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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC5D5E it is the complementary color #13A2A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC5D5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC5D5E shade: #F15D59, #FF6F6C, #FF817F, #FF9392 and #FFA5A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC5D5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC5D5E shade: #EC5D5E, #DB4B4B, #CA3938, #B92725 and #A81512

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC5D5E shade: #EC5F60 and #EC5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC5D5E shade: #EC5F60, #EC5F86, #EC5FAC, #EC5FD2 and #E05FEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC5D5E shade matches the following richer shades: #EC5F60 and #FA5051

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC5D5E shade: #EC5F60, #DD6D6E, #CF7C7C, #C08A8A and #B29999

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC5D5E shade: #EC5FAC, #EC5F87, #EC5F61, #EC825F and #ECA85F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC5D5E shade: #DE1A1B, #E73A3B, #EC5F60, #F08484 and #F4A9A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC5D5E shade: #EC5D5E, #D2EC5F and #5F99EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC5D5E shade: #EC5D5E, #61EC5F and #5F61EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC5D5E shade: #EC5D5E, #D2EC5F, #5FECE9 and #795FEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC5D5E shade: #EC5D5E, #A8EC5F, #5FECE9 and #A35FEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 60 / 7

HEX #EC5D5E

RGB 236 93 94

HSL 359.58, 0.79%, 0.65%

LAB 58.48, 55.3, 28.53

 

Complementary color

CMYK 88 / 0 / 1 / 36

HEX #13A2A1

RGB 19 162 161

HSL 179.58, 0.79%, 0.35%

LAB 60.38, -33.73, -9.35

 

CMYK 0 / 61 / 63 / 5

HEX #F15D59

RGB 241 93 89

HSL 1.58, 0.84%, 0.65%

LAB 59.21, 56.65, 32.47

 

CMYK 0 / 56 / 58 / 0

HEX #FF6F6C

RGB 255 111 108

HSL 1.22, 1%, 0.71%

LAB 64.73, 54.65, 29.27

 

CMYK 0 / 49 / 50 / 0

HEX #FF817F

RGB 255 129 127

HSL 0.94, 1%, 0.75%

LAB 68.38, 47.62, 23.48

 

CMYK 0 / 42 / 43 / 0

HEX #FF9392

RGB 255 147 146

HSL 0.55, 1%, 0.79%

LAB 72.36, 40.43, 18.38

 

CMYK 0 / 35 / 35 / 0

HEX #FFA5A5

RGB 255 165 165

HSL 0, 1%, 0.82%

LAB 76.61, 33.25, 13.88

 

CMYK 0 / 61 / 60 / 7

HEX #EC5D5E

RGB 236 93 94

HSL 359.58, 0.79%, 0.65%

LAB 58.48, 55.3, 28.53

 

CMYK 0 / 66 / 66 / 14

HEX #DB4B4B

RGB 219 75 75

HSL 0, 0.67%, 0.58%

LAB 52.51, 56.12, 31.34

 

CMYK 0 / 72 / 72 / 21

HEX #CA3938

RGB 202 57 56

HSL 0.41, 0.58%, 0.51%

LAB 46.67, 56.66, 34.63

 

CMYK 0 / 79 / 80 / 27

HEX #B92725

RGB 185 39 37

HSL 0.81, 0.67%, 0.44%

LAB 41.05, 56.67, 38.39

 

CMYK 0 / 88 / 89 / 34

HEX #A81512

RGB 168 21 18

HSL 1.2, 0.81%, 0.36%

LAB 35.8, 55.79, 42.23

 

CMYK 0 / 60 / 59 / 7

HEX #EC5F60

RGB 236 95 96

HSL 359.57, 0.79%, 0.65%

LAB 58.85, 54.55, 27.86

 

CMYK 0 / 60 / 60 / 7

HEX #EC5F5F

RGB 236 95 95

HSL 0, 0.79%, 0.65%

LAB 58.83, 54.48, 28.41

 

CMYK 0 / 60 / 59 / 7

HEX #EC5F60

RGB 236 95 96

HSL 359.57, 0.79%, 0.65%

LAB 58.85, 54.55, 27.86

 

CMYK 0 / 60 / 43 / 7

HEX #EC5F86

RGB 236 95 134

HSL 343.4, 0.79%, 0.65%

LAB 59.65, 57.71, 6.93

 

CMYK 0 / 60 / 27 / 7

HEX #EC5FAC

RGB 236 95 172

HSL 327.23, 0.79%, 0.65%

LAB 60.78, 62, -13.44

 

CMYK 0 / 60 / 11 / 7

HEX #EC5FD2

RGB 236 95 210

HSL 311.06, 0.79%, 0.65%

LAB 62.23, 67.29, -32.87

 

CMYK 5 / 60 / 0 / 7

HEX #E05FEC

RGB 224 95 236

HSL 294.89, 0.79%, 0.65%

LAB 61.73, 68.51, -48.34

 

CMYK 0 / 60 / 59 / 7

HEX #EC5F60

RGB 236 95 96

HSL 359.57, 0.79%, 0.65%

LAB 58.85, 54.55, 27.86

 

CMYK 0 / 68 / 68 / 2

HEX #FA5051

RGB 250 80 81

HSL 359.65, 0.94%, 0.65%

LAB 58.65, 64.35, 36.64

 

CMYK 0 / 60 / 59 / 7

HEX #EC5F60

RGB 236 95 96

HSL 359.57, 0.79%, 0.65%

LAB 58.85, 54.55, 27.86

 

