA 58.26, 40.7, 40.46, 0.75

 

CMYK 0 / 42 / 56 / 16

HEX #CA5A34BF

RGBA 202 90 52 0.75

HSLA 15.2, 0.59%, 0.5%, 0.75

LABA 51.97, 42.21, 42.71, 0.75

 

CMYK 0 / 46 / 62 / 21

HEX #B94821BF

RGBA 185 72 33 0.75

HSLA 15.39, 0.7%, 0.43%, 0.75

LABA 45.71, 43.75, 44.98, 0.75

 

CMYK 0 / 51 / 69 / 26

HEX #A8360EBF

RGBA 168 54 14 0.75

HSLA 15.58, 0.85%, 0.36%, 0.75

LABA 39.57, 45.17, 46.7, 0.75

 

CMYK 0 / 47 / 61 / 7

HEX #EC7E5B

RGB 236 126 91

HSL 14.48, 0.79%, 0.64%

LAB 64.57, 39.33, 37.85

 

CMYK 0 / 61 / 61 / 7

HEX #EC5B5B

RGB 236 91 91

HSL 0, 0.79%, 0.64%

LAB 58.1, 55.97, 29.77

 

CMYK 0 / 47 / 61 / 7

HEX #EC7E5B

RGB 236 126 91

HSL 14.48, 0.79%, 0.64%

LAB 64.57, 39.33, 37.85

 

CMYK 0 / 30 / 61 / 7

HEX #ECA65B

RGB 236 166 91

HSL 31.03, 0.79%, 0.64%

LAB 73.46, 18.36, 48.46

 

CMYK 0 / 13 / 61 / 7

HEX #ECCD5B

RGB 236 205 91

HSL 47.17, 0.79%, 0.64%

LAB 83.05, -2.07, 59.32

 

CMYK 3 / 0 / 61 / 7

HEX #E4EC5B

RGB 228 236 91

HSL 63.31, 0.79%, 0.64%

LAB 90.43, -20.79, 67.15

 

CMYK 20 / 0 / 61 / 7

HEX #BDEC5B

RGB 189 236 91

HSL 79.45, 0.79%, 0.64%

LAB 87.76, -36.03, 63.48

 

CMYK 0 / 47 / 61 / 7

HEX #EC7E5B

RGB 236 126 91

HSL 14.48, 0.79%, 0.64%

LAB 64.57, 39.33, 37.85

 

CMYK 0 / 53 / 70 / 2

HEX #FB774C

RGB 251 119 76

HSL 14.74, 0.96%, 0.64%

LAB 65.14, 47.56, 46.95

 

CMYK 0 / 47 / 61 / 7

HEX #EC7E5B

RGB 236 126 91

HSL 14.48, 0.79%, 0.64%

LAB 64.57, 39.33, 37.85

 

CMYK 0 / 39 / 52 / 13

HEX #DD866A

RGB 221 134 106

HSL 14.61, 0.63%, 0.64%

LAB 64.53, 30.49, 29.21

 

CMYK 0 / 32 / 42 / 19

HEX #CE8D78

RGB 206 141 120

HSL 14.65, 0.47%, 0.64%

LAB 64.59, 22.18, 21.19

 

CMYK 0 / 22 / 29 / 25

HEX #BF9587

RGB 191 149 135

HSL 15, 0.3%, 0.64%

LAB 65.22, 13.71, 13.43

 

CMYK 0 / 11 / 15 / 31

HEX #B09D96

RGB 176 157 150

HSL 16.15, 0.14%, 0.64%

LAB 66.17, 5.78, 6.19

 

CMYK 0 / 61 / 43 / 7

HEX #EC5B86

RGB 236 91 134

HSL 342.21, 0.79%, 0.64%

LAB 59.01, 59.44, 6

 

CMYK 0 / 61 / 59 / 7

HEX #EC5B60

RGB 236 91 96

HSL 357.93, 0.79%, 0.64%

LAB 58.19, 56.3, 27

 

CMYK 0 / 47 / 61 / 7

HEX #EC7D5B

RGB 236 125 91

HSL 14.07, 0.79%, 0.64%

LAB 64.37, 39.83, 37.6

 

