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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC7730 it is the complementary color #1388CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC7730. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC7730 shade: #F1772B, #FF893E, #FF9B51, #FFAD64 and #FFBF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC7730. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC7730 shade: #EC7730, #DB651D, #CA530A, #B94100 and #A82F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC7730 shade: #EC7832, #EC4632 and #EC3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC7730 shade: #EC7832, #ECAA32, #ECDC32, #C9EC32 and #97EC32

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC7730 shade matches the following richer shades: #EC7832 and #FE7420

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC7730 shade: #EC7832, #DA7C44, #C88156, #B58568 and #A38A7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC7730 shade: #EC3251, #EC4432, #EC7632, #ECA832 and #ECD932

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC7730 shade: #BA5111, #E06115, #EC7832, #EF9157 and #F3AA7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC7730 shade: #EC7730, #82EC32 and #3238EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC7730 shade: #EC7730, #32EC76 and #7632EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC7730 shade: #EC7730, #82EC32, #32A8EC and #9B32EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC7730 shade: #EC7730, #4BEC32, #32A8EC and #D332EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 80 / 7

HEX #EC7730

RGB 236 119 48

HSL 22.66, 0.83%, 0.56%

LAB 62.71, 40.73, 57.03

 

Complementary color

CMYK 91 / 34 / 0 / 19

HEX #1388CF

RGB 19 136 207

HSL 202.66, 0.83%, 0.44%

LAB 54.29, -3.94, -44.8

 

CMYK 0 / 51 / 82 / 5

HEX #F1772B

RGB 241 119 43

HSL 23.03, 0.88%, 0.56%

LAB 63.4, 42.51, 59.98

 

CMYK 0 / 46 / 76 / 0

HEX #FF893E

RGB 255 137 62

HSL 23.32, 1%, 0.62%

LAB 69.11, 39.59, 58.07

 

CMYK 0 / 39 / 68 / 0

HEX #FF9B51

RGB 255 155 81

HSL 25.52, 1%, 0.66%

LAB 73.09, 31.26, 53.48

 

CMYK 0 / 32 / 61 / 0

HEX #FFAD64

RGB 255 173 100

HSL 28.26, 1%, 0.7%

LAB 77.32, 23.03, 49.09

 

CMYK 0 / 25 / 53 / 0

HEX #FFBF77

RGB 255 191 119

HSL 31.76, 1%, 0.73%

LAB 81.76, 15.04, 44.99

 

CMYK 0 / 50 / 80 / 7

HEX #EC7730

RGB 236 119 48

HSL 22.66, 0.83%, 0.56%

LAB 62.71, 40.73, 57.03

 

CMYK 0 / 54 / 87 / 14

HEX #DB651D

RGB 219 101 29

HSL 22.74, 0.77%, 0.49%

LAB 56.54, 42.57, 58.11

 

CMYK 0 / 59 / 95 / 21

HEX #CA530A

RGB 202 83 10

HSL 22.81, 0.91%, 0.42%

LAB 50.41, 44.47, 57.97

 

CMYK 0 / 65 / 100 / 27

HEX #B94100

RGB 185 65 0

HSL 21.08, 1%, 0.36%

LAB 44.37, 46.31, 55.44

 

CMYK 0 / 72 / 100 / 34

HEX #A82F00

RGB 168 47 0

HSL 16.79, 1%, 0.33%

LAB 38.48, 47.81, 50.76

 

CMYK 0 / 49 / 79 / 7

HEX #EC7832

RGB 236 120 50

HSL 22.58, 0.83%, 0.56%

LAB 62.92, 40.3, 56.38

 

CMYK 0 / 70 / 79 / 7

HEX #EC4632

RGB 236 70 50

HSL 6.45, 0.83%, 0.56%

LAB 54.49, 62.4, 48.15

 

CMYK 0 / 79 / 79 / 7

HEX #EC3232

RGB 236 50 50

HSL 0, 0.83%, 0.56%

LAB 52.22, 68.72, 45.86

 

CMYK 0 / 49 / 79 / 7

HEX #EC7832

RGB 236 120 50

HSL 22.58, 0.83%, 0.56%

LAB 62.92, 40.3, 56.38

 

CMYK 0 / 28 / 79 / 7

HEX #ECAA32

RGB 236 170 50

HSL 38.71, 0.83%, 0.56%

LAB 74.07, 14.16, 66.77

 

CMYK 0 / 7 / 79 / 7

HEX #ECDC32

RGB 236 220 50

HSL 54.84, 0.83%, 0.56%

LAB 86.63, -11.64, 78.01

 

CMYK 15 / 0 / 79 / 7

HEX #C9EC32

RGB 201 236 50

HSL 71.29, 0.83%, 0.56%

LAB 88.28, -33.67, 78.46

 

CMYK 36 / 0 / 79 / 7

HEX #97EC32

RGB 151 236 50

HSL 87.42, 0.83%, 0.56%

LAB 85.4, -52.26, 74.79

 

CMYK 0 / 49 / 79 / 7

HEX #EC7832

RGB 236 120 50

HSL 22.58, 0.83%, 0.56%

LAB 62.92, 40.3, 56.38

 

CMYK 0 / 54 / 87 / 0

HEX #FE7420

RGB 254 116 32

HSL 22.7, 0.99%, 0.56%

LAB 64.7, 48.62, 65.8

 

CMYK 0 / 49 / 79 / 7

HEX #EC7832

RGB 236 120 50

HSL 22.58, 0.83%, 0.56%

LAB 62.92, 40.3, 56.38

 

