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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC3C9F it is the complementary color #13C360. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC3C9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC3C9F shade: #F13C9A, #FF4EAD, #FF60C0, #FF72D3 and #FF84E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC3C9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC3C9F shade: #EC3C9F, #DB2A8C, #CA1879, #B90666 and #A80053

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC3C9F shade: #EC3C9F, #EC3C70, #EC3C40 and #EC3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC3C9F shade: #EC3C9F, #EC3CCE, #DA3CEC, #AA3CEC and #7B3CEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC3C9F shade matches the following richer shades: #EC3C9F and #FD2BA1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC3C9F shade: #EC3C9F, #DA4D9D, #C95F9B, #B87098 and #A68196

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC3C9F shade: #DA3CEC, #EC3CCE, #EC3CA0, #EC3C71 and #EC3C42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC3C9F shade: #C21376, #E8178C, #EC3C9F, #EF62B1 and #F387C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC3C9F shade: #EC3C9F, #ECAB3C and #3CE6EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC3C9F shade: #EC3C9F, #A0EC3C and #3CA0EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC3C9F shade: #EC3C9F, #ECAB3C, #3CEC88 and #3C7CEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC3C9F shade: #EC3C9F, #ECE03C, #3CEC88 and #3C48EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 33 / 7

HEX #EC3C9F

RGB 236 60 159

HSL 326.25, 0.82%, 0.58%

LAB 55.65, 73.39, -13.61

 

Complementary color

CMYK 90 / 0 / 51 / 24

HEX #13C360

RGB 19 195 96

HSL 146.25, 0.82%, 0.42%

LAB 69.48, -61.94, 38.36

 

CMYK 0 / 75 / 36 / 5

HEX #F13C9A

RGB 241 60 154

HSL 328.84, 0.87%, 0.59%

LAB 56.35, 74.11, -9.53

 

CMYK 0 / 69 / 32 / 0

HEX #FF4EAD

RGB 255 78 173

HSL 327.8, 1%, 0.65%

LAB 61.42, 73.95, -12.75

 

CMYK 0 / 62 / 25 / 0

HEX #FF60C0

RGB 255 96 192

HSL 323.77, 1%, 0.69%

LAB 64.51, 69.48, -18.94

 

CMYK 0 / 55 / 17 / 0

HEX #FF72D3

RGB 255 114 211

HSL 318.72, 1%, 0.72%

LAB 68.02, 64.41, -24.27

 

CMYK 0 / 48 / 10 / 0

HEX #FF84E6

RGB 255 132 230

HSL 312.2, 1%, 0.76%

LAB 71.88, 58.95, -28.88

 

CMYK 0 / 75 / 33 / 7

HEX #EC3C9F

RGB 236 60 159

HSL 326.25, 0.82%, 0.58%

LAB 55.65, 73.39, -13.61

 

CMYK 0 / 81 / 36 / 14

HEX #DB2A8C

RGB 219 42 140

HSL 326.78, 0.71%, 0.51%

LAB 50.23, 72.15, -10.8

 

CMYK 0 / 88 / 40 / 21

HEX #CA1879

RGB 202 24 121

HSL 327.3, 0.79%, 0.44%

LAB 45.07, 70, -7.29

 

CMYK 0 / 97 / 45 / 27

HEX #B90666

RGB 185 6 102

HSL 327.82, 0.94%, 0.37%

LAB 40.25, 66.7, -2.96

 

CMYK 0 / 100 / 51 / 34

HEX #A80053

RGB 168 0 83

HSL 330.36, 1%, 0.33%

LAB 35.89, 61.93, 2.41

 

CMYK 0 / 75 / 33 / 7

HEX #EC3C9F

RGB 236 60 159

HSL 326.25, 0.82%, 0.58%

LAB 55.65, 73.39, -13.61

 

CMYK 0 / 75 / 53 / 7

HEX #EC3C70

RGB 236 60 112

HSL 342.27, 0.82%, 0.58%

LAB 54.27, 69.06, 12.3

 

