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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC45AB it is the complementary color #13BA54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC45AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC45AB shade: #F145A6, #FF57B9, #FF69CC, #FF7BDF and #FF8DF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC45AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC45AB shade: #EC45AB, #DB3398, #CA2185, #B90F72 and #A8005F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC45AB shade: #EB46AB, #EB467E, #EB4652 and #EB4646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC45AB shade: #EB46AB, #EB46D7, #D246EB, #A646EB and #7946EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC45AB shade matches the following richer shades: #EB46AB and #FC35AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC45AB shade: #EB46AB, #DB56A7, #CA67A3, #BA77A0 and #A9889C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC45AB shade: #D246EB, #EB46D8, #EB46AC, #EB4680 and #EB4654

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC45AB shade: #CA1583, #E7219A, #EB46AB, #EF6BBC and #F391CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC45AB shade: #EC45AB, #EBA646 and #46EBE8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC45AB shade: #EC45AB, #ACEB46 and #46ACEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC45AB shade: #EC45AB, #EBA646, #46EB85 and #468BEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC45AB shade: #EC45AB, #EBD846, #46EB85 and #4659EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 28 / 7

HEX #EC45AB

RGB 236 69 171

HSL 323.35, 0.81%, 0.6%

LAB 57.1, 71.89, -18.42

 

Complementary color

CMYK 90 / 0 / 55 / 27

HEX #13BA54

RGB 19 186 84

HSL 143.35, 0.81%, 0.4%

LAB 66.44, -60.82, 40.5

 

CMYK 0 / 71 / 31 / 5

HEX #F145A6

RGB 241 69 166

HSL 326.16, 0.86%, 0.61%

LAB 57.76, 72.59, -14.44

 

CMYK 0 / 66 / 27 / 0

HEX #FF57B9

RGB 255 87 185

HSL 325, 1%, 0.67%

LAB 62.99, 72.1, -17.26

 

CMYK 0 / 59 / 20 / 0

HEX #FF69CC

RGB 255 105 204

HSL 320.4, 1%, 0.71%

LAB 66.31, 67.34, -22.97

 

CMYK 0 / 52 / 13 / 0

HEX #FF7BDF

RGB 255 123 223

HSL 314.55, 1%, 0.74%

LAB 70, 62.09, -27.9

 

CMYK 0 / 45 / 5 / 0

HEX #FF8DF2

RGB 255 141 242

HSL 306.84, 1%, 0.78%

LAB 74.01, 56.55, -32.16

 

CMYK 0 / 71 / 28 / 7

HEX #EC45AB

RGB 236 69 171

HSL 323.35, 0.81%, 0.6%

LAB 57.1, 71.89, -18.42

 

CMYK 0 / 77 / 31 / 14

HEX #DB3398

RGB 219 51 152

HSL 323.93, 0.7%, 0.53%

LAB 51.49, 71.07, -16.06

 

CMYK 0 / 84 / 34 / 21

HEX #CA2185

RGB 202 33 133

HSL 324.5, 0.72%, 0.46%

LAB 46.09, 69.48, -13.11

 

CMYK 0 / 92 / 38 / 27

HEX #B90F72

RGB 185 15 114

HSL 325.06, 0.85%, 0.39%

LAB 41.01, 66.82, -9.37

 

CMYK 0 / 100 / 43 / 34

HEX #A8005F

RGB 168 0 95

HSL 326.07, 1%, 0.33%

LAB 36.27, 62.95, -4.77

 

CMYK 0 / 70 / 27 / 8

HEX #EB46AB

RGB 235 70 171

HSL 323.27, 0.8%, 0.6%

LAB 57.06, 71.3, -18.51

 

CMYK 0 / 70 / 46 / 8

HEX #EB467E

RGB 235 70 126

HSL 339.64, 0.8%, 0.6%

LAB 55.63, 66.61, 5.85

 

CMYK 0 / 70 / 65 / 8

HEX #EB4652

RGB 235 70 82

HSL 355.64, 0.8%, 0.6%

LAB 54.71, 63.47, 30.63

 

CMYK 0 / 70 / 70 / 8

HEX #EB4646

RGB 235 70 70

HSL 0, 0.8%, 0.6%

LAB 54.54, 62.86, 37.31

 

CMYK 0 / 70 / 27 / 8

HEX #EB46AB

RGB 235 70 171

HSL 323.27, 0.8%, 0.6%

LAB 57.06, 71.3, -18.51

 

CMYK 0 / 70 / 9 / 8

HEX #EB46D7

RGB 235 70 215

HSL 307.27, 0.8%, 0.6%

LAB 58.93, 77.18, -40.86

 

CMYK 11 / 70 / 0 / 8

HEX #D246EB

RGB 210 70 235

HSL 290.91, 0.8%, 0.6%

LAB 56.17, 75.03, -56.75

 

CMYK 29 / 70 / 0 / 8

HEX #A646EB

RGB 166 70 235

HSL 274.91, 0.8%, 0.6%

LAB 50.08, 66.28, -66.86

 

CMYK 49 / 70 / 0 / 8

HEX #7946EB

RGB 121 70 235

HSL 258.55, 0.8%, 0.6%

LAB 44.86, 58.32, -75.58

 

CMYK 0 / 70 / 27 / 8

HEX #EB46AB

RGB 235 70 171

HSL 323.27, 0.8%, 0.6%

LAB 57.06, 71.3, -18.51

 

CMYK 0 / 79 / 31 / 1

HEX #FC35AE

RGB 252 53 174

HSL 323.52, 0.97%, 0.6%

LAB 58.32, 80.74, -18.07

 

CMYK 0 / 70 / 27 / 8

HEX #EB46AB

RGB 235 70 171

HSL 323.27, 0.8%, 0.6%

LAB 57.06, 71.3, -18.51

 

