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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC3E7B it is the complementary color #13C184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC3E7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC3E7B shade: #F13E76, #FF5089, #FF629C, #FF74AF and #FF86C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC3E7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC3E7B shade: #EC3E7B, #DB2C68, #CA1A55, #B90842 and #A8002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC3E7B shade: #EC3C7A, #EC3C4A and #EC3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC3E7B shade: #EC3C7A, #EC3CA9, #EC3CD8, #D03CEC and #A03CEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC3E7B shade matches the following richer shades: #EC3C7A and #FD2B74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC3E7B shade: #EC3C7A, #DA4D7F, #C95F84, #B87089 and #A6818E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC3E7B shade: #EC3CDA, #EC3CAB, #EC3C7C, #EC3C4E and #EC593C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC3E7B shade: #C21350, #E81760, #EC3C7A, #EF6293 and #F387AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC3E7B shade: #EC3E7B, #ECCE3C and #3CC3EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC3E7B shade: #EC3E7B, #7CEC3C and #3C7CEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC3E7B shade: #EC3E7B, #ECCE3C, #3CECAB and #3C59EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC3E7B shade: #EC3E7B, #D4EC3C, #3CECAB and #533CEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 48 / 7

HEX #EC3E7B

RGB 236 62 123

HSL 338.97, 0.82%, 0.58%

LAB 54.77, 69.31, 6.43

 

Complementary color

CMYK 90 / 0 / 32 / 24

HEX #13C184

RGB 19 193 132

HSL 158.97, 0.82%, 0.42%

LAB 69.43, -54.4, 19.66

 

CMYK 0 / 74 / 51 / 5

HEX #F13E76

RGB 241 62 118

HSL 341.23, 0.86%, 0.59%

LAB 55.54, 70.26, 10.62

 

CMYK 0 / 69 / 46 / 0

HEX #FF5089

RGB 255 80 137

HSL 340.46, 1%, 0.66%

LAB 60.61, 69.68, 6.96

 

CMYK 0 / 62 / 39 / 0

HEX #FF629C

RGB 255 98 156

HSL 337.83, 1%, 0.69%

LAB 63.67, 64.51, 0.37

 

CMYK 0 / 55 / 31 / 0

HEX #FF74AF

RGB 255 116 175

HSL 334.53, 1%, 0.73%

LAB 67.16, 58.77, -5.33

 

CMYK 0 / 47 / 24 / 0

HEX #FF86C2

RGB 255 134 194

HSL 330.25, 1%, 0.76%

LAB 71.01, 52.68, -10.27

 

CMYK 0 / 74 / 48 / 7

HEX #EC3E7B

RGB 236 62 123

HSL 338.97, 0.82%, 0.58%

LAB 54.77, 69.31, 6.43

 

CMYK 0 / 80 / 53 / 14

HEX #DB2C68

RGB 219 44 104

HSL 339.43, 0.71%, 0.52%

LAB 49.33, 68.46, 9.74

 

CMYK 0 / 87 / 58 / 21

HEX #CA1A55

RGB 202 26 85

HSL 339.89, 0.77%, 0.45%

LAB 44.16, 66.77, 13.8

 

CMYK 0 / 96 / 64 / 27

HEX #B90842

RGB 185 8 66

HSL 340.34, 0.92%, 0.38%

LAB 39.38, 63.94, 18.77

 

CMYK 0 / 100 / 72 / 34

HEX #A8002F

RGB 168 0 47

HSL 343.21, 1%, 0.33%

LAB 35.06, 59.73, 24.71

 

CMYK 0 / 75 / 48 / 7

HEX #EC3C7A

RGB 236 60 122

HSL 338.86, 0.82%, 0.58%

LAB 54.52, 69.85, 6.67

 

CMYK 0 / 75 / 69 / 7

HEX #EC3C4A

RGB 236 60 74

HSL 355.23, 0.82%, 0.58%

LAB 53.56, 66.73, 33.89

 

CMYK 0 / 75 / 75 / 7

HEX #EC3C3C

RGB 236 60 60

HSL 0, 0.82%, 0.58%

LAB 53.37, 66.13, 41.64

 

CMYK 0 / 75 / 48 / 7

HEX #EC3C7A

RGB 236 60 122

HSL 338.86, 0.82%, 0.58%

LAB 54.52, 69.85, 6.67

 

CMYK 0 / 75 / 28 / 7

HEX #EC3CA9

RGB 236 60 169

HSL 322.84, 0.82%, 0.58%

LAB 56.02, 74.52, -18.92

 

CMYK 0 / 75 / 8 / 7

HEX #EC3CD8

RGB 236 60 216

HSL 306.82, 0.82%, 0.58%

LAB 58.06, 80.61, -42.79

 

CMYK 12 / 75 / 0 / 7

HEX #D03CEC

RGB 208 60 236

HSL 290.45, 0.82%, 0.58%

LAB 54.76, 78.15, -59.58

 

CMYK 32 / 75 / 0 / 7

HEX #A03CEC

RGB 160 60 236

HSL 274.09, 0.82%, 0.58%

LAB 47.96, 69.43, -70.91

 

CMYK 0 / 75 / 48 / 7

HEX #EC3C7A

RGB 236 60 122

HSL 338.86, 0.82%, 0.58%

LAB 54.52, 69.85, 6.67

 

CMYK 0 / 83 / 54 / 1

HEX #FD2B74

RGB 253 43 116

HSL 339.14, 0.98%, 0.58%

LAB 55.96, 78.15, 12.73

 

CMYK 0 / 75 / 48 / 7

HEX #EC3C7A

RGB 236 60 122

HSL 338.86, 0.82%, 0.58%

LAB 54.52, 69.85, 6.67

 

