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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC38BC it is the complementary color #13C743. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC38BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC38BC shade: #F138B7, #FF4ACA, #FF5CDD, #FF6EF0 and #FF80FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC38BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC38BC shade: #EC38BC, #DB26A9, #CA1496, #B90283 and #A80070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC38BC shade: #EC36BC, #EC368B, #EC365A and #EC3636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC38BC shade: #EC36BC, #EC36EC, #BB36EC, #8A36EC and #5936EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC38BC shade matches the following richer shades: #EC36BC and #FE25C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC38BC shade: #EC36BC, #DB48B4, #C95AAB, #B76CA3 and #A57D9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC38BC shade: #BC36EC, #EC36EC, #EC36BC, #EC368B and #EC365B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC38BC shade: #BE1290, #E415AD, #EC36BC, #F05CC8 and #F382D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC38BC shade: #EC38BC, #EC8B36 and #36ECD4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC38BC shade: #EC38BC, #BCEC36 and #36BCEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC38BC shade: #EC38BC, #EC8B36, #36EC67 and #3697EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC38BC shade: #EC38BC, #ECC236, #36EC67 and #3661EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 20 / 7

HEX #EC38BC

RGB 236 56 188

HSL 316, 0.83%, 0.57%

LAB 56.38, 77.96, -29.4

 

Complementary color

CMYK 90 / 0 / 66 / 22

HEX #13C743

RGB 19 199 67

HSL 136, 0.83%, 0.43%

LAB 70.45, -67.01, 52.75

 

CMYK 0 / 77 / 24 / 5

HEX #F138B7

RGB 241 56 183

HSL 318.81, 0.87%, 0.58%

LAB 57.02, 78.47, -25.44

 

CMYK 0 / 71 / 21 / 0

HEX #FF4ACA

RGB 255 74 202

HSL 317.57, 1%, 0.65%

LAB 62.02, 78.73, -28.43

 

CMYK 0 / 64 / 13 / 0

HEX #FF5CDD

RGB 255 92 221

HSL 312.52, 1%, 0.68%

LAB 65.07, 74.95, -34.41

 

CMYK 0 / 57 / 6 / 0

HEX #FF6EF0

RGB 255 110 240

HSL 306.21, 1%, 0.72%

LAB 68.54, 70.52, -39.56

 

CMYK 0 / 50 / 0 / 0

HEX #FF80FF

RGB 255 128 255

HSL 300, 1%, 0.75%

LAB 72.17, 64.95, -42.09

 

CMYK 0 / 76 / 20 / 7

HEX #EC38BC

RGB 236 56 188

HSL 316, 0.83%, 0.57%

LAB 56.38, 77.96, -29.4

 

CMYK 0 / 83 / 23 / 14

HEX #DB26A9

RGB 219 38 169

HSL 316.57, 0.72%, 0.5%

LAB 51.05, 76.3, -26.81

 

CMYK 0 / 90 / 26 / 21

HEX #CA1496

RGB 202 20 150

HSL 317.14, 0.82%, 0.44%

LAB 45.99, 73.67, -23.57

 

CMYK 0 / 99 / 29 / 27

HEX #B90283

RGB 185 2 131

HSL 317.7, 0.98%, 0.37%

LAB 41.21, 69.99, -19.63

 

CMYK 0 / 100 / 33 / 34

HEX #A80070

RGB 168 0 112

HSL 320, 1%, 0.33%

LAB 36.92, 64.63, -14.64

 

CMYK 0 / 77 / 20 / 7

HEX #EC36BC

RGB 236 54 188

HSL 315.82, 0.83%, 0.57%

LAB 56.19, 78.5, -29.69

 

CMYK 0 / 77 / 41 / 7

HEX #EC368B

RGB 236 54 139

HSL 331.98, 0.83%, 0.57%

LAB 54.38, 73.1, -3.68

 

CMYK 0 / 77 / 62 / 7

HEX #EC365A

RGB 236 54 90

HSL 348.13, 0.83%, 0.57%

LAB 53.18, 69.37, 23.98

 

CMYK 0 / 77 / 77 / 7

HEX #EC3636

RGB 236 54 54

HSL 0, 0.83%, 0.57%

LAB 52.66, 67.73, 44.16

 

CMYK 0 / 77 / 20 / 7

HEX #EC36BC

RGB 236 54 188

HSL 315.82, 0.83%, 0.57%

LAB 56.19, 78.5, -29.69

 

CMYK 0 / 77 / 0 / 7

HEX #EC36EC

RGB 236 54 236

HSL 300, 0.83%, 0.57%

LAB 58.53, 85.17, -53.3

 

CMYK 21 / 77 / 0 / 7

HEX #BB36EC

RGB 187 54 236

HSL 283.85, 0.83%, 0.57%

LAB 50.99, 76.18, -65.82

 

CMYK 42 / 77 / 0 / 7

HEX #8A36EC

RGB 138 54 236

HSL 267.69, 0.83%, 0.57%

LAB 44.37, 68.22, -76.87

 

CMYK 62 / 77 / 0 / 7

HEX #5936EC

RGB 89 54 236

HSL 251.54, 0.83%, 0.57%

LAB 39.27, 61.99, -85.44

 

CMYK 0 / 77 / 20 / 7

HEX #EC36BC

RGB 236 54 188

HSL 315.82, 0.83%, 0.57%

LAB 56.19, 78.5, -29.69

 

CMYK 0 / 85 / 23 / 0

HEX #FE25C4

RGB 254 37 196

HSL 316.04, 0.99%, 0.57%

LAB 58.4, 86.95, -30.63

 

CMYK 0 / 77 / 20 / 7

HEX #EC36BC

RGB 236 54 188

HSL 315.82, 0.83%, 0.57%

LAB 56.19, 78.5, -29.69

 

