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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC3EED it is the complementary color #13C112. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC3EED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC3EED shade: #F13EE8, #FF50FB, #FF62FF, #FF74FF and #FF86FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC3EED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC3EED shade: #EC3EED, #DB2CDA, #CA1AC7, #B908B4 and #A800A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC3EED shade: #EC40ED, #ED40BF, #ED4091, #ED4062 and #ED4040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC3EED shade: #EC40ED, #BD40ED, #8F40ED, #6040ED and #4040ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC3EED shade matches the following richer shades: #EC40ED and #FD2FFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC3EED shade: #EC40ED, #DC51DC, #CB62CB, #BA72BA and #A983AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC3EED shade: #8E40ED, #BC40ED, #EA40ED, #ED40C2 and #ED4094

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC3EED shade: #C713C8, #E91AEA, #EC40ED, #F065F1 and #F48BF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC3EED shade: #EC3EED, #ED5F40 and #40EDA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC3EED shade: #EC3EED, #EDEA40 and #40EDEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC3EED shade: #EC3EED, #ED5F40, #43ED40 and #40CDED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC3EED shade: #EC3EED, #ED9440, #43ED40 and #4099ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 0 / 7

HEX #EC3EED

RGB 236 62 237

HSL 299.66, 0.83%, 0.59%

LAB 59.34, 83.17, -52.58

 

Complementary color

CMYK 90 / 0 / 91 / 24

HEX #13C112

RGB 19 193 18

HSL 119.66, 0.83%, 0.41%

LAB 68.26, -68.55, 65.36

 

CMYK 0 / 74 / 4 / 5

HEX #F13EE8

RGB 241 62 232

HSL 303.02, 0.86%, 0.59%

LAB 59.86, 83.41, -48.9

 

CMYK 0 / 69 / 2 / 0

HEX #FF50FB

RGB 255 80 251

HSL 301.37, 1%, 0.66%

LAB 64.93, 83.66, -51.29

 

CMYK 0 / 62 / 0 / 0

HEX #FF62FF

RGB 255 98 255

HSL 300, 1%, 0.69%

LAB 67.44, 77.81, -49.53

 

CMYK 0 / 55 / 0 / 0

HEX #FF74FF

RGB 255 116 255

HSL 300, 1%, 0.73%

LAB 70.16, 70.36, -45.25

 

CMYK 0 / 47 / 0 / 0

HEX #FF86FF

RGB 255 134 255

HSL 300, 1%, 0.76%

LAB 73.24, 62.13, -40.43

 

CMYK 0 / 74 / 0 / 7

HEX #EC3EED

RGB 236 62 237

HSL 299.66, 0.83%, 0.59%

LAB 59.34, 83.17, -52.58

 

CMYK 0 / 80 / 0 / 14

HEX #DB2CDA

RGB 219 44 218

HSL 300.34, 0.71%, 0.52%

LAB 53.95, 81.66, -50.62

 

CMYK 0 / 87 / 1 / 21

HEX #CA1AC7

RGB 202 26 199

HSL 301.02, 0.77%, 0.45%

LAB 48.78, 79.26, -48.11

 

CMYK 0 / 96 / 3 / 27

HEX #B908B4

RGB 185 8 180

HSL 301.69, 0.92%, 0.38%

LAB 43.92, 75.73, -44.94

 

CMYK 0 / 100 / 4 / 34

HEX #A800A1

RGB 168 0 161

HSL 302.5, 1%, 0.33%

LAB 39.41, 70.85, -40.99

 

CMYK 0 / 73 / 0 / 7

HEX #EC40ED

RGB 236 64 237

HSL 299.65, 0.83%, 0.59%

LAB 59.54, 82.58, -52.26

 

CMYK 0 / 73 / 19 / 7

HEX #ED40BF

RGB 237 64 191

HSL 315.95, 0.83%, 0.59%

LAB 57.49, 76.24, -29.38

 

