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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC3EFA it is the complementary color #13C105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC3EFA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC3EFA shade: #F13EF5, #FF50FF, #FF62FF, #FF74FF and #FF86FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC3EFA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC3EFA shade: #EC3EFA, #DB2CE7, #CA1AD4, #B908C1 and #A800AE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC3EFA shade: #EC3DFA, #FA3DD5, #FA3DA2, #FA3D6F and #FA3D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC3EFA shade: #EC3DFA, #B93DFA, #863DFA, #533DFA and #3D3DFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC3EFA shade matches the following richer shades: #EC3DFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC3EFA shade: #EC3DFA, #DE4DEA, #D15DDA, #C36DCA and #B57DBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC3EFA shade: #863DFA, #B83DFA, #EA3DFA, #FA3DD7 and #FA3DA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC3EFA shade: #CF06DF, #E815F9, #EC3DFA, #F065FB and #F48EFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC3EFA shade: #EC3EFA, #FA533D and #3DFA9F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC3EFA shade: #EC3EFA, #FAEA3D and #3DFAEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC3EFA shade: #EC3EFA, #FA533D, #4DFA3D and #3DE4FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC3EFA shade: #EC3EFA, #FA8C3D, #4DFA3D and #3DABFA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 75 / 0 / 2

HEX #EC3EFA

RGB 236 62 250

HSL 295.53, 0.95%, 0.61%

LAB 60.05, 85.21, -58.68

 

Complementary color

CMYK 90 / 0 / 97 / 24

HEX #13C105

RGB 19 193 5

HSL 115.53, 0.95%, 0.39%

LAB 68.23, -68.86, 67.01

 

CMYK 2 / 75 / 0 / 4

HEX #F13EF5

RGB 241 62 245

HSL 298.69, 0.9%, 0.6%

LAB 60.55, 85.38, -55.06

 

CMYK 0 / 69 / 0 / 0

HEX #FF50FF

RGB 255 80 255

HSL 300, 1%, 0.66%

LAB 65.13, 84.28, -53.17

 

CMYK 0 / 62 / 0 / 0

HEX #FF62FF

RGB 255 98 255

HSL 300, 1%, 0.69%

LAB 67.44, 77.81, -49.53

 

CMYK 0 / 55 / 0 / 0

HEX #FF74FF

RGB 255 116 255

HSL 300, 1%, 0.73%

LAB 70.16, 70.36, -45.25

 

CMYK 0 / 47 / 0 / 0

HEX #FF86FF

RGB 255 134 255

HSL 300, 1%, 0.76%

LAB 73.24, 62.13, -40.43

 

CMYK 6 / 75 / 0 / 2

HEX #EC3EFA

RGB 236 62 250

HSL 295.53, 0.95%, 0.61%

LAB 60.05, 85.21, -58.68

 

CMYK 5 / 81 / 0 / 9

HEX #DB2CE7

RGB 219 44 231

HSL 296.15, 0.8%, 0.54%

LAB 54.69, 83.66, -56.78

 

CMYK 5 / 88 / 0 / 17

HEX #CA1AD4

RGB 202 26 212

HSL 296.77, 0.78%, 0.47%

LAB 49.56, 81.23, -54.37

 

CMYK 4 / 96 / 0 / 24

HEX #B908C1

RGB 185 8 193

HSL 297.41, 0.92%, 0.39%

LAB 44.71, 77.67, -51.3

 

CMYK 3 / 100 / 0 / 32

HEX #A800AE

RGB 168 0 174

HSL 297.93, 1%, 0.34%

LAB 40.21, 72.79, -47.49

 

CMYK 6 / 76 / 0 / 2

HEX #EC3DFA

RGB 236 61 250

HSL 295.56, 0.95%, 0.61%

LAB 59.95, 85.49, -58.83

 

CMYK 0 / 76 / 15 / 2

HEX #FA3DD5

RGB 250 61 213

HSL 311.75, 0.95%, 0.61%

LAB 60.31, 82.9, -37.39

 

