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Color name
HEX #EC4280

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC4280 it is the complementary color #13BD7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC4280. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC4280 shade: #F1427B, #FF548E, #FF66A1, #FF78B4 and #FF8AC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC4280. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC4280 shade: #EC4280, #DB306D, #CA1E5A, #B90C47 and #A80034

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC4280 shade: #EC417F, #EC4151 and #EC4141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC4280 shade: #EC417F, #EC41AD, #EC41DC, #CE41EC and #A041EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC4280 shade matches the following richer shades: #EC417F and #FD307B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC4280 shade: #EC417F, #DB5284, #CA6388, #B9738D and #A98492

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC4280 shade: #EC41DB, #EC41AD, #EC4180, #EC4152 and #EC5D41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC4280 shade: #C71455, #E81B66, #EC417F, #F06698 and #F48CB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC4280 shade: #EC4280, #ECD041 and #41C4EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC4280 shade: #EC4280, #80EC41 and #4180EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC4280 shade: #EC4280, #ECD041, #41ECAD and #415DEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC4280 shade: #EC4280, #D5EC41, #41ECAD and #5841EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 46 / 7

HEX #EC4280

RGB 236 66 128

HSL 338.12, 0.82%, 0.59%

LAB 55.37, 68.43, 4.31

 

Complementary color

CMYK 90 / 0 / 33 / 26

HEX #13BD7F

RGB 19 189 127

HSL 158.12, 0.82%, 0.41%

LAB 68.07, -54, 20.47

 

CMYK 0 / 73 / 49 / 5

HEX #F1427B

RGB 241 66 123

HSL 340.46, 0.86%, 0.6%

LAB 56.12, 69.39, 8.47

 

CMYK 0 / 67 / 44 / 0

HEX #FF548E

RGB 255 84 142

HSL 339.65, 1%, 0.66%

LAB 61.27, 68.67, 4.99

 

CMYK 0 / 60 / 37 / 0

HEX #FF66A1

RGB 255 102 161

HSL 336.86, 1%, 0.7%

LAB 64.43, 63.36, -1.38

 

CMYK 0 / 53 / 29 / 0

HEX #FF78B4

RGB 255 120 180

HSL 333.33, 1%, 0.74%

LAB 68.01, 57.53, -6.89

 

CMYK 0 / 46 / 22 / 0

HEX #FF8AC7

RGB 255 138 199

HSL 328.72, 1%, 0.77%

LAB 71.93, 51.41, -11.67

 

CMYK 0 / 72 / 46 / 7

HEX #EC4280

RGB 236 66 128

HSL 338.12, 0.82%, 0.59%

LAB 55.37, 68.43, 4.31

 

CMYK 0 / 78 / 50 / 14

HEX #DB306D

RGB 219 48 109

HSL 338.6, 0.7%, 0.52%

LAB 49.83, 67.77, 7.41

 

CMYK 0 / 85 / 55 / 21

HEX #CA1E5A

RGB 202 30 90

HSL 339.07, 0.74%, 0.45%

LAB 44.55, 66.33, 11.22

 

CMYK 0 / 94 / 62 / 27

HEX #B90C47

RGB 185 12 71

HSL 339.54, 0.88%, 0.39%

LAB 39.63, 63.79, 15.92

 

CMYK 0 / 100 / 69 / 34

HEX #A80034

RGB 168 0 52

HSL 341.43, 1%, 0.33%

LAB 35.15, 59.96, 21.59

 

CMYK 0 / 72 / 46 / 7

HEX #EC417F

RGB 236 65 127

HSL 338.25, 0.82%, 0.59%

LAB 55.22, 68.68, 4.69

 

CMYK 0 / 72 / 66 / 7

HEX #EC4151

RGB 236 65 81

HSL 354.39, 0.82%, 0.59%

LAB 54.25, 65.45, 30.67

 

CMYK 0 / 72 / 72 / 7

HEX #EC4141

RGB 236 65 65

HSL 0, 0.82%, 0.59%

LAB 54.02, 64.69, 39.58

 

CMYK 0 / 72 / 46 / 7

HEX #EC417F

RGB 236 65 127

HSL 338.25, 0.82%, 0.59%

LAB 55.22, 68.68, 4.69

 

CMYK 0 / 72 / 27 / 7

HEX #EC41AD

RGB 236 65 173

HSL 322.11, 0.82%, 0.59%

LAB 56.71, 73.44, -20.18

 

CMYK 0 / 72 / 7 / 7

HEX #EC41DC

RGB 236 65 220

HSL 305.61, 0.82%, 0.59%

LAB 58.77, 79.72, -43.93

 

CMYK 13 / 72 / 0 / 7

HEX #CE41EC

RGB 206 65 236

HSL 289.47, 0.82%, 0.59%

LAB 55.03, 76.13, -59.16

 

CMYK 32 / 72 / 0 / 7

HEX #A041EC

RGB 160 65 236

HSL 273.33, 0.82%, 0.59%

LAB 48.65, 67.46, -69.78

 

CMYK 0 / 72 / 46 / 7

HEX #EC417F

RGB 236 65 127

HSL 338.25, 0.82%, 0.59%

LAB 55.22, 68.68, 4.69

 

CMYK 0 / 81 / 51 / 1

HEX #FD307B

RGB 253 48 123

HSL 338.05, 0.98%, 0.59%

LAB 56.51, 77.55, 9.33

 

CMYK 0 / 72 / 46 / 7

HEX #EC417F

RGB 236 65 127

HSL 338.25, 0.82%, 0.59%

LAB 55.22, 68.68, 4.69

 

