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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC4725CE it is the complementary color #13B8DACE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC4725CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC4725CE shade: #F14720CE, #FF5933CE, #FF6B46CE, #FF7D59CE and #FF8F6CCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC4725CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC4725CE shade: #EC4725CE, #DB3512CE, #CA2300CE, #B91100CE and #A80000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC4725CE shade: #EC4927 and #EC2727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC4725CE shade: #EC4927, #EC7E27, #ECB327, #ECE827 and #BBEC27

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC4725CE shade matches the following richer shades: #EC4927

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC4725CE shade: #EC4927, #D9553A, #C6624D, #B36E60 and #A07B73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC4725CE shade: #EC276F, #EC273B, #EC4827, #EC7D27 and #ECB127

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC4725CE shade: #B12B0F, #D73413, #EC4927, #F0694D and #F38973

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC4725CE shade: #EC4725, #A4EC27 and #2755EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC4725CE shade: #EC4725, #27EC48 and #4827EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC4725CE shade: #EC4725, #A4EC27, #27CBEC and #6F27EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC4725CE shade: #EC4725, #69EC27, #27CBEC and #AB27EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 68 / 6

HEX #EC4725CE

RGBA 236 71 37 0.81

HSLA 10.25, 0.84%, 0.54%, 0.81

LABA 54.53, 61.68, 54.41, 0.81

 

Complementary color

CMYK 74 / 13 / 0 / 12

HEX #13B8DACE

RGBA 19 184 218 0.81

HSLA 190.25, 0.84%, 0.46%, 0.81

LABA 69.1, -26.13, -27.82, 0.81

 

CMYK 0 / 57 / 70 / 4

HEX #F14720CE

RGBA 241 71 32 0.81

HSLA 11.2, 0.88%, 0.54%, 0.81

LABA 55.39, 63.15, 57.61, 0.81

 

CMYK 0 / 53 / 65 / 0

HEX #FF5933CE

RGBA 255 89 51 0.81

HSLA 11.18, 1%, 0.6%, 0.81

LABA 60.47, 61.28, 54.62, 0.81

 

CMYK 0 / 47 / 59 / 0

HEX #FF6B46CE

RGBA 255 107 70 0.81

HSLA 12, 1%, 0.64%, 0.81

LABA 63.52, 54.3, 48.39, 0.81

 

CMYK 0 / 41 / 53 / 0

HEX #FF7D59CE

RGBA 255 125 89 0.81

HSLA 13.01, 1%, 0.67%, 0.81

LABA 67.01, 46.83, 42.49, 0.81

 

CMYK 0 / 36 / 47 / 0

HEX #FF8F6CCE

RGBA 255 143 108 0.81

HSLA 14.29, 1%, 0.71%, 0.81

LABA 70.86, 39.12, 37.11, 0.81

 

CMYK 0 / 57 / 68 / 6

HEX #EC4725CE

RGBA 236 71 37 0.81

HSLA 10.25, 0.84%, 0.54%, 0.81

LABA 54.53, 61.68, 54.41, 0.81

 

CMYK 0 / 61 / 74 / 11

HEX #DB3512CE

RGBA 219 53 18 0.81

HSLA 10.45, 0.85%, 0.46%, 0.81

LABA 49.07, 62.2, 56.37, 0.81

 

CMYK 0 / 67 / 81 / 17

HEX #CA2300CE

RGBA 202 35 0 0.81

HSLA 10.4, 1%, 0.4%, 0.81

LABA 43.88, 62.06, 57.07, 0.81

 

CMYK 0 / 74 / 81 / 22

HEX #B91100CE

RGBA 185 17 0 0.81

HSLA 5.51, 1%, 0.36%, 0.81

LABA 39.1, 60.94, 53.07, 0.81

 

CMYK 0 / 81 / 81 / 28

HEX #A80000CE

RGBA 168 0 0 0.81

HSLA 0, 1%, 0.33%, 0.81

LABA 34.65, 58.61, 48.93, 0.81

 

CMYK 0 / 69 / 83 / 7

HEX #EC4927

RGB 236 73 39

HSL 10.36, 0.84%, 0.54%

LAB 54.81, 60.99, 53.76

 

CMYK 0 / 83 / 83 / 7

HEX #EC2727

RGB 236 39 39

HSL 0, 0.84%, 0.54%

LAB 51.19, 71.1, 50.54

 

CMYK 0 / 69 / 83 / 7

HEX #EC4927

RGB 236 73 39

HSL 10.36, 0.84%, 0.54%

LAB 54.81, 60.99, 53.76

 

CMYK 0 / 47 / 83 / 7

HEX #EC7E27

RGB 236 126 39

HSL 26.5, 0.84%, 0.54%

LAB 64.08, 36.93, 61.82

 

CMYK 0 / 24 / 83 / 7

HEX #ECB327

RGB 236 179 39

HSL 42.64, 0.84%, 0.54%

LAB 76.2, 9.08, 72.11

 

CMYK 0 / 2 / 83 / 7

HEX #ECE827

RGB 236 232 39

HSL 58.78, 0.84%, 0.54%

LAB 89.72, -17.85, 83.37

 

CMYK 21 / 0 / 83 / 7

HEX #BBEC27

RGB 187 236 39

HSL 74.92, 0.84%, 0.54%

LAB 87.34, -39.52, 79.98

 

CMYK 0 / 69 / 83 / 7

HEX #EC4927

RGB 236 73 39

HSL 10.36, 0.84%, 0.54%

LAB 54.81, 60.99, 53.76

 

CMYK 0 / 69 / 83 / 7

HEX #EC4927

RGB 236 73 39

HSL 10.36, 0.84%, 0.54%

LAB 54.81, 60.99, 53.76

 