CMYK 0 / 76 / 35 / 2

HEX #FA3DA2

RGB 250 61 162

HSL 327.94, 0.95%, 0.61%

LAB 58.29, 76.88, -11.15

 

CMYK 0 / 76 / 56 / 2

HEX #FA3D6F

RGB 250 61 111

HSL 344.13, 0.95%, 0.61%

LAB 56.89, 72.5, 16.91

 

CMYK 0 / 76 / 76 / 2

HEX #FA3D3D

RGB 250 61 61

HSL 0, 0.95%, 0.61%

LAB 56.09, 69.93, 44.79

 

CMYK 6 / 76 / 0 / 2

HEX #EC3DFA

RGB 236 61 250

HSL 295.56, 0.95%, 0.61%

LAB 59.95, 85.49, -58.83

 

CMYK 26 / 76 / 0 / 2

HEX #B93DFA

RGB 185 61 250

HSL 279.37, 0.95%, 0.61%

LAB 52.46, 76.25, -71.29

 

CMYK 46 / 76 / 0 / 2

HEX #863DFA

RGB 134 61 250

HSL 263.17, 0.95%, 0.61%

LAB 46.05, 68.19, -82.01

 

CMYK 67 / 76 / 0 / 2

HEX #533DFA

RGB 83 61 250

HSL 246.98, 0.95%, 0.61%

LAB 41.34, 62.11, -89.93

 

CMYK 76 / 76 / 0 / 2

HEX #3D3DFA

RGB 61 61 250

HSL 240, 0.95%, 0.61%

LAB 39.97, 60.3, -92.25

 

CMYK 6 / 76 / 0 / 2

HEX #EC3DFA

RGB 236 61 250

HSL 295.56, 0.95%, 0.61%

LAB 59.95, 85.49, -58.83

 

CMYK 6 / 76 / 0 / 2

HEX #EC3DFA

RGB 236 61 250

HSL 295.56, 0.95%, 0.61%

LAB 59.95, 85.49, -58.83

 

CMYK 5 / 67 / 0 / 8

HEX #DE4DEA

RGB 222 77 234

HSL 295.41, 0.79%, 0.61%

LAB 58.77, 74.87, -51.94

 

CMYK 4 / 57 / 0 / 15

HEX #D15DDA

RGB 209 93 218

HSL 295.68, 0.63%, 0.61%

LAB 58.46, 62.49, -43.56

 

CMYK 3 / 46 / 0 / 21

HEX #C36DCA

RGB 195 109 202

HSL 295.48, 0.47%, 0.61%

LAB 58.79, 48, -34.11

 

CMYK 3 / 33 / 0 / 27

HEX #B57DBA

RGB 181 125 186

HSL 295.08, 0.31%, 0.61%

LAB 59.92, 32, -23.41

 

CMYK 46 / 76 / 0 / 2

HEX #863DFA

RGB 134 61 250

HSL 263.17, 0.95%, 0.61%

LAB 46.05, 68.19, -82.01

 

CMYK 26 / 76 / 0 / 2

HEX #B83DFA

RGB 184 61 250

HSL 279.05, 0.95%, 0.61%

LAB 52.32, 76.08, -71.52

 

CMYK 6 / 76 / 0 / 2

HEX #EA3DFA

RGB 234 61 250

HSL 294.92, 0.95%, 0.61%

LAB 59.65, 85.11, -59.34

 

CMYK 0 / 76 / 14 / 2

HEX #FA3DD7

RGB 250 61 215

HSL 311.11, 0.95%, 0.61%

LAB 60.4, 83.17, -38.38

 

CMYK 0 / 76 / 34 / 2

HEX #FA3DA5

RGB 250 61 165

HSL 326.98, 0.95%, 0.61%

LAB 58.39, 77.19, -12.75

 