CMYK 0 / 75 / 73 / 7

HEX #EC3C40

RGB 236 60 64

HSL 358.64, 0.82%, 0.58%

LAB 53.42, 66.29, 39.46

 

CMYK 0 / 75 / 75 / 7

HEX #EC3C3C

RGB 236 60 60

HSL 0, 0.82%, 0.58%

LAB 53.37, 66.13, 41.64

 

CMYK 0 / 75 / 33 / 7

HEX #EC3C9F

RGB 236 60 159

HSL 326.25, 0.82%, 0.58%

LAB 55.65, 73.39, -13.61

 

CMYK 0 / 75 / 13 / 7

HEX #EC3CCE

RGB 236 60 206

HSL 310.23, 0.82%, 0.58%

LAB 57.58, 79.21, -37.85

 

CMYK 8 / 75 / 0 / 7

HEX #DA3CEC

RGB 218 60 236

HSL 293.86, 0.82%, 0.58%

LAB 56.28, 80.07, -57.06

 

CMYK 28 / 75 / 0 / 7

HEX #AA3CEC

RGB 170 60 236

HSL 277.5, 0.82%, 0.58%

LAB 49.29, 71.16, -68.68

 

CMYK 48 / 75 / 0 / 7

HEX #7B3CEC

RGB 123 60 236

HSL 261.48, 0.82%, 0.58%

LAB 43.51, 63.55, -78.36

 

CMYK 0 / 75 / 33 / 7

HEX #EC3C9F

RGB 236 60 159

HSL 326.25, 0.82%, 0.58%

LAB 55.65, 73.39, -13.61

 

CMYK 0 / 83 / 36 / 1

HEX #FD2BA1

RGB 253 43 161

HSL 326.29, 0.98%, 0.58%

LAB 57.25, 81.88, -12.07

 

CMYK 0 / 75 / 33 / 7

HEX #EC3C9F

RGB 236 60 159

HSL 326.25, 0.82%, 0.58%

LAB 55.65, 73.39, -13.61

 

CMYK 0 / 65 / 28 / 15

HEX #DA4D9D

RGB 218 77 157

HSL 325.96, 0.66%, 0.58%

LAB 54.71, 62.45, -14.16

 

CMYK 0 / 53 / 23 / 21

HEX #C95F9B

RGB 201 95 155

HSL 326.04, 0.5%, 0.58%

LAB 55.04, 49.06, -12.73

 

CMYK 0 / 39 / 17 / 28

HEX #B87098

RGB 184 112 152

HSL 326.67, 0.34%, 0.58%

LAB 56.13, 34.1, -9.57

 

CMYK 0 / 22 / 10 / 35

HEX #A68196

RGB 166 129 150

HSL 325.95, 0.17%, 0.58%

LAB 58.05, 17.76, -5.78

 

CMYK 8 / 75 / 0 / 7

HEX #DA3CEC

RGB 218 60 236

HSL 293.86, 0.82%, 0.58%

LAB 56.28, 80.07, -57.06

 

CMYK 0 / 75 / 13 / 7

HEX #EC3CCE

RGB 236 60 206

HSL 310.23, 0.82%, 0.58%

LAB 57.58, 79.21, -37.85

 

CMYK 0 / 75 / 32 / 7

HEX #EC3CA0

RGB 236 60 160

HSL 325.91, 0.82%, 0.58%

LAB 55.69, 73.5, -14.14

 

CMYK 0 / 75 / 52 / 7

HEX #EC3C71

RGB 236 60 113

HSL 341.93, 0.82%, 0.58%

LAB 54.3, 69.13, 11.74

 

CMYK 0 / 75 / 72 / 7

HEX #EC3C42

RGB 236 60 66

HSL 357.95, 0.82%, 0.58%

LAB 53.45, 66.37, 38.35

 

