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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC4396 it is the complementary color #13BC69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC4396. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC4396 shade: #F14391, #FF55A4, #FF67B7, #FF79CA and #FF8BDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC4396. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC4396 shade: #EC4396, #DB3183, #CA1F70, #B90D5D and #A8004A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC4396 shade: #EC4195, #EC4167 and #EC4141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC4396 shade: #EC4195, #EC41C3, #E741EC, #B941EC and #8A41EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC4396 shade matches the following richer shades: #EC4195 and #FD3095

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC4396 shade: #EC4195, #DB5295, #CA6396, #B97396 and #A98496

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC4396 shade: #E641EC, #EC41C4, #EC4196, #EC4169 and #EC4641

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC4396 shade: #C7146C, #E81B80, #EC4195, #F066AA and #F48CBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC4396 shade: #EC4396, #ECB941 and #41DBEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC4396 shade: #EC4396, #96EC41 and #4196EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC4396 shade: #EC4396, #ECB941, #41EC96 and #4174EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC4396 shade: #EC4396, #ECEC41, #41EC96 and #4141EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 36 / 7

HEX #EC4396

RGB 236 67 150

HSL 330.53, 0.82%, 0.59%

LAB 56.14, 70.22, -7.59

 

Complementary color

CMYK 90 / 0 / 44 / 26

HEX #13BC69

RGB 19 188 105

HSL 150.53, 0.82%, 0.41%

LAB 67.37, -58.04, 31.14

 

CMYK 0 / 72 / 40 / 5

HEX #F14391

RGB 241 67 145

HSL 333.1, 0.86%, 0.6%

LAB 56.84, 71.04, -3.51

 

CMYK 0 / 67 / 36 / 0

HEX #FF55A4

RGB 255 85 164

HSL 332.12, 1%, 0.67%

LAB 62.03, 70.47, -6.65

 

CMYK 0 / 60 / 28 / 0

HEX #FF67B7

RGB 255 103 183

HSL 328.42, 1%, 0.7%

LAB 65.26, 65.47, -12.69

 

CMYK 0 / 53 / 21 / 0

HEX #FF79CA

RGB 255 121 202

HSL 323.73, 1%, 0.74%

LAB 68.9, 59.96, -17.91

 

CMYK 0 / 45 / 13 / 0

HEX #FF8BDD

RGB 255 139 221

HSL 317.59, 1%, 0.77%

LAB 72.86, 54.15, -22.43

 

CMYK 0 / 72 / 36 / 7

HEX #EC4396

RGB 236 67 150

HSL 330.53, 0.82%, 0.59%

LAB 56.14, 70.22, -7.59

 

CMYK 0 / 78 / 40 / 14

HEX #DB3183

RGB 219 49 131

HSL 331.06, 0.7%, 0.53%

LAB 50.56, 69.44, -4.87

 

CMYK 0 / 85 / 45 / 21

HEX #CA1F70

RGB 202 31 112

HSL 331.58, 0.73%, 0.46%

LAB 45.23, 67.87, -1.5

 

CMYK 0 / 93 / 50 / 27

HEX #B90D5D

RGB 185 13 93

HSL 332.09, 0.87%, 0.39%

LAB 40.23, 65.2, 2.72

 

CMYK 0 / 100 / 56 / 34

HEX #A8004A

RGB 168 0 74

HSL 333.57, 1%, 0.33%

LAB 35.63, 61.26, 7.91

 

CMYK 0 / 72 / 37 / 7

HEX #EC4195

RGB 236 65 149

HSL 330.53, 0.82%, 0.59%

LAB 55.87, 70.77, -7.4

 

CMYK 0 / 72 / 56 / 7

HEX #EC4167

RGB 236 65 103

HSL 346.67, 0.82%, 0.59%

LAB 54.65, 66.8, 18.19

 

CMYK 0 / 72 / 72 / 7

HEX #EC4141

RGB 236 65 65

HSL 0, 0.82%, 0.59%

LAB 54.02, 64.69, 39.58

 

CMYK 0 / 72 / 37 / 7

HEX #EC4195

RGB 236 65 149

HSL 330.53, 0.82%, 0.59%

LAB 55.87, 70.77, -7.4

 

CMYK 0 / 72 / 17 / 7

HEX #EC41C3

RGB 236 65 195

HSL 314.39, 0.82%, 0.59%

LAB 57.61, 76.22, -31.51

 

CMYK 2 / 72 / 0 / 7

HEX #E741EC

RGB 231 65 236

HSL 298.25, 0.82%, 0.59%

LAB 58.81, 81.12, -52.9

 

CMYK 22 / 72 / 0 / 7

HEX #B941EC

RGB 185 65 236

HSL 282.11, 0.82%, 0.59%

LAB 52.01, 72.07, -64.18

 

CMYK 42 / 72 / 0 / 7

HEX #8A41EC

RGB 138 65 236

HSL 265.61, 0.82%, 0.59%

LAB 45.96, 63.67, -74.28

 

CMYK 0 / 72 / 37 / 7

HEX #EC4195

RGB 236 65 149

HSL 330.53, 0.82%, 0.59%

LAB 55.87, 70.77, -7.4

 

CMYK 0 / 81 / 41 / 1

HEX #FD3095

RGB 253 48 149

HSL 330.44, 0.98%, 0.59%

LAB 57.24, 79.68, -5.04

 

CMYK 0 / 72 / 37 / 7

HEX #EC4195

RGB 236 65 149

HSL 330.53, 0.82%, 0.59%

LAB 55.87, 70.77, -7.4

 

