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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC4FEB it is the complementary color #13B014. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC4FEB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC4FEB shade: #F14FE6, #FF61F9, #FF73FF, #FF85FF and #FF97FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC4FEB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC4FEB shade: #EC4FEB, #DB3DD8, #CA2BC5, #B919B2 and #A8079F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC4FEB shade: #ED50EC, #ED50C1, #ED5097, #ED506D and #ED5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC4FEB shade: #ED50EC, #C350ED, #9950ED, #6F50ED and #5050ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC4FEB shade matches the following richer shades: #ED50EC and #FC40FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC4FEB shade: #ED50EC, #DD5FDC, #CD6FCD, #BE7FBD and #AE8EAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC4FEB shade: #9950ED, #C350ED, #ED50ED, #ED50C3 and #ED5099

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC4FEB shade: #D316D2, #E92AE7, #ED50EC, #F175F0 and #F49AF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC4FEB shade: #EC4FEB, #ED6F50 and #50EDAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC4FEB shade: #EC4FEB, #EDED50 and #50EDED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC4FEB shade: #EC4FEB, #ED6F50, #50ED50 and #50CDED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC4FEB shade: #EC4FEB, #ED9E50, #50ED50 and #509EED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 0 / 7

HEX #EC4FEB

RGB 236 79 235

HSL 300.38, 0.81%, 0.62%

LAB 61.15, 77.38, -48.58

 

Complementary color

CMYK 89 / 0 / 89 / 31

HEX #13B014

RGB 19 176 20

HSL 120.38, 0.81%, 0.38%

LAB 62.71, -63.65, 60.23

 

CMYK 0 / 67 / 5 / 5

HEX #F14FE6

RGB 241 79 230

HSL 304.07, 0.85%, 0.63%

LAB 61.66, 77.72, -44.94

 

CMYK 0 / 62 / 2 / 0

HEX #FF61F9

RGB 255 97 249

HSL 302.28, 1%, 0.69%

LAB 67.01, 77.24, -46.9

 

CMYK 0 / 55 / 0 / 0

HEX #FF73FF

RGB 255 115 255

HSL 300, 1%, 0.73%

LAB 69.99, 70.8, -45.51

 

CMYK 0 / 48 / 0 / 0

HEX #FF85FF

RGB 255 133 255

HSL 300, 1%, 0.76%

LAB 73.06, 62.61, -40.71

 

CMYK 0 / 41 / 0 / 0

HEX #FF97FF

RGB 255 151 255

HSL 300, 1%, 0.8%

LAB 76.44, 53.83, -35.45

 

CMYK 0 / 67 / 0 / 7

HEX #EC4FEB

RGB 236 79 235

HSL 300.38, 0.81%, 0.62%

LAB 61.15, 77.38, -48.58

 

CMYK 0 / 72 / 1 / 14

HEX #DB3DD8

RGB 219 61 216

HSL 301.14, 0.69%, 0.55%

LAB 55.44, 76.74, -47.11

 

CMYK 0 / 79 / 2 / 21

HEX #CA2BC5

RGB 202 43 197

HSL 301.89, 0.65%, 0.48%

LAB 49.88, 75.45, -45.21

 

CMYK 0 / 86 / 4 / 27

HEX #B919B2

RGB 185 25 178

HSL 302.63, 0.76%, 0.41%

LAB 44.55, 73.23, -42.75

 

CMYK 0 / 96 / 5 / 34

HEX #A8079F

RGB 168 7 159

HSL 303.35, 0.92%, 0.34%

LAB 39.55, 69.8, -39.56

 

CMYK 0 / 66 / 0 / 7

HEX #ED50EC

RGB 237 80 236

HSL 300.38, 0.81%, 0.62%

LAB 61.48, 77.41, -48.61

 

CMYK 0 / 66 / 19 / 7

HEX #ED50C1

RGB 237 80 193

HSL 316.82, 0.81%, 0.62%

LAB 59.52, 71.05, -27.4

 

