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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC42CD it is the complementary color #13BD32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC42CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC42CD shade: #F142C8, #FF54DB, #FF66EE, #FF78FF and #FF8AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC42CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC42CD shade: #EC42CD, #DB30BA, #CA1EA7, #B90C94 and #A80081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC42CD shade: #EC41CD, #EC419F, #EC4170, #EC4142 and #EC4141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC42CD shade: #EC41CD, #DD41EC, #AF41EC, #8141EC and #5241EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC42CD shade matches the following richer shades: #EC41CD and #FD30D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC42CD shade: #EC41CD, #DB52C2, #CA63B7, #B973AD and #A984A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC42CD shade: #AD41EC, #DB41EC, #EC41D0, #EC41A2 and #EC4174

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC42CD shade: #C714A6, #E81BC3, #EC41CD, #F066D7 and #F48CE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC42CD shade: #EC42CD, #EC8041 and #41ECC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC42CD shade: #EC42CD, #D0EC41 and #41D0EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC42CD shade: #EC42CD, #EC8041, #41EC5D and #41ADEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC42CD shade: #EC42CD, #ECB341, #41EC5D and #417AEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 13 / 7

HEX #EC42CD

RGB 236 66 205

HSL 310.94, 0.82%, 0.59%

LAB 58.17, 77.27, -36.36

 

Complementary color

CMYK 90 / 0 / 74 / 26

HEX #13BD32

RGB 19 189 50

HSL 130.94, 0.82%, 0.41%

LAB 67.1, -65.62, 55.8

 

CMYK 0 / 73 / 17 / 5

HEX #F142C8

RGB 241 66 200

HSL 314.06, 0.86%, 0.6%

LAB 58.76, 77.72, -32.53

 

CMYK 0 / 67 / 14 / 0

HEX #FF54DB

RGB 255 84 219

HSL 312.63, 1%, 0.66%

LAB 63.93, 77.61, -35.07

 

CMYK 0 / 60 / 7 / 0

HEX #FF66EE

RGB 255 102 238

HSL 306.67, 1%, 0.7%

LAB 67.23, 73.54, -40.5

 

CMYK 0 / 53 / 0 / 0

HEX #FF78FF

RGB 255 120 255

HSL 300, 1%, 0.74%

LAB 70.81, 68.59, -44.22

 

CMYK 0 / 46 / 0 / 0

HEX #FF8AFF

RGB 255 138 255

HSL 300, 1%, 0.77%

LAB 73.97, 60.22, -39.29

 

CMYK 0 / 72 / 13 / 7

HEX #EC42CD

RGB 236 66 205

HSL 310.94, 0.82%, 0.59%

LAB 58.17, 77.27, -36.36

 

CMYK 0 / 78 / 15 / 14

HEX #DB30BA

RGB 219 48 186

HSL 311.58, 0.7%, 0.52%

LAB 52.64, 76.1, -34.28

 

CMYK 0 / 85 / 17 / 21

HEX #CA1EA7

RGB 202 30 167

HSL 312.21, 0.74%, 0.45%

LAB 47.33, 74.11, -31.65

 

CMYK 0 / 94 / 20 / 27

HEX #B90C94

RGB 185 12 148

HSL 312.83, 0.88%, 0.39%

LAB 42.33, 70.99, -28.3

 

CMYK 0 / 100 / 23 / 34

HEX #A80081

RGB 168 0 129

HSL 313.93, 1%, 0.33%

LAB 37.68, 66.56, -24.13

 

CMYK 0 / 72 / 13 / 7

HEX #EC41CD

RGB 236 65 205

HSL 310.88, 0.82%, 0.59%

LAB 58.06, 77.58, -36.54

 

CMYK 0 / 72 / 33 / 7

HEX #EC419F

RGB 236 65 159

HSL 327.02, 0.82%, 0.59%

LAB 56.2, 71.84, -12.78

 

