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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC3177 it is the complementary color #13CE88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC3177. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC3177 shade: #F13172, #FF4385, #FF5598, #FF67AB and #FF79BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC3177. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC3177 shade: #EC3177, #DB1F64, #CA0D51, #B9003E and #A8002B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC3177 shade: #EC3277, #EC3245 and #EC3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC3177 shade: #EC3277, #EC32AA, #EC32DC, #CA32EC and #9832EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC3177 shade matches the following richer shades: #EC3277 and #FE2073

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC3177 shade: #EC3277, #DA447C, #C85681, #B56885 and #A37A8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC3177 shade: #EC32DC, #EC32AB, #EC3279, #EC3247 and #EC4E32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC3177 shade: #BA1150, #E01561, #EC3277, #EF5790 and #F37DA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC3177 shade: #EC3177, #ECCA32 and #32C4EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC3177 shade: #EC3177, #79EC32 and #3279EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC3177 shade: #EC3177, #ECCA32, #32ECA5 and #3254EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC3177 shade: #EC3177, #D6EC32, #32ECA5 and #4732EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 50 / 7

HEX #EC3177

RGB 236 49 119

HSL 337.54, 0.83%, 0.56%

LAB 53.34, 72.72, 6.79

 

Complementary color

CMYK 91 / 0 / 34 / 19

HEX #13CE88

RGB 19 206 136

HSL 157.54, 0.83%, 0.44%

LAB 73.58, -58.33, 23.21

 

CMYK 0 / 80 / 53 / 5

HEX #F13172

RGB 241 49 114

HSL 339.69, 0.87%, 0.57%

LAB 54.15, 73.62, 11.06

 

CMYK 0 / 74 / 48 / 0

HEX #FF4385

RGB 255 67 133

HSL 338.94, 1%, 0.63%

LAB 58.94, 73.69, 6.92

 

CMYK 0 / 67 / 40 / 0

HEX #FF5598

RGB 255 85 152

HSL 336.35, 1%, 0.67%

LAB 61.67, 69.24, -0.23

 

CMYK 0 / 60 / 33 / 0

HEX #FF67AB

RGB 255 103 171

HSL 333.16, 1%, 0.7%

LAB 64.88, 64.04, -6.43

 

CMYK 0 / 53 / 25 / 0

HEX #FF79BE

RGB 255 121 190

HSL 329.1, 1%, 0.74%

LAB 68.5, 58.34, -11.79

 

CMYK 0 / 79 / 50 / 7

HEX #EC3177

RGB 236 49 119

HSL 337.54, 0.83%, 0.56%

LAB 53.34, 72.72, 6.79

 

CMYK 0 / 86 / 54 / 14

HEX #DB1F64

RGB 219 31 100

HSL 337.98, 0.75%, 0.49%

LAB 48.21, 71.08, 10.63

 

CMYK 0 / 94 / 60 / 21

HEX #CA0D51

RGB 202 13 81

HSL 338.41, 0.88%, 0.42%

LAB 43.42, 68.41, 15.29

 

CMYK 0 / 100 / 66 / 27

HEX #B9003E

RGB 185 0 62

HSL 339.89, 1%, 0.36%

LAB 39.01, 64.59, 20.84

 

CMYK 0 / 100 / 74 / 34

HEX #A8002B

RGB 168 0 43

HSL 344.64, 1%, 0.33%

LAB 35, 59.56, 27.18

 

CMYK 0 / 79 / 50 / 7

HEX #EC3277

RGB 236 50 119

HSL 337.74, 0.83%, 0.56%

LAB 53.43, 72.46, 6.92

 

CMYK 0 / 79 / 71 / 7

HEX #EC3245

RGB 236 50 69

HSL 353.87, 0.83%, 0.56%

LAB 52.45, 69.42, 35.46

 

CMYK 0 / 79 / 79 / 7

HEX #EC3232

RGB 236 50 50

HSL 0, 0.83%, 0.56%

LAB 52.22, 68.72, 45.86

 

CMYK 0 / 79 / 50 / 7

HEX #EC3277

RGB 236 50 119

HSL 337.74, 0.83%, 0.56%

LAB 53.43, 72.46, 6.92

 

CMYK 0 / 79 / 28 / 7

HEX #EC32AA

RGB 236 50 170

HSL 321.29, 0.83%, 0.56%

LAB 55.09, 77.38, -20.92

 

CMYK 0 / 79 / 7 / 7

HEX #EC32DC

RGB 236 50 220

HSL 305.16, 0.83%, 0.56%

LAB 57.35, 83.81, -46.17

 

CMYK 14 / 79 / 0 / 7

HEX #CA32EC

RGB 202 50 236

HSL 289.03, 0.83%, 0.56%

LAB 52.83, 79.98, -62.73

 

CMYK 36 / 79 / 0 / 7

HEX #9832EC

RGB 152 50 236

HSL 272.9, 0.83%, 0.56%

LAB 45.65, 71.75, -74.71

 

CMYK 0 / 79 / 50 / 7

HEX #EC3277

RGB 236 50 119

HSL 337.74, 0.83%, 0.56%

LAB 53.43, 72.46, 6.92

 

CMYK 0 / 87 / 55 / 0

HEX #FE2073

RGB 254 32 115

HSL 337.57, 0.99%, 0.56%

LAB 55.42, 80.35, 12.61

 

CMYK 0 / 79 / 50 / 7

HEX #EC3277

RGB 236 50 119

HSL 337.74, 0.83%, 0.56%

LAB 53.43, 72.46, 6.92

 