CMYK 0 / 43 / 69 / 15

HEX #DA7C44

RGB 218 124 68

HSL 22.4, 0.67%, 0.56%

LAB 61.43, 31.88, 45.57

 

CMYK 0 / 36 / 57 / 22

HEX #C88156

RGB 200 129 86

HSL 22.63, 0.51%, 0.56%

LAB 60.47, 23.03, 34.45

 

CMYK 0 / 27 / 43 / 29

HEX #B58568

RGB 181 133 104

HSL 22.6, 0.34%, 0.56%

LAB 59.52, 14.68, 22.85

 

CMYK 0 / 15 / 25 / 36

HEX #A38A7A

RGB 163 138 122

HSL 23.41, 0.18%, 0.56%

LAB 59.31, 6.89, 12.08

 

CMYK 0 / 79 / 66 / 7

HEX #EC3251

RGB 236 50 81

HSL 350, 0.83%, 0.56%

LAB 52.63, 69.98, 28.63

 

CMYK 0 / 71 / 79 / 7

HEX #EC4432

RGB 236 68 50

HSL 5.81, 0.83%, 0.56%

LAB 54.24, 63.11, 47.89

 

CMYK 0 / 50 / 79 / 7

HEX #EC7632

RGB 236 118 50

HSL 21.94, 0.83%, 0.56%

LAB 62.52, 41.3, 56

 

CMYK 0 / 29 / 79 / 7

HEX #ECA832

RGB 236 168 50

HSL 38.06, 0.83%, 0.56%

LAB 73.59, 15.22, 66.33

 

CMYK 0 / 8 / 79 / 7

HEX #ECD932

RGB 236 217 50

HSL 53.87, 0.83%, 0.56%

LAB 85.85, -10.14, 77.32

 

CMYK 0 / 56 / 91 / 27

HEX #BA5111

RGB 186 81 17

HSL 22.72, 0.83%, 0.4%

LAB 47.45, 39.41, 52.85

 

CMYK 0 / 57 / 91 / 12

HEX #E06115

RGB 224 97 21

HSL 22.46, 0.83%, 0.48%

LAB 56.54, 46.24, 61.01

 

CMYK 0 / 49 / 79 / 7

HEX #EC7832

RGB 236 120 50

HSL 22.58, 0.83%, 0.56%

LAB 62.92, 40.3, 56.38

 

CMYK 0 / 39 / 64 / 6

HEX #EF9157

RGB 239 145 87

HSL 22.89, 0.83%, 0.64%

LAB 68.96, 30.41, 45.3

 

CMYK 0 / 30 / 49 / 5

HEX #F3AA7D

RGB 243 170 125

HSL 22.88, 0.83%, 0.72%

LAB 75.63, 21.8, 33.88

 

CMYK 0 / 50 / 80 / 7

HEX #EC7730

RGB 236 119 48

HSL 22.66, 0.83%, 0.56%

LAB 62.71, 40.73, 57.03

 

CMYK 45 / 0 / 79 / 7

HEX #82EC32

RGB 130 236 50

HSL 94.19, 0.83%, 0.56%

LAB 84.47, -59.05, 73.59

 

CMYK 79 / 76 / 0 / 7

HEX #3238EC

RGB 50 56 236

HSL 238.06, 0.83%, 0.56%

LAB 37.05, 57.79, -89.21

 

CMYK 0 / 50 / 80 / 7

HEX #EC7730

RGB 236 119 48

HSL 22.66, 0.83%, 0.56%

LAB 62.71, 40.73, 57.03

 

CMYK 79 / 0 / 50 / 7

HEX #32EC76

RGB 50 236 118

HSL 141.94, 0.83%, 0.56%

LAB 82.9, -69.35, 44.44

 

CMYK 50 / 79 / 0 / 7

HEX #7632EC

RGB 118 50 236

HSL 261.94, 0.83%, 0.56%

LAB 41.51, 67.03, -81.65

 

CMYK 0 / 50 / 80 / 7

HEX #EC7730

RGB 236 119 48

HSL 22.66, 0.83%, 0.56%

LAB 62.71, 40.73, 57.03

 

CMYK 45 / 0 / 79 / 7

HEX #82EC32

RGB 130 236 50

HSL 94.19, 0.83%, 0.56%

LAB 84.47, -59.05, 73.59

 

CMYK 79 / 29 / 0 / 7

HEX #32A8EC

RGB 50 168 236

HSL 201.94, 0.83%, 0.56%

LAB 65.55, -9.33, -43.17

 

CMYK 34 / 79 / 0 / 7

HEX #9B32EC

RGB 155 50 236

HSL 273.87, 0.83%, 0.56%

LAB 46.05, 72.21, -74.04

 

CMYK 0 / 50 / 80 / 7

HEX #EC7730

RGB 236 119 48

HSL 22.66, 0.83%, 0.56%

LAB 62.71, 40.73, 57.03

 

CMYK 68 / 0 / 79 / 7

HEX #4BEC32

RGB 75 236 50

HSL 111.94, 0.83%, 0.56%

LAB 82.76, -72.61, 71.38

 

CMYK 79 / 29 / 0 / 7

HEX #32A8EC

RGB 50 168 236

HSL 201.94, 0.83%, 0.56%

LAB 65.55, -9.33, -43.17

 

CMYK 11 / 79 / 0 / 7

HEX #D332EC

RGB 211 50 236

HSL 291.94, 0.83%, 0.56%

LAB 54.22, 81.58, -60.42

 

Description

Color code: HEX #EC7730 | qconv.com Color code: HEX #EC7730 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 119 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 119 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 80 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 80% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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