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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC76B2 it is the complementary color #13894D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC76B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC76B2 shade: #F176AD, #FF88C0, #FF9AD3, #FFACE6 and #FFBEF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC76B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC76B2 shade: #EC76B2, #DB649F, #CA528C, #B94079 and #A82E66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC76B2 shade: #EC74B1, #EC7491 and #EC7474

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC76B2 shade: #EC74B1, #EC74D1, #E674EC, #C674EC and #A574EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC76B2 shade matches the following richer shades: #EC74B1 and #F967B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC76B2 shade: #EC74B1, #DF81B1, #D28DB1, #C69AB0 and #B9A7B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC76B2 shade: #E674EC, #EC74D2, #EC74B2, #EC7492 and #EC7674

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC76B2 shade: #E22B88, #E7509D, #EC74B1, #F198C5 and #F6BCDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC76B2 shade: #EC76B2, #ECC674 and #74E2EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC76B2 shade: #EC76B2, #B2EC74 and #74B2EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC76B2 shade: #EC76B2, #ECC674, #74ECAE and #749AEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC76B2 shade: #EC76B2, #ECEA74, #74ECAE and #7476EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 25 / 7

HEX #EC76B2

RGB 236 118 178

HSL 329.49, 0.76%, 0.69%

LAB 64.97, 52.22, -10.58

 

Complementary color

CMYK 86 / 0 / 44 / 46

HEX #13894D

RGB 19 137 77

HSL 149.49, 0.76%, 0.31%

LAB 50.18, -44.92, 23.71

 

CMYK 0 / 51 / 28 / 5

HEX #F176AD

RGB 241 118 173

HSL 333.17, 0.81%, 0.7%

LAB 65.49, 53.15, -6.88

 

CMYK 0 / 47 / 25 / 0

HEX #FF88C0

RGB 255 136 192

HSL 331.76, 1%, 0.77%

LAB 71.33, 51.43, -8.67

 

CMYK 0 / 40 / 17 / 0

HEX #FF9AD3

RGB 255 154 211

HSL 326.14, 1%, 0.8%

LAB 75.5, 45.12, -12.95

 

CMYK 0 / 33 / 10 / 0

HEX #FFACE6

RGB 255 172 230

HSL 318.07, 1%, 0.84%

LAB 79.89, 38.83, -16.69

 

CMYK 0 / 25 / 2 / 0

HEX #FFBEF9

RGB 255 190 249

HSL 305.54, 1%, 0.87%

LAB 84.45, 32.65, -19.99

 

CMYK 0 / 50 / 25 / 7

HEX #EC76B2

RGB 236 118 178

HSL 329.49, 0.76%, 0.69%

LAB 64.97, 52.22, -10.58

 

CMYK 0 / 54 / 27 / 14

HEX #DB649F

RGB 219 100 159

HSL 330.25, 0.62%, 0.63%

LAB 58.67, 52.91, -9.34

 

CMYK 0 / 59 / 31 / 21

HEX #CA528C

RGB 202 82 140

HSL 331, 0.53%, 0.56%

LAB 52.38, 53.48, -7.87

 

CMYK 0 / 65 / 35 / 27

HEX #B94079

RGB 185 64 121

HSL 331.74, 0.49%, 0.49%

LAB 46.13, 53.82, -6.05

 

CMYK 0 / 73 / 39 / 34

HEX #A82E66

RGB 168 46 102

HSL 332.46, 0.57%, 0.42%

LAB 39.98, 53.73, -3.73

 

CMYK 0 / 51 / 25 / 7

HEX #EC74B1

RGB 236 116 177

HSL 329.5, 0.76%, 0.69%

LAB 64.56, 53.05, -10.61

 

CMYK 0 / 51 / 39 / 7

HEX #EC7491

RGB 236 116 145

HSL 345.5, 0.76%, 0.69%

LAB 63.65, 49.12, 6.3

 

CMYK 0 / 51 / 51 / 7

HEX #EC7474

RGB 236 116 116

HSL 0, 0.76%, 0.69%

LAB 63, 46.25, 21.95

 

CMYK 0 / 51 / 25 / 7

HEX #EC74B1

RGB 236 116 177

HSL 329.5, 0.76%, 0.69%

LAB 64.56, 53.05, -10.61

 

CMYK 0 / 51 / 11 / 7

HEX #EC74D1

RGB 236 116 209

HSL 313.5, 0.76%, 0.69%

LAB 65.69, 57.72, -26.95

 

CMYK 3 / 51 / 0 / 7

HEX #E674EC

RGB 230 116 236

HSL 297, 0.76%, 0.69%

LAB 66.04, 60.56, -41.5

 

CMYK 16 / 51 / 0 / 7

HEX #C674EC

RGB 198 116 236

HSL 281, 0.76%, 0.69%

LAB 62.13, 52, -47.92

 

CMYK 30 / 51 / 0 / 7

HEX #A574EC

RGB 165 116 236

HSL 264.5, 0.76%, 0.69%

LAB 58.55, 43.42, -53.82

 

CMYK 0 / 51 / 25 / 7

HEX #EC74B1

RGB 236 116 177

HSL 329.5, 0.76%, 0.69%

LAB 64.56, 53.05, -10.61

 

CMYK 0 / 59 / 29 / 2

HEX #F967B1

RGB 249 103 177

HSL 329.59, 0.92%, 0.69%

LAB 64.17, 62.98, -11

 

CMYK 0 / 51 / 25 / 7

HEX #EC74B1

RGB 236 116 177

HSL 329.5, 0.76%, 0.69%

LAB 64.56, 53.05, -10.61

 

