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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC7D0ACE it is the complementary color #1382F5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC7D0ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC7D0ACE shade: #F17D05CE, #FF8F18CE, #FFA12BCE, #FFB33ECE and #FFC551CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC7D0ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC7D0ACE shade: #EC7D0ACE, #DB6B00CE, #CA5900CE, #B94700CE and #A83500CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC7D0ACE shade: #EB7C0A, #EB400A and #EB0A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC7D0ACE shade: #EB7C0A, #EBB90A, #E0EB0A, #A3EB0A and #67EB0A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC7D0ACE shade matches the following richer shades: #EB7C0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC7D0ACE shade: #EB7C0A, #D77C1E, #C37C31, #B07B45 and #9C7B59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC7D0ACE shade: #EB0A11, #EB3E0A, #EB7A0A, #EBB60A and #E4EB0A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC7D0ACE shade: #9C5206, #C36708, #EB7C0A, #F69128 and #F8A550

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC7D0ACE shade: #EC7D0A, #4DEB0A and #200AEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC7D0ACE shade: #EC7D0A, #0AEB7A and #7A0AEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC7D0ACE shade: #EC7D0A, #4DEB0A, #0A7AEB and #A70AEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC7D0ACE shade: #EC7D0A, #0AEB0A, #0A7AEB and #EB0AEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 78 / 6

HEX #EC7D0ACE

RGBA 236 125 10 0.81

HSLA 30.53, 0.92%, 0.48%, 0.81

LABA 63.77, 36.93, 69.16, 0.81

 

Complementary color

CMYK 75 / 38 / 0 / 3

HEX #1382F5CE

RGBA 19 130 245 0.81

HSLA 210.53, 0.92%, 0.52%, 0.81

LABA 54.76, 14.22, -65.33, 0.81

 

CMYK 0 / 39 / 79 / 4

HEX #F17D05CE

RGBA 241 125 5 0.81

HSLA 30.51, 0.96%, 0.48%, 0.81

LABA 64.47, 38.88, 70.7, 0.81

 

CMYK 0 / 36 / 73 / 0

HEX #FF8F18CE

RGBA 255 143 24 0.81

HSLA 30.91, 1%, 0.55%, 0.81

LABA 70.16, 35.54, 72.13, 0.81

 

CMYK 0 / 30 / 67 / 0

HEX #FFA12BCE

RGBA 255 161 43 0.81

HSLA 33.4, 1%, 0.58%, 0.81

LABA 74.14, 26.65, 70.02, 0.81

 

CMYK 0 / 24 / 61 / 0

HEX #FFB33ECE

RGBA 255 179 62 0.81

HSLA 36.37, 1%, 0.62%, 0.81

LABA 78.37, 17.88, 67.14, 0.81

 

CMYK 0 / 18 / 55 / 0

HEX #FFC551CE

RGBA 255 197 81 0.81

HSLA 40, 1%, 0.66%, 0.81

LABA 82.8, 9.38, 63.92, 0.81

 

CMYK 0 / 38 / 78 / 6

HEX #EC7D0ACE

RGBA 236 125 10 0.81

HSLA 30.53, 0.92%, 0.48%, 0.81

LABA 63.77, 36.93, 69.16, 0.81

 

CMYK 0 / 41 / 81 / 11

HEX #DB6B00CE

RGBA 219 107 0 0.81

HSLA 29.32, 1%, 0.43%, 0.81

LABA 57.63, 39.19, 65.75, 0.81

 

CMYK 0 / 45 / 81 / 17

HEX #CA5900CE

RGBA 202 89 0 0.81

HSLA 26.44, 1%, 0.4%, 0.81

LABA 51.5, 41.47, 60.84, 0.81

 

