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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC4B44CE it is the complementary color #13B4BBCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC4B44CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC4B44CE shade: #F14B3FCE, #FF5D52CE, #FF6F65CE, #FF8178CE and #FF938BCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC4B44CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC4B44CE shade: #EC4B44CE, #DB3931CE, #CA271ECE, #B9150BCE and #A80300CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC4B44CE shade: #ED4C45 and #ED4545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC4B44CE shade: #ED4C45, #ED7945, #EDA745, #EDD445 and #D9ED45

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC4B44CE shade matches the following richer shades: #ED4C45 and #FD3D35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC4B44CE shade: #ED4C45, #DC5B56, #CC6B66, #BB7A77 and #AB8987

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC4B44CE shade: #ED4599, #ED456C, #ED4B45, #ED7845 and #EDA445

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC4B44CE shade: #CB1C14, #E92820, #ED4C45, #F0706B and #F49590

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC4B44CE shade: #EC4B44, #C6ED45 and #4583ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC4B44CE shade: #EC4B44, #45ED4B and #4B45ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC4B44CE shade: #EC4B44, #C6ED45, #45E7ED and #6C45ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC4B44CE shade: #EC4B44, #93ED45, #45E7ED and #9F45ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 58 / 6

HEX #EC4B44CE

RGBA 236 75 68 0.81

HSLA 2.5, 0.82%, 0.6%, 0.81

LABA 55.36, 61.24, 39.44, 0.81

 

Complementary color

CMYK 73 / 3 / 0 / 22

HEX #13B4BBCE

RGBA 19 180 187 0.81

HSLA 182.5, 0.82%, 0.4%, 0.81

LABA 66.8, -34.17, -14.26, 0.81

 

CMYK 0 / 56 / 60 / 4

HEX #F14B3FCE

RGBA 241 75 63 0.81

HSLA 4.04, 0.86%, 0.6%, 0.81

LABA 56.18, 62.6, 43.34, 0.81

 

CMYK 0 / 51 / 55 / 0

HEX #FF5D52CE

RGBA 255 93 82 0.81

HSLA 3.82, 1%, 0.66%, 0.81

LABA 61.39, 60.89, 39.57, 0.81

 

CMYK 0 / 46 / 49 / 0

HEX #FF6F65CE

RGBA 255 111 101 0.81

HSLA 3.9, 1%, 0.7%, 0.81

LABA 64.62, 54.17, 33.03, 0.81

 

CMYK 0 / 40 / 43 / 0

HEX #FF8178CE

RGBA 255 129 120 0.81

HSLA 4, 1%, 0.74%, 0.81

LABA 68.25, 47.03, 27.2, 0.81

 

CMYK 0 / 34 / 37 / 0

HEX #FF938BCE

RGBA 255 147 139 0.81

HSLA 4.14, 1%, 0.77%, 0.81

LABA 72.22, 39.73, 22.04, 0.81

 

CMYK 0 / 55 / 58 / 6

HEX #EC4B44CE

RGBA 236 75 68 0.81

HSLA 2.5, 0.82%, 0.6%, 0.81

LABA 55.36, 61.24, 39.44, 0.81

 

CMYK 0 / 60 / 63 / 11

HEX #DB3931CE

RGBA 219 57 49 0.81

HSLA 2.82, 0.7%, 0.53%, 0.81

LABA 49.75, 61.63, 42.83, 0.81

 

CMYK 0 / 65 / 69 / 17

HEX #CA271ECE

RGBA 202 39 30 0.81

HSLA 3.14, 0.74%, 0.45%, 0.81

LABA 44.38, 61.46, 46.39, 0.81

 

CMYK 0 / 72 / 76 / 22

HEX #B9150BCE

RGBA 185 21 11 0.81

HSLA 3.45, 0.89%, 0.38%, 0.81

LABA 39.37, 60.39, 49.24, 0.81

 

