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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC1A85 it is the complementary color #13E57A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC1A85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC1A85 shade: #F11A80, #FF2C93, #FF3EA6, #FF50B9 and #FF62CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC1A85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC1A85 shade: #EC1A85, #DB0872, #CA005F, #B9004C and #A80039

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC1A85 shade: #EC1884, #EC184B and #EC1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC1A85 shade: #EC1884, #EC18BD, #E218EC, #A918EC and #6F18EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC1A85 shade matches the following richer shades: #EC1884

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC1A85 shade: #EC1884, #D82C84, #C44083, #B05483 and #9B6983

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC1A85 shade: #E218EC, #EC18BE, #EC1886, #EC184D and #EC1B18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC1A85 shade: #A40D5A, #CA106F, #EC1884, #EF3E98 and #F264AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC1A85 shade: #EC1A85, #ECA918 and #18DBEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC1A85 shade: #EC1A85, #86EC18 and #1886EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC1A85 shade: #EC1A85, #ECA918, #18EC7F and #185BEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC1A85 shade: #EC1A85, #ECE918, #18EC7F and #181BEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 44 / 7

HEX #EC1A85

RGB 236 26 133

HSL 329.43, 0.85%, 0.51%

LAB 52.14, 78.48, -3.4

 

Complementary color

CMYK 92 / 0 / 47 / 10

HEX #13E57A

RGB 19 229 122

HSL 149.43, 0.85%, 0.49%

LAB 80.51, -68.86, 39.43

 

CMYK 0 / 89 / 47 / 5

HEX #F11A80

RGB 241 26 128

HSL 331.53, 0.88%, 0.52%

LAB 52.95, 79.19, 0.92

 

CMYK 0 / 83 / 42 / 0

HEX #FF2C93

RGB 255 44 147

HSL 330.71, 1%, 0.59%

LAB 57.24, 80.84, -3.81

 

CMYK 0 / 76 / 35 / 0

HEX #FF3EA6

RGB 255 62 166

HSL 327.67, 1%, 0.62%

LAB 59.4, 78.23, -11.74

 

CMYK 0 / 69 / 27 / 0

HEX #FF50B9

RGB 255 80 185

HSL 324, 1%, 0.66%

LAB 62.08, 74.63, -18.64

 

CMYK 0 / 62 / 20 / 0

HEX #FF62CC

RGB 255 98 204

HSL 319.49, 1%, 0.69%

LAB 65.24, 70.24, -24.6

 

CMYK 0 / 89 / 44 / 7

HEX #EC1A85

RGB 236 26 133

HSL 329.43, 0.85%, 0.51%

LAB 52.14, 78.48, -3.4

 

CMYK 0 / 96 / 48 / 14

HEX #DB0872

RGB 219 8 114

HSL 329.86, 0.93%, 0.45%

LAB 47.56, 75.1, 1.07

 

CMYK 0 / 100 / 53 / 21

HEX #CA005F

RGB 202 0 95

HSL 331.78, 1%, 0.4%

LAB 43.33, 70.57, 6.37

 

CMYK 0 / 100 / 59 / 27

HEX #B9004C

RGB 185 0 76

HSL 335.35, 1%, 0.36%

LAB 39.3, 65.39, 12.27

 

CMYK 0 / 100 / 66 / 34

HEX #A80039

RGB 168 0 57

HSL 339.64, 1%, 0.33%

LAB 35.24, 60.21, 18.47

 

CMYK 0 / 90 / 44 / 7

HEX #EC1884

RGB 236 24 132

HSL 329.43, 0.85%, 0.51%

LAB 52.01, 78.67, -2.98

 

CMYK 0 / 90 / 68 / 7

HEX #EC184B

RGB 236 24 75

HSL 345.57, 0.85%, 0.51%

LAB 50.68, 74.98, 29.77

 

CMYK 0 / 90 / 90 / 7

HEX #EC1818

RGB 236 24 24

HSL 0, 0.85%, 0.51%

LAB 50.16, 73.5, 56.5

 

CMYK 0 / 90 / 44 / 7

HEX #EC1884

RGB 236 24 132

HSL 329.43, 0.85%, 0.51%

LAB 52.01, 78.67, -2.98

 

CMYK 0 / 90 / 20 / 7

HEX #EC18BD

RGB 236 24 189

HSL 313.3, 0.85%, 0.51%

LAB 54.2, 84.52, -33.37

 

CMYK 4 / 90 / 0 / 7

HEX #E218EC

RGB 226 24 236

HSL 297.17, 0.85%, 0.51%

LAB 54.95, 89.11, -59.12

 

CMYK 28 / 90 / 0 / 7

HEX #A918EC

RGB 169 24 236

HSL 281.04, 0.85%, 0.51%

LAB 45.83, 80.7, -74.32

 

CMYK 53 / 90 / 0 / 7

HEX #6F18EC

RGB 111 24 236

HSL 264.62, 0.85%, 0.51%

LAB 38, 74.33, -87.47

 

CMYK 0 / 90 / 44 / 7

HEX #EC1884

RGB 236 24 132

HSL 329.43, 0.85%, 0.51%

LAB 52.01, 78.67, -2.98

 

CMYK 0 / 90 / 44 / 7

HEX #EC1884

RGB 236 24 132

HSL 329.43, 0.85%, 0.51%

LAB 52.01, 78.67, -2.98

 

CMYK 0 / 80 / 39 / 15

HEX #D82C84

RGB 216 44 132

HSL 329.3, 0.69%, 0.51%

LAB 49.58, 70.12, -7

 