CMYK 7 / 97 / 0 / 13

HEX #CF06DF

RGB 207 6 223

HSL 295.58, 0.95%, 0.45%

LAB 50.36, 85.87, -59.31

 

CMYK 7 / 92 / 0 / 2

HEX #E815F9

RGB 232 21 249

HSL 295.53, 0.95%, 0.53%

LAB 56.62, 92.36, -63.66

 

CMYK 6 / 76 / 0 / 2

HEX #EC3DFA

RGB 236 61 250

HSL 295.56, 0.95%, 0.61%

LAB 59.95, 85.49, -58.83

 

CMYK 4 / 60 / 0 / 2

HEX #F065FB

RGB 240 101 251

HSL 295.6, 0.95%, 0.69%

LAB 65.59, 72.42, -50.39

 

CMYK 3 / 44 / 0 / 1

HEX #F48EFC

RGB 244 142 252

HSL 295.64, 0.95%, 0.77%

LAB 73.29, 54.63, -38.82

 

CMYK 6 / 75 / 0 / 2

HEX #EC3EFA

RGB 236 62 250

HSL 295.53, 0.95%, 0.61%

LAB 60.05, 85.21, -58.68

 

CMYK 0 / 67 / 76 / 2

HEX #FA533D

RGB 250 83 61

HSL 6.98, 0.95%, 0.61%

LAB 58.83, 62.35, 47.73

 

CMYK 76 / 0 / 36 / 2

HEX #3DFA9F

RGB 61 250 159

HSL 151.11, 0.95%, 0.61%

LAB 87.9, -65.92, 30.79

 

CMYK 6 / 75 / 0 / 2

HEX #EC3EFA

RGB 236 62 250

HSL 295.53, 0.95%, 0.61%

LAB 60.05, 85.21, -58.68

 

CMYK 0 / 6 / 76 / 2

HEX #FAEA3D

RGB 250 234 61

HSL 54.92, 0.95%, 0.61%

LAB 91.46, -12.34, 79.55

 

CMYK 76 / 0 / 6 / 2

HEX #3DFAEA

RGB 61 250 234

HSL 174.92, 0.95%, 0.61%

LAB 89.54, -48.69, -5.52

 

CMYK 6 / 75 / 0 / 2

HEX #EC3EFA

RGB 236 62 250

HSL 295.53, 0.95%, 0.61%

LAB 60.05, 85.21, -58.68

 

CMYK 0 / 67 / 76 / 2

HEX #FA533D

RGB 250 83 61

HSL 6.98, 0.95%, 0.61%

LAB 58.83, 62.35, 47.73

 

CMYK 69 / 0 / 76 / 2

HEX #4DFA3D

RGB 77 250 61

HSL 114.92, 0.95%, 0.61%

LAB 87.14, -75.93, 72.34

 

CMYK 76 / 9 / 0 / 2

HEX #3DE4FA

RGB 61 228 250

HSL 186.98, 0.95%, 0.61%

LAB 83.64, -34.32, -22.74

 

CMYK 6 / 75 / 0 / 2

HEX #EC3EFA

RGB 236 62 250

HSL 295.53, 0.95%, 0.61%

LAB 60.05, 85.21, -58.68

 

CMYK 0 / 44 / 76 / 2

HEX #FA8C3D

RGB 250 140 61

HSL 25.08, 0.95%, 0.61%

LAB 69.05, 36.06, 58.23

 

CMYK 69 / 0 / 76 / 2

HEX #4DFA3D

RGB 77 250 61

HSL 114.92, 0.95%, 0.61%

LAB 87.14, -75.93, 72.34

 

CMYK 76 / 32 / 0 / 2

HEX #3DABFA

RGB 61 171 250

HSL 205.08, 0.95%, 0.61%

LAB 67.29, -4.98, -48.04

 

Description

Color code: HEX #EC3EFA | qconv.com Color code: HEX #EC3EFA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 62 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 62 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 75 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 75% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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