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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC7B4C it is the complementary color #1384B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC7B4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC7B4C shade: #F17B47, #FF8D5A, #FF9F6D, #FFB180 and #FFC393

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC7B4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC7B4C shade: #EC7B4C, #DB6939, #CA5726, #B94513 and #A83300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC7B4C shade: #EC7A4B, #EC4F4B and #EC4B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC7B4C shade: #EC7A4B, #ECA64B, #ECD14B, #DCEC4B and #B0EC4B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC7B4C shade matches the following richer shades: #EC7A4B and #FC743B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC7B4C shade: #EC7A4B, #DC815B, #CC886B, #BC8E7B and #AC958B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC7B4C shade: #EC4B73, #EC4E4B, #EC794B, #ECA44B and #ECCF4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC7B4C shade: #CF4C16, #E85F26, #EC7A4B, #F09670 and #F4B196

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC7B4C shade: #EC7B4C, #9EEC4B and #4B5EEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC7B4C shade: #EC7B4C, #4BEC79 and #794BEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC7B4C shade: #EC7B4C, #9EEC4B, #4BBEEC and #994BEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC7B4C shade: #EC7B4C, #6EEC4B, #4BBEEC and #C94BEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 68 / 7

HEX #EC7B4C

RGB 236 123 76

HSL 17.63, 0.81%, 0.61%

LAB 63.77, 39.94, 44.82

 

Complementary color

CMYK 89 / 26 / 0 / 30

HEX #1384B3

RGB 19 132 179

HSL 197.63, 0.81%, 0.39%

LAB 51.72, -12.09, -32.89

 

CMYK 0 / 49 / 71 / 5

HEX #F17B47

RGB 241 123 71

HSL 18.35, 0.86%, 0.61%

LAB 64.42, 41.6, 48.28

 

CMYK 0 / 45 / 65 / 0

HEX #FF8D5A

RGB 255 141 90

HSL 18.55, 1%, 0.68%

LAB 70.21, 38.94, 45.75

 

CMYK 0 / 38 / 57 / 0

HEX #FF9F6D

RGB 255 159 109

HSL 20.55, 1%, 0.71%

LAB 74.29, 30.97, 40.86

 

CMYK 0 / 31 / 50 / 0

HEX #FFB180

RGB 255 177 128

HSL 23.15, 1%, 0.75%

LAB 78.61, 23.13, 36.42

 

CMYK 0 / 24 / 42 / 0

HEX #FFC393

RGB 255 195 147

HSL 26.67, 1%, 0.79%

LAB 83.12, 15.55, 32.39

 

CMYK 0 / 48 / 68 / 7

HEX #EC7B4C

RGB 236 123 76

HSL 17.63, 0.81%, 0.61%

LAB 63.77, 39.94, 44.82

 

CMYK 0 / 52 / 74 / 14

HEX #DB6939

RGB 219 105 57

HSL 17.78, 0.69%, 0.54%

LAB 57.52, 41.5, 46.87

 

CMYK 0 / 57 / 81 / 21

HEX #CA5726

RGB 202 87 38

HSL 17.93, 0.68%, 0.47%

LAB 51.28, 43.14, 48.87

 

CMYK 0 / 63 / 90 / 27

HEX #B94513

RGB 185 69 19

HSL 18.07, 0.81%, 0.4%

LAB 45.11, 44.78, 50.35

 

CMYK 0 / 70 / 100 / 34

HEX #A83300

RGB 168 51 0

HSL 18.21, 1%, 0.33%

LAB 39.06, 46.22, 51.04

 

CMYK 0 / 48 / 68 / 7

HEX #EC7A4B

RGB 236 122 75

HSL 17.52, 0.81%, 0.61%

LAB 63.56, 40.39, 45.09

 

CMYK 0 / 67 / 68 / 7

HEX #EC4F4B

RGB 236 79 75

HSL 1.49, 0.81%, 0.61%

LAB 56.02, 60.02, 36.29

 

CMYK 0 / 68 / 68 / 7

HEX #EC4B4B

RGB 236 75 75

HSL 0, 0.81%, 0.61%

LAB 55.45, 61.57, 35.61

 

CMYK 0 / 48 / 68 / 7

HEX #EC7A4B

RGB 236 122 75

HSL 17.52, 0.81%, 0.61%

LAB 63.56, 40.39, 45.09

 

CMYK 0 / 30 / 68 / 7

HEX #ECA64B

RGB 236 166 75

HSL 33.91, 0.81%, 0.61%

LAB 73.29, 17.39, 55.85

 

CMYK 0 / 11 / 68 / 7

HEX #ECD14B

RGB 236 209 75

HSL 49.94, 0.81%, 0.61%

LAB 83.94, -5.05, 66.97

 

CMYK 7 / 0 / 68 / 7

HEX #DCEC4B

RGB 220 236 75

HSL 65.96, 0.81%, 0.61%

LAB 89.73, -24.95, 72.38

 

CMYK 25 / 0 / 68 / 7

HEX #B0EC4B

RGB 176 236 75

HSL 82.36, 0.81%, 0.61%

LAB 86.86, -42, 68.56

 

CMYK 0 / 48 / 68 / 7

HEX #EC7A4B

RGB 236 122 75

HSL 17.52, 0.81%, 0.61%

LAB 63.56, 40.39, 45.09

 

CMYK 0 / 54 / 77 / 1

HEX #FC743B

RGB 252 116 59

HSL 17.72, 0.97%, 0.61%

LAB 64.57, 48.63, 54.73

 

CMYK 0 / 48 / 68 / 7

HEX #EC7A4B

RGB 236 122 75

HSL 17.52, 0.81%, 0.61%

LAB 63.56, 40.39, 45.09

 