CMYK 0 / 61 / 73 / 15

HEX #D9553A

RGB 217 85 58

HSL 10.19, 0.68%, 0.54%

LAB 53.55, 50.31, 41.98

 

CMYK 0 / 51 / 61 / 22

HEX #C6624D

RGB 198 98 77

HSL 10.41, 0.51%, 0.54%

LAB 53.25, 38.09, 30.38

 

CMYK 0 / 39 / 46 / 30

HEX #B36E60

RGB 179 110 96

HSL 10.12, 0.35%, 0.54%

LAB 53.58, 25.82, 19.39

 

CMYK 0 / 23 / 28 / 37

HEX #A07B73

RGB 160 123 115

HSL 10.67, 0.19%, 0.54%

LAB 54.95, 13.16, 9.91

 

CMYK 0 / 83 / 53 / 7

HEX #EC276F

RGB 236 39 111

HSL 338.07, 0.84%, 0.54%

LAB 52.32, 74.45, 10.17

 

CMYK 0 / 83 / 75 / 7

HEX #EC273B

RGB 236 39 59

HSL 353.91, 0.84%, 0.54%

LAB 51.38, 71.68, 39.99

 

CMYK 0 / 69 / 83 / 7

HEX #EC4827

RGB 236 72 39

HSL 10.05, 0.84%, 0.54%

LAB 54.67, 61.36, 53.64

 

CMYK 0 / 47 / 83 / 7

HEX #EC7D27

RGB 236 125 39

HSL 26.19, 0.84%, 0.54%

LAB 63.87, 37.43, 61.64

 

CMYK 0 / 25 / 83 / 7

HEX #ECB127

RGB 236 177 39

HSL 42.03, 0.84%, 0.54%

LAB 75.71, 10.13, 71.7

 

CMYK 0 / 76 / 92 / 31

HEX #B12B0F

RGB 177 43 15

HSL 10.37, 0.84%, 0.38%

LAB 39.76, 52.41, 47.25

 

CMYK 0 / 76 / 91 / 16

HEX #D73413

RGB 215 52 19

HSL 10.1, 0.84%, 0.46%

LAB 48.2, 61.32, 55.08

 

CMYK 0 / 69 / 83 / 7

HEX #EC4927

RGB 236 73 39

HSL 10.36, 0.84%, 0.54%

LAB 54.81, 60.99, 53.76

 

CMYK 0 / 56 / 68 / 6

HEX #F0694D

RGB 240 105 77

HSL 10.31, 0.84%, 0.62%

LAB 60.93, 50.24, 41.15

 

CMYK 0 / 44 / 53 / 5

HEX #F38973

RGB 243 137 115

HSL 10.31, 0.84%, 0.7%

LAB 68.16, 38.18, 29.53

 

CMYK 0 / 70 / 84 / 7

HEX #EC4725

RGB 236 71 37

HSL 10.25, 0.84%, 0.54%

LAB 54.53, 61.68, 54.41

 

CMYK 31 / 0 / 83 / 7

HEX #A4EC27

RGB 164 236 39

HSL 81.93, 0.84%, 0.54%

LAB 86.02, -48.12, 78.33

 

CMYK 83 / 64 / 0 / 7

HEX #2755EC

RGB 39 85 236

HSL 225.99, 0.84%, 0.54%

LAB 42.74, 40.32, -79.83

 

CMYK 0 / 70 / 84 / 7

HEX #EC4725

RGB 236 71 37

HSL 10.25, 0.84%, 0.54%

LAB 54.53, 61.68, 54.41

 

CMYK 83 / 0 / 69 / 7

HEX #27EC48

RGB 39 236 72

HSL 130.05, 0.84%, 0.54%

LAB 82.32, -75.95, 63.54

 

CMYK 69 / 83 / 0 / 7

HEX #4827EC

RGB 72 39 236

HSL 250.05, 0.84%, 0.54%

LAB 35.76, 66.86, -91.3

 

CMYK 0 / 70 / 84 / 7

HEX #EC4725

RGB 236 71 37

HSL 10.25, 0.84%, 0.54%

LAB 54.53, 61.68, 54.41

 

CMYK 31 / 0 / 83 / 7

HEX #A4EC27

RGB 164 236 39

HSL 81.93, 0.84%, 0.54%

LAB 86.02, -48.12, 78.33

 

CMYK 83 / 14 / 0 / 7

HEX #27CBEC

RGB 39 203 236

HSL 190.05, 0.84%, 0.54%

LAB 75.58, -28.55, -27.62

 

CMYK 53 / 83 / 0 / 7

HEX #6F27EC

RGB 111 39 236

HSL 261.93, 0.84%, 0.54%

LAB 39.39, 70.2, -85.18

 

CMYK 0 / 70 / 84 / 7

HEX #EC4725

RGB 236 71 37

HSL 10.25, 0.84%, 0.54%

LAB 54.53, 61.68, 54.41

 

CMYK 56 / 0 / 83 / 7

HEX #69EC27

RGB 105 236 39

HSL 99.9, 0.84%, 0.54%

LAB 83.52, -66.56, 75.16

 

CMYK 83 / 14 / 0 / 7

HEX #27CBEC

RGB 39 203 236

HSL 190.05, 0.84%, 0.54%

LAB 75.58, -28.55, -27.62

 

CMYK 28 / 83 / 0 / 7

HEX #AB27EC

RGB 171 39 236

HSL 280.2, 0.84%, 0.54%

LAB 47.19, 77.84, -72.09

 

Description

Color code: HEX #EC4725CE | qconv.com Color code: HEX #EC4725CE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 71 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 71 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 68 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 68% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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