CMYK 0 / 50 / 81 / 22

HEX #B94700CE

RGBA 185 71 0 0.81

HSLA 23.03, 1%, 0.36%, 0.81

LABA 45.39, 43.6, 55.98, 0.81

HEX #B94700CE

CMYK 0 / 55 / 81 / 28

HEX #A83500CE

RGBA 168 53 0 0.81

HSLA 18.93, 1%, 0.33%, 0.81

LABA 39.36, 45.39, 51.19, 0.81

HEX #A83500CE

CMYK 0 / 47 / 96 / 8

HEX #EB7C0A

RGB 235 124 10

HSL 30.4, 0.92%, 0.48%

LAB 63.42, 37.04, 68.86

 

CMYK 0 / 73 / 96 / 8

HEX #EB400A

RGB 235 64 10

HSL 14.4, 0.92%, 0.48%

LAB 53.33, 63.42, 62.67

 

CMYK 0 / 96 / 96 / 8

HEX #EB0A0A

RGB 235 10 10

HSL 0, 0.92%, 0.48%

LAB 49.38, 74.61, 60.59

 

CMYK 0 / 47 / 96 / 8

HEX #EB7C0A

RGB 235 124 10

HSL 30.4, 0.92%, 0.48%

LAB 63.42, 37.04, 68.86

 

CMYK 0 / 21 / 96 / 8

HEX #EBB90A

RGB 235 185 10

HSL 46.67, 0.92%, 0.48%

LAB 77.51, 5, 78.61

 

CMYK 5 / 0 / 96 / 8

HEX #E0EB0A

RGB 224 235 10

HSL 62.93, 0.92%, 0.48%

LAB 89.53, -24.74, 87.05

 

CMYK 31 / 0 / 96 / 8

HEX #A3EB0A

RGB 163 235 10

HSL 79.2, 0.92%, 0.48%

LAB 85.62, -48.69, 82.34

 

CMYK 56 / 0 / 96 / 8

HEX #67EB0A

RGB 103 235 10

HSL 95.2, 0.92%, 0.48%

LAB 83.08, -67.49, 79.26

 

CMYK 0 / 47 / 96 / 8

HEX #EB7C0A

RGB 235 124 10

HSL 30.4, 0.92%, 0.48%

LAB 63.42, 37.04, 68.86

 

CMYK 0 / 47 / 96 / 8

HEX #EB7C0A

RGB 235 124 10

HSL 30.4, 0.92%, 0.48%

LAB 63.42, 37.04, 68.86

 

CMYK 0 / 42 / 86 / 16

HEX #D77C1E

RGB 215 124 30

HSL 30.49, 0.76%, 0.48%

LAB 60.74, 29.18, 60.94

 

CMYK 0 / 36 / 75 / 24

HEX #C37C31

RGB 195 124 49

HSL 30.82, 0.6%, 0.48%

LAB 58.26, 21.34, 50.38

 

CMYK 0 / 30 / 61 / 31

HEX #B07B45

RGB 176 123 69

HSL 30.28, 0.44%, 0.48%

LAB 55.91, 14.86, 37.34

 

CMYK 0 / 21 / 43 / 39

HEX #9C7B59

RGB 156 123 89

HSL 30.45, 0.27%, 0.48%

LAB 53.98, 8.11, 23.46

 

CMYK 0 / 96 / 93 / 8

HEX #EB0A11

RGB 235 10 17

HSL 358.13, 0.92%, 0.48%

LAB 49.4, 74.68, 58.51

 

CMYK 0 / 74 / 96 / 8

HEX #EB3E0A

RGB 235 62 10

HSL 13.87, 0.92%, 0.48%

LAB 53.09, 64.09, 62.54

 

CMYK 0 / 48 / 96 / 8

HEX #EB7A0A

RGB 235 122 10

HSL 29.87, 0.92%, 0.48%

LAB 63.01, 38.06, 68.59

 

CMYK 0 / 23 / 96 / 8

HEX #EBB60A

RGB 235 182 10

HSL 45.87, 0.92%, 0.48%

LAB 76.76, 6.57, 78.07

 

CMYK 3 / 0 / 96 / 8

HEX #E4EB0A

RGB 228 235 10

HSL 61.87, 0.92%, 0.48%

LAB 89.83, -23.09, 87.41

 