CMYK 0 / 42 / 21 / 13

HEX #DF81B1

RGB 223 129 177

HSL 329.36, 0.59%, 0.69%

LAB 65.41, 42.29, -9.53

 

CMYK 0 / 33 / 16 / 18

HEX #D28DB1

RGB 210 141 177

HSL 328.7, 0.43%, 0.69%

LAB 66.46, 31.46, -8.12

 

CMYK 0 / 22 / 11 / 22

HEX #C69AB0

RGB 198 154 176

HSL 330, 0.28%, 0.69%

LAB 68.21, 19.93, -5.11

 

CMYK 0 / 10 / 5 / 27

HEX #B9A7B0

RGB 185 167 176

HSL 330, 0.11%, 0.69%

LAB 70.24, 8.11, -2.26

 

CMYK 3 / 51 / 0 / 7

HEX #E674EC

RGB 230 116 236

HSL 297, 0.76%, 0.69%

LAB 66.04, 60.56, -41.5

 

CMYK 0 / 51 / 11 / 7

HEX #EC74D2

RGB 236 116 210

HSL 313, 0.76%, 0.69%

LAB 65.73, 57.88, -27.45

 

CMYK 0 / 51 / 25 / 7

HEX #EC74B2

RGB 236 116 178

HSL 329, 0.76%, 0.69%

LAB 64.59, 53.18, -11.13

 

CMYK 0 / 51 / 38 / 7

HEX #EC7492

RGB 236 116 146

HSL 345, 0.76%, 0.69%

LAB 63.67, 49.23, 5.76

 

CMYK 0 / 50 / 51 / 7

HEX #EC7674

RGB 236 118 116

HSL 1, 0.76%, 0.69%

LAB 63.38, 45.27, 22.47

 

CMYK 0 / 81 / 40 / 11

HEX #E22B88

RGB 226 43 136

HSL 329.51, 0.76%, 0.53%

LAB 51.47, 73.2, -6.4

 

CMYK 0 / 65 / 32 / 9

HEX #E7509D

RGB 231 80 157

HSL 329.4, 0.76%, 0.61%

LAB 57.23, 64.91, -10.15

 

CMYK 0 / 51 / 25 / 7

HEX #EC74B1

RGB 236 116 177

HSL 329.5, 0.76%, 0.69%

LAB 64.56, 53.05, -10.61

 

CMYK 0 / 37 / 18 / 5

HEX #F198C5

RGB 241 152 197

HSL 329.66, 0.76%, 0.77%

LAB 73.02, 39.39, -9.12

 

CMYK 0 / 24 / 11 / 4

HEX #F6BCDA

RGB 246 188 218

HSL 328.97, 0.76%, 0.85%

LAB 82.17, 25.43, -6.9

 

CMYK 0 / 50 / 25 / 7

HEX #EC76B2

RGB 236 118 178

HSL 329.49, 0.76%, 0.69%

LAB 64.97, 52.22, -10.58

 

CMYK 0 / 16 / 51 / 7

HEX #ECC674

RGB 236 198 116

HSL 41, 0.76%, 0.69%

LAB 81.56, 3.45, 45.81

 

CMYK 51 / 4 / 0 / 7

HEX #74E2EC

RGB 116 226 236

HSL 185, 0.76%, 0.69%

LAB 84.05, -28.87, -14.59

 

CMYK 0 / 50 / 25 / 7

HEX #EC76B2

RGB 236 118 178

HSL 329.49, 0.76%, 0.69%

LAB 64.97, 52.22, -10.58

 

CMYK 25 / 0 / 51 / 7

HEX #B2EC74

RGB 178 236 116

HSL 89, 0.76%, 0.69%

LAB 87.35, -37.82, 51.83

 

CMYK 51 / 25 / 0 / 7

HEX #74B2EC

RGB 116 178 236

HSL 209, 0.76%, 0.69%

LAB 70.6, -4.09, -35.11

 

CMYK 0 / 50 / 25 / 7

HEX #EC76B2

RGB 236 118 178

HSL 329.49, 0.76%, 0.69%

LAB 64.97, 52.22, -10.58

 

CMYK 0 / 16 / 51 / 7

HEX #ECC674

RGB 236 198 116

HSL 41, 0.76%, 0.69%

LAB 81.56, 3.45, 45.81

 

CMYK 51 / 0 / 26 / 7

HEX #74ECAE

RGB 116 236 174

HSL 149, 0.76%, 0.69%

LAB 85.38, -47.76, 19.92

 

CMYK 51 / 35 / 0 / 7

HEX #749AEC

RGB 116 154 236

HSL 221, 0.76%, 0.69%

LAB 64.06, 9.48, -45.33

 

CMYK 0 / 50 / 25 / 7

HEX #EC76B2

RGB 236 118 178

HSL 329.49, 0.76%, 0.69%

LAB 64.97, 52.22, -10.58

 

CMYK 0 / 1 / 51 / 7

HEX #ECEA74

RGB 236 234 116

HSL 59, 0.76%, 0.69%

LAB 90.75, -14.78, 56.83

 

CMYK 51 / 0 / 26 / 7

HEX #74ECAE

RGB 116 236 174

HSL 149, 0.76%, 0.69%

LAB 85.38, -47.76, 19.92

 

CMYK 51 / 50 / 0 / 7

HEX #7476EC

RGB 116 118 236

HSL 239, 0.76%, 0.69%

LAB 54.79, 30.79, -60.08

 

Description

Color code: HEX #EC76B2 | qconv.com Color code: HEX #EC76B2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 118 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 118 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 25 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 25% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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