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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC4C94 it is the complementary color #13B36B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC4C94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC4C94 shade: #F14C8F, #FF5EA2, #FF70B5, #FF82C8 and #FF94DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC4C94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC4C94 shade: #EC4C94, #DB3A81, #CA286E, #B9165B and #A80448

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC4C94 shade: #EC4B93, #EC4B68 and #EC4B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC4C94 shade: #EC4B93, #EC4BBF, #EC4BEA, #C24BEC and #974BEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC4C94 shade matches the following richer shades: #EC4B93 and #FC3B92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC4C94 shade: #EC4B93, #DC5B95, #CC6B97, #BC7B98 and #AC8B9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC4C94 shade: #EC4BE9, #EC4BBE, #EC4B93, #EC4B69 and #EC584B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC4C94 shade: #CF1669, #E8267D, #EC4B93, #F070AA and #F496C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC4C94 shade: #EC4C94, #ECC44B and #4BD4EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC4C94 shade: #EC4C94, #93EC4B and #4B93EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC4C94 shade: #EC4C94, #ECC44B, #4BECA4 and #4B73EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC4C94 shade: #EC4C94, #E4EC4B, #4BECA4 and #534BEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 37 / 7

HEX #EC4C94

RGB 236 76 148

HSL 333, 0.81%, 0.61%

LAB 57.21, 66.84, -4.82

 

Complementary color

CMYK 89 / 0 / 40 / 30

HEX #13B36B

RGB 19 179 107

HSL 153, 0.81%, 0.39%

LAB 64.52, -54.48, 26.36

 

CMYK 0 / 68 / 41 / 5

HEX #F14C8F

RGB 241 76 143

HSL 335.64, 0.85%, 0.62%

LAB 57.9, 67.73, -0.78

 

CMYK 0 / 63 / 36 / 0

HEX #FF5EA2

RGB 255 94 162

HSL 334.66, 1%, 0.68%

LAB 63.24, 66.77, -3.71

 

CMYK 0 / 56 / 29 / 0

HEX #FF70B5

RGB 255 112 181

HSL 331.05, 1%, 0.72%

LAB 66.66, 61.3, -9.47

 

CMYK 0 / 49 / 22 / 0

HEX #FF82C8

RGB 255 130 200

HSL 326.4, 1%, 0.75%

LAB 70.45, 55.44, -14.45

 

CMYK 0 / 42 / 14 / 0

HEX #FF94DB

RGB 255 148 219

HSL 320.19, 1%, 0.79%

LAB 74.54, 49.38, -18.77

 

CMYK 0 / 68 / 37 / 7

HEX #EC4C94

RGB 236 76 148

HSL 333, 0.81%, 0.61%

LAB 57.21, 66.84, -4.82

 

CMYK 0 / 74 / 41 / 14

HEX #DB3A81

RGB 219 58 129

HSL 333.54, 0.69%, 0.54%

LAB 51.46, 66.53, -2.34

 

CMYK 0 / 80 / 46 / 21

HEX #CA286E

RGB 202 40 110

HSL 334.07, 0.67%, 0.47%

LAB 45.91, 65.58, 0.73

 

CMYK 0 / 88 / 51 / 27

HEX #B9165B

RGB 185 22 91

HSL 334.6, 0.79%, 0.41%

LAB 40.64, 63.69, 4.58

 

CMYK 0 / 98 / 57 / 34

HEX #A80448

RGB 168 4 72

HSL 335.12, 0.95%, 0.34%

LAB 35.75, 60.63, 9.38

 

CMYK 0 / 68 / 38 / 7

HEX #EC4B93

RGB 236 75 147

HSL 333.17, 0.81%, 0.61%

LAB 57.05, 67.11, -4.47

 

CMYK 0 / 68 / 56 / 7

HEX #EC4B68

RGB 236 75 104

HSL 349.19, 0.81%, 0.61%

LAB 55.95, 63.33, 19.37

 

CMYK 0 / 68 / 68 / 7

HEX #EC4B4B

RGB 236 75 75

HSL 0, 0.81%, 0.61%

LAB 55.45, 61.57, 35.61

 

CMYK 0 / 68 / 38 / 7

HEX #EC4B93

RGB 236 75 147

HSL 333.17, 0.81%, 0.61%

LAB 57.05, 67.11, -4.47

 

CMYK 0 / 68 / 19 / 7

HEX #EC4BBF

RGB 236 75 191

HSL 316.77, 0.81%, 0.61%

LAB 58.63, 72.35, -27.64

 

CMYK 0 / 68 / 1 / 7

HEX #EC4BEA

RGB 236 75 234

HSL 300.75, 0.81%, 0.61%

LAB 60.61, 78.62, -48.88

 

CMYK 18 / 68 / 0 / 7

HEX #C24BEC

RGB 194 75 236

HSL 284.35, 0.81%, 0.61%

LAB 54.61, 70.03, -59.92

 

CMYK 36 / 68 / 0 / 7

HEX #974BEC

RGB 151 75 236

HSL 268.32, 0.81%, 0.61%

LAB 49.09, 61.45, -69.12

 

CMYK 0 / 68 / 38 / 7

HEX #EC4B93

RGB 236 75 147

HSL 333.17, 0.81%, 0.61%

LAB 57.05, 67.11, -4.47

 

CMYK 0 / 77 / 42 / 1

HEX #FC3B92

RGB 252 59 146

HSL 332.95, 0.97%, 0.61%

LAB 57.94, 76.39, -2.25

 

CMYK 0 / 68 / 38 / 7

HEX #EC4B93

RGB 236 75 147

HSL 333.17, 0.81%, 0.61%

LAB 57.05, 67.11, -4.47

 