CMYK 0 / 41 / 59 / 14

HEX #DC815B

RGB 220 129 91

HSL 17.67, 0.65%, 0.61%

LAB 63.07, 31.53, 35.52

 

CMYK 0 / 33 / 48 / 20

HEX #CC886B

RGB 204 136 107

HSL 17.94, 0.49%, 0.61%

LAB 62.93, 22.73, 26.17

 

CMYK 0 / 24 / 35 / 26

HEX #BC8E7B

RGB 188 142 123

HSL 17.54, 0.33%, 0.61%

LAB 62.9, 14.8, 16.89

 

CMYK 0 / 13 / 19 / 33

HEX #AC958B

RGB 172 149 139

HSL 18.18, 0.17%, 0.61%

LAB 63.45, 6.9, 8.42

 

CMYK 0 / 68 / 51 / 7

HEX #EC4B73

RGB 236 75 115

HSL 345.09, 0.81%, 0.61%

LAB 56.19, 64.16, 13.19

 

CMYK 0 / 67 / 68 / 7

HEX #EC4E4B

RGB 236 78 75

HSL 1.12, 0.81%, 0.61%

LAB 55.88, 60.41, 36.12

 

CMYK 0 / 49 / 68 / 7

HEX #EC794B

RGB 236 121 75

HSL 17.14, 0.81%, 0.61%

LAB 63.36, 40.89, 44.86

 

CMYK 0 / 31 / 68 / 7

HEX #ECA44B

RGB 236 164 75

HSL 33.17, 0.81%, 0.61%

LAB 72.82, 18.45, 55.34

 

CMYK 0 / 12 / 68 / 7

HEX #ECCF4B

RGB 236 207 75

HSL 49.19, 0.81%, 0.61%

LAB 83.42, -4.03, 66.45

 

CMYK 0 / 63 / 89 / 19

HEX #CF4C16

RGB 207 76 22

HSL 17.51, 0.81%, 0.45%

LAB 50.09, 49.65, 54.71

 

CMYK 0 / 59 / 84 / 9

HEX #E85F26

RGB 232 95 38

HSL 17.63, 0.81%, 0.53%

LAB 57.54, 50.45, 56.32

 

CMYK 0 / 48 / 68 / 7

HEX #EC7A4B

RGB 236 122 75

HSL 17.52, 0.81%, 0.61%

LAB 63.56, 40.39, 45.09

 

CMYK 0 / 38 / 53 / 6

HEX #F09670

RGB 240 150 112

HSL 17.81, 0.81%, 0.69%

LAB 70.53, 30.02, 34.16

 

CMYK 0 / 27 / 39 / 4

HEX #F4B196

RGB 244 177 150

HSL 17.23, 0.81%, 0.77%

LAB 77.8, 21.07, 23.47

 

CMYK 0 / 48 / 68 / 7

HEX #EC7B4C

RGB 236 123 76

HSL 17.63, 0.81%, 0.61%

LAB 63.77, 39.94, 44.82

 

CMYK 33 / 0 / 68 / 7

HEX #9EEC4B

RGB 158 236 75

HSL 89.07, 0.81%, 0.61%

LAB 85.89, -48.43, 67.25

 

CMYK 68 / 60 / 0 / 7

HEX #4B5EEC

RGB 75 94 236

HSL 232.92, 0.81%, 0.61%

LAB 46.39, 38.29, -73.8

 

CMYK 0 / 48 / 68 / 7

HEX #EC7B4C

RGB 236 123 76

HSL 17.63, 0.81%, 0.61%

LAB 63.77, 39.94, 44.82

 

CMYK 68 / 0 / 49 / 7

HEX #4BEC79

RGB 75 236 121

HSL 137.14, 0.81%, 0.61%

LAB 83.37, -65.4, 43.68

 

CMYK 49 / 68 / 0 / 7

HEX #794BEC

RGB 121 75 236

HSL 257.14, 0.81%, 0.61%

LAB 45.84, 56.09, -74.54

 

CMYK 0 / 48 / 68 / 7

HEX #EC7B4C

RGB 236 123 76

HSL 17.63, 0.81%, 0.61%

LAB 63.77, 39.94, 44.82

 

CMYK 33 / 0 / 68 / 7

HEX #9EEC4B

RGB 158 236 75

HSL 89.07, 0.81%, 0.61%

LAB 85.89, -48.43, 67.25

 

CMYK 68 / 19 / 0 / 7

HEX #4BBEEC

RGB 75 190 236

HSL 197.14, 0.81%, 0.61%

LAB 72.48, -18.1, -32.32

 

CMYK 35 / 68 / 0 / 7

HEX #994BEC

RGB 153 75 236

HSL 269.07, 0.81%, 0.61%

LAB 49.33, 61.83, -68.72

 

CMYK 0 / 48 / 68 / 7

HEX #EC7B4C

RGB 236 123 76

HSL 17.63, 0.81%, 0.61%

LAB 63.77, 39.94, 44.82

 

CMYK 53 / 0 / 68 / 7

HEX #6EEC4B

RGB 110 236 75

HSL 106.96, 0.81%, 0.61%

LAB 83.87, -63.11, 64.52

 

CMYK 68 / 19 / 0 / 7

HEX #4BBEEC

RGB 75 190 236

HSL 197.14, 0.81%, 0.61%

LAB 72.48, -18.1, -32.32

 

CMYK 15 / 68 / 0 / 7

HEX #C94BEC

RGB 201 75 236

HSL 286.96, 0.81%, 0.61%

LAB 55.59, 71.49, -58.31

 

Description

Color code: HEX #EC7B4C | qconv.com Color code: HEX #EC7B4C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 123 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 123 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 68 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 68% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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