CMYK 0 / 69 / 43 / 15

HEX #DA447C

RGB 218 68 124

HSL 337.6, 0.67%, 0.56%

LAB 52.39, 62.28, 2

 

CMYK 0 / 57 / 36 / 22

HEX #C85681

RGB 200 86 129

HSL 337.37, 0.51%, 0.56%

LAB 52.42, 49.67, -1.3

 

CMYK 0 / 43 / 27 / 29

HEX #B56885

RGB 181 104 133

HSL 337.4, 0.34%, 0.56%

LAB 53.4, 34.49, -2.54

 

CMYK 0 / 25 / 15 / 36

HEX #A37A8A

RGB 163 122 138

HSL 336.59, 0.18%, 0.56%

LAB 55.62, 18.53, -2.44

 

CMYK 0 / 79 / 7 / 7

HEX #EC32DC

RGB 236 50 220

HSL 305.16, 0.83%, 0.56%

LAB 57.35, 83.81, -46.17

 

CMYK 0 / 79 / 28 / 7

HEX #EC32AB

RGB 236 50 171

HSL 320.97, 0.83%, 0.56%

LAB 55.13, 77.5, -21.44

 

CMYK 0 / 79 / 49 / 7

HEX #EC3279

RGB 236 50 121

HSL 337.1, 0.83%, 0.56%

LAB 53.49, 72.62, 5.79

 

CMYK 0 / 79 / 70 / 7

HEX #EC3247

RGB 236 50 71

HSL 353.23, 0.83%, 0.56%

LAB 52.47, 69.51, 34.33

 

CMYK 0 / 67 / 79 / 7

HEX #EC4E32

RGB 236 78 50

HSL 9.03, 0.83%, 0.56%

LAB 55.6, 59.39, 49.25

 

CMYK 0 / 91 / 57 / 27

HEX #BA1150

RGB 186 17 80

HSL 337.63, 0.83%, 0.4%

LAB 40.28, 63.94, 11.09

 

CMYK 0 / 91 / 57 / 12

HEX #E01561

RGB 224 21 97

HSL 337.54, 0.83%, 0.48%

LAB 48.57, 73.69, 13.12

 

CMYK 0 / 79 / 50 / 7

HEX #EC3277

RGB 236 50 119

HSL 337.74, 0.83%, 0.56%

LAB 53.43, 72.46, 6.92

 

CMYK 0 / 64 / 40 / 6

HEX #EF5790

RGB 239 87 144

HSL 337.5, 0.83%, 0.64%

LAB 59.14, 63.02, 0.42

 

CMYK 0 / 49 / 30 / 5

HEX #F37DA9

RGB 243 125 169

HSL 337.63, 0.83%, 0.72%

LAB 66.97, 49.9, -2.41

 

CMYK 0 / 79 / 50 / 7

HEX #EC3177

RGB 236 49 119

HSL 337.54, 0.83%, 0.56%

LAB 53.34, 72.72, 6.79

 

CMYK 0 / 14 / 79 / 7

HEX #ECCA32

RGB 236 202 50

HSL 49.03, 0.83%, 0.56%

LAB 82, -2.54, 73.91

 

CMYK 79 / 17 / 0 / 7

HEX #32C4EC

RGB 50 196 236

HSL 192.9, 0.83%, 0.56%

LAB 73.68, -24.15, -30.51

 

CMYK 0 / 79 / 50 / 7

HEX #EC3177

RGB 236 49 119

HSL 337.54, 0.83%, 0.56%

LAB 53.34, 72.72, 6.79

 

CMYK 49 / 0 / 79 / 7

HEX #79EC32

RGB 121 236 50

HSL 97.1, 0.83%, 0.56%

LAB 84.11, -61.72, 73.13

 

CMYK 79 / 49 / 0 / 7

HEX #3279EC

RGB 50 121 236

HSL 217.1, 0.83%, 0.56%

LAB 52.3, 18.51, -64.26

 

CMYK 0 / 79 / 50 / 7

HEX #EC3177

RGB 236 49 119

HSL 337.54, 0.83%, 0.56%

LAB 53.34, 72.72, 6.79

 

CMYK 0 / 14 / 79 / 7

HEX #ECCA32

RGB 236 202 50

HSL 49.03, 0.83%, 0.56%

LAB 82, -2.54, 73.91

 

CMYK 79 / 0 / 30 / 7

HEX #32ECA5

RGB 50 236 165

HSL 157.1, 0.83%, 0.56%

LAB 83.64, -60.83, 21.92

 

CMYK 79 / 64 / 0 / 7

HEX #3254EC

RGB 50 84 236

HSL 229.03, 0.83%, 0.56%

LAB 42.88, 41.75, -79.59

 

CMYK 0 / 79 / 50 / 7

HEX #EC3177

RGB 236 49 119

HSL 337.54, 0.83%, 0.56%

LAB 53.34, 72.72, 6.79

 

CMYK 9 / 0 / 79 / 7

HEX #D6EC32

RGB 214 236 50

HSL 67.1, 0.83%, 0.56%

LAB 89.17, -28.47, 79.59

 

CMYK 79 / 0 / 30 / 7

HEX #32ECA5

RGB 50 236 165

HSL 157.1, 0.83%, 0.56%

LAB 83.64, -60.83, 21.92

 

CMYK 70 / 79 / 0 / 7

HEX #4732EC

RGB 71 50 236

HSL 246.77, 0.83%, 0.56%

LAB 37.26, 62.18, -88.82

 

Description

Color code: HEX #EC3177 | qconv.com Color code: HEX #EC3177 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 49 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 49 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 50 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 50% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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