CMYK 0 / 59 / 32 / 14

HEX #DC5B95

RGB 220 91 149

HSL 333.02, 0.65%, 0.61%

LAB 56.95, 56.11, -6.08

 

CMYK 0 / 48 / 26 / 20

HEX #CC6B97

RGB 204 107 151

HSL 332.78, 0.49%, 0.61%

LAB 57.64, 43.48, -6.46

 

CMYK 0 / 35 / 19 / 26

HEX #BC7B98

RGB 188 123 152

HSL 333.23, 0.33%, 0.61%

LAB 59.09, 29.49, -5.12

 

CMYK 0 / 19 / 10 / 33

HEX #AC8B9A

RGB 172 139 154

HSL 332.73, 0.17%, 0.61%

LAB 61.28, 15.01, -3.22

 

CMYK 0 / 68 / 1 / 7

HEX #EC4BE9

RGB 236 75 233

HSL 301.12, 0.81%, 0.61%

LAB 60.56, 78.46, -48.4

 

CMYK 0 / 68 / 19 / 7

HEX #EC4BBE

RGB 236 75 190

HSL 317.14, 0.81%, 0.61%

LAB 58.59, 72.21, -27.13

 

CMYK 0 / 68 / 38 / 7

HEX #EC4B93

RGB 236 75 147

HSL 333.17, 0.81%, 0.61%

LAB 57.05, 67.11, -4.47

 

CMYK 0 / 68 / 56 / 7

HEX #EC4B69

RGB 236 75 105

HSL 348.82, 0.81%, 0.61%

LAB 55.97, 63.4, 18.8

 

CMYK 0 / 63 / 68 / 7

HEX #EC584B

RGB 236 88 75

HSL 4.84, 0.81%, 0.61%

LAB 57.39, 56.34, 37.92

 

CMYK 0 / 89 / 49 / 19

HEX #CF1669

RGB 207 22 105

HSL 333.08, 0.81%, 0.45%

LAB 45.44, 70.1, 3.27

 

CMYK 0 / 84 / 46 / 9

HEX #E8267D

RGB 232 38 125

HSL 333.09, 0.81%, 0.53%

LAB 51.86, 74.77, 0.94

 

CMYK 0 / 68 / 38 / 7

HEX #EC4B93

RGB 236 75 147

HSL 333.17, 0.81%, 0.61%

LAB 57.05, 67.11, -4.47

 

CMYK 0 / 53 / 29 / 6

HEX #F070AA

RGB 240 112 170

HSL 332.81, 0.81%, 0.69%

LAB 64.17, 55.3, -7.15

 

CMYK 0 / 39 / 21 / 4

HEX #F496C0

RGB 244 150 192

HSL 333.19, 0.81%, 0.77%

LAB 72.79, 40.7, -6.65

 

CMYK 0 / 68 / 37 / 7

HEX #EC4C94

RGB 236 76 148

HSL 333, 0.81%, 0.61%

LAB 57.21, 66.84, -4.82

 

CMYK 0 / 17 / 68 / 7

HEX #ECC44B

RGB 236 196 75

HSL 45.09, 0.81%, 0.61%

LAB 80.64, 1.62, 63.59

 

CMYK 68 / 10 / 0 / 7

HEX #4BD4EC

RGB 75 212 236

HSL 188.94, 0.81%, 0.61%

LAB 78.83, -29.18, -22.59

 

CMYK 0 / 68 / 37 / 7

HEX #EC4C94

RGB 236 76 148

HSL 333, 0.81%, 0.61%

LAB 57.21, 66.84, -4.82

 

CMYK 38 / 0 / 68 / 7

HEX #93EC4B

RGB 147 236 75

HSL 93.17, 0.81%, 0.61%

LAB 85.35, -52.15, 66.53

 

CMYK 68 / 38 / 0 / 7

HEX #4B93EC

RGB 75 147 236

HSL 213.17, 0.81%, 0.61%

LAB 60.27, 5.83, -51.46

 

CMYK 0 / 68 / 37 / 7

HEX #EC4C94

RGB 236 76 148

HSL 333, 0.81%, 0.61%

LAB 57.21, 66.84, -4.82

 

CMYK 0 / 17 / 68 / 7

HEX #ECC44B

RGB 236 196 75

HSL 45.09, 0.81%, 0.61%

LAB 80.64, 1.62, 63.59

 

CMYK 68 / 0 / 31 / 7

HEX #4BECA4

RGB 75 236 164

HSL 153.17, 0.81%, 0.61%

LAB 84.05, -57.83, 23.07

 

CMYK 68 / 51 / 0 / 7

HEX #4B73EC

RGB 75 115 236

HSL 225.09, 0.81%, 0.61%

LAB 51.63, 25.3, -65.3

 

CMYK 0 / 68 / 37 / 7

HEX #EC4C94

RGB 236 76 148

HSL 333, 0.81%, 0.61%

LAB 57.21, 66.84, -4.82

 

CMYK 3 / 0 / 68 / 7

HEX #E4EC4B

RGB 228 236 75

HSL 62.98, 0.81%, 0.61%

LAB 90.32, -21.72, 73.17

 

CMYK 68 / 0 / 31 / 7

HEX #4BECA4

RGB 75 236 164

HSL 153.17, 0.81%, 0.61%

LAB 84.05, -57.83, 23.07

 

CMYK 65 / 68 / 0 / 7

HEX #534BEC

RGB 83 75 236

HSL 242.98, 0.81%, 0.61%

LAB 42.65, 50.52, -79.89

 

Description

Color code: HEX #EC4C94 | qconv.com Color code: HEX #EC4C94 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 76 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 76 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 37 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 37% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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