CMYK 0 / 72 / 53 / 7

HEX #EC4170

RGB 236 65 112

HSL 343.51, 0.82%, 0.59%

LAB 54.85, 67.45, 13.1

 

CMYK 0 / 72 / 72 / 7

HEX #EC4142

RGB 236 65 66

HSL 359.65, 0.82%, 0.59%

LAB 54.03, 64.74, 39.03

 

CMYK 0 / 72 / 72 / 7

HEX #EC4141

RGB 236 65 65

HSL 0, 0.82%, 0.59%

LAB 54.02, 64.69, 39.58

 

CMYK 0 / 72 / 13 / 7

HEX #EC41CD

RGB 236 65 205

HSL 310.88, 0.82%, 0.59%

LAB 58.06, 77.58, -36.54

 

CMYK 6 / 72 / 0 / 7

HEX #DD41EC

RGB 221 65 236

HSL 294.74, 0.82%, 0.59%

LAB 57.28, 79.11, -55.44

 

CMYK 26 / 72 / 0 / 7

HEX #AF41EC

RGB 175 65 236

HSL 278.6, 0.82%, 0.59%

LAB 50.63, 70.19, -66.48

 

CMYK 45 / 72 / 0 / 7

HEX #8141EC

RGB 129 65 236

HSL 262.46, 0.82%, 0.59%

LAB 44.95, 62.22, -75.98

 

CMYK 65 / 72 / 0 / 7

HEX #5241EC

RGB 82 65 236

HSL 245.96, 0.82%, 0.59%

LAB 40.62, 55.84, -83.24

 

CMYK 0 / 72 / 13 / 7

HEX #EC41CD

RGB 236 65 205

HSL 310.88, 0.82%, 0.59%

LAB 58.06, 77.58, -36.54

 

CMYK 0 / 81 / 15 / 1

HEX #FD30D8

RGB 253 48 216

HSL 310.83, 0.98%, 0.59%

LAB 59.85, 87.08, -39.78

 

CMYK 0 / 72 / 13 / 7

HEX #EC41CD

RGB 236 65 205

HSL 310.88, 0.82%, 0.59%

LAB 58.06, 77.58, -36.54

 

CMYK 0 / 63 / 11 / 14

HEX #DB52C2

RGB 219 82 194

HSL 310.95, 0.66%, 0.59%

LAB 57.07, 65.81, -31.99

 

CMYK 0 / 51 / 9 / 21

HEX #CA63B7

RGB 202 99 183

HSL 311.07, 0.49%, 0.59%

LAB 56.98, 51.73, -26.01

 

CMYK 0 / 38 / 6 / 27

HEX #B973AD

RGB 185 115 173

HSL 310.29, 0.33%, 0.59%

LAB 57.65, 36.37, -19.41

 

CMYK 0 / 22 / 4 / 34

HEX #A984A2

RGB 169 132 162

HSL 311.35, 0.18%, 0.59%

LAB 59.48, 19.34, -10.5

 

CMYK 27 / 72 / 0 / 7

HEX #AD41EC

RGB 173 65 236

HSL 277.89, 0.82%, 0.59%

LAB 50.36, 69.82, -66.93

 

CMYK 7 / 72 / 0 / 7

HEX #DB41EC

RGB 219 65 236

HSL 294.04, 0.82%, 0.59%

LAB 56.97, 78.71, -55.94

 

CMYK 0 / 72 / 12 / 7

HEX #EC41D0

RGB 236 65 208

HSL 309.82, 0.82%, 0.59%

LAB 58.2, 78, -38.03

 

CMYK 0 / 72 / 31 / 7

HEX #EC41A2

RGB 236 65 162

HSL 325.96, 0.82%, 0.59%

LAB 56.31, 72.17, -14.38

 

CMYK 0 / 72 / 51 / 7

HEX #EC4174

RGB 236 65 116

HSL 342.11, 0.82%, 0.59%

LAB 54.94, 67.76, 10.85

 