CMYK 0 / 66 / 36 / 7

HEX #ED5097

RGB 237 80 151

HSL 332.87, 0.81%, 0.62%

LAB 58.01, 65.94, -5.37

 

CMYK 0 / 66 / 54 / 7

HEX #ED506D

RGB 237 80 109

HSL 348.92, 0.81%, 0.62%

LAB 56.93, 62.08, 17.77

 

CMYK 0 / 66 / 66 / 7

HEX #ED5050

RGB 237 80 80

HSL 0, 0.81%, 0.62%

LAB 56.41, 60.21, 33.96

 

CMYK 0 / 66 / 0 / 7

HEX #ED50EC

RGB 237 80 236

HSL 300.38, 0.81%, 0.62%

LAB 61.48, 77.41, -48.61

 

CMYK 18 / 66 / 0 / 7

HEX #C350ED

RGB 195 80 237

HSL 283.95, 0.81%, 0.62%

LAB 55.54, 68.4, -59

 

CMYK 35 / 66 / 0 / 7

HEX #9950ED

RGB 153 80 237

HSL 267.9, 0.81%, 0.62%

LAB 50.24, 59.71, -67.8

 

CMYK 53 / 66 / 0 / 7

HEX #6F50ED

RGB 111 80 237

HSL 251.85, 0.81%, 0.62%

LAB 45.95, 52.09, -74.97

 

CMYK 66 / 66 / 0 / 7

HEX #5050ED

RGB 80 80 237

HSL 240, 0.81%, 0.62%

LAB 43.59, 47.62, -78.93

 

CMYK 0 / 66 / 0 / 7

HEX #ED50EC

RGB 237 80 236

HSL 300.38, 0.81%, 0.62%

LAB 61.48, 77.41, -48.61

 

CMYK 0 / 75 / 0 / 1

HEX #FC40FB

RGB 252 64 251

HSL 300.32, 0.97%, 0.62%

LAB 62.78, 87.88, -54.73

 

CMYK 0 / 66 / 0 / 7

HEX #ED50EC

RGB 237 80 236

HSL 300.38, 0.81%, 0.62%

LAB 61.48, 77.41, -48.61

 

CMYK 0 / 57 / 0 / 13

HEX #DD5FDC

RGB 221 95 220

HSL 300.48, 0.65%, 0.62%

LAB 60.54, 65.01, -41.3

 

CMYK 0 / 46 / 0 / 20

HEX #CD6FCD

RGB 205 111 205

HSL 300, 0.48%, 0.62%

LAB 60.57, 50.45, -32.96

 

CMYK 0 / 33 / 1 / 25

HEX #BE7FBD

RGB 190 127 189

HSL 300.95, 0.33%, 0.62%

LAB 61.48, 34.4, -22.63

 

CMYK 0 / 18 / 0 / 32

HEX #AE8EAE

RGB 174 142 174

HSL 300, 0.16%, 0.62%

LAB 62.84, 17.74, -12.23

 

CMYK 35 / 66 / 0 / 7

HEX #9950ED

RGB 153 80 237

HSL 267.9, 0.81%, 0.62%

LAB 50.24, 59.71, -67.8

 

CMYK 18 / 66 / 0 / 7

HEX #C350ED

RGB 195 80 237

HSL 283.95, 0.81%, 0.62%

LAB 55.54, 68.4, -59

 

CMYK 0 / 66 / 0 / 7

HEX #ED50ED

RGB 237 80 237

HSL 300, 0.81%, 0.62%

LAB 61.53, 77.57, -49.09

 

CMYK 0 / 66 / 18 / 7

HEX #ED50C3

RGB 237 80 195

HSL 316.05, 0.81%, 0.62%

LAB 59.6, 71.32, -28.41

 

CMYK 0 / 66 / 35 / 7

HEX #ED5099

RGB 237 80 153

HSL 332.1, 0.81%, 0.62%

LAB 58.08, 66.15, -6.45

 