CMYK 0 / 73 / 39 / 7

HEX #ED4091

RGB 237 64 145

HSL 331.91, 0.83%, 0.59%

LAB 55.8, 70.95, -5.12

 

CMYK 0 / 73 / 59 / 7

HEX #ED4062

RGB 237 64 98

HSL 348.21, 0.83%, 0.59%

LAB 54.61, 67.08, 21.14

 

CMYK 0 / 73 / 73 / 7

HEX #ED4040

RGB 237 64 64

HSL 0, 0.83%, 0.59%

LAB 54.07, 65.29, 40.24

 

CMYK 0 / 73 / 0 / 7

HEX #EC40ED

RGB 236 64 237

HSL 299.65, 0.83%, 0.59%

LAB 59.54, 82.58, -52.26

 

CMYK 20 / 73 / 0 / 7

HEX #BD40ED

RGB 189 64 237

HSL 283.35, 0.83%, 0.59%

LAB 52.51, 73.39, -63.91

 

CMYK 40 / 73 / 0 / 7

HEX #8F40ED

RGB 143 64 237

HSL 267.4, 0.83%, 0.59%

LAB 46.47, 65.17, -73.98

 

CMYK 59 / 73 / 0 / 7

HEX #6040ED

RGB 96 64 237

HSL 251.1, 0.83%, 0.59%

LAB 41.64, 58.29, -82.09

 

CMYK 73 / 73 / 0 / 7

HEX #4040ED

RGB 64 64 237

HSL 240, 0.83%, 0.59%

LAB 39.36, 54.92, -85.92

 

CMYK 0 / 73 / 0 / 7

HEX #EC40ED

RGB 236 64 237

HSL 299.65, 0.83%, 0.59%

LAB 59.54, 82.58, -52.26

 

CMYK 0 / 81 / 0 / 0

HEX #FD2FFE

RGB 253 47 254

HSL 299.71, 0.99%, 0.59%

LAB 61.72, 92.53, -58.08

 

CMYK 0 / 73 / 0 / 7

HEX #EC40ED

RGB 236 64 237

HSL 299.65, 0.83%, 0.59%

LAB 59.54, 82.58, -52.26

 

CMYK 0 / 63 / 0 / 14

HEX #DC51DC

RGB 220 81 220

HSL 300, 0.67%, 0.59%

LAB 58.29, 70.56, -44.85

 

CMYK 0 / 52 / 0 / 20

HEX #CB62CB

RGB 203 98 203

HSL 300, 0.5%, 0.59%

LAB 57.79, 55.92, -36.17

 

CMYK 0 / 39 / 0 / 27

HEX #BA72BA

RGB 186 114 186

HSL 300, 0.34%, 0.59%

LAB 58.05, 39.62, -26.23

 

CMYK 1 / 23 / 0 / 33

HEX #A983AA

RGB 169 131 170

HSL 298.46, 0.19%, 0.59%

LAB 59.5, 21.45, -15.05

 

CMYK 40 / 73 / 0 / 7

HEX #8E40ED

RGB 142 64 237

HSL 267.05, 0.83%, 0.59%

LAB 46.35, 65.01, -74.18

 

CMYK 21 / 73 / 0 / 7

HEX #BC40ED

RGB 188 64 237

HSL 283.01, 0.83%, 0.59%

LAB 52.37, 73.2, -64.14

 

CMYK 1 / 73 / 0 / 7

HEX #EA40ED

RGB 234 64 237

HSL 298.96, 0.83%, 0.59%

LAB 59.23, 82.18, -52.77

 

CMYK 0 / 73 / 18 / 7

HEX #ED40C2

RGB 237 64 194

HSL 314.91, 0.83%, 0.59%

LAB 57.62, 76.63, -30.91

 

CMYK 0 / 73 / 38 / 7

HEX #ED4094

RGB 237 64 148

HSL 330.87, 0.83%, 0.59%

LAB 55.9, 71.25, -6.75

 