CMYK 0 / 80 / 81 / 28

HEX #A80300CE

RGBA 168 3 0 0.81

HSLA 1.07, 1%, 0.33%, 0.81

LABA 34.78, 58.23, 49, 0.81

 

CMYK 0 / 68 / 71 / 7

HEX #ED4C45

RGB 237 76 69

HSL 2.5, 0.82%, 0.6%

LAB 55.69, 61.22, 39.3

 

CMYK 0 / 71 / 71 / 7

HEX #ED4545

RGB 237 69 69

HSL 0, 0.82%, 0.6%

LAB 54.75, 63.79, 38.22

 

CMYK 0 / 68 / 71 / 7

HEX #ED4C45

RGB 237 76 69

HSL 2.5, 0.82%, 0.6%

LAB 55.69, 61.22, 39.3

 

CMYK 0 / 49 / 71 / 7

HEX #ED7945

RGB 237 121 69

HSL 18.57, 0.82%, 0.6%

LAB 63.43, 40.97, 48.03

 

CMYK 0 / 30 / 71 / 7

HEX #EDA745

RGB 237 167 69

HSL 35, 0.82%, 0.6%

LAB 73.59, 16.96, 58.85

 

CMYK 0 / 11 / 71 / 7

HEX #EDD445

RGB 237 212 69

HSL 51.07, 0.82%, 0.6%

LAB 84.75, -6.45, 70.1

 

CMYK 8 / 0 / 71 / 7

HEX #D9ED45

RGB 217 237 69

HSL 67.14, 0.82%, 0.6%

LAB 89.74, -26.93, 74.43

 

CMYK 0 / 68 / 71 / 7

HEX #ED4C45

RGB 237 76 69

HSL 2.5, 0.82%, 0.6%

LAB 55.69, 61.22, 39.3

 

CMYK 0 / 76 / 79 / 1

HEX #FD3D35

RGB 253 61 53

HSL 2.4, 0.98%, 0.6%

LAB 56.56, 70.53, 49.7

 

CMYK 0 / 68 / 71 / 7

HEX #ED4C45

RGB 237 76 69

HSL 2.5, 0.82%, 0.6%

LAB 55.69, 61.22, 39.3

 

CMYK 0 / 59 / 61 / 14

HEX #DC5B56

RGB 220 91 86

HSL 2.24, 0.66%, 0.6%

LAB 55.45, 50.18, 28.73

 

CMYK 0 / 48 / 50 / 20

HEX #CC6B66

RGB 204 107 102

HSL 2.94, 0.5%, 0.6%

LAB 56.4, 37.78, 20.29

 

CMYK 0 / 35 / 36 / 27

HEX #BB7A77

RGB 187 122 119

HSL 2.65, 0.33%, 0.6%

LAB 57.86, 25, 12.14

 

CMYK 0 / 20 / 21 / 33

HEX #AB8987

RGB 171 137 135

HSL 3.33, 0.18%, 0.6%

LAB 60.16, 12.6, 5.97

 

CMYK 0 / 71 / 35 / 7

HEX #ED4599

RGB 237 69 153

HSL 330, 0.82%, 0.6%

LAB 56.64, 70.13, -8.58

 

CMYK 0 / 71 / 54 / 7

HEX #ED456C

RGB 237 69 108

HSL 346.07, 0.82%, 0.6%

LAB 55.42, 66.08, 16.31

 

CMYK 0 / 68 / 71 / 7

HEX #ED4B45

RGB 237 75 69

HSL 2.14, 0.82%, 0.6%

LAB 55.55, 61.6, 39.14

 

CMYK 0 / 49 / 71 / 7

HEX #ED7845

RGB 237 120 69

HSL 18.21, 0.82%, 0.6%

LAB 63.23, 41.47, 47.81

 

CMYK 0 / 31 / 71 / 7

HEX #EDA445

RGB 237 164 69

HSL 33.93, 0.82%, 0.6%

LAB 72.88, 18.55, 58.12

 