CMYK 0 / 90 / 0 / 17

HEX #D316D2

RGB 211 22 210

HSL 300.32, 0.81%, 0.46%

LAB 50.78, 83.03, -51.18

 

CMYK 0 / 82 / 1 / 9

HEX #E92AE7

RGB 233 42 231

HSL 300.63, 0.81%, 0.54%

LAB 56.83, 86.6, -53.23

 

CMYK 0 / 66 / 0 / 7

HEX #ED50EC

RGB 237 80 236

HSL 300.38, 0.81%, 0.62%

LAB 61.48, 77.41, -48.61

 

CMYK 0 / 51 / 0 / 5

HEX #F175F0

RGB 241 117 240

HSL 300.48, 0.82%, 0.7%

LAB 67.81, 63.74, -40.83

 

CMYK 0 / 37 / 0 / 4

HEX #F49AF4

RGB 244 154 244

HSL 300, 0.8%, 0.78%

LAB 75.37, 47.1, -31.25

 

CMYK 0 / 67 / 0 / 7

HEX #EC4FEB

RGB 236 79 235

HSL 300.38, 0.81%, 0.62%

LAB 61.15, 77.38, -48.58

 

CMYK 0 / 53 / 66 / 7

HEX #ED6F50

RGB 237 111 80

HSL 11.85, 0.81%, 0.62%

LAB 61.61, 46.47, 40.23

 

CMYK 66 / 0 / 27 / 7

HEX #50EDAE

RGB 80 237 174

HSL 155.92, 0.81%, 0.62%

LAB 84.65, -55.35, 18.75

 

CMYK 0 / 67 / 0 / 7

HEX #EC4FEB

RGB 236 79 235

HSL 300.38, 0.81%, 0.62%

LAB 61.15, 77.38, -48.58

 

CMYK 0 / 0 / 66 / 7

HEX #EDED50

RGB 237 237 80

HSL 60, 0.81%, 0.62%

LAB 91.3, -18.28, 72.55

 

CMYK 66 / 0 / 0 / 7

HEX #50EDED

RGB 80 237 237

HSL 180, 0.81%, 0.62%

LAB 86.2, -39.93, -12.01

 

CMYK 0 / 67 / 0 / 7

HEX #EC4FEB

RGB 236 79 235

HSL 300.38, 0.81%, 0.62%

LAB 61.15, 77.38, -48.58

 

CMYK 0 / 53 / 66 / 7

HEX #ED6F50

RGB 237 111 80

HSL 11.85, 0.81%, 0.62%

LAB 61.61, 46.47, 40.23

 

CMYK 66 / 0 / 66 / 7

HEX #50ED50

RGB 80 237 80

HSL 120, 0.81%, 0.62%

LAB 83.36, -69.78, 61.81

 

CMYK 66 / 14 / 0 / 7

HEX #50CDED

RGB 80 205 237

HSL 192.23, 0.81%, 0.62%

LAB 76.97, -24.72, -25.95

 

CMYK 0 / 67 / 0 / 7

HEX #EC4FEB

RGB 236 79 235

HSL 300.38, 0.81%, 0.62%

LAB 61.15, 77.38, -48.58

 

CMYK 0 / 33 / 66 / 7

HEX #ED9E50

RGB 237 158 80

HSL 29.81, 0.81%, 0.62%

LAB 71.58, 22.32, 51.68

 

CMYK 66 / 0 / 66 / 7

HEX #50ED50

RGB 80 237 80

HSL 120, 0.81%, 0.62%

LAB 83.36, -69.78, 61.81

 

CMYK 66 / 33 / 0 / 7

HEX #509EED

RGB 80 158 237

HSL 210.19, 0.81%, 0.62%

LAB 63.57, 0.54, -46.77

 

Description

Color code: HEX #EC4FEB | qconv.com Color code: HEX #EC4FEB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 79 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 79 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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