CMYK 0 / 90 / 17 / 22

HEX #C714A6

RGB 199 20 166

HSL 311.06, 0.82%, 0.43%

LAB 46.17, 75.03, -32.91

 

CMYK 0 / 88 / 16 / 9

HEX #E81BC3

RGB 232 27 195

HSL 310.83, 0.82%, 0.51%

LAB 53.9, 84.09, -37.36

 

CMYK 0 / 72 / 13 / 7

HEX #EC41CD

RGB 236 65 205

HSL 310.88, 0.82%, 0.59%

LAB 58.06, 77.58, -36.54

 

CMYK 0 / 58 / 10 / 6

HEX #F066D7

RGB 240 102 215

HSL 310.87, 0.82%, 0.67%

LAB 64.11, 66.13, -32.72

 

CMYK 0 / 43 / 8 / 4

HEX #F48CE1

RGB 244 140 225

HSL 310.96, 0.83%, 0.75%

LAB 71.84, 50.94, -26.3

 

CMYK 0 / 72 / 13 / 7

HEX #EC42CD

RGB 236 66 205

HSL 310.94, 0.82%, 0.59%

LAB 58.17, 77.27, -36.36

 

CMYK 0 / 46 / 72 / 7

HEX #EC8041

RGB 236 128 65

HSL 22.11, 0.82%, 0.59%

LAB 64.69, 36.84, 51.3

 

CMYK 72 / 0 / 17 / 7

HEX #41ECC4

RGB 65 236 196

HSL 165.96, 0.82%, 0.59%

LAB 84.54, -52.08, 7.06

 

CMYK 0 / 72 / 13 / 7

HEX #EC42CD

RGB 236 66 205

HSL 310.94, 0.82%, 0.59%

LAB 58.17, 77.27, -36.36

 

CMYK 12 / 0 / 72 / 7

HEX #D0EC41

RGB 208 236 65

HSL 69.82, 0.82%, 0.59%

LAB 88.82, -30.26, 74.66

 

CMYK 72 / 12 / 0 / 7

HEX #41D0EC

RGB 65 208 236

HSL 189.82, 0.82%, 0.59%

LAB 77.45, -28.52, -24.71

 

CMYK 0 / 72 / 13 / 7

HEX #EC42CD

RGB 236 66 205

HSL 310.94, 0.82%, 0.59%

LAB 58.17, 77.27, -36.36

 

CMYK 0 / 46 / 72 / 7

HEX #EC8041

RGB 236 128 65

HSL 22.11, 0.82%, 0.59%

LAB 64.69, 36.84, 51.3

 

CMYK 72 / 0 / 61 / 7

HEX #41EC5D

RGB 65 236 93

HSL 129.82, 0.82%, 0.59%

LAB 82.86, -70.67, 55.82

 

CMYK 72 / 27 / 0 / 7

HEX #41ADEC

RGB 65 173 236

HSL 202.11, 0.82%, 0.59%

LAB 67.33, -10.38, -40.35

 

CMYK 0 / 72 / 13 / 7

HEX #EC42CD

RGB 236 66 205

HSL 310.94, 0.82%, 0.59%

LAB 58.17, 77.27, -36.36

 

CMYK 0 / 24 / 72 / 7

HEX #ECB341

RGB 236 179 65

HSL 40, 0.82%, 0.59%

LAB 76.35, 10.01, 63.29

 

CMYK 72 / 0 / 61 / 7

HEX #41EC5D

RGB 65 236 93

HSL 129.82, 0.82%, 0.59%

LAB 82.86, -70.67, 55.82

 

CMYK 72 / 48 / 0 / 7

HEX #417AEC

RGB 65 122 236

HSL 220, 0.82%, 0.59%

LAB 53.06, 19.59, -63.01

 

Description

Color code: HEX #EC42CD | qconv.com Color code: HEX #EC42CD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 66 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 66 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 13 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 13% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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