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Color name
HEX #EC42483F

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Complementary color

Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC42483F it is the complementary color #13BDB73F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Lighter colors

Exposures are based on the same hue and represent lighter versions of the current color #EC42483F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC42483F shade: #F142433F, #FF54563F, #FF66693F, #FF787C3F and #FF8A8F3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Darker colors

Shades are based on the same hue and represent a darker version of the current color #EC42483F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC42483F shade: #EC42483F, #DB30353F, #CA1E223F, #B90C0F3F and #A800003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC42483F shade: #EC4147 and #EC4141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC42483F shade: #EC4147, #EC4175, #EC41A3, #EC41D1 and #D941EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC42483F shade matches the following richer shades: #EC4147 and #FD3037

An example is the development from a pale pink to a strong and bright red.

Paler colors

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC42483F shade: #EC4147, #DB5256, #CA6366, #B97376 and #A98486

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

Analogue colors

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC42483F shade: #EC41A5, #EC4177, #EC4149, #EC6641 and #EC9441

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

Monochromatic colors

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC42483F shade: #C7141A, #E81B22, #EC4147, #F0666B and #F48C8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

Partial complementary colors

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC42483F shade: #EC4248, #D2EC41 and #418EEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

Triadic colors

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC42483F shade: #EC4248, #49EC41 and #4149EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC42483F shade: #EC4248, #D2EC41, #41ECE4 and #5A41EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

Square colors

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC42483F shade: #EC4248, #9FEC41, #41ECE4 and #8E41EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 17 / 2