CMYK 0 / 61 / 24 / 14

HEX #DB56A7

RGB 219 86 167

HSL 323.46, 0.65%, 0.6%

LAB 56.59, 60.29, -17.13

 

CMYK 0 / 49 / 19 / 21

HEX #CA67A3

RGB 202 103 163

HSL 323.64, 0.48%, 0.6%

LAB 56.98, 46.59, -14.45

 

CMYK 0 / 36 / 14 / 27

HEX #BA77A0

RGB 186 119 160

HSL 323.28, 0.33%, 0.6%

LAB 58.2, 32.28, -11.08

 

CMYK 0 / 20 / 8 / 34

HEX #A9889C

RGB 169 136 156

HSL 323.64, 0.16%, 0.6%

LAB 60.29, 15.97, -5.86

 

CMYK 11 / 70 / 0 / 8

HEX #D246EB

RGB 210 70 235

HSL 290.91, 0.8%, 0.6%

LAB 56.17, 75.03, -56.75

 

CMYK 0 / 70 / 8 / 8

HEX #EB46D8

RGB 235 70 216

HSL 306.91, 0.8%, 0.6%

LAB 58.97, 77.33, -41.35

 

CMYK 0 / 70 / 27 / 8

HEX #EB46AC

RGB 235 70 172

HSL 322.91, 0.8%, 0.6%

LAB 57.1, 71.42, -19.03

 

CMYK 0 / 70 / 46 / 8

HEX #EB4680

RGB 235 70 128

HSL 338.91, 0.8%, 0.6%

LAB 55.69, 66.78, 4.74

 

CMYK 0 / 70 / 64 / 8

HEX #EB4654

RGB 235 70 84

HSL 354.91, 0.8%, 0.6%

LAB 54.74, 63.58, 29.51

 

CMYK 0 / 90 / 35 / 21

HEX #CA1583

RGB 202 21 131

HSL 323.54, 0.81%, 0.44%

LAB 45.26, 71.46, -13.14

 

CMYK 0 / 86 / 33 / 9

HEX #E7219A

RGB 231 33 154

HSL 323.33, 0.8%, 0.52%

LAB 52.3, 78.21, -15.82

 

CMYK 0 / 70 / 27 / 8

HEX #EB46AB

RGB 235 70 171

HSL 323.27, 0.8%, 0.6%

LAB 57.06, 71.3, -18.51

 

CMYK 0 / 55 / 21 / 6

HEX #EF6BBC

RGB 239 107 188

HSL 323.18, 0.8%, 0.68%

LAB 63.75, 59.69, -18.04

 

CMYK 0 / 40 / 16 / 5

HEX #F391CD

RGB 243 145 205

HSL 323.27, 0.8%, 0.76%

LAB 72.04, 44.89, -14.99

 

CMYK 0 / 71 / 28 / 7

HEX #EC45AB

RGB 236 69 171

HSL 323.35, 0.81%, 0.6%

LAB 57.1, 71.89, -18.42

 

CMYK 0 / 29 / 70 / 8

HEX #EBA646

RGB 235 166 70

HSL 34.91, 0.8%, 0.6%

LAB 73.14, 16.7, 57.88

 

CMYK 70 / 0 / 1 / 8

HEX #46EBE8

RGB 70 235 232

HSL 178.91, 0.8%, 0.6%

LAB 85.27, -41.7, -10.78

 

CMYK 0 / 71 / 28 / 7

HEX #EC45AB

RGB 236 69 171

HSL 323.35, 0.81%, 0.6%

LAB 57.1, 71.89, -18.42

 

CMYK 27 / 0 / 70 / 8

HEX #ACEB46

RGB 172 235 70

HSL 82.91, 0.8%, 0.6%

LAB 86.32, -43.34, 69.74

 

CMYK 70 / 27 / 0 / 8

HEX #46ACEB

RGB 70 172 235

HSL 202.91, 0.8%, 0.6%

LAB 67.13, -9.5, -40.1

 

CMYK 0 / 71 / 28 / 7

HEX #EC45AB

RGB 236 69 171

HSL 323.35, 0.81%, 0.6%

LAB 57.1, 71.89, -18.42

 

CMYK 0 / 29 / 70 / 8

HEX #EBA646

RGB 235 166 70

HSL 34.91, 0.8%, 0.6%

LAB 73.14, 16.7, 57.88

 

CMYK 70 / 0 / 43 / 8

HEX #46EB85

RGB 70 235 133

HSL 142.91, 0.8%, 0.6%

LAB 83.13, -63.97, 37.51

 

CMYK 70 / 41 / 0 / 8

HEX #468BEB

RGB 70 139 235

HSL 214.91, 0.8%, 0.6%

LAB 57.81, 9.52, -54.82

 

CMYK 0 / 71 / 28 / 7

HEX #EC45AB

RGB 236 69 171

HSL 323.35, 0.81%, 0.6%

LAB 57.1, 71.89, -18.42

 

CMYK 0 / 8 / 70 / 8

HEX #EBD846

RGB 235 216 70

HSL 53.09, 0.8%, 0.6%

LAB 85.61, -9.25, 70.52

 

CMYK 70 / 0 / 43 / 8

HEX #46EB85

RGB 70 235 133

HSL 142.91, 0.8%, 0.6%

LAB 83.13, -63.97, 37.51

 

CMYK 70 / 62 / 0 / 8

HEX #4659EB

RGB 70 89 235

HSL 233.09, 0.8%, 0.6%

LAB 44.86, 40.37, -75.74

 

Description

Color code: HEX #EC45AB | qconv.com Color code: HEX #EC45AB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 69 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 69 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 28 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 28% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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