CMYK 0 / 86 / 90 / 20

HEX #CB1C14

RGB 203 28 20

HSL 2.62, 0.82%, 0.44%

LAB 43.62, 64.1, 50.42

 

CMYK 0 / 83 / 86 / 9

HEX #E92820

RGB 233 40 32

HSL 2.39, 0.82%, 0.52%

LAB 50.62, 69.92, 53.16

 

CMYK 0 / 68 / 71 / 7

HEX #ED4C45

RGB 237 76 69

HSL 2.5, 0.82%, 0.6%

LAB 55.69, 61.22, 39.3

 

CMYK 0 / 53 / 55 / 6

HEX #F0706B

RGB 240 112 107

HSL 2.26, 0.82%, 0.68%

LAB 62.66, 48.88, 26.69

 

CMYK 0 / 39 / 41 / 4

HEX #F49590

RGB 244 149 144

HSL 3, 0.82%, 0.76%

LAB 71.38, 35.14, 17.91

 

CMYK 0 / 68 / 71 / 7

HEX #EC4B44

RGB 236 75 68

HSL 2.5, 0.82%, 0.6%

LAB 55.36, 61.24, 39.44

 

CMYK 16 / 0 / 71 / 7

HEX #C6ED45

RGB 198 237 69

HSL 73.93, 0.82%, 0.6%

LAB 88.45, -34.45, 72.73

 

CMYK 71 / 45 / 0 / 7

HEX #4583ED

RGB 69 131 237

HSL 217.86, 0.82%, 0.6%

LAB 55.7, 14.94, -59.31

 

CMYK 0 / 68 / 71 / 7

HEX #EC4B44

RGB 236 75 68

HSL 2.5, 0.82%, 0.6%

LAB 55.36, 61.24, 39.44

 

CMYK 71 / 0 / 68 / 7

HEX #45ED4B

RGB 69 237 75

HSL 122.14, 0.82%, 0.6%

LAB 83.09, -72.17, 63.38

 

CMYK 68 / 71 / 0 / 7

HEX #4B45ED

RGB 75 69 237

HSL 242.14, 0.82%, 0.6%

LAB 41, 53.25, -83.19

 

CMYK 0 / 68 / 71 / 7

HEX #EC4B44

RGB 236 75 68

HSL 2.5, 0.82%, 0.6%

LAB 55.36, 61.24, 39.44

 

CMYK 16 / 0 / 71 / 7

HEX #C6ED45

RGB 198 237 69

HSL 73.93, 0.82%, 0.6%

LAB 88.45, -34.45, 72.73

 

CMYK 71 / 3 / 0 / 7

HEX #45E7ED

RGB 69 231 237

HSL 182.14, 0.82%, 0.6%

LAB 84.24, -38.62, -14.96

 

CMYK 54 / 71 / 0 / 7

HEX #6C45ED

RGB 108 69 237

HSL 253.93, 0.82%, 0.6%

LAB 43.59, 57.39, -78.84

 

CMYK 0 / 68 / 71 / 7

HEX #EC4B44

RGB 236 75 68

HSL 2.5, 0.82%, 0.6%

LAB 55.36, 61.24, 39.44

 

CMYK 38 / 0 / 71 / 7

HEX #93ED45

RGB 147 237 69

HSL 92.14, 0.82%, 0.6%

LAB 85.61, -52.96, 68.96

 

CMYK 71 / 3 / 0 / 7

HEX #45E7ED

RGB 69 231 237

HSL 182.14, 0.82%, 0.6%

LAB 84.24, -38.62, -14.96

 

CMYK 33 / 71 / 0 / 7

HEX #9F45ED

RGB 159 69 237

HSL 272.14, 0.82%, 0.6%

LAB 49.18, 65.84, -69.49

 

Description

Color code: HEX #EC4B44CE | qconv.com Color code: HEX #EC4B44CE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 75 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 75 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 58 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 58% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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