CMYK 0 / 91 / 0 / 22

HEX #C713C8

RGB 199 19 200

HSL 299.67, 0.83%, 0.43%

LAB 47.98, 79.9, -50.01

 

CMYK 0 / 89 / 0 / 8

HEX #E91AEA

RGB 233 26 234

HSL 299.71, 0.83%, 0.51%

LAB 56.09, 89.7, -56.1

 

CMYK 0 / 73 / 0 / 7

HEX #EC40ED

RGB 236 64 237

HSL 299.65, 0.83%, 0.59%

LAB 59.54, 82.58, -52.26

 

CMYK 0 / 58 / 0 / 5

HEX #F065F1

RGB 240 101 241

HSL 299.57, 0.83%, 0.67%

LAB 65.11, 70.72, -45.63

 

CMYK 0 / 43 / 0 / 4

HEX #F48BF4

RGB 244 139 244

HSL 300, 0.83%, 0.75%

LAB 72.38, 54.69, -35.88

 

CMYK 0 / 74 / 0 / 7

HEX #EC3EED

RGB 236 62 237

HSL 299.66, 0.83%, 0.59%

LAB 59.34, 83.17, -52.58

 

CMYK 0 / 60 / 73 / 7

HEX #ED5F40

RGB 237 95 64

HSL 10.75, 0.83%, 0.59%

LAB 58.56, 53.12, 45.24

 

CMYK 73 / 0 / 30 / 7

HEX #40EDA5

RGB 64 237 165

HSL 155.03, 0.83%, 0.59%

LAB 84.16, -59.58, 22.67

 

CMYK 0 / 74 / 0 / 7

HEX #EC3EED

RGB 236 62 237

HSL 299.66, 0.83%, 0.59%

LAB 59.34, 83.17, -52.58

 

CMYK 0 / 1 / 73 / 7

HEX #EDEA40

RGB 237 234 64

HSL 58.96, 0.83%, 0.59%

LAB 90.42, -17.59, 77.26

 

CMYK 73 / 0 / 1 / 7

HEX #40EDEA

RGB 64 237 234

HSL 178.96, 0.83%, 0.59%

LAB 85.81, -42.73, -11.05

 

CMYK 0 / 74 / 0 / 7

HEX #EC3EED

RGB 236 62 237

HSL 299.66, 0.83%, 0.59%

LAB 59.34, 83.17, -52.58

 

CMYK 0 / 60 / 73 / 7

HEX #ED5F40

RGB 237 95 64

HSL 10.75, 0.83%, 0.59%

LAB 58.56, 53.12, 45.24

 

CMYK 72 / 0 / 73 / 7

HEX #43ED40

RGB 67 237 64

HSL 118.96, 0.83%, 0.59%

LAB 82.98, -73.38, 67.19

 

CMYK 73 / 14 / 0 / 7

HEX #40CDED

RGB 64 205 237

HSL 191.1, 0.83%, 0.59%

LAB 76.6, -26.85, -26.55

 

CMYK 0 / 74 / 0 / 7

HEX #EC3EED

RGB 236 62 237

HSL 299.66, 0.83%, 0.59%

LAB 59.34, 83.17, -52.58

 

CMYK 0 / 38 / 73 / 7

HEX #ED9440

RGB 237 148 64

HSL 29.13, 0.83%, 0.59%

LAB 69.15, 26.78, 56.46

 

CMYK 72 / 0 / 73 / 7

HEX #43ED40

RGB 67 237 64

HSL 118.96, 0.83%, 0.59%

LAB 82.98, -73.38, 67.19

 

CMYK 73 / 35 / 0 / 7

HEX #4099ED

RGB 64 153 237

HSL 209.13, 0.83%, 0.59%

LAB 61.64, 1.13, -49.85

 

Description

Color code: HEX #EC3EED | qconv.com Color code: HEX #EC3EED | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 62 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 62 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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