RGBA 236 66 72 0.25

HSLA 357.88, 0.82%, 0.59%, 0.25

LABA 54.24, 64.66, 35.86, 0.25

Complementary color

CMYK 22 / 0 / 1 / 6

RGBA 19 189 183 0.25

HSLA 177.88, 0.82%, 0.41%, 0.25

LABA 69.44, -39.52, -8.11, 0.25

Lighter colors

CMYK 0 / 18 / 18 / 1

RGBA 241 66 67 0.25

HSLA 359.66, 0.86%, 0.6%, 0.25

LABA 55.07, 65.94, 39.9, 0.25

CMYK 0 / 17 / 17 / 0

RGBA 255 84 86 0.25

HSLA 359.3, 1%, 0.66%, 0.25

LABA 60.13, 64.65, 35.83, 0.25

CMYK 0 / 15 / 15 / 0

RGBA 255 102 105 0.25

HSLA 358.82, 1%, 0.7%, 0.25

LABA 63.16, 58.44, 28.92, 0.25

CMYK 0 / 13 / 13 / 0

RGBA 255 120 124 0.25

HSLA 358.22, 1%, 0.74%, 0.25

LABA 66.63, 51.7, 22.8, 0.25

CMYK 0 / 11 / 11 / 0

RGBA 255 138 143 0.25

HSLA 357.44, 1%, 0.77%, 0.25

LABA 70.47, 44.67, 17.42, 0.25

Darker colors

CMYK 0 / 18 / 17 / 2

RGBA 236 66 72 0.25

HSLA 357.88, 0.82%, 0.59%, 0.25

LABA 54.24, 64.66, 35.86, 0.25

CMYK 0 / 20 / 19 / 4

RGBA 219 48 53 0.25

HSLA 358.25, 0.7%, 0.52%, 0.25

LABA 48.8, 64.55, 39.61, 0.25

CMYK 0 / 21 / 21 / 5

RGBA 202 30 34 0.25

HSLA 358.6, 0.74%, 0.45%, 0.25

LABA 43.65, 63.7, 43.71, 0.25

CMYK 0 / 23 / 23 / 7

RGBA 185 12 15 0.25

HSLA 358.96, 0.88%, 0.39%, 0.25

LABA 38.92, 61.79, 47.45, 0.25

CMYK 0 / 25 / 25 / 9

RGBA 168 0 0 0.25

HSLA 0, 1%, 0.33%, 0.25

LABA 34.65, 58.61, 48.93, 0.25

Warmer colors

CMYK 0 / 72 / 70 / 7

HSL 357.89, 0.82%, 0.59%

LAB 54.1, 64.96, 36.27

CMYK 0 / 72 / 72 / 7

HSL 0, 0.82%, 0.59%

LAB 54.02, 64.69, 39.58

Colder colors

CMYK 0 / 72 / 70 / 7

HSL 357.89, 0.82%, 0.59%

LAB 54.1, 64.96, 36.27

CMYK 0 / 72 / 50 / 7

HSL 341.75, 0.82%, 0.59%

LAB 54.97, 67.84, 10.29

CMYK 0 / 72 / 31 / 7

HSL 325.61, 0.82%, 0.59%

LAB 56.34, 72.28, -14.91

CMYK 0 / 72 / 11 / 7

HSL 309.47, 0.82%, 0.59%

LAB 58.24, 78.14, -38.52

CMYK 8 / 72 / 0 / 7

HSL 293.33, 0.82%, 0.59%

LAB 56.67, 78.31, -56.44

Richer colors

CMYK 0 / 72 / 70 / 7

HSL 357.89, 0.82%, 0.59%

LAB 54.1, 64.96, 36.27

CMYK 0 / 81 / 78 / 1

HSL 357.95, 0.98%, 0.59%

LAB 55.35, 74.05, 47.43

Paler colors

CMYK 0 / 72 / 70 / 7

HSL 357.89, 0.82%, 0.59%

LAB 54.1, 64.96, 36.27

CMYK 0 / 63 / 61 / 14

HSL 358.25, 0.66%, 0.59%

LAB 53.78, 53.86, 26.55

CMYK 0 / 51 / 50 / 21

HSL 358.25, 0.49%, 0.59%

LAB 54.49, 41.14, 17.66

CMYK 0 / 38 / 36 / 27

RGB 185 115 118

HSL 357.43, 0.33%, 0.59%

LAB 55.97, 27.96, 10.02

CMYK 0 / 22 / 21 / 34

RGB 169 132 134

HSL 356.76, 0.18%, 0.59%

LAB 58.66, 14.49, 4.36

Analogue colors

CMYK 0 / 72 / 30 / 7

HSL 324.91, 0.82%, 0.59%

LAB 56.42, 72.51, -15.97

CMYK 0 / 72 / 50 / 7

HSL 341.05, 0.82%, 0.59%

LAB 55.02, 68, 9.16

CMYK 0 / 72 / 69 / 7

HSL 357.19, 0.82%, 0.59%

LAB 54.13, 65.05, 35.16

CMYK 0 / 57 / 72 / 7

HSL 12.98, 0.82%, 0.59%

LAB 59.63, 49.62, 45.85

CMYK 0 / 37 / 72 / 7

HSL 29.12, 0.82%, 0.59%

LAB 69.04, 26.42, 55.86

Monochromatic colors

CMYK 0 / 90 / 87 / 22

HSL 357.99, 0.82%, 0.43%

LAB 42.33, 64.55, 46.37

CMYK 0 / 88 / 85 / 9

HSL 357.95, 0.82%, 0.51%

LAB 49.56, 72.2, 51.26

CMYK 0 / 72 / 70 / 7

HSL 357.89, 0.82%, 0.59%

LAB 54.1, 64.96, 36.27

CMYK 0 / 58 / 55 / 6

RGB 240 102 107

HSL 357.83, 0.82%, 0.67%

LAB 60.86, 53.55, 24.32

CMYK 0 / 43 / 41 / 4

RGB 244 140 143

HSL 358.27, 0.83%, 0.75%

LAB 69.45, 39.69, 15.78

Partial complementary colors

CMYK 0 / 72 / 69 / 7

HSL 357.88, 0.82%, 0.59%

LAB 54.24, 64.66, 35.86

CMYK 11 / 0 / 72 / 7

HSL 69.12, 0.82%, 0.59%

LAB 88.96, -29.46, 74.84

CMYK 72 / 40 / 0 / 7

HSL 212.98, 0.82%, 0.59%

LAB 58.53, 7.39, -54.23

Triadic colors

CMYK 0 / 72 / 69 / 7

HSL 357.88, 0.82%, 0.59%

LAB 54.24, 64.66, 35.86

CMYK 69 / 0 / 72 / 7

HSL 117.19, 0.82%, 0.59%

LAB 82.8, -71.99, 66.71

CMYK 72 / 69 / 0 / 7

HSL 237.19, 0.82%, 0.59%

LAB 41.13, 49.67, -82.44

Rectangular (tetradic) colors

CMYK 0 / 72 / 69 / 7

HSL 357.88, 0.82%, 0.59%

LAB 54.24, 64.66, 35.86

CMYK 11 / 0 / 72 / 7

HSL 69.12, 0.82%, 0.59%

LAB 88.96, -29.46, 74.84

CMYK 72 / 0 / 3 / 7

HSL 177.19, 0.82%, 0.59%

LAB 85.36, -43.83, -8.56

CMYK 62 / 72 / 0 / 7

HSL 248.77, 0.82%, 0.59%

LAB 41.23, 56.76, -82.21

Square colors

CMYK 0 / 72 / 69 / 7

HSL 357.88, 0.82%, 0.59%

LAB 54.24, 64.66, 35.86

CMYK 33 / 0 / 72 / 7

HSL 87.02, 0.82%, 0.59%

LAB 85.88, -48.72, 70.79

CMYK 72 / 0 / 3 / 7

HSL 177.19, 0.82%, 0.59%

LAB 85.36, -43.83, -8.56

CMYK 40 / 72 / 0 / 7

HSL 267.02, 0.82%, 0.59%

LAB 46.43, 64.34, -73.49

Description

Color code: HEX #EC42483F | qconv.com

Color code: HEX #EC42483F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 66 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.

In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 17 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.

Verification of their color palette as a manufacturer!

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