CMYK 0 / 47 / 96 / 39

HEX #9C5206

RGB 156 82 6

HSL 30.4, 0.93%, 0.32%

LAB 42.94, 26.34, 50.47

 

CMYK 0 / 47 / 96 / 24

HEX #C36708

RGB 195 103 8

HSL 30.48, 0.92%, 0.4%

LAB 53.3, 31.6, 59.75

 

CMYK 0 / 47 / 96 / 8

HEX #EB7C0A

RGB 235 124 10

HSL 30.4, 0.92%, 0.48%

LAB 63.42, 37.04, 68.86

 

CMYK 0 / 41 / 84 / 4

HEX #F69128

RGB 246 145 40

HSL 30.58, 0.92%, 0.56%

LAB 69.47, 31.2, 66.59

 

CMYK 0 / 33 / 68 / 3

HEX #F8A550

RGB 248 165 80

HSL 30.36, 0.92%, 0.64%

LAB 74.47, 23.15, 55.23

 

CMYK 0 / 47 / 96 / 7

HEX #EC7D0A

RGB 236 125 10

HSL 30.53, 0.92%, 0.48%

LAB 63.77, 36.93, 69.16

 

CMYK 67 / 0 / 96 / 8

HEX #4DEB0A

RGB 77 235 10

HSL 102.13, 0.92%, 0.48%

LAB 82.39, -73.29, 78.4

 

CMYK 86 / 96 / 0 / 8

HEX #200AEB

RGB 32 10 235

HSL 245.87, 0.92%, 0.48%

LAB 30.69, 73.07, -99.23

 

CMYK 0 / 47 / 96 / 7

HEX #EC7D0A

RGB 236 125 10

HSL 30.53, 0.92%, 0.48%

LAB 63.77, 36.93, 69.16

 

CMYK 96 / 0 / 48 / 8

HEX #0AEB7A

RGB 10 235 122

HSL 149.87, 0.92%, 0.48%

LAB 82.32, -71.14, 41.72

 

CMYK 48 / 96 / 0 / 8

HEX #7A0AEB

RGB 122 10 235

HSL 269.87, 0.92%, 0.48%

LAB 38.47, 77.39, -86.09

 

CMYK 0 / 47 / 96 / 7

HEX #EC7D0A

RGB 236 125 10

HSL 30.53, 0.92%, 0.48%

LAB 63.77, 36.93, 69.16

 

CMYK 67 / 0 / 96 / 8

HEX #4DEB0A

RGB 77 235 10

HSL 102.13, 0.92%, 0.48%

LAB 82.39, -73.29, 78.4

 

CMYK 96 / 48 / 0 / 8

HEX #0A7AEB

RGB 10 122 235

HSL 210.13, 0.92%, 0.48%

LAB 51.82, 15.05, -64.51

 

CMYK 29 / 96 / 0 / 8

HEX #A70AEB

RGB 167 10 235

HSL 281.87, 0.92%, 0.48%

LAB 44.84, 82.06, -75.38

 

CMYK 0 / 47 / 96 / 7

HEX #EC7D0A

RGB 236 125 10

HSL 30.53, 0.92%, 0.48%

LAB 63.77, 36.93, 69.16

 

CMYK 96 / 0 / 96 / 8

HEX #0AEB0A

RGB 10 235 10

HSL 120, 0.92%, 0.48%

LAB 81.57, -80.54, 77.4

 

CMYK 96 / 48 / 0 / 8

HEX #0A7AEB

RGB 10 122 235

HSL 210.13, 0.92%, 0.48%

LAB 51.82, 15.05, -64.51

 

CMYK 0 / 96 / 0 / 8

HEX #EB0AEB

RGB 235 10 235

HSL 300, 0.92%, 0.48%

LAB 55.96, 91.72, -56.85

 

Description

Color code: HEX #EC7D0ACE | qconv.com Color code: HEX #EC7D0ACE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 125 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 125 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 78 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 78% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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