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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC32FC it is the complementary color #13CD03. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC32FC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC32FC shade: #F132F7, #FF44FF, #FF56FF, #FF68FF and #FF7AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC32FC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC32FC shade: #EC32FC, #DB20E9, #CA0ED6, #B900C3 and #A800B0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC32FC shade: #EC31FC, #FC31D5, #FC319F, #FC3168 and #FC3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC32FC shade: #EC31FC, #B531FC, #7E31FC, #4831FC and #3131FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC32FC shade matches the following richer shades: #EC31FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC32FC shade: #EC31FC, #DE42EB, #CF53DA, #C164C9 and #B375B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC32FC shade: #7F31FC, #B531FC, #EB31FC, #FC31D7 and #FC31A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC32FC shade: #C603D7, #E808FB, #EC31FC, #F05AFC and #F382FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC32FC shade: #EC32FC, #FC4931 and #31FC9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC32FC shade: #EC32FC, #FCEB31 and #31FCEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC32FC shade: #EC32FC, #FC4931, #42FC31 and #31E4FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC32FC shade: #EC32FC, #FC8631, #42FC31 and #31A7FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 80 / 0 / 1

HEX #EC32FC

RGB 236 50 252

HSL 295.25, 0.97%, 0.59%

LAB 59.11, 88.6, -61.3

 

Complementary color

CMYK 91 / 0 / 99 / 20

HEX #13CD03

RGB 19 205 3

HSL 115.25, 0.97%, 0.41%

LAB 72.1, -72.21, 70.37

 

CMYK 2 / 80 / 0 / 3

HEX #F132F7

RGB 241 50 247

HSL 298.17, 0.92%, 0.58%

LAB 59.61, 88.71, -57.66

 

CMYK 0 / 73 / 0 / 0

HEX #FF44FF

RGB 255 68 255

HSL 300, 1%, 0.63%

LAB 63.85, 87.96, -55.22

 

CMYK 0 / 66 / 0 / 0

HEX #FF56FF

RGB 255 86 255

HSL 300, 1%, 0.67%

LAB 65.85, 82.25, -52.03

 

CMYK 0 / 59 / 0 / 0

HEX #FF68FF

RGB 255 104 255

HSL 300, 1%, 0.7%

LAB 68.3, 75.43, -48.17

 

CMYK 0 / 52 / 0 / 0

HEX #FF7AFF

RGB 255 122 255

HSL 300, 1%, 0.74%

LAB 71.15, 67.7, -43.7

 

CMYK 6 / 80 / 0 / 1

HEX #EC32FC

RGB 236 50 252

HSL 295.25, 0.97%, 0.59%

LAB 59.11, 88.6, -61.3

 

CMYK 6 / 86 / 0 / 9

HEX #DB20E9

RGB 219 32 233

HSL 295.82, 0.82%, 0.52%

LAB 54, 86.34, -59.02

 

CMYK 6 / 93 / 0 / 16

HEX #CA0ED6

RGB 202 14 214

HSL 296.4, 0.88%, 0.45%

LAB 49.16, 83.06, -56.15

 

CMYK 5 / 100 / 0 / 24

HEX #B900C3

RGB 185 0 195

HSL 296.92, 1%, 0.38%

LAB 44.6, 78.71, -52.66

 

CMYK 5 / 100 / 0 / 31

HEX #A800B0

RGB 168 0 176

HSL 297.27, 1%, 0.35%

LAB 40.34, 73.1, -48.47

 

CMYK 6 / 81 / 0 / 1

HEX #EC31FC

RGB 236 49 252

HSL 295.27, 0.97%, 0.59%

LAB 59.03, 88.82, -61.42

 

CMYK 0 / 81 / 15 / 1

HEX #FC31D5

RGB 252 49 213

HSL 311.53, 0.97%, 0.59%

LAB 59.61, 86.28, -38.46

 

CMYK 0 / 81 / 37 / 1

HEX #FC319F

RGB 252 49 159

HSL 327.49, 0.97%, 0.59%

LAB 57.46, 80.16, -10.61

 

CMYK 0 / 81 / 59 / 1

HEX #FC3168

RGB 252 49 104

HSL 343.74, 0.97%, 0.59%

LAB 55.98, 75.78, 19.89

 

CMYK 0 / 81 / 81 / 1

HEX #FC3131

RGB 252 49 49

HSL 0, 0.97%, 0.59%

LAB 55.19, 73.37, 50.35

 

CMYK 6 / 81 / 0 / 1

HEX #EC31FC

RGB 236 49 252

HSL 295.27, 0.97%, 0.59%

LAB 59.03, 88.82, -61.42

 

CMYK 28 / 81 / 0 / 1

HEX #B531FC

RGB 181 49 252

HSL 279.01, 0.97%, 0.59%

LAB 50.74, 79.76, -75.22

 

CMYK 50 / 81 / 0 / 1

HEX #7E31FC

RGB 126 49 252

HSL 262.76, 0.97%, 0.59%

LAB 43.74, 72.28, -86.96

 

CMYK 71 / 81 / 0 / 1

HEX #4831FC

RGB 72 49 252

HSL 246.8, 0.97%, 0.59%

LAB 38.9, 67.25, -95.11

 

CMYK 81 / 81 / 0 / 1

HEX #3131FC

RGB 49 49 252

HSL 240, 0.97%, 0.59%

LAB 37.62, 65.94, -97.27

 

CMYK 6 / 81 / 0 / 1

HEX #EC31FC

RGB 236 49 252

HSL 295.27, 0.97%, 0.59%

LAB 59.03, 88.82, -61.42

 

CMYK 6 / 81 / 0 / 1

HEX #EC31FC

RGB 236 49 252

HSL 295.27, 0.97%, 0.59%

LAB 59.03, 88.82, -61.42

 

