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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC700ACE it is the complementary color #138FF5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC700ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC700ACE shade: #F17005CE, #FF8218CE, #FF942BCE, #FFA63ECE and #FFB851CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC700ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC700ACE shade: #EC700ACE, #DB5E00CE, #CA4C00CE, #B93A00CE and #A82800CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC700ACE shade: #EB6F0A, #EB330A and #EB0A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC700ACE shade: #EB6F0A, #EBAC0A, #EBE90A, #B0EB0A and #74EB0A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC700ACE shade matches the following richer shades: #EB6F0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC700ACE shade: #EB6F0A, #D7711E, #C37331, #B07545 and #9C7759

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC700ACE shade: #EB0A1D, #EB330A, #EB6F0A, #EBAB0A and #EBE70A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC700ACE shade: #9C4A06, #C35D08, #EB6F0A, #F68528 and #F89B50

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC700ACE shade: #EC700A, #59EB0A and #150AEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC700ACE shade: #EC700A, #0AEB6F and #6F0AEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC700ACE shade: #EC700A, #59EB0A, #0A86EB and #9C0AEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC700ACE shade: #EC700A, #15EB0A, #0A86EB and #E00AEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 78 / 6

HEX #EC700ACE

RGBA 236 112 10 0.81

HSLA 27.08, 0.92%, 0.48%, 0.81

LABA 61.17, 43.43, 67.47, 0.81

 

Complementary color

CMYK 75 / 34 / 0 / 3

HEX #138FF5CE

RGBA 19 143 245 0.81

HSLA 207.08, 0.92%, 0.52%, 0.81

LABA 58.39, 6.28, -59.49, 0.81

 

CMYK 0 / 43 / 79 / 4

HEX #F17005CE

RGBA 241 112 5 0.81

HSLA 27.2, 0.96%, 0.48%, 0.81

LABA 61.91, 45.3, 69.13, 0.81

 

CMYK 0 / 40 / 73 / 0

HEX #FF8218CE

RGBA 255 130 24 0.81

HSLA 27.53, 1%, 0.55%, 0.81

LABA 67.49, 42.08, 70.21, 0.81

 

CMYK 0 / 34 / 67 / 0

HEX #FF942BCE

RGBA 255 148 43 0.81

HSLA 29.72, 1%, 0.58%, 0.81

LABA 71.29, 33.37, 67.6, 0.81

 

CMYK 0 / 28 / 61 / 0

HEX #FFA63ECE

RGBA 255 166 62 0.81

HSLA 32.33, 1%, 0.62%, 0.81

LABA 75.38, 24.67, 64.25, 0.81

 

CMYK 0 / 23 / 55 / 0

HEX #FFB851CE

RGBA 255 184 81 0.81

HSLA 35.52, 1%, 0.66%, 0.81

LABA 79.69, 16.14, 60.63, 0.81

 

CMYK 0 / 43 / 78 / 6

HEX #EC700ACE

RGBA 236 112 10 0.81

HSLA 27.08, 0.92%, 0.48%, 0.81

LABA 61.17, 43.43, 67.47, 0.81

 

CMYK 0 / 46 / 81 / 11

HEX #DB5E00CE

RGBA 219 94 0 0.81

HSLA 25.75, 1%, 0.43%, 0.81

LABA 55.14, 45.55, 64.32, 0.81

 

CMYK 0 / 51 / 81 / 17

HEX #CA4C00CE

RGBA 202 76 0 0.81

HSLA 22.57, 1%, 0.4%, 0.81

LABA 49.16, 47.58, 59.57, 0.81

 

CMYK 0 / 56 / 81 / 22

HEX #B93A00CE

RGBA 185 58 0 0.81

HSLA 18.81, 1%, 0.36%, 0.81

LABA 43.27, 49.27, 54.89, 0.81

 

