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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC45B2 it is the complementary color #13BA4D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC45B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC45B2 shade: #F145AD, #FF57C0, #FF69D3, #FF7BE6 and #FF8DF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC45B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC45B2 shade: #EC45B2, #DB339F, #CA218C, #B90F79 and #A80066

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC45B2 shade: #EB46B2, #EB4685, #EB4659 and #EB4646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC45B2 shade: #EB46B2, #EB46DE, #CB46EB, #9F46EB and #7246EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC45B2 shade matches the following richer shades: #EB46B2 and #FC35B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC45B2 shade: #EB46B2, #DB56AD, #CA67A8, #BA77A3 and #A9889E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC45B2 shade: #CA46EB, #EB46E0, #EB46B4, #EB4688 and #EB465C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC45B2 shade: #CA158B, #E721A2, #EB46B2, #EF6BC1 and #F391D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC45B2 shade: #EC45B2, #EB9E46 and #46EBE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC45B2 shade: #EC45B2, #B4EB46 and #46B4EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC45B2 shade: #EC45B2, #EB9E46, #46EB7D and #4693EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC45B2 shade: #EC45B2, #EBD046, #46EB7D and #4661EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 25 / 7

HEX #EC45B2

RGB 236 69 178

HSL 320.84, 0.81%, 0.6%

LAB 57.37, 72.74, -22.08

 

Complementary color

CMYK 90 / 0 / 59 / 27

HEX #13BA4D

RGB 19 186 77

HSL 140.84, 0.81%, 0.4%

LAB 66.36, -61.8, 43.72

 

CMYK 0 / 71 / 28 / 5

HEX #F145AD

RGB 241 69 173

HSL 323.72, 0.86%, 0.61%

LAB 58.01, 73.39, -18.13

 

CMYK 0 / 66 / 25 / 0

HEX #FF57C0

RGB 255 87 192

HSL 322.5, 1%, 0.67%

LAB 63.25, 72.96, -20.86

 

CMYK 0 / 59 / 17 / 0

HEX #FF69D3

RGB 255 105 211

HSL 317.6, 1%, 0.71%

LAB 66.57, 68.31, -26.5

 

CMYK 0 / 52 / 10 / 0

HEX #FF7BE6

RGB 255 123 230

HSL 311.36, 1%, 0.74%

LAB 70.27, 63.17, -31.35

 

CMYK 0 / 45 / 2 / 0

HEX #FF8DF9

RGB 255 141 249

HSL 303.16, 1%, 0.78%

LAB 74.29, 57.73, -35.54

 

CMYK 0 / 71 / 25 / 7

HEX #EC45B2

RGB 236 69 178

HSL 320.84, 0.81%, 0.6%

LAB 57.37, 72.74, -22.08

 

CMYK 0 / 77 / 27 / 14

HEX #DB339F

RGB 219 51 159

HSL 321.43, 0.7%, 0.53%

LAB 51.76, 71.88, -19.81

 

CMYK 0 / 84 / 31 / 21

HEX #CA218C

RGB 202 33 140

HSL 322.01, 0.72%, 0.46%

LAB 46.36, 70.24, -16.95

 

CMYK 0 / 92 / 35 / 27

HEX #B90F79

RGB 185 15 121

HSL 322.59, 0.85%, 0.39%

LAB 41.27, 67.52, -13.34

 

CMYK 0 / 100 / 39 / 34

HEX #A80066

RGB 168 0 102

HSL 323.57, 1%, 0.33%

LAB 36.53, 63.61, -8.88

 

CMYK 0 / 70 / 24 / 8

HEX #EB46B2

RGB 235 70 178

HSL 320.73, 0.8%, 0.6%

LAB 57.32, 72.16, -22.17

 

CMYK 0 / 70 / 43 / 8

HEX #EB4685

RGB 235 70 133

HSL 337.09, 0.8%, 0.6%

LAB 55.82, 67.24, 1.97

 

CMYK 0 / 70 / 62 / 8

HEX #EB4659

RGB 235 70 89

HSL 353.09, 0.8%, 0.6%

LAB 54.83, 63.87, 26.69

 

CMYK 0 / 70 / 70 / 8

HEX #EB4646

RGB 235 70 70

HSL 0, 0.8%, 0.6%

LAB 54.54, 62.86, 37.31

 

CMYK 0 / 70 / 24 / 8

HEX #EB46B2

RGB 235 70 178

HSL 320.73, 0.8%, 0.6%

LAB 57.32, 72.16, -22.17

 

CMYK 0 / 70 / 6 / 8

HEX #EB46DE

RGB 235 70 222

HSL 304.73, 0.8%, 0.6%

LAB 59.27, 78.22, -44.28

 

CMYK 14 / 70 / 0 / 8

HEX #CB46EB

RGB 203 70 235

HSL 288.36, 0.8%, 0.6%

LAB 55.15, 73.6, -58.43

 

CMYK 32 / 70 / 0 / 8

HEX #9F46EB

RGB 159 70 235

HSL 272.36, 0.8%, 0.6%

LAB 49.19, 64.96, -68.35

 

CMYK 51 / 70 / 0 / 8

HEX #7246EB

RGB 114 70 235

HSL 256, 0.8%, 0.6%

LAB 44.17, 57.23, -76.74

 

CMYK 0 / 70 / 24 / 8

HEX #EB46B2

RGB 235 70 178

HSL 320.73, 0.8%, 0.6%

LAB 57.32, 72.16, -22.17

 

CMYK 0 / 79 / 27 / 1

HEX #FC35B7

RGB 252 53 183

HSL 320.8, 0.97%, 0.6%

LAB 58.66, 81.73, -22.76

 