CMYK 6 / 72 / 0 / 8

HEX #DE42EB

RGB 222 66 235

HSL 295.38, 0.81%, 0.59%

LAB 57.49, 78.83, -54.54

 

CMYK 5 / 62 / 0 / 15

HEX #CF53DA

RGB 207 83 218

HSL 295.11, 0.65%, 0.59%

LAB 56.6, 66.34, -46.51

 

CMYK 4 / 50 / 0 / 21

HEX #C164C9

RGB 193 100 201

HSL 295.25, 0.48%, 0.59%

LAB 56.75, 51.8, -36.75

 

CMYK 3 / 36 / 0 / 28

HEX #B375B8

RGB 179 117 184

HSL 295.52, 0.32%, 0.59%

LAB 57.82, 35.38, -25.53

 

CMYK 50 / 81 / 0 / 1

HEX #7F31FC

RGB 127 49 252

HSL 263.05, 0.97%, 0.59%

LAB 43.85, 72.4, -86.77

 

CMYK 28 / 81 / 0 / 1

HEX #B531FC

RGB 181 49 252

HSL 279.01, 0.97%, 0.59%

LAB 50.74, 79.76, -75.22

 

CMYK 7 / 81 / 0 / 1

HEX #EB31FC

RGB 235 49 252

HSL 294.98, 0.97%, 0.59%

LAB 58.87, 88.65, -61.69

 

CMYK 0 / 81 / 15 / 1

HEX #FC31D7

RGB 252 49 215

HSL 310.94, 0.97%, 0.59%

LAB 59.71, 86.54, -39.44

 

CMYK 0 / 81 / 36 / 1

HEX #FC31A1

RGB 252 49 161

HSL 326.9, 0.97%, 0.59%

LAB 57.53, 80.35, -11.68

 

CMYK 8 / 99 / 0 / 16

HEX #C603D7

RGB 198 3 215

HSL 295.19, 0.97%, 0.43%

LAB 48.23, 83.52, -58.25

 

CMYK 8 / 97 / 0 / 2

HEX #E808FB

RGB 232 8 251

HSL 295.31, 0.97%, 0.51%

LAB 56.38, 93.72, -65.15

 

CMYK 6 / 81 / 0 / 1

HEX #EC31FC

RGB 236 49 252

HSL 295.27, 0.97%, 0.59%

LAB 59.03, 88.82, -61.42

 

CMYK 5 / 64 / 0 / 1

HEX #F05AFC

RGB 240 90 252

HSL 295.56, 0.96%, 0.67%

LAB 64.05, 76.99, -53.38

 

CMYK 4 / 49 / 0 / 1

HEX #F382FD

RGB 243 130 253

HSL 295.12, 0.97%, 0.75%

LAB 70.95, 60.42, -43.03

 

CMYK 6 / 80 / 0 / 1

HEX #EC32FC

RGB 236 50 252

HSL 295.25, 0.97%, 0.59%

LAB 59.11, 88.6, -61.3

 

CMYK 0 / 71 / 81 / 1

HEX #FC4931

RGB 252 73 49

HSL 7.09, 0.97%, 0.59%

LAB 57.73, 66.26, 52.79

 

CMYK 81 / 0 / 39 / 1

HEX #31FC9A

RGB 49 252 154

HSL 151.03, 0.97%, 0.59%

LAB 88.26, -68.83, 33.74

 

CMYK 6 / 80 / 0 / 1

HEX #EC32FC

RGB 236 50 252

HSL 295.25, 0.97%, 0.59%

LAB 59.11, 88.6, -61.3

 

CMYK 0 / 7 / 81 / 1

HEX #FCEB31

RGB 252 235 49

HSL 54.98, 0.97%, 0.59%

LAB 91.83, -12.4, 83.32

 

CMYK 81 / 0 / 7 / 1

HEX #31FCEB

RGB 49 252 235

HSL 174.98, 0.97%, 0.59%

LAB 89.99, -50.34, -5.4

 

CMYK 6 / 80 / 0 / 1

HEX #EC32FC

RGB 236 50 252

HSL 295.25, 0.97%, 0.59%

LAB 59.11, 88.6, -61.3

 

CMYK 0 / 71 / 81 / 1

HEX #FC4931

RGB 252 73 49

HSL 7.09, 0.97%, 0.59%

LAB 57.73, 66.26, 52.79

 

CMYK 74 / 0 / 81 / 1

HEX #42FC31

RGB 66 252 49

HSL 114.98, 0.97%, 0.59%

LAB 87.49, -78.97, 75.99

 

CMYK 81 / 10 / 0 / 1

HEX #31E4FC

RGB 49 228 252

HSL 187.09, 0.97%, 0.59%

LAB 83.53, -34.8, -23.98

 

CMYK 6 / 80 / 0 / 1

HEX #EC32FC

RGB 236 50 252

HSL 295.25, 0.97%, 0.59%

LAB 59.11, 88.6, -61.3

 

CMYK 0 / 47 / 81 / 1

HEX #FC8631

RGB 252 134 49

HSL 25.12, 0.97%, 0.59%

LAB 68, 39.48, 62.33

 

CMYK 74 / 0 / 81 / 1

HEX #42FC31

RGB 66 252 49

HSL 114.98, 0.97%, 0.59%

LAB 87.49, -78.97, 75.99

 

CMYK 81 / 34 / 0 / 1

HEX #31A7FC

RGB 49 167 252

HSL 205.12, 0.97%, 0.59%

LAB 66, -3.23, -51.2

 

Description

Color code: HEX #EC32FC | qconv.com Color code: HEX #EC32FC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 50 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 50 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 80 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 80% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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