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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC5347 it is the complementary color #13ACB8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC5347. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC5347 shade: #F15342, #FF6555, #FF7768, #FF897B and #FF9B8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC5347. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC5347 shade: #EC5347, #DB4134, #CA2F21, #B91D0E and #A80B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC5347 shade: #EC5246 and #EC4646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC5347 shade: #EC5246, #EC7F46, #ECAC46, #ECD846 and #D3EC46

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC5347 shade matches the following richer shades: #EC5246 and #FC4436

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC5347 shade: #EC5246, #DB6057, #CB6F67, #BA7D78 and #AA8B88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC5347 shade: #EC4693, #EC4667, #EC5146, #EC7D46 and #ECAA46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC5347 shade: #CA2215, #E82F21, #EC5246, #F0756C and #F39891

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC5347 shade: #EC5347, #C0EC46 and #467DEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC5347 shade: #EC5347, #46EC51 and #5146EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC5347 shade: #EC5347, #C0EC46, #46E1EC and #7246EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC5347 shade: #EC5347, #8EEC46, #46E1EC and #A446EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 70 / 7

HEX #EC5347

RGB 236 83 71

HSL 4.36, 0.81%, 0.6%

LAB 56.56, 58.22, 39.16

 

Complementary color

CMYK 90 / 7 / 0 / 28

HEX #13ACB8

RGB 19 172 184

HSL 184.36, 0.81%, 0.4%

LAB 64.25, -31.3, -16.45

 

CMYK 0 / 66 / 73 / 5

HEX #F15342

RGB 241 83 66

HSL 5.83, 0.86%, 0.6%

LAB 57.35, 59.64, 43.02

 

CMYK 0 / 60 / 67 / 0

HEX #FF6555

RGB 255 101 85

HSL 5.65, 1%, 0.67%

LAB 62.7, 57.67, 39.49

 

CMYK 0 / 53 / 59 / 0

HEX #FF7768

RGB 255 119 104

HSL 5.96, 1%, 0.7%

LAB 66.1, 50.65, 33.25

 

CMYK 0 / 46 / 52 / 0

HEX #FF897B

RGB 255 137 123

HSL 6.36, 1%, 0.74%

LAB 69.88, 43.32, 27.7

 

CMYK 0 / 39 / 44 / 0

HEX #FF9B8E

RGB 255 155 142

HSL 6.9, 1%, 0.78%

LAB 73.97, 35.92, 22.78

 

CMYK 0 / 65 / 70 / 7

HEX #EC5347

RGB 236 83 71

HSL 4.36, 0.81%, 0.6%

LAB 56.56, 58.22, 39.16

 

CMYK 0 / 70 / 76 / 14

HEX #DB4134

RGB 219 65 52

HSL 4.67, 0.7%, 0.53%

LAB 50.79, 58.94, 42.31

 

CMYK 0 / 77 / 84 / 21

HEX #CA2F21

RGB 202 47 33

HSL 4.97, 0.72%, 0.46%

LAB 45.22, 59.23, 45.66

 

CMYK 0 / 84 / 92 / 27

HEX #B91D0E

RGB 185 29 14

HSL 5.26, 0.86%, 0.39%

LAB 39.96, 58.79, 48.53

 

CMYK 0 / 93 / 100 / 34

HEX #A80B00

RGB 168 11 0

HSL 3.93, 1%, 0.33%

LAB 35.13, 57.22, 49.19

 

CMYK 0 / 65 / 70 / 7

HEX #EC5246

RGB 236 82 70

HSL 4.34, 0.81%, 0.6%

LAB 56.4, 58.58, 39.53

 

CMYK 0 / 70 / 70 / 7

HEX #EC4646

RGB 236 70 70

HSL 0, 0.81%, 0.6%

LAB 54.72, 63.17, 37.57

 

CMYK 0 / 65 / 70 / 7

HEX #EC5246

RGB 236 82 70

HSL 4.34, 0.81%, 0.6%

LAB 56.4, 58.58, 39.53

 

CMYK 0 / 46 / 70 / 7

HEX #EC7F46

RGB 236 127 70

HSL 20.6, 0.81%, 0.6%

LAB 64.53, 37.59, 48.69

 

CMYK 0 / 27 / 70 / 7

HEX #ECAC46

RGB 236 172 70

HSL 36.87, 0.81%, 0.6%

LAB 74.69, 13.95, 59.52

 

CMYK 0 / 8 / 70 / 7

HEX #ECD846

RGB 236 216 70

HSL 52.77, 0.81%, 0.6%

LAB 85.7, -8.84, 70.63

 

CMYK 11 / 0 / 70 / 7

HEX #D3EC46

RGB 211 236 70

HSL 69.04, 0.81%, 0.6%

LAB 89.06, -28.81, 73.27

 

CMYK 0 / 65 / 70 / 7

HEX #EC5246

RGB 236 82 70

HSL 4.34, 0.81%, 0.6%

LAB 56.4, 58.58, 39.53

 

CMYK 0 / 73 / 79 / 1

HEX #FC4436

RGB 252 68 54

HSL 4.24, 0.97%, 0.6%

LAB 57.17, 68.09, 49.73

 

CMYK 0 / 65 / 70 / 7

HEX #EC5246

RGB 236 82 70

HSL 4.34, 0.81%, 0.6%

LAB 56.4, 58.58, 39.53

 

CMYK 0 / 56 / 60 / 14

HEX #DB6057

RGB 219 96 87

HSL 4.09, 0.65%, 0.6%

LAB 56.2, 47.57, 29.08

 