CMYK 0 / 63 / 32 / 14

HEX #DB5295

RGB 219 82 149

HSL 330.66, 0.66%, 0.59%

LAB 55.34, 59.71, -8.48

 

CMYK 0 / 51 / 26 / 21

HEX #CA6396

RGB 202 99 150

HSL 330.29, 0.49%, 0.59%

LAB 55.77, 46.71, -8.7

 

CMYK 0 / 38 / 19 / 27

HEX #B97396

RGB 185 115 150

HSL 330, 0.33%, 0.59%

LAB 56.86, 32.49, -7.31

 

CMYK 0 / 22 / 11 / 34

HEX #A98496

RGB 169 132 150

HSL 330.81, 0.18%, 0.59%

LAB 59.1, 17.16, -4.18

 

CMYK 3 / 72 / 0 / 7

HEX #E641EC

RGB 230 65 236

HSL 297.89, 0.82%, 0.59%

LAB 58.66, 80.92, -53.16

 

CMYK 0 / 72 / 17 / 7

HEX #EC41C4

RGB 236 65 196

HSL 314.04, 0.82%, 0.59%

LAB 57.65, 76.35, -32.02

 

CMYK 0 / 72 / 36 / 7

HEX #EC4196

RGB 236 65 150

HSL 330.18, 0.82%, 0.59%

LAB 55.9, 70.88, -7.94

 

CMYK 0 / 72 / 56 / 7

HEX #EC4169

RGB 236 65 105

HSL 345.96, 0.82%, 0.59%

LAB 54.69, 66.94, 17.06

 

CMYK 0 / 70 / 72 / 7

HEX #EC4641

RGB 236 70 65

HSL 1.75, 0.82%, 0.59%

LAB 54.65, 62.95, 40.29

 

CMYK 0 / 90 / 46 / 22

HEX #C7146C

RGB 199 20 108

HSL 330.5, 0.82%, 0.43%

LAB 43.84, 68.77, -1.13

 

CMYK 0 / 88 / 45 / 9

HEX #E81B80

RGB 232 27 128

HSL 330.44, 0.82%, 0.51%

LAB 51.27, 77, -1.75

 

CMYK 0 / 72 / 37 / 7

HEX #EC4195

RGB 236 65 149

HSL 330.53, 0.82%, 0.59%

LAB 55.87, 70.77, -7.4

 

CMYK 0 / 58 / 29 / 6

HEX #F066AA

RGB 240 102 170

HSL 330.43, 0.82%, 0.67%

LAB 62.45, 59.87, -9.72

 

CMYK 0 / 43 / 22 / 4

HEX #F48CBF

RGB 244 140 191

HSL 330.58, 0.83%, 0.75%

LAB 70.7, 45.69, -9.21

 

CMYK 0 / 72 / 36 / 7

HEX #EC4396

RGB 236 67 150

HSL 330.53, 0.82%, 0.59%

LAB 56.14, 70.22, -7.59

 

CMYK 0 / 22 / 72 / 7

HEX #ECB941

RGB 236 185 65

HSL 42.11, 0.82%, 0.59%

LAB 77.82, 6.86, 64.75

 

CMYK 72 / 7 / 0 / 7

HEX #41DBEC

RGB 65 219 236

HSL 185.96, 0.82%, 0.59%

LAB 80.65, -33.8, -19.85

 

CMYK 0 / 72 / 36 / 7

HEX #EC4396

RGB 236 67 150

HSL 330.53, 0.82%, 0.59%

LAB 56.14, 70.22, -7.59

 

CMYK 36 / 0 / 72 / 7

HEX #96EC41

RGB 150 236 65

HSL 90.18, 0.82%, 0.59%

LAB 85.43, -51.81, 70.2

 

CMYK 72 / 36 / 0 / 7

HEX #4196EC

RGB 65 150 236

HSL 210.18, 0.82%, 0.59%

LAB 60.78, 2.66, -50.67

 

CMYK 0 / 72 / 36 / 7

HEX #EC4396

RGB 236 67 150

HSL 330.53, 0.82%, 0.59%

LAB 56.14, 70.22, -7.59

 

CMYK 0 / 22 / 72 / 7

HEX #ECB941

RGB 236 185 65

HSL 42.11, 0.82%, 0.59%

LAB 77.82, 6.86, 64.75

 

CMYK 72 / 0 / 36 / 7

HEX #41EC96

RGB 65 236 150

HSL 149.82, 0.82%, 0.59%

LAB 83.61, -62.04, 29.59

 

CMYK 72 / 51 / 0 / 7

HEX #4174EC

RGB 65 116 236

HSL 222.11, 0.82%, 0.59%

LAB 51.46, 23.32, -65.58

 

CMYK 0 / 72 / 36 / 7

HEX #EC4396

RGB 236 67 150

HSL 330.53, 0.82%, 0.59%

LAB 56.14, 70.22, -7.59

 

CMYK 0 / 0 / 72 / 7

HEX #ECEC41

RGB 236 236 65

HSL 60, 0.82%, 0.59%

LAB 90.87, -18.93, 77.33

 

CMYK 72 / 0 / 36 / 7

HEX #41EC96

RGB 65 236 150

HSL 149.82, 0.82%, 0.59%

LAB 83.61, -62.04, 29.59

 

CMYK 72 / 72 / 0 / 7

HEX #4141EC

RGB 65 65 236

HSL 240, 0.82%, 0.59%

LAB 39.51, 54.15, -85.1

 

Description

Color code: HEX #EC4396 | qconv.com Color code: HEX #EC4396 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 67 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 67 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 36 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 36% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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