CMYK 0 / 67 / 33 / 23

HEX #C44083

RGB 196 64 131

HSL 329.55, 0.53%, 0.51%

LAB 48.31, 58.22, -8.66

 

CMYK 0 / 52 / 26 / 31

HEX #B05483

RGB 176 84 131

HSL 329.35, 0.37%, 0.51%

LAB 48.52, 42.97, -8.67

 

CMYK 0 / 32 / 15 / 39

HEX #9B6983

RGB 155 105 131

HSL 328.8, 0.2%, 0.51%

LAB 50.35, 24.08, -6.24

 

CMYK 4 / 90 / 0 / 7

HEX #E218EC

RGB 226 24 236

HSL 297.17, 0.85%, 0.51%

LAB 54.95, 89.11, -59.12

 

CMYK 0 / 90 / 19 / 7

HEX #EC18BE

RGB 236 24 190

HSL 313.02, 0.85%, 0.51%

LAB 54.24, 84.64, -33.88

 

CMYK 0 / 90 / 43 / 7

HEX #EC1886

RGB 236 24 134

HSL 328.87, 0.85%, 0.51%

LAB 52.07, 78.84, -4.1

 

CMYK 0 / 90 / 67 / 7

HEX #EC184D

RGB 236 24 77

HSL 345, 0.85%, 0.51%

LAB 50.71, 75.07, 28.61

 

CMYK 0 / 89 / 90 / 7

HEX #EC1B18

RGB 236 27 24

HSL 0.85, 0.85%, 0.51%

LAB 50.31, 73.05, 56.61

 

CMYK 0 / 92 / 45 / 36

HEX #A40D5A

RGB 164 13 90

HSL 329.4, 0.85%, 0.35%

LAB 35.83, 59.96, -2.31

 

CMYK 0 / 92 / 45 / 21

HEX #CA106F

RGB 202 16 111

HSL 329.35, 0.85%, 0.43%

LAB 44.34, 70.26, -2.18

 

CMYK 0 / 90 / 44 / 7

HEX #EC1884

RGB 236 24 132

HSL 329.43, 0.85%, 0.51%

LAB 52.01, 78.67, -2.98

 

CMYK 0 / 74 / 36 / 6

HEX #EF3E98

RGB 239 62 152

HSL 329.49, 0.85%, 0.59%

LAB 56.15, 72.8, -8.69

 

CMYK 0 / 59 / 29 / 5

HEX #F264AD

RGB 242 100 173

HSL 329.15, 0.85%, 0.67%

LAB 62.51, 61.72, -11.31

 

CMYK 0 / 89 / 44 / 7

HEX #EC1A85

RGB 236 26 133

HSL 329.43, 0.85%, 0.51%

LAB 52.14, 78.48, -3.4

 

CMYK 0 / 28 / 90 / 7

HEX #ECA918

RGB 236 169 24

HSL 41.04, 0.85%, 0.51%

LAB 73.72, 14.03, 73.76

 

CMYK 90 / 7 / 0 / 7

HEX #18DBEC

RGB 24 219 236

HSL 184.81, 0.85%, 0.51%

LAB 80.13, -37.03, -20.69

 

CMYK 0 / 89 / 44 / 7

HEX #EC1A85

RGB 236 26 133

HSL 329.43, 0.85%, 0.51%

LAB 52.14, 78.48, -3.4

 

CMYK 43 / 0 / 90 / 7

HEX #86EC18

RGB 134 236 24

HSL 88.87, 0.85%, 0.51%

LAB 84.55, -58.73, 79.3

 

CMYK 90 / 43 / 0 / 7

HEX #1886EC

RGB 24 134 236

HSL 208.87, 0.85%, 0.51%

LAB 55.38, 8.54, -59.33

 

CMYK 0 / 89 / 44 / 7

HEX #EC1A85

RGB 236 26 133

HSL 329.43, 0.85%, 0.51%

LAB 52.14, 78.48, -3.4

 

CMYK 0 / 28 / 90 / 7

HEX #ECA918

RGB 236 169 24

HSL 41.04, 0.85%, 0.51%

LAB 73.72, 14.03, 73.76

 

CMYK 90 / 0 / 46 / 7

HEX #18EC7F

RGB 24 236 127

HSL 149.15, 0.85%, 0.51%

LAB 82.76, -70.06, 39.87

 

CMYK 90 / 61 / 0 / 7

HEX #185BEC

RGB 24 91 236

HSL 221.04, 0.85%, 0.51%

LAB 43.85, 35.71, -78.03

 

CMYK 0 / 89 / 44 / 7

HEX #EC1A85

RGB 236 26 133

HSL 329.43, 0.85%, 0.51%

LAB 52.14, 78.48, -3.4

 

CMYK 0 / 1 / 90 / 7

HEX #ECE918

RGB 236 233 24

HSL 59.15, 0.85%, 0.51%

LAB 89.94, -18.64, 86.24

 

CMYK 90 / 0 / 46 / 7

HEX #18EC7F

RGB 24 236 127

HSL 149.15, 0.85%, 0.51%

LAB 82.76, -70.06, 39.87

 

CMYK 90 / 89 / 0 / 7

HEX #181BEC

RGB 24 27 236

HSL 239.15, 0.85%, 0.51%

LAB 31.88, 69.15, -97.82

 

Description

Color code: HEX #EC1A85 | qconv.com Color code: HEX #EC1A85 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 26 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 26 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 44 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 44% 7% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

91% - p_pink_patch2.png (1...
Link: http://www.pmobile.co.il

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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