CMYK 0 / 70 / 24 / 8

HEX #EB46B2

RGB 235 70 178

HSL 320.73, 0.8%, 0.6%

LAB 57.32, 72.16, -22.17

 

CMYK 0 / 61 / 21 / 14

HEX #DB56AD

RGB 219 86 173

HSL 320.75, 0.65%, 0.6%

LAB 56.81, 61.1, -20.27

 

CMYK 0 / 49 / 17 / 21

HEX #CA67A8

RGB 202 103 168

HSL 320.61, 0.48%, 0.6%

LAB 57.16, 47.35, -17.08

 

CMYK 0 / 36 / 12 / 27

HEX #BA77A3

RGB 186 119 163

HSL 320.6, 0.33%, 0.6%

LAB 58.3, 32.78, -12.66

 

CMYK 0 / 20 / 7 / 34

HEX #A9889E

RGB 169 136 158

HSL 320, 0.16%, 0.6%

LAB 60.35, 16.33, -6.92

 

CMYK 14 / 70 / 0 / 8

HEX #CA46EB

RGB 202 70 235

HSL 288, 0.8%, 0.6%

LAB 55.01, 73.39, -58.67

 

CMYK 0 / 70 / 5 / 8

HEX #EB46E0

RGB 235 70 224

HSL 304, 0.8%, 0.6%

LAB 59.37, 78.52, -45.25

 

CMYK 0 / 70 / 23 / 8

HEX #EB46B4

RGB 235 70 180

HSL 320, 0.8%, 0.6%

LAB 57.4, 72.41, -23.2

 

CMYK 0 / 70 / 42 / 8

HEX #EB4688

RGB 235 70 136

HSL 336, 0.8%, 0.6%

LAB 55.91, 67.52, 0.32

 

CMYK 0 / 70 / 61 / 8

HEX #EB465C

RGB 235 70 92

HSL 352, 0.8%, 0.6%

LAB 54.88, 64.05, 24.99

 

CMYK 0 / 90 / 31 / 21

HEX #CA158B

RGB 202 21 139

HSL 320.88, 0.81%, 0.44%

LAB 45.58, 72.3, -17.55

 

CMYK 0 / 86 / 30 / 9

HEX #E721A2

RGB 231 33 162

HSL 320.91, 0.8%, 0.52%

LAB 52.6, 79.05, -20.1

 

CMYK 0 / 70 / 24 / 8

HEX #EB46B2

RGB 235 70 178

HSL 320.73, 0.8%, 0.6%

LAB 57.32, 72.16, -22.17

 

CMYK 0 / 55 / 19 / 6

HEX #EF6BC1

RGB 239 107 193

HSL 320.91, 0.8%, 0.68%

LAB 63.93, 60.39, -20.6

 

CMYK 0 / 40 / 14 / 5

HEX #F391D1

RGB 243 145 209

HSL 320.82, 0.8%, 0.76%

LAB 72.17, 45.51, -17

 

CMYK 0 / 71 / 25 / 7

HEX #EC45B2

RGB 236 69 178

HSL 320.84, 0.81%, 0.6%

LAB 57.37, 72.74, -22.08

 

CMYK 0 / 33 / 70 / 8

HEX #EB9E46

RGB 235 158 70

HSL 32, 0.8%, 0.6%

LAB 71.25, 20.95, 55.9

 

CMYK 70 / 0 / 5 / 8

HEX #46EBE0

RGB 70 235 224

HSL 176, 0.8%, 0.6%

LAB 85.05, -43.87, -6.9

 

CMYK 0 / 71 / 25 / 7

HEX #EC45B2

RGB 236 69 178

HSL 320.84, 0.81%, 0.6%

LAB 57.37, 72.74, -22.08

 

CMYK 23 / 0 / 70 / 8

HEX #B4EB46

RGB 180 235 70

HSL 80, 0.8%, 0.6%

LAB 86.78, -40.38, 70.36

 

CMYK 70 / 23 / 0 / 8

HEX #46B4EB

RGB 70 180 235

HSL 200, 0.8%, 0.6%

LAB 69.43, -13.84, -36.52

 

CMYK 0 / 71 / 25 / 7

HEX #EC45B2

RGB 236 69 178

HSL 320.84, 0.81%, 0.6%

LAB 57.37, 72.74, -22.08

 

CMYK 0 / 33 / 70 / 8

HEX #EB9E46

RGB 235 158 70

HSL 32, 0.8%, 0.6%

LAB 71.25, 20.95, 55.9

 

CMYK 70 / 0 / 47 / 8

HEX #46EB7D

RGB 70 235 125

HSL 140, 0.8%, 0.6%

LAB 83.02, -65.26, 41.29

 

CMYK 70 / 37 / 0 / 8

HEX #4693EB

RGB 70 147 235

HSL 212, 0.8%, 0.6%

LAB 60.04, 4.76, -51.27

 

CMYK 0 / 71 / 25 / 7

HEX #EC45B2

RGB 236 69 178

HSL 320.84, 0.81%, 0.6%

LAB 57.37, 72.74, -22.08

 

CMYK 0 / 11 / 70 / 8

HEX #EBD046

RGB 235 208 70

HSL 50.18, 0.8%, 0.6%

LAB 83.56, -5.21, 68.48

 

CMYK 70 / 0 / 47 / 8

HEX #46EB7D

RGB 70 235 125

HSL 140, 0.8%, 0.6%

LAB 83.02, -65.26, 41.29

 

CMYK 70 / 59 / 0 / 8

HEX #4661EB

RGB 70 97 235

HSL 230.18, 0.8%, 0.6%

LAB 46.78, 35.45, -72.62

 

Description

Color code: HEX #EC45B2 | qconv.com Color code: HEX #EC45B2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 69 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 69 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 25 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 25% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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