CMYK 0 / 62 / 81 / 28

HEX #A82800CE

RGBA 168 40 0 0.81

HSLA 14.29, 1%, 0.33%, 0.81

LABA 37.56, 50.35, 50.34, 0.81

 

CMYK 0 / 53 / 96 / 8

HEX #EB6F0A

RGB 235 111 10

HSL 26.93, 0.92%, 0.48%

LAB 60.83, 43.54, 67.18

 

CMYK 0 / 78 / 96 / 8

HEX #EB330A

RGB 235 51 10

HSL 10.93, 0.92%, 0.48%

LAB 51.9, 67.43, 61.88

 

CMYK 0 / 96 / 96 / 8

HEX #EB0A0A

RGB 235 10 10

HSL 0, 0.92%, 0.48%

LAB 49.38, 74.61, 60.59

 

CMYK 0 / 53 / 96 / 8

HEX #EB6F0A

RGB 235 111 10

HSL 26.93, 0.92%, 0.48%

LAB 60.83, 43.54, 67.18

 

CMYK 0 / 27 / 96 / 8

HEX #EBAC0A

RGB 235 172 10

HSL 43.2, 0.92%, 0.48%

LAB 74.31, 11.83, 76.32

 

CMYK 0 / 1 / 96 / 8

HEX #EBE90A

RGB 235 233 10

HSL 59.47, 0.92%, 0.48%

LAB 89.84, -19.22, 87.66

 

CMYK 25 / 0 / 96 / 8

HEX #B0EB0A

RGB 176 235 10

HSL 75.73, 0.92%, 0.48%

LAB 86.34, -43.87, 83.22

 

CMYK 51 / 0 / 96 / 8

HEX #74EB0A

RGB 116 235 10

HSL 91.73, 0.92%, 0.48%

LAB 83.52, -64.01, 79.79

 

CMYK 0 / 53 / 96 / 8

HEX #EB6F0A

RGB 235 111 10

HSL 26.93, 0.92%, 0.48%

LAB 60.83, 43.54, 67.18

 

CMYK 0 / 53 / 96 / 8

HEX #EB6F0A

RGB 235 111 10

HSL 26.93, 0.92%, 0.48%

LAB 60.83, 43.54, 67.18

 

CMYK 0 / 47 / 86 / 16

HEX #D7711E

RGB 215 113 30

HSL 26.92, 0.76%, 0.48%

LAB 58.37, 34.95, 59

 

CMYK 0 / 41 / 75 / 24

HEX #C37331

RGB 195 115 49

HSL 27.12, 0.6%, 0.48%

LAB 56.17, 26.25, 48.26

 

CMYK 0 / 34 / 61 / 31

HEX #B07545

RGB 176 117 69

HSL 26.92, 0.44%, 0.48%

LAB 54.43, 18.23, 35.57

 

CMYK 0 / 24 / 43 / 39

HEX #9C7759

RGB 156 119 89

HSL 26.87, 0.27%, 0.48%

LAB 52.93, 10.39, 22.07

 

CMYK 0 / 96 / 88 / 8

HEX #EB0A1D

RGB 235 10 29

HSL 354.93, 0.92%, 0.48%

LAB 49.46, 74.84, 53.77

 

CMYK 0 / 78 / 96 / 8

HEX #EB330A

RGB 235 51 10

HSL 10.93, 0.92%, 0.48%

LAB 51.9, 67.43, 61.88

 

CMYK 0 / 53 / 96 / 8

HEX #EB6F0A

RGB 235 111 10

HSL 26.93, 0.92%, 0.48%

LAB 60.83, 43.54, 67.18

 

CMYK 0 / 27 / 96 / 8

HEX #EBAB0A

RGB 235 171 10

HSL 42.93, 0.92%, 0.48%

LAB 74.07, 12.36, 76.15

 

CMYK 0 / 2 / 96 / 8

HEX #EBE70A

RGB 235 231 10

HSL 58.93, 0.92%, 0.48%

LAB 89.32, -18.25, 87.27

 