CMYK 0 / 31 / 61 / 7

HEX #ECA35B

RGB 236 163 91

HSL 29.79, 0.79%, 0.64%

LAB 72.75, 19.95, 47.63

 

CMYK 0 / 14 / 61 / 7

HEX #ECCA5B

RGB 236 202 91

HSL 45.93, 0.79%, 0.64%

LAB 82.29, -0.53, 58.48

 

CMYK 0 / 67 / 88 / 15

HEX #DA491A

RGB 218 73 26

HSL 14.69, 0.79%, 0.48%

LAB 51.55, 54.8, 55.2

 

CMYK 0 / 58 / 77 / 9

HEX #E76236

RGB 231 98 54

HSL 14.92, 0.79%, 0.56%

LAB 58.03, 49.22, 49.45

 

CMYK 0 / 47 / 61 / 7

HEX #EC7E5B

RGB 236 126 91

HSL 14.48, 0.79%, 0.64%

LAB 64.57, 39.33, 37.85

 

CMYK 0 / 35 / 47 / 6

HEX #F09B80

RGB 240 155 128

HSL 14.46, 0.79%, 0.72%

LAB 71.91, 28.84, 27.32

 

CMYK 0 / 25 / 32 / 4

HEX #F4B8A5

RGB 244 184 165

HSL 14.43, 0.78%, 0.8%

LAB 79.74, 19.16, 18.09

 

CMYK 0 / 47 / 62 / 7

HEX #EC7E5A

RGB 236 126 90

HSL 14.79, 0.79%, 0.64%

LAB 64.56, 39.26, 38.37

 

CMYK 27 / 0 / 61 / 7

HEX #ADEC5B

RGB 173 236 91

HSL 86.07, 0.79%, 0.64%

LAB 86.82, -41.93, 62.18

 

CMYK 61 / 51 / 0 / 7

HEX #5B73EC

RGB 91 115 236

HSL 230.07, 0.79%, 0.64%

LAB 52.44, 27.82, -63.94

 

CMYK 0 / 47 / 62 / 7

HEX #EC7E5A

RGB 236 126 90

HSL 14.79, 0.79%, 0.64%

LAB 64.56, 39.26, 38.37

 

CMYK 61 / 0 / 47 / 7

HEX #5BEC7D

RGB 91 236 125

HSL 134.07, 0.79%, 0.64%

LAB 83.81, -61.82, 42.38

 

CMYK 47 / 61 / 0 / 7

HEX #7D5BEC

RGB 125 91 236

HSL 254.07, 0.79%, 0.64%

LAB 49.37, 48.28, -68.78

 

CMYK 0 / 47 / 62 / 7

HEX #EC7E5A

RGB 236 126 90

HSL 14.79, 0.79%, 0.64%

LAB 64.56, 39.26, 38.37

 

CMYK 27 / 0 / 61 / 7

HEX #ADEC5B

RGB 173 236 91

HSL 86.07, 0.79%, 0.64%

LAB 86.82, -41.93, 62.18

 

CMYK 61 / 14 / 0 / 7

HEX #5BCAEC

RGB 91 202 236

HSL 194.07, 0.79%, 0.64%

LAB 76.39, -21.74, -26.28

 

CMYK 35 / 61 / 0 / 7

HEX #9A5BEC

RGB 154 91 236

HSL 266.07, 0.79%, 0.64%

LAB 52.3, 54.21, -63.91

 

CMYK 0 / 47 / 62 / 7

HEX #EC7E5A

RGB 236 126 90

HSL 14.79, 0.79%, 0.64%

LAB 64.56, 39.26, 38.37

 

CMYK 45 / 0 / 61 / 7

HEX #81EC5B

RGB 129 236 91

HSL 104.28, 0.79%, 0.64%

LAB 84.7, -56.44, 59.24

 

CMYK 61 / 14 / 0 / 7

HEX #5BCAEC

RGB 91 202 236

HSL 194.07, 0.79%, 0.64%

LAB 76.39, -21.74, -26.28

 

CMYK 17 / 61 / 0 / 7

HEX #C55BEC

RGB 197 91 236

HSL 283.86, 0.79%, 0.64%

LAB 57.47, 63.87, -55.33

 

Description

Color code: HEX #EC7E5ABF | qconv.com Color code: HEX #EC7E5ABF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 126 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 126 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 46 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 46% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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