CMYK 0 / 90 / 39 / 24

HEX #C21376

RGB 194 19 118

HSL 326.06, 0.82%, 0.42%

LAB 43.13, 68.68, -8.51

 

CMYK 0 / 90 / 40 / 9

HEX #E8178C

RGB 232 23 140

HSL 326.41, 0.82%, 0.5%

LAB 51.45, 78.62, -8.71

 

CMYK 0 / 75 / 33 / 7

HEX #EC3C9F

RGB 236 60 159

HSL 326.25, 0.82%, 0.58%

LAB 55.65, 73.39, -13.61

 

CMYK 0 / 59 / 26 / 6

HEX #EF62B1

RGB 239 98 177

HSL 326.38, 0.82%, 0.66%

LAB 61.88, 62.21, -14.6

 

CMYK 0 / 44 / 19 / 5

HEX #F387C4

RGB 243 135 196

HSL 326.11, 0.82%, 0.74%

LAB 69.73, 48.61, -13.46

 

CMYK 0 / 75 / 33 / 7

HEX #EC3C9F

RGB 236 60 159

HSL 326.25, 0.82%, 0.58%

LAB 55.65, 73.39, -13.61

 

CMYK 0 / 28 / 75 / 7

HEX #ECAB3C

RGB 236 171 60

HSL 37.84, 0.82%, 0.58%

LAB 74.37, 14.02, 63.32

 

CMYK 75 / 3 / 0 / 7

HEX #3CE6EC

RGB 60 230 236

HSL 182.05, 0.82%, 0.58%

LAB 83.76, -39.45, -15.17

 

CMYK 0 / 75 / 33 / 7

HEX #EC3C9F

RGB 236 60 159

HSL 326.25, 0.82%, 0.58%

LAB 55.65, 73.39, -13.61

 

CMYK 32 / 0 / 75 / 7

HEX #A0EC3C

RGB 160 236 60

HSL 85.91, 0.82%, 0.58%

LAB 85.9, -48.65, 72.46

 

CMYK 75 / 32 / 0 / 7

HEX #3CA0EC

RGB 60 160 236

HSL 205.91, 0.82%, 0.58%

LAB 63.47, -3.74, -46.41

 

CMYK 0 / 75 / 33 / 7

HEX #EC3C9F

RGB 236 60 159

HSL 326.25, 0.82%, 0.58%

LAB 55.65, 73.39, -13.61

 

CMYK 0 / 28 / 75 / 7

HEX #ECAB3C

RGB 236 171 60

HSL 37.84, 0.82%, 0.58%

LAB 74.37, 14.02, 63.32

 

CMYK 75 / 0 / 42 / 7

HEX #3CEC88

RGB 60 236 136

HSL 145.91, 0.82%, 0.58%

LAB 83.3, -65.24, 36.21

 

CMYK 75 / 47 / 0 / 7

HEX #3C7CEC

RGB 60 124 236

HSL 218.18, 0.82%, 0.58%

LAB 53.42, 17.73, -62.43

 

CMYK 0 / 75 / 33 / 7

HEX #EC3C9F

RGB 236 60 159

HSL 326.25, 0.82%, 0.58%

LAB 55.65, 73.39, -13.61

 

CMYK 0 / 5 / 75 / 7

HEX #ECE03C

RGB 236 224 60

HSL 55.91, 0.82%, 0.58%

LAB 87.71, -13.26, 75.99

 

CMYK 75 / 0 / 42 / 7

HEX #3CEC88

RGB 60 236 136

HSL 145.91, 0.82%, 0.58%

LAB 83.3, -65.24, 36.21

 

CMYK 75 / 69 / 0 / 7

HEX #3C48EC

RGB 60 72 236

HSL 235.91, 0.82%, 0.58%

LAB 40.66, 49.78, -83.23

 

Description

Color code: HEX #EC3C9F | qconv.com Color code: HEX #EC3C9F | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 60 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 60 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 33 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 33% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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