CMYK 0 / 53 / 96 / 39

HEX #9C4A06

RGB 156 74 6

HSL 27.2, 0.93%, 0.32%

LAB 41.18, 30.7, 49.29

 

CMYK 0 / 52 / 96 / 24

HEX #C35D08

RGB 195 93 8

HSL 27.27, 0.92%, 0.4%

LAB 51.21, 36.81, 58.37

 

CMYK 0 / 53 / 96 / 8

HEX #EB6F0A

RGB 235 111 10

HSL 26.93, 0.92%, 0.48%

LAB 60.83, 43.54, 67.18

 

CMYK 0 / 46 / 84 / 4

HEX #F68528

RGB 246 133 40

HSL 27.09, 0.92%, 0.56%

LAB 66.92, 37.36, 64.43

 

CMYK 0 / 38 / 68 / 3

HEX #F89B50

RGB 248 155 80

HSL 26.79, 0.92%, 0.64%

LAB 72.21, 28.39, 52.75

 

CMYK 0 / 53 / 96 / 7

HEX #EC700A

RGB 236 112 10

HSL 27.08, 0.92%, 0.48%

LAB 61.17, 43.43, 67.47

 

CMYK 62 / 0 / 96 / 8

HEX #59EB0A

RGB 89 235 10

HSL 98.93, 0.92%, 0.48%

LAB 82.68, -70.82, 78.76

 

CMYK 91 / 96 / 0 / 8

HEX #150AEB

RGB 21 10 235

HSL 242.93, 0.92%, 0.48%

LAB 30.34, 72.92, -99.83

 

CMYK 0 / 53 / 96 / 7

HEX #EC700A

RGB 236 112 10

HSL 27.08, 0.92%, 0.48%

LAB 61.17, 43.43, 67.47

 

CMYK 96 / 0 / 53 / 8

HEX #0AEB6F

RGB 10 235 111

HSL 146.93, 0.92%, 0.48%

LAB 82.18, -72.82, 46.78

 

CMYK 53 / 96 / 0 / 8

HEX #6F0AEB

RGB 111 10 235

HSL 266.93, 0.92%, 0.48%

LAB 37.11, 76.5, -88.39

 

CMYK 0 / 53 / 96 / 7

HEX #EC700A

RGB 236 112 10

HSL 27.08, 0.92%, 0.48%

LAB 61.17, 43.43, 67.47

 

CMYK 62 / 0 / 96 / 8

HEX #59EB0A

RGB 89 235 10

HSL 98.93, 0.92%, 0.48%

LAB 82.68, -70.82, 78.76

 

CMYK 96 / 43 / 0 / 8

HEX #0A86EB

RGB 10 134 235

HSL 206.93, 0.92%, 0.48%

LAB 55.19, 7.62, -59.08

 

CMYK 34 / 96 / 0 / 8

HEX #9C0AEB

RGB 156 10 235

HSL 278.93, 0.92%, 0.48%

LAB 43.19, 80.77, -78.16

 

CMYK 0 / 53 / 96 / 7

HEX #EC700A

RGB 236 112 10

HSL 27.08, 0.92%, 0.48%

LAB 61.17, 43.43, 67.47

 

CMYK 91 / 0 / 96 / 8

HEX #15EB0A

RGB 21 235 10

HSL 117.07, 0.92%, 0.48%

LAB 81.62, -80.07, 77.46

 

CMYK 96 / 43 / 0 / 8

HEX #0A86EB

RGB 10 134 235

HSL 206.93, 0.92%, 0.48%

LAB 55.19, 7.62, -59.08

 

CMYK 5 / 96 / 0 / 8

HEX #E00AEB

RGB 224 10 235

HSL 297.07, 0.92%, 0.48%

LAB 54.09, 89.99, -59.95

 

Description

Color code: HEX #EC700ACE | qconv.com Color code: HEX #EC700ACE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 112 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 112 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 78 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 78% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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