CMYK 0 / 45 / 49 / 20

HEX #CB6F67

RGB 203 111 103

HSL 4.8, 0.49%, 0.6%

LAB 57.12, 35.4, 20.66

 

CMYK 0 / 33 / 35 / 27

HEX #BA7D78

RGB 186 125 120

HSL 4.55, 0.32%, 0.6%

LAB 58.47, 23.07, 12.4

 

CMYK 0 / 18 / 20 / 33

HEX #AA8B88

RGB 170 139 136

HSL 5.29, 0.17%, 0.6%

LAB 60.59, 11.24, 6.02

 

CMYK 0 / 70 / 38 / 7

HEX #EC4693

RGB 236 70 147

HSL 332.17, 0.81%, 0.6%

LAB 56.41, 68.89, -5.42

 

CMYK 0 / 70 / 56 / 7

HEX #EC4667

RGB 236 70 103

HSL 348.07, 0.81%, 0.6%

LAB 55.27, 65.08, 19.04

 

CMYK 0 / 66 / 70 / 7

HEX #EC5146

RGB 236 81 70

HSL 3.98, 0.81%, 0.6%

LAB 56.25, 58.99, 39.35

 

CMYK 0 / 47 / 70 / 7

HEX #EC7D46

RGB 236 125 70

HSL 19.88, 0.81%, 0.6%

LAB 64.11, 38.61, 48.24

 

CMYK 0 / 28 / 70 / 7

HEX #ECAA46

RGB 236 170 70

HSL 36.14, 0.81%, 0.6%

LAB 74.21, 15.01, 59.02

 

CMYK 0 / 83 / 90 / 21

HEX #CA2215

RGB 202 34 21

HSL 4.31, 0.81%, 0.44%

LAB 43.88, 62.53, 50.09

 

CMYK 0 / 80 / 86 / 9

HEX #E82F21

RGB 232 47 33

HSL 4.22, 0.81%, 0.52%

LAB 51.03, 67.96, 52.96

 

CMYK 0 / 65 / 70 / 7

HEX #EC5246

RGB 236 82 70

HSL 4.34, 0.81%, 0.6%

LAB 56.4, 58.58, 39.53

 

CMYK 0 / 51 / 55 / 6

HEX #F0756C

RGB 240 117 108

HSL 4.09, 0.81%, 0.68%

LAB 63.62, 46.54, 27.39

 

CMYK 0 / 37 / 40 / 5

HEX #F39891

RGB 243 152 145

HSL 4.29, 0.8%, 0.76%

LAB 71.93, 33.31, 18.1

 

CMYK 0 / 65 / 70 / 7

HEX #EC5347

RGB 236 83 71

HSL 4.36, 0.81%, 0.6%

LAB 56.56, 58.22, 39.16

 

CMYK 19 / 0 / 70 / 7

HEX #C0EC46

RGB 192 236 70

HSL 75.9, 0.81%, 0.6%

LAB 87.79, -36.26, 71.61

 

CMYK 70 / 47 / 0 / 7

HEX #467DEC

RGB 70 125 236

HSL 220.12, 0.81%, 0.6%

LAB 54.05, 18.4, -61.39

 

CMYK 0 / 65 / 70 / 7

HEX #EC5347

RGB 236 83 71

HSL 4.36, 0.81%, 0.6%

LAB 56.56, 58.22, 39.16

 

CMYK 70 / 0 / 66 / 7

HEX #46EC51

RGB 70 236 81

HSL 123.98, 0.81%, 0.6%

LAB 82.85, -71.13, 60.8

 

CMYK 66 / 70 / 0 / 7

HEX #5146EC

RGB 81 70 236

HSL 243.98, 0.81%, 0.6%

LAB 41.51, 53.05, -81.78

 

CMYK 0 / 65 / 70 / 7

HEX #EC5347

RGB 236 83 71

HSL 4.36, 0.81%, 0.6%

LAB 56.56, 58.22, 39.16

 

CMYK 19 / 0 / 70 / 7

HEX #C0EC46

RGB 192 236 70

HSL 75.9, 0.81%, 0.6%

LAB 87.79, -36.26, 71.61

 

CMYK 70 / 5 / 0 / 7

HEX #46E1EC

RGB 70 225 236

HSL 183.98, 0.81%, 0.6%

LAB 82.49, -36.01, -17.06

 

CMYK 52 / 70 / 0 / 7

HEX #7246EC

RGB 114 70 236

HSL 255.9, 0.81%, 0.6%

LAB 44.25, 57.5, -77.17

 

CMYK 0 / 65 / 70 / 7

HEX #EC5347

RGB 236 83 71

HSL 4.36, 0.81%, 0.6%

LAB 56.56, 58.22, 39.16

 

CMYK 40 / 0 / 70 / 7

HEX #8EEC46

RGB 142 236 70

HSL 93.98, 0.81%, 0.6%

LAB 85.09, -54.12, 68.01

 

CMYK 70 / 5 / 0 / 7

HEX #46E1EC

RGB 70 225 236

HSL 183.98, 0.81%, 0.6%

LAB 82.49, -36.01, -17.06

 

CMYK 31 / 70 / 0 / 7

HEX #A446EC

RGB 164 70 236

HSL 273.98, 0.81%, 0.6%

LAB 49.89, 66.12, -67.74

 

Description

Color code: HEX #EC5347 | qconv.com Color code: HEX #EC5347 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 83 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 83 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 70 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 70% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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