CMYK 0 / 51 / 50 / 13

HEX #DD6D6E

RGB 221 109 110

HSL 359.46, 0.62%, 0.65%

LAB 59.38, 43.78, 20.11

 

CMYK 0 / 40 / 40 / 19

HEX #CF7C7C

RGB 207 124 124

HSL 0, 0.46%, 0.65%

LAB 60.9, 32.22, 13.89

 

CMYK 0 / 28 / 28 / 25

HEX #C08A8A

RGB 192 138 138

HSL 0, 0.3%, 0.65%

LAB 62.69, 20.6, 8.18

 

CMYK 0 / 14 / 14 / 30

HEX #B29999

RGB 178 153 153

HSL 0, 0.14%, 0.65%

LAB 65.39, 9.25, 3.42

 

CMYK 0 / 60 / 27 / 7

HEX #EC5FAC

RGB 236 95 172

HSL 327.23, 0.79%, 0.65%

LAB 60.78, 62, -13.44

 

CMYK 0 / 60 / 43 / 7

HEX #EC5F87

RGB 236 95 135

HSL 342.98, 0.79%, 0.65%

LAB 59.68, 57.81, 6.38

 

CMYK 0 / 60 / 59 / 7

HEX #EC5F61

RGB 236 95 97

HSL 359.15, 0.79%, 0.65%

LAB 58.86, 54.62, 27.31

 

CMYK 0 / 45 / 60 / 7

HEX #EC825F

RGB 236 130 95

HSL 14.89, 0.79%, 0.65%

LAB 65.46, 37.56, 36.79

 

CMYK 0 / 29 / 60 / 7

HEX #ECA85F

RGB 236 168 95

HSL 31.06, 0.79%, 0.65%

LAB 73.97, 17.57, 47.09

 

CMYK 0 / 88 / 88 / 13

HEX #DE1A1B

RGB 222 26 27

HSL 359.69, 0.79%, 0.49%

LAB 47.43, 69.64, 51.95

 

CMYK 0 / 75 / 74 / 9

HEX #E73A3B

RGB 231 58 59

HSL 359.65, 0.78%, 0.57%

LAB 52.21, 65.25, 40.64

 

CMYK 0 / 60 / 59 / 7

HEX #EC5F60

RGB 236 95 96

HSL 359.57, 0.79%, 0.65%

LAB 58.85, 54.55, 27.86

 

CMYK 0 / 45 / 45 / 6

HEX #F08484

RGB 240 132 132

HSL 0, 0.78%, 0.73%

LAB 67.05, 41.18, 18.53

 

CMYK 0 / 31 / 31 / 4

HEX #F4A9A9

RGB 244 169 169

HSL 0, 0.77%, 0.81%

LAB 76.36, 27.6, 11.17

 

CMYK 0 / 61 / 60 / 7

HEX #EC5D5E

RGB 236 93 94

HSL 359.58, 0.79%, 0.65%

LAB 58.48, 55.3, 28.53

 

CMYK 11 / 0 / 60 / 7

HEX #D2EC5F

RGB 210 236 95

HSL 71.06, 0.79%, 0.65%

LAB 89.17, -27.66, 63.75

 

CMYK 60 / 35 / 0 / 7

HEX #5F99EC

RGB 95 153 236

HSL 215.32, 0.79%, 0.65%

LAB 62.74, 5.72, -47.49

 

CMYK 0 / 61 / 60 / 7

HEX #EC5D5E

RGB 236 93 94

HSL 359.58, 0.79%, 0.65%

LAB 58.48, 55.3, 28.53

 

CMYK 59 / 0 / 60 / 7

HEX #61EC5F

RGB 97 236 95

HSL 119.15, 0.79%, 0.65%

LAB 83.63, -64.39, 56.03

 

CMYK 60 / 59 / 0 / 7

HEX #5F61EC

RGB 95 97 236

HSL 239.15, 0.79%, 0.65%

LAB 48.31, 39.43, -70.62

 

CMYK 0 / 61 / 60 / 7

HEX #EC5D5E

RGB 236 93 94

HSL 359.58, 0.79%, 0.65%

LAB 58.48, 55.3, 28.53

 

CMYK 11 / 0 / 60 / 7

HEX #D2EC5F

RGB 210 236 95

HSL 71.06, 0.79%, 0.65%

LAB 89.17, -27.66, 63.75

 

CMYK 60 / 0 / 1 / 7

HEX #5FECE9

RGB 95 236 233

HSL 178.72, 0.79%, 0.65%

LAB 86.16, -38.28, -9.93

 

CMYK 49 / 60 / 0 / 7

HEX #795FEC

RGB 121 95 236

HSL 251.06, 0.79%, 0.65%

LAB 49.86, 45.26, -68

 

CMYK 0 / 61 / 60 / 7

HEX #EC5D5E

RGB 236 93 94

HSL 359.58, 0.79%, 0.65%

LAB 58.48, 55.3, 28.53

 

CMYK 29 / 0 / 60 / 7

HEX #A8EC5F

RGB 168 236 95

HSL 88.94, 0.79%, 0.65%

LAB 86.57, -43.38, 60.15

 

CMYK 60 / 0 / 1 / 7

HEX #5FECE9

RGB 95 236 233

HSL 178.72, 0.79%, 0.65%

LAB 86.16, -38.28, -9.93

 

CMYK 31 / 60 / 0 / 7

HEX #A35FEC

RGB 163 95 236

HSL 268.94, 0.79%, 0.65%

LAB 54.06, 54.14, -61.03

 

Description

Color code: HEX #EC5D5E | qconv.com Color code: HEX #EC5D5E | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 93 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 93 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 60 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 60% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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