CMYK 0 / 63 / 40 / 14

HEX #DB5284

RGB 219 82 132

HSL 338.1, 0.66%, 0.59%

LAB 54.82, 57.8, 0.79

 

CMYK 0 / 51 / 33 / 21

HEX #CA6388

RGB 202 99 136

HSL 338.45, 0.49%, 0.59%

LAB 55.34, 44.87, -1.13

 

CMYK 0 / 38 / 24 / 27

HEX #B9738D

RGB 185 115 141

HSL 337.71, 0.33%, 0.59%

LAB 56.58, 31.11, -2.49

 

CMYK 0 / 22 / 14 / 34

HEX #A98492

RGB 169 132 146

HSL 337.3, 0.18%, 0.59%

LAB 58.99, 16.46, -2.06

 

CMYK 0 / 72 / 7 / 7

HEX #EC41DB

RGB 236 65 219

HSL 305.96, 0.82%, 0.59%

LAB 58.72, 79.57, -43.44

 

CMYK 0 / 72 / 27 / 7

HEX #EC41AD

RGB 236 65 173

HSL 322.11, 0.82%, 0.59%

LAB 56.71, 73.44, -20.18

 

CMYK 0 / 72 / 46 / 7

HEX #EC4180

RGB 236 65 128

HSL 337.89, 0.82%, 0.59%

LAB 55.25, 68.77, 4.14

 

CMYK 0 / 72 / 65 / 7

HEX #EC4152

RGB 236 65 82

HSL 354.04, 0.82%, 0.59%

LAB 54.26, 65.5, 30.11

 

CMYK 0 / 61 / 72 / 7

HEX #EC5D41

RGB 236 93 65

HSL 9.82, 0.82%, 0.59%

LAB 58.08, 53.7, 44.14

 

CMYK 0 / 90 / 57 / 22

HEX #C71455

RGB 199 20 85

HSL 338.21, 0.82%, 0.43%

LAB 43.21, 67.03, 12.39

 

CMYK 0 / 88 / 56 / 9

HEX #E81B66

RGB 232 27 102

HSL 338.05, 0.82%, 0.51%

LAB 50.57, 75.06, 13.07

 

CMYK 0 / 72 / 46 / 7

HEX #EC417F

RGB 236 65 127

HSL 338.25, 0.82%, 0.59%

LAB 55.22, 68.68, 4.69

 

CMYK 0 / 58 / 37 / 6

HEX #F06698

RGB 240 102 152

HSL 338.26, 0.82%, 0.67%

LAB 61.91, 57.76, -0.17

 

CMYK 0 / 43 / 27 / 4

HEX #F48CB2

RGB 244 140 178

HSL 338.08, 0.83%, 0.75%

LAB 70.32, 43.89, -2.53

 

CMYK 0 / 72 / 46 / 7

HEX #EC4280

RGB 236 66 128

HSL 338.12, 0.82%, 0.59%

LAB 55.37, 68.43, 4.31

 

CMYK 0 / 12 / 72 / 7

HEX #ECD041

RGB 236 208 65

HSL 50.18, 0.82%, 0.59%

LAB 83.61, -5.02, 70.41

 

CMYK 72 / 17 / 0 / 7

HEX #41C4EC

RGB 65 196 236

HSL 194.04, 0.82%, 0.59%

LAB 73.97, -22.53, -30.04

 

CMYK 0 / 72 / 46 / 7

HEX #EC4280

RGB 236 66 128

HSL 338.12, 0.82%, 0.59%

LAB 55.37, 68.43, 4.31

 

CMYK 46 / 0 / 72 / 7

HEX #80EC41

RGB 128 236 65

HSL 97.89, 0.82%, 0.59%

LAB 84.46, -58.8, 68.92

 

CMYK 72 / 46 / 0 / 7

HEX #4180EC

RGB 65 128 236

HSL 217.89, 0.82%, 0.59%

LAB 54.68, 15.89, -60.4

 

CMYK 0 / 72 / 46 / 7

HEX #EC4280

RGB 236 66 128

HSL 338.12, 0.82%, 0.59%

LAB 55.37, 68.43, 4.31

 

CMYK 0 / 12 / 72 / 7

HEX #ECD041

RGB 236 208 65

HSL 50.18, 0.82%, 0.59%

LAB 83.61, -5.02, 70.41

 

CMYK 72 / 0 / 27 / 7

HEX #41ECAD

RGB 65 236 173

HSL 157.89, 0.82%, 0.59%

LAB 84.03, -57.37, 18.36

 

CMYK 72 / 61 / 0 / 7

HEX #415DEC

RGB 65 93 236

HSL 230.18, 0.82%, 0.59%

LAB 45.65, 37.68, -75.03

 

CMYK 0 / 72 / 46 / 7

HEX #EC4280

RGB 236 66 128

HSL 338.12, 0.82%, 0.59%

LAB 55.37, 68.43, 4.31

 

CMYK 10 / 0 / 72 / 7

HEX #D5EC41

RGB 213 236 65

HSL 68.07, 0.82%, 0.59%

LAB 89.17, -28.26, 75.11

 

CMYK 72 / 0 / 27 / 7

HEX #41ECAD

RGB 65 236 173

HSL 157.89, 0.82%, 0.59%

LAB 84.03, -57.37, 18.36

 

CMYK 63 / 72 / 0 / 7

HEX #5841EC

RGB 88 65 236

HSL 248.07, 0.82%, 0.59%

LAB 41.08, 56.52, -82.48

 

Description

Color code: HEX #EC4280 | qconv.com Color code: HEX #EC4280 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 66 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 66 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 46 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 46% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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