CMYK 0 / 65 / 42 / 15

HEX #DA4D7F

RGB 218 77 127

HSL 338.72, 0.66%, 0.58%

LAB 53.76, 59.06, 2.18

 

CMYK 0 / 53 / 34 / 21

HEX #C95F84

RGB 201 95 132

HSL 339.06, 0.5%, 0.58%

LAB 54.31, 46.02, -0.29

 

CMYK 0 / 39 / 26 / 28

HEX #B87089

RGB 184 112 137

HSL 339.17, 0.34%, 0.58%

LAB 55.67, 31.8, -1.51

 

CMYK 0 / 22 / 14 / 35

HEX #A6818E

RGB 166 129 142

HSL 338.92, 0.17%, 0.58%

LAB 57.81, 16.36, -1.52

 

CMYK 0 / 75 / 8 / 7

HEX #EC3CDA

RGB 236 60 218

HSL 306.14, 0.82%, 0.58%

LAB 58.16, 80.9, -43.76

 

CMYK 0 / 75 / 28 / 7

HEX #EC3CAB

RGB 236 60 171

HSL 322.16, 0.82%, 0.58%

LAB 56.09, 74.75, -19.97

 

CMYK 0 / 75 / 47 / 7

HEX #EC3C7C

RGB 236 60 124

HSL 338.18, 0.82%, 0.58%

LAB 54.57, 70.01, 5.55

 

CMYK 0 / 75 / 67 / 7

HEX #EC3C4E

RGB 236 60 78

HSL 353.86, 0.82%, 0.58%

LAB 53.62, 66.92, 31.64

 

CMYK 0 / 62 / 75 / 7

HEX #EC593C

RGB 236 89 60

HSL 9.89, 0.82%, 0.58%

LAB 57.37, 55.23, 45.98

 

CMYK 0 / 90 / 59 / 24

HEX #C21350

RGB 194 19 80

HSL 339.09, 0.82%, 0.42%

LAB 42.02, 65.62, 13.75

 

CMYK 0 / 90 / 59 / 9

HEX #E81760

RGB 232 23 96

HSL 339.04, 0.82%, 0.5%

LAB 50.23, 75.26, 16.27

 

CMYK 0 / 75 / 48 / 7

HEX #EC3C7A

RGB 236 60 122

HSL 338.86, 0.82%, 0.58%

LAB 54.52, 69.85, 6.67

 

CMYK 0 / 59 / 38 / 6

HEX #EF6293

RGB 239 98 147

HSL 339.15, 0.82%, 0.66%

LAB 60.95, 58.68, 1.31

 

CMYK 0 / 44 / 29 / 5

HEX #F387AD

RGB 243 135 173

HSL 338.89, 0.82%, 0.74%

LAB 69.04, 45.43, -1.62

 

CMYK 0 / 74 / 48 / 7

HEX #EC3E7B

RGB 236 62 123

HSL 338.97, 0.82%, 0.58%

LAB 54.77, 69.31, 6.43

 

CMYK 0 / 13 / 75 / 7

HEX #ECCE3C

RGB 236 206 60

HSL 49.77, 0.82%, 0.58%

LAB 83.07, -4.22, 71.65

 

CMYK 75 / 17 / 0 / 7

HEX #3CC3EC

RGB 60 195 236

HSL 193.98, 0.82%, 0.58%

LAB 73.58, -22.61, -30.66

 

CMYK 0 / 74 / 48 / 7

HEX #EC3E7B

RGB 236 62 123

HSL 338.97, 0.82%, 0.58%

LAB 54.77, 69.31, 6.43

 

CMYK 47 / 0 / 75 / 7

HEX #7CEC3C

RGB 124 236 60

HSL 98.18, 0.82%, 0.58%

LAB 84.28, -60.3, 70.33

 

CMYK 75 / 47 / 0 / 7

HEX #3C7CEC

RGB 60 124 236

HSL 218.18, 0.82%, 0.58%

LAB 53.42, 17.73, -62.43

 

CMYK 0 / 74 / 48 / 7

HEX #EC3E7B

RGB 236 62 123

HSL 338.97, 0.82%, 0.58%

LAB 54.77, 69.31, 6.43

 

CMYK 0 / 13 / 75 / 7

HEX #ECCE3C

RGB 236 206 60

HSL 49.77, 0.82%, 0.58%

LAB 83.07, -4.22, 71.65

 

CMYK 75 / 0 / 28 / 7

HEX #3CECAB

RGB 60 236 171

HSL 157.84, 0.82%, 0.58%

LAB 83.91, -58.43, 19.21

 

CMYK 75 / 62 / 0 / 7

HEX #3C59EC

RGB 60 89 236

HSL 230.11, 0.82%, 0.58%

LAB 44.46, 39.6, -76.98

 

CMYK 0 / 74 / 48 / 7

HEX #EC3E7B

RGB 236 62 123

HSL 338.97, 0.82%, 0.58%

LAB 54.77, 69.31, 6.43

 

CMYK 10 / 0 / 75 / 7

HEX #D4EC3C

RGB 212 236 60

HSL 68.18, 0.82%, 0.58%

LAB 89.07, -28.88, 76.58

 

CMYK 75 / 0 / 28 / 7

HEX #3CECAB

RGB 60 236 171

HSL 157.84, 0.82%, 0.58%

LAB 83.91, -58.43, 19.21

 

CMYK 65 / 75 / 0 / 7

HEX #533CEC

RGB 83 60 236

HSL 247.84, 0.82%, 0.58%

LAB 39.79, 58.5, -84.6

 

Description

Color code: HEX #EC3E7B | qconv.com Color code: HEX #EC3E7B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 62 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 62 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 48 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 48% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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