CMYK 0 / 67 / 18 / 14

HEX #DB48B4

RGB 219 72 180

HSL 315.92, 0.67%, 0.57%

LAB 55.06, 67.67, -27.03

 

CMYK 0 / 55 / 15 / 21

HEX #C95AAB

RGB 201 90 171

HSL 316.22, 0.51%, 0.57%

LAB 54.73, 53.83, -22.54

 

CMYK 0 / 41 / 11 / 28

HEX #B76CA3

RGB 183 108 163

HSL 316, 0.34%, 0.57%

LAB 55.52, 37.75, -16.9

 

CMYK 0 / 24 / 6 / 35

HEX #A57D9B

RGB 165 125 155

HSL 315, 0.18%, 0.57%

LAB 57.11, 20.58, -10.07

 

CMYK 20 / 77 / 0 / 7

HEX #BC36EC

RGB 188 54 236

HSL 284.18, 0.83%, 0.57%

LAB 51.14, 76.36, -65.57

 

CMYK 0 / 77 / 0 / 7

HEX #EC36EC

RGB 236 54 236

HSL 300, 0.83%, 0.57%

LAB 58.53, 85.17, -53.3

 

CMYK 0 / 77 / 20 / 7

HEX #EC36BC

RGB 236 54 188

HSL 315.82, 0.83%, 0.57%

LAB 56.19, 78.5, -29.69

 

CMYK 0 / 77 / 41 / 7

HEX #EC368B

RGB 236 54 139

HSL 331.98, 0.83%, 0.57%

LAB 54.38, 73.1, -3.68

 

CMYK 0 / 77 / 61 / 7

HEX #EC365B

RGB 236 54 91

HSL 347.8, 0.83%, 0.57%

LAB 53.2, 69.43, 23.41

 

CMYK 0 / 91 / 24 / 25

HEX #BE1290

RGB 190 18 144

HSL 316.05, 0.83%, 0.41%

LAB 43.35, 70.76, -24.21

 

CMYK 0 / 91 / 24 / 11

HEX #E415AD

RGB 228 21 173

HSL 315.94, 0.83%, 0.49%

LAB 51.89, 81.45, -27.73

 

CMYK 0 / 77 / 20 / 7

HEX #EC36BC

RGB 236 54 188

HSL 315.82, 0.83%, 0.57%

LAB 56.19, 78.5, -29.69

 

CMYK 0 / 62 / 17 / 6

HEX #F05CC8

RGB 240 92 200

HSL 316.22, 0.83%, 0.65%

LAB 61.95, 68.12, -27.59

 

CMYK 0 / 47 / 12 / 5

HEX #F382D5

RGB 243 130 213

HSL 315.93, 0.82%, 0.73%

LAB 69.34, 53.67, -23.5

 

CMYK 0 / 76 / 20 / 7

HEX #EC38BC

RGB 236 56 188

HSL 316, 0.83%, 0.57%

LAB 56.38, 77.96, -29.4

 

CMYK 0 / 41 / 77 / 7

HEX #EC8B36

RGB 236 139 54

HSL 28.02, 0.83%, 0.57%

LAB 66.95, 30.68, 58.55

 

CMYK 77 / 0 / 10 / 7

HEX #36ECD4

RGB 54 236 212

HSL 172.09, 0.83%, 0.57%

LAB 84.76, -49.27, -1.05

 

CMYK 0 / 76 / 20 / 7

HEX #EC38BC

RGB 236 56 188

HSL 316, 0.83%, 0.57%

LAB 56.38, 77.96, -29.4

 

CMYK 20 / 0 / 77 / 7

HEX #BCEC36

RGB 188 236 54

HSL 75.82, 0.83%, 0.57%

LAB 87.46, -38.59, 76.3

 

CMYK 77 / 20 / 0 / 7

HEX #36BCEC

RGB 54 188 236

HSL 195.82, 0.83%, 0.57%

LAB 71.42, -19.66, -34

 

CMYK 0 / 76 / 20 / 7

HEX #EC38BC

RGB 236 56 188

HSL 316, 0.83%, 0.57%

LAB 56.38, 77.96, -29.4

 

CMYK 0 / 41 / 77 / 7

HEX #EC8B36

RGB 236 139 54

HSL 28.02, 0.83%, 0.57%

LAB 66.95, 30.68, 58.55

 

CMYK 77 / 0 / 56 / 7

HEX #36EC67

RGB 54 236 103

HSL 136.15, 0.83%, 0.57%

LAB 82.78, -70.97, 51.27

 

CMYK 77 / 36 / 0 / 7

HEX #3697EC

RGB 54 151 236

HSL 208.02, 0.83%, 0.57%

LAB 60.76, 0.76, -50.71

 

CMYK 0 / 76 / 20 / 7

HEX #EC38BC

RGB 236 56 188

HSL 316, 0.83%, 0.57%

LAB 56.38, 77.96, -29.4

 

CMYK 0 / 18 / 77 / 7

HEX #ECC236

RGB 236 194 54

HSL 46.15, 0.83%, 0.57%

LAB 80, 1.72, 70.83

 

CMYK 77 / 0 / 56 / 7

HEX #36EC67

RGB 54 236 103

HSL 136.15, 0.83%, 0.57%

LAB 82.78, -70.97, 51.27

 

CMYK 77 / 59 / 0 / 7

HEX #3661EC

RGB 54 97 236

HSL 225.82, 0.83%, 0.57%

LAB 46.16, 34.02, -74.21

 

Description

Color code: HEX #EC38BC | qconv.com Color code: HEX #EC38BC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 56 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 56 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 20 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 20% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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