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Color name
HEX #EC42553F

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Complementary color

Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC42553F it is the complementary color #13BDAA3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Lighter colors

Exposures are based on the same hue and represent lighter versions of the current color #EC42553F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC42553F shade: #F142503F, #FF54633F, #FF66763F, #FF78893F and #FF8A9C3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Darker colors

Shades are based on the same hue and represent a darker version of the current color #EC42553F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC42553F shade: #EC42553F, #DB30423F, #CA1E2F3F, #B90C1C3F and #A800093F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC42553F shade: #EC4154 and #EC4141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC42553F shade: #EC4154, #EC4182, #EC41B0, #EC41DF and #CC41EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC42553F shade matches the following richer shades: #EC4154 and #FD3047

An example is the development from a pale pink to a strong and bright red.

Paler colors

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC42553F shade: #EC4154, #DB5261, #CA636E, #B9737B and #A98488

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

Analogue colors

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC42553F shade: #EC41B0, #EC4182, #EC4155, #EC5A41 and #EC8841

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

Monochromatic colors

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC42553F shade: #C71428, #E81B32, #EC4154, #F06676 and #F48C97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

Partial complementary colors

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC42553F shade: #EC4255, #DEEC41 and #4199EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

Triadic colors

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC42553F shade: #EC4255, #55EC41 and #4155EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC42553F shade: #EC4255, #DEEC41, #41ECD8 and #4F41EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

Square colors

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC42553F shade: #EC4255, #AAEC41, #41ECD8 and #8241EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 16 / 2

RGBA 236 66 85 0.25

HSLA 353.29, 0.82%, 0.59%, 0.25

LABA 54.43, 65.33, 28.56, 0.25

Complementary color

CMYK 22 / 0 / 3 / 6

RGBA 19 189 170 0.25

HSLA 173.29, 0.82%, 0.41%, 0.25

LABA 69.07, -43.25, -1.52, 0.25

Lighter colors

CMYK 0 / 18 / 17 / 1

RGBA 241 66 80 0.25

HSLA 355.2, 0.86%, 0.6%, 0.25

LABA 55.25, 66.54, 32.7, 0.25

CMYK 0 / 17 / 15 / 0

RGBA 255 84 99 0.25

HSLA 354.74, 1%, 0.66%, 0.25

LABA 60.34, 65.39, 28.68, 0.25

CMYK 0 / 15 / 13 / 0

RGBA 255 102 118 0.25

HSLA 353.73, 1%, 0.7%, 0.25

LABA 63.4, 59.38, 21.84, 0.25

CMYK 0 / 13 / 12 / 0

RGBA 255 120 137 0.25

HSLA 352.44, 1%, 0.74%, 0.25

LABA 66.9, 52.85, 15.83, 0.25

CMYK 0 / 11 / 10 / 0

RGBA 255 138 156 0.25

HSLA 350.77, 1%, 0.77%, 0.25

LABA 70.76, 46.03, 10.58, 0.25

Darker colors

CMYK 0 / 18 / 16 / 2

RGBA 236 66 85 0.25

HSLA 353.29, 0.82%, 0.59%, 0.25

LABA 54.43, 65.33, 28.56, 0.25

CMYK 0 / 20 / 17 / 4

RGBA 219 48 66 0.25

HSLA 353.68, 0.7%, 0.52%, 0.25

LABA 48.97, 65.08, 32.28, 0.25

CMYK 0 / 21 / 19 / 5

RGBA 202 30 47 0.25

HSLA 354.07, 0.74%, 0.45%, 0.25

LABA 43.79, 64.09, 36.61, 0.25

CMYK 0 / 23 / 21 / 7

RGBA 185 12 28 0.25

HSLA 354.45, 0.88%, 0.39%, 0.25

LABA 39, 62.03, 41.34, 0.25

CMYK 0 / 25 / 24 / 9

RGBA 168 0 9 0.25

HSLA 356.79, 1%, 0.33%, 0.25

LABA 34.69, 58.72, 45.3, 0.25

Warmer colors

CMYK 0 / 72 / 64 / 7

HSL 353.33, 0.82%, 0.59%

LAB 54.3, 65.61, 28.97

CMYK 0 / 72 / 72 / 7

HSL 0, 0.82%, 0.59%

LAB 54.02, 64.69, 39.58

Colder colors

CMYK 0 / 72 / 64 / 7

HSL 353.33, 0.82%, 0.59%

LAB 54.3, 65.61, 28.97

CMYK 0 / 72 / 45 / 7

HSL 337.19, 0.82%, 0.59%

LAB 55.3, 68.94, 3.03

CMYK 0 / 72 / 25 / 7

HSL 321.05, 0.82%, 0.59%

LAB 56.83, 73.8, -21.75

CMYK 0 / 72 / 6 / 7

HSL 304.56, 0.82%, 0.59%

LAB 58.92, 80.16, -45.38

CMYK 14 / 72 / 0 / 7

HSL 288.77, 0.82%, 0.59%

LAB 54.74, 75.74, -59.65

Richer colors

CMYK 0 / 72 / 64 / 7

HSL 353.33, 0.82%, 0.59%

LAB 54.3, 65.61, 28.97

CMYK 0 / 81 / 72 / 1

HSL 353.27, 0.98%, 0.59%

LAB 55.53, 74.61, 38.75

Paler colors

CMYK 0 / 72 / 64 / 7

HSL 353.33, 0.82%, 0.59%

LAB 54.3, 65.61, 28.97

CMYK 0 / 63 / 56 / 14

HSL 353.43, 0.66%, 0.59%

LAB 53.98, 54.64, 20.35

CMYK 0 / 51 / 46 / 21

HSL 353.59, 0.49%, 0.59%

LAB 54.66, 41.92, 13.2

CMYK 0 / 38 / 34 / 27

RGB 185 115 123

HSL 353.14, 0.33%, 0.59%

LAB 56.09, 28.6, 7.29

CMYK 0 / 22 / 20 / 34

RGB 169 132 136

HSL 353.51, 0.18%, 0.59%

LAB 58.71, 14.8, 3.29

Analogue colors

CMYK 0 / 72 / 25 / 7

HSL 321.05, 0.82%, 0.59%

LAB 56.83, 73.8, -21.75

CMYK 0 / 72 / 45 / 7

HSL 337.19, 0.82%, 0.59%

LAB 55.3, 68.94, 3.03

CMYK 0 / 72 / 64 / 7

HSL 352.98, 0.82%, 0.59%

LAB 54.31, 65.67, 28.41

CMYK 0 / 62 / 72 / 7

HSL 8.77, 0.82%, 0.59%

LAB 57.59, 55.01, 43.59

CMYK 0 / 42 / 72 / 7

HSL 24.91, 0.82%, 0.59%

LAB 66.38, 32.71, 53.09

Monochromatic colors

CMYK 0 / 90 / 80 / 22

HSL 353.3, 0.82%, 0.43%

LAB 42.45, 64.89, 39.05

CMYK 0 / 88 / 78 / 9

HSL 353.27, 0.82%, 0.51%

LAB 49.7, 72.59, 43.02

CMYK 0 / 72 / 64 / 7

HSL 353.33, 0.82%, 0.59%

LAB 54.3, 65.61, 28.97

CMYK 0 / 58 / 51 / 6

RGB 240 102 118

HSL 353.04, 0.82%, 0.67%

LAB 61.08, 54.43, 18.29

CMYK 0 / 43 / 38 / 4

RGB 244 140 151

HSL 353.65, 0.83%, 0.75%

LAB 69.63, 40.56, 11.57

Partial complementary colors

CMYK 0 / 72 / 64 / 7

HSL 353.29, 0.82%, 0.59%

LAB 54.43, 65.33, 28.56

CMYK 6 / 0 / 72 / 7

HSL 64.91, 0.82%, 0.59%

LAB 89.81, -24.63, 75.95

CMYK 72 / 35 / 0 / 7

HSL 209.12, 0.82%, 0.59%

LAB 61.62, 0.91, -49.33

Triadic colors

CMYK 0 / 72 / 64 / 7

HSL 353.29, 0.82%, 0.59%

LAB 54.43, 65.33, 28.56

CMYK 64 / 0 / 72 / 7

HSL 112.98, 0.82%, 0.59%

LAB 83.07, -69.7, 67.07

CMYK 72 / 64 / 0 / 7

HSL 232.98, 0.82%, 0.59%

LAB 43.77, 42.58, -78.11

Rectangular (tetradic) colors

CMYK 0 / 72 / 64 / 7

HSL 353.29, 0.82%, 0.59%

LAB 54.43, 65.33, 28.56

CMYK 6 / 0 / 72 / 7

HSL 64.91, 0.82%, 0.59%

LAB 89.81, -24.63, 75.95

CMYK 72 / 0 / 8 / 7

HSL 172.98, 0.82%, 0.59%

LAB 85.03, -47.04, -2.72

CMYK 67 / 72 / 0 / 7

HSL 244.91, 0.82%, 0.59%

LAB 40.41, 55.51, -83.6

Square colors

CMYK 0 / 72 / 64 / 7

HSL 353.29, 0.82%, 0.59%

LAB 54.43, 65.33, 28.56

CMYK 28 / 0 / 72 / 7

HSL 83.16, 0.82%, 0.59%

LAB 86.46, -44.79, 71.57

CMYK 72 / 0 / 8 / 7

HSL 172.98, 0.82%, 0.59%

LAB 85.03, -47.04, -2.72

CMYK 45 / 72 / 0 / 7

HSL 262.81, 0.82%, 0.59%

LAB 45.06, 62.38, -75.79

Description

Color code: HEX #EC42553F | qconv.com

Color code: HEX #